georayn

[georayn]

ok i'm not a hater of the idol format but wtf sm

I'm writing (and now posting) this on october 13th which is the day SM entertainment announced the departure of Seunghan from RIIZE. I'm not a RIIZE fan and don't even know some of the members' names, but I can speak on this company's lack of commitment to their artists as a NCTzen... yeah we've been through a lot and apparently briizes are being obliged into following the same steps, unfortunately.

I just wanted to quickly bring the topic of fanatization of idols to the table. as westerners, it's pretty easy to say that the whole idol format is weird and all just because it's not the way we do it here, so I'm not intending to fall into this discourse and hope nobody does. with that said, it's still pertinent to reiterate that the limitless idolization of real people can not be healthy after a certain point.

this whole situation was able to make a really old problem related to this VERY explicit. I've seen a bunch of korean "fans" depict it in the way of "this is just how our culture works, of course you foreigners wouldn't understand", when in fact the real danger of all of this is basically an issue that originated almost exclusively from your country/region that we fortunately almost do not have (on this level), so our exterior view on this should be of help.

of course, I'm not trying to start an international war here (every time humanity has done this it was not a good idea), so it is also of importance to highlight that the west and other parts of the world obviously have their own problems (big ones in fact) and not all korean fans reacted the way that I described, in fact it was probably a small portion, but it was big enough to make noise that SM judged unavoidable.

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well, here's the thing. the problem is not just in the way these "fans" reacted, but also in the way SM decided to judge their reaction as acceptable enough and chose to nod to their wants at the price of everyone who wanted his return, which includes themselves 1 day earlier and also the group members.

I've determined that the extreme negative reception by some "fans" was totally inadequate and the reasons can be compressed into: 1- past actions, specially pre-debut, should not determine the character of an idol currently; 2- when someone pauses their activities for such a long time, they probably stopped and reflected about what they did and changed to a better a person; 3- all of the previous shouldn't apply to Seunghan because, let's be frank, he only dated someone and smoked???? and even if he still actively does these, you shouldn't externalize your own concerns and have an affect on his well-being just because of the fact that you felt fooled by these silly things when he promised nothing to you. in addition, none of those were in front of the cameras, but they apparently are such deeply rooted problems in korea that they just stopped listening to the complaints.

you know who could have the power to change all of these factors, even if slowly? the companies. after all, they're the ones who decide what the rules are. some would say that the public's wants determine the rules just as much, and I actually agree. the thing is: SM's decision might seem the most profitable/stable to them now since the outrageous "fans" have a very strong opinion at the moment, but that will surely hurt them so much on the long run. and yes, I am also talking about money, so profit isn't even a last resource to defending this decision.

we've had and are still having problems of members departing from their groups in kpop so often, and SM is an incredible contributor to this issue. of course, in some cases, it has been the right thing to do when there are logical and concrete motives (ex: the taeil case), but when the reasons come from actual inappropriate reactions from the public exclusively, you should condemn their act and support the sane and actually healthy way of dealing with this. yes, you might get hit with some short term backlash and maybe a lot of it, but, especially if you are a big and resourceful company like SM, you should understand that your actions also have long term consequences.

from my experience, ever since NCT started to destabilize as a big concise project, my will of supporting their work has just fallen off. of course, I still love the boys and all the effort they put in their music, performances and other varieties, but it is essential to understand that most of the work put into the NCT brand as a whole comes from their company. because of this, it is hard to keep on buying merch, showing up to their events and getting excited for new projects that will probably get hijacked by SM. again, I am not a briize and have not followed their way to the point we are now, but I assume they have gone through similar cases of neglect.

with that said, a message to SM: people will keep losing their trust on you. you guys are too comfortable with the status that lee sooman has taken years to establish, and this equally gradual loss of trust is exactly what will make your reign fall off. you should not side with the crazy behavior of some sick "fans" for commercial success because that is purely a trap; you guys will feel the strong impact after some years, or maybe even less.

ok so I did not expect this post to be my return to blogging, but all of this was so absurd that I felt the urge of exposing (in my point of view) all of the problematics of the situation.

I am working on a new post though! i much prefer writing about subjects of my interest that do not involve any news so I hope that it can be well recieved by you guys :)

see you soon!

P.S: sorry for any English or even factual mistakes! you can correct me if you want, I appreciate the feedback!

[georayn]

[georayn]

my perspective around the crippling yet warm loneliness of fallen angels (no spoilers)

一 Fallen Angels (1995), dir. Wong Kar-Wai

defining this movie is a challenging task. but, if I was to sum it up in one sentence, I guess it would be "corny and depressing romance so corny it becomes refreshing".

I remember Fallen Angels as the first movie I've watched when I decided to take the ritual of watching movies more seriously, and it was basically the first film I'd ever seen that doesn't follow the cookie-cutter hollywood format of the hero's journey (I believe that was around 2 years ago). that's why I have such an affection for this movie.

to this day (and maybe until the day I die) I am not a good movie critic, that's why this is not a well-formulated critique in any way lol. so yes, I may be very biased in the way I percieve this film, so because of this I will not get into much detail of its technical aspects or its issues, I will just try to convince you to watch it if you haven't yet :D

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firstly, I'd like to address an elephant in the room: this is a Wong Kar-Wai film, so it strongly follows his signature style; the surreal and dreamy coloring, jittery camerawork, mind boggling action sequences including the step-frame takes and so much more. but I'm sure you've noticed most of these aspects through other blogs, pinterest boards and tiktok edits, so I want to put more emphasis into his abilities of storytelling and his producing process.

I am not the biggest fan of saying things in the sort of "omg only this director/person could ever create this!", but it is undeniable that WKW's way of thinking is very unconventional. Cristopher Doyle, responsible for a lot of the movie's cinematography (and who is someone that worked with him in many other projects until 2004) says that WKW always tried to look for what the movie had to say, even if discarding parts of the script was necessary. what I admire the most about his work is the way his characters feel alive considering that the flesh of his films are the struggles and "boring" aspects of life. I reeaaally love the way he and his crew are able to make the "disposable" parts of life so interesting. of course, the action and story shifting segments are part of what gives meaning to everything, but the connections between them are what makes all of it worth watching and feeling the characters' emotions.

so, how does the story go? this is actually a tricky question haha. in case you are not familiar, Fallen Angels is directly attached to Chungking Express, another film by Kar-Wai released one year earlier (1994). WKW himself reveals that Chungking Express and Fallen Angels should have been published as one merged movie, but he ended up losing track of the project's length (also, in my opinion, you can watch FA before CE if you want to, it doesn't follow any particular order to me). Here is where his instinct-leading creative process really shines; it may seem impractical, however this project might be the pinacle of his love for cinema, considering it was a project made for "making himself comfortable with making movies again" after a prior not so self-fulfilling project.

"You try to cope with the mass audience, but in fact you are not doing something for them—I would be fighting with myself. I thought, I don’t have to make big films, I can make small films that I can be happy with. I can find my own audience. So I made Chungking Express with a very low budget, and we made the film very quickly, only six weeks from the idea to the edit" 一 Wong Kar-Wai for BOMB magazine, Winter 1998 issue.

considering the whole project, he explains that Chungking Express and Fallen Angels both revolve around the city of Hong Kong, yet in its different sides: the brightly lit and uneventful hustle of the daytime with CE, and the freezing, dark and crippling loneliness of the nighttime through FA.

with that said, in my opinion, neither is "more impactful" or "to be more considered" than the other; as WKW himself said, both are complementary to each other, and even the characters are interchangeable. however, I am here to talk about the rispid and desolating feeling of the "type of loneliness" depicted in Fallen Angels specifically, since it resonates more deeply with me and it might do the same to you if you're looking for big-neon-city anxiety.

一 Fallen Angels (1995), dir. Wong Kar-Wai

now onto the actual story. both movies are divided in 2 "main storylines", contributing to the perspective of interchangeable characters. in Fallen Angels, one of the sides has a more intense dynamic that follows a hitman and his agent, whilst the other follows the wobbly story of a mute man who ends up meeting a heartbroken woman who asks for his help on getting her revenge. this all may seem kind of non-sensical, but I believe that one of the film's most charming features is its ways of making people so unrelated as these characters become so connected and dependant of each other just because of life's randomness yet without making it feel forced.

also, I haven't even mentioned side characters and I think i'd be too dense and maybe annoying to get into the details of their importance (especially if you haven't seen the movie yet), but I guess I could say they are the ones who provoke and question the main ones' morals. here, WKW's characters are the most alive when they feel confused, uncomfortable, alarmed and tired because of the harsh metropolitan life (just like real people). with that, they find themselves in a constant fight with other people's morals and even their own.

this sense of desolation may be depressing at its core, but it also defines the familiar matter between all of these people, bringing a comfort-like yet melancholic sentiment to the situations that unravel; no one is truly right-minded but you always try to consider where they are coming from. they may do fucked up things but they pay the price to life itself.

this melancholy carries the story's events until its very end, and I just love it. of course I'd rather choose that we live in a world where everything is perfect and this comfort found in sadness is unrealistic, but considering the societies we live in, specially in big and poorly planned cities, I find this movie to be a memorable portrait of this misterious feeling of loving desolation.

I wish I was able to get into the details of each character more deeply, but I think that would break the purpose of the "no spoilers" promise I made & I think it's more fun for you to discover them by yourself when watching the film. however, I'd like to say that, even though I feel like everyone in the narrative is able to connect to one another, each one has their singularities, flaws and quirks, which makes the familiarities shared by all the more precious.

therefore, the events and personalities present in this film are incredibly rich and capable of conveying this specific feeling of constant fighting for survival and sanity in such a complex and harsh environment. sometimes the narrative follows the actual outbursts of these causes, but I believe that the true beauty of this movie lies in the moments of hopelessness and fatigue.

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I wish I was able to spark your interest in watching Fallen Angels! this movie is very meaningful to me and I've been interested in writing about it for some time now! the thing is, this is my very first blog post ever so it might end up being shitty and I just don't know it yet hah... it's okay though, I've been struggling with being able to talk about the things I like just because my brain thinks I can't do it, so I think this is a step forward on fixing this! :)

in case you watch the movie, please leave your thoughts here so you can share your perspective! I really want to know other people's opinions about the things I love, even if you don't like it as much!

thank you for reading, see you!!! <3

References:

Wong Kar-Wai for BOMB magazine, Winter 1998 issue: https://bombmagazine.org/articles/1998/01/01/wong-kar-wai-1/

Cristopher Doyle for IstoÉ, 19/03/2021 (in portuguese): https://istoe.com.br/cinema-pelo-olhar-de-christopher-doyle/

P.S: sorry for any English mistakes! you can correct me if you want, I appreciate the feedback!

[georayn]

welcome to this teeny tiny blog about films and music! (very innovative) my goal is to develop and put my writing and redacting skills into practice creating small essays about my favorite pieces of culture (aka deep and complex experiences put into fun little boxes of content), mainly films and music. hope you like it :)

[georayn]