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[honzazamojski]

Middleman

exhibition view, 2023

[honzazamojski]

Middleman

exhibition view, 2023

[honzazamojski]

Middleman

exhibition view, 2023

[honzazamojski]

Middleman (The Spider)

mural, adhesive foil, painted MDF, steel, 2023

[honzazamojski]

EYES

MGLC Lublana, 2023

[honzazamojski]

Untitled (Frog) Untitled (War) Untitled (Blues) Untitled (Sun) Untitled (Self-portrait) Untitled (Pen) Untitled (Death) Untitled (Black Planet) Untitled (Fear) Untitled (God) Untitled (News) Untitled (Sky) Untitled (Enemy) Untitled (Rest in Peace) Untitled (Capital) 

drawing on paper (made by using carbon copy paper + letraset typography), 2022

[honzazamojski]

Patrzymy inaczej na te same sprawy

exhibition view, 2022

[honzazamojski]

Blue Blood Blood Blued Bloo, 2022

[honzazamojski]

Untitled (Running)

drawing on paper, 2021

[honzazamojski]

Orange or Anger

mural, 2021

[honzazamojski]

Orange (Anger) drawing on paper (made by using carbon copy paper + adhesive paper + dry pastels), 2021

[honzazamojski]

Red (Rat) drawing on paper (made by using carbon copy paper + adhesive paper), 2021

[honzazamojski]

Green (Screen) Drawing on paper (made by using carbon copy paper + adhesive paper), 2021

[honzazamojski]

E C H O

or Eyes Can’t Have Objects or Eyes Can’t Hate Objects or Eyes Can’t Hurt Objects or Eyes Can’t Help Objects

Will the time traveler who is traveling to the past remember things they saw in the future? If so, will it be memory or fantasy from the point of view of someone living in the past visited by that traveler? Is what imagined is as true or as ridiculous as what is recalled? What is the difference between keeping our optimistic minds tuned to the future from poking our fingers at the guts of history that everyone would love to forget? What about interpretation? What about it!? How to understand a language that no one can translate anymore, and is the interpretation not a coarse form of violence against the object that is interpreted? Who has the right to interpret and who cannot have that right? Are there indisputable truths and rules, or does every rule have to be confirmed by an exception to it? What can the accumulation of exceptions lead to? Is it establishing a new truer truths or reversing the current order of things? Will the time traveler visiting the future remember what they have experienced in the past? If so, will it be memory or interpretation from the point of view of someone living in the future visited by that traveler? Is what is recalled as true or just as ridiculous as what is interpreted? What is the difference between a fleeting and emotional memory from a biased analysis of facts that everyone would love to forget? And does any of the twelve texts shown at the exhibition answer at least one of the questions raised above?

[honzazamojski]

FUTURISM FASCISM FEARER FALSE FACT / BANKRUPTS BILLINGS BULLETS BLOODS BUTTS / DEATH DOODOO DEALERS DAYDREAM DEMOCRACY / POP PORN POETS POLICE PRIVACY 

Drawings (made using carbon copy paper), dry pastel, 2020

[honzazamojski]

E C H O

Mural, drawings, 2020

[honzazamojski]

E C H O

Mural, drawings, 2020