mae-it-be-an-evening-dhros

[mae-it-be-an-evening-dhros]

[mae-it-be-an-evening-dhros]

So here's one of the coolest things that has happened to me as a Tolkien nut and an amateur medievalist. It's also impacted my view of the way Tolkien writes women. Here's Carl Stephenson in MEDIEVAL FEUDALISM, explaining the roots of the ceremony of knighthood: "In the second century after Christ the Roman historian Tacitus wrote an essay which he called Germania, and which has remained justly famous. He declares that the Germans, though divided into numerous tribes, constitute a single people characterised by common traits and a common mode of life. The typical German is a warrior. [...] Except when armed, they perform no business, either private or public. But it is not their custom that any one should assume arms without the formal approval of the tribe. Before the assembly the youth receives a shield and spear from his father, some other relative, or one of the chief men, and this gift corresponds to the toga virilis among the Romans--making him a citizen rather than a member of a household" (pp 2-3). Got it?

Remember how Tolkien was a medievalist who based his Rohirrim on Anglo-Saxon England, which came from those Germanic tribes Tacitus was talking about? Stephenson argues that the customs described by Tacitus continued into the early middle ages eventually giving rise to the medieval feudal system. One of these customs was the gift of arms, which transformed into the ceremony of knighthood: "Tacitus, it will be remembered, describes the ancient German custom by which a youth was presented with a shield and a spear to mark his attainment of man's estate. What seems to the be same ceremony reappears under the Carolingians. In 791, we are told, Charlemagne caused Prince Louis to be girded with a sword in celebration of his adolescence; and forty-seven years later Louis in turn decorated his fifteen-year-old son Charles "with the arms of manhood, i.e., a sword." Here, obviously, we may see the origin of the later adoubement, which long remained a formal investiture with arms, or with some one of them as a symbol. Thus the Bayeux Tapestry represents the knighting of Earl Harold by William of Normandy under the legend: Hic Willelmus dedit Haroldo arma (Here William gave arms to Harold). [...] Scores of other examples are to be found in the French chronicles and chansons de geste, which, despite much variation of detail, agree on the essentials. And whatever the derivation of the words, the English expression "dubbing to knighthood" must have been closely related to the French adoubement" (pp 47-48.)

In its simplest form, according to Stephenson, the ceremony of knighthood included "at most the presentation of a sword, a few words of admonition, and the accolade." OK. So what does this have to do with Tolkien and his women? AHAHAHAHA I AM SO GLAD YOU ASKED. First of all, let's agree that Tolkien, a medievalist, undoubtedly was aware of all the above. Second, turn with me in your copy of The Lord of the Rings to chapter 6 of The Two Towers, "The King of the Golden Hall", when Theoden and his councillors agree that Eowyn should lead the people while the men are away at war. (This, of course, was something that medieval noblewomen regularly did: one small example is an 1178 letter from a Hospitaller knight serving in the Latin kingdom of Jerusalem which records that before marching out to the battle of Montgisard, "We put the defence of the Tower of David and the whole city in the hands of our women".) But in The Lord of the Rings, there's a little ceremony.

"'Let her be as lord to the Eorlingas, while we are gone.' 'It shall be so,' said Theoden. 'Let the heralds announce to the folk that the Lady Eowyn will lead them!' Then the king sat upon a seat before his doors and Eowyn knelt before him and received from him a sword and a fair corselet."

I YELLED when I realised what I was reading right there. You see, the king doesn't just have the heralds announce that Eowyn is in charge. He gives her weapons.

Theoden makes Eowyn a knight of the Riddermark.

Not only that, but I think this is a huge deal for several reasons. That is, Tolkien knew what he was doing here.

From my reading in medieval history, I'm aware of women choosing to fight and bear arms, as well as becoming military leaders while the men are away at some war or as prisoners. What I haven't seen is women actually receiving knighthood. Anyone could fight as a knight if they could afford the (very pricy) horse and armour, and anyone could lead a nation as long as they were accepted by the leaders. But you just don't see women getting knighted like this.

Tolkien therefore chose to write a medieval-coded society, Rohan, where women arguably had greater equality with men than they did in actual medieval societies.

I think that should tell us something about who Tolkien was as a person and how he viewed women - perhaps he didn't write them with equal parity to men (there are undeniably more prominent male characters in The Lord of the Rings and The Hobbit, at least, than female) but compared to the medieval societies that were his life's work, and arguably even compared to the society he lived in, he was remarkably egalitarian.

I think it should also tell us something about the craft of writing fantasy.

No, you don't have to include gut wrenching misogyny and violence against women in order to write "realistic" medieval-inspired fantasy.

Tolkien's fantasy worlds are DEEPLY informed by medieval history to an extent most laypeople will never fully appreciate. The attitudes, the language, the ABSOLUTELY FLAWLESS use of medieval military tactics...heck, even just the way that people travel long distances on foot...all of it is brilliantly medieval.

The fact that Theoden bestows arms on Eowyn is just one tiny detail that is deeply rooted in medieval history. Even though he's giving those arms to a woman in a fantasy land full of elves and hobbits and wizards, it's still a wonderfully historically accurate detail.

Of course, I've ranted before about how misogyny and sexism wasn't actually as bad in medieval times as a lot of people today think. But from the way SOME fantasy authors talk, you'd think that historical accuracy will disappear in a puff of smoke if every woman in the dragon-infested fantasy land isn't being traumatised on the regular.

Tolkien did better. Be like Tolkien.

[mae-it-be-an-evening-dhros]

Unsolicited fic rec: I don't know if you've read For Convenience's Sake, Surely but it's absolutely delightful! I read it a couple days ago and aahhh <3 <3 <3

hehe is the archive link :)

https://archiveofourown.org/works/24331516

SKSKSKS I HAVE AND IT'S GREAT! I am usually more if a fan of bottom/switch Erestor but this was an exception

[mae-it-be-an-evening-dhros]

you have to stay alive. you're going to be such a beautiful middle aged freak. young freaks will see you in the street and know that things can be okay.

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i am PRO catching, neutering, and releasing Maglor

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for everyone suffering in zoom academia right now

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Fëanor and his, well, five sons

What a family

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tolkien fans: "omg you HAVE to read the silmarillion so you can know about my poor little baby blorbo finwenduwë"

the blorbo in question:

[mae-it-be-an-evening-dhros]

after a lifetime of hearing about aragorn but not reading the books or watching the movies, genuinely nothing could have prepared me for his actual introduction. the hobbits picked this man out of a dumpster. he is a textbook softspoken angst prince and he is covered in dirt and he probably smells so bad. he’s the coolest man alive and is so casual about it. his number one skill is Knowing Where They Are and his number two skill is Having A Horrible Destiny That Torments Him. tolkien got it in one i’m afraid aragorn son of arathorn you are the guy of all time

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If I was Denethor the second, Steward of Gondor I would not have sent my son to a council meeting to try and get a cursed ring- I would have sent both my sons out to Seduce Aragorn by any means necessary.

If I wanted the crown of Gondor and to secure leadership for my family for all time I would have said boys. Get out there. Make it happen. Fluff your beautiful shiny hair up. Make papa proud

[mae-it-be-an-evening-dhros]

It’s easy to forget JRR Tolkien was a fairly prolific academic translator with an interest in early medieval literature and philology. It’s so inspiring that he found time to write The Hobbit while fighting for his life over Beowulf.

[mae-it-be-an-evening-dhros]

exchanging headcanons and AUs with friends like

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Your friends watching something for the first time and getting to that scene VS you, the knower.

[mae-it-be-an-evening-dhros]

One of the funny things about LotR is that almost every people in it professes to disbelieve in the supernatural, but because they live in a fantasy world their baseline for "natural" is so jacked up. The Rohirrim are like, yeah, there's a wizard in this tower and ancient tradition that we have no reason to doubt says this mountain is full of ghosts, but walking trees? Short people? I don't think so. Galadriel is like, "Listen I heard you describe what I do as magic and look I just gotta clear some things up, okay." Gondorians are like, yeah, of course the Enemy has spectres of men who lived long ago and never died and can now fly above us and incapacitate us with just their voices. This is just a fact of life, okay? But shut up about this magic weed that makes comatose people better. That's an old wives' tale. Royalty? Press X to doubt.

The people group in Tolkien's work who seem most receptive to magic and least restricted by their own notions of what it can do actually seem to be the hobbits. And they use it to avoid meeting people they don't want to talk to

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[mae-it-be-an-evening-dhros]

Glorfindel: Who hurt you?

Erestor: Do you want a list?

Glorfindel: ...

Glorfindel: Actually, yes. Names and addresses.

[mae-it-be-an-evening-dhros]

Lúthien is such an interesting character. She could’ve easily been written as just a pretty princess sitting in a tower, waiting for her beloved to come back with the treasure he stole from "a dragon". But instead, we get her rescuing him from one villain, then heading straight to the main bad guy and doing all the work herself AGAIN.

And it doesn't mean Beren didn’t deserve her or anything—it just proves they were equals in that journey. They both wanted to be together, and that’s why she was so eager to help and save him. It was her fate on the line too, and she wasn’t about to take a passive role, just sitting around hoping Beren would succeed or accepting failure if he didn't.

And I adore how cruel she could be when she wanted. Remember the words and threats she threw at Sauron—he totally deserved it because, well, he’s Sauron—but still! Seeing her as not just the quiet, lovely maiden all the time, but actually being allowed to express anger and be intimidating? That’s so fucking cool. I wish more people in the fandom focused on that "bloodthirsty" part of her personality, by the way. I want to see more fanarts of her being furious and scary.

I know it doesn’t seem that extraordinary today because we have plenty of badass heroines now, but Tolkien started writing this story over 100 years ago. Sure, he refined it over time, but still. He gets criticized for how he portrayed most of his female characters—rightfully—but I think it’s really impressive that someone who could’ve just been a stereotypical princess actually got the chance to take a large part in the action, even a bigger role than the hero and her lover. (Of course, that’s not the sole reason why she’s interesting and well-written—there’s way more nuance to her personality than just being able to kick ass and cast magic)