midnightsandmadness - Tumblr blog

midnightsandmadness · 2 months

Text

Today I plan to tell you That I love you.

The words lurk all day Lurching, lost, round my stomach Rattling up my throat Occasionally threatening To rock up early And open themselves to strangers.

I keep them on track Barely.

Finally, After dinner, (Vodka fog from ill-advised cocktails Thickening in my eyes) I open my mouth Heart pumping pure sincerity And what comes out (those sweet three little words) is:

“I hate buses.”

“What?” You’re not angry (Yet)

“I really mean it.” This is true. But in a minute My brain will catch up to my heart.

“What?!?” You repeat. Louder. Amused, but perturbed. The bartender is watching us Like dinner theatre.

Currently, this is an amusing non-sequitur. I could brush this off Let the ill-timed thought wend its lopsided way onwards And this will be a cute anecdote.

Instead, I run after it. I chase that thought down Like I am fleeing justice.

“The thing about buses, right? Is that you never know when they’ll turn up.”

“There are literally schedules On the bus stops.” You reply, Carried along in the slipstream Of my accelerating rant.

“Schedules are at the mercy of traffic And traffic is god of chaos That calls judgement down from uncaring skies In a blare of horn honks. Don’t talk to me about schedules.”

“*Fine*. I won’t.” The tenor of that ‘fiiine’ Is a warning light. I ignore it.

“Buses turn up when they feel like it, They always take longer than you think (Because - again - traffic exists And none of us are free of sin) They don’t go where you think half the time, There is So Much Waiting And every part of the journey Is out of your control. I would rather walk for hours, I would rather cancel plans, I would hire an e-scooter Even though I think they’re Very Silly Rather than take one bus. I’d say that buses are my own personal hell But at least with hell, I know I will *get there* And I’ll be on time.”

“Sweetheart…” You say. And the warning light in your voice Flashes red Klaxons are sounding Someone is calling the president And texting their family To tell them - ironically, given how this started - That they love them. “...what the *flip*?”

I puff myself full of indignance Ready to let these fiery feelings Run their route When the right words Finally wend their weary way To my stop. I deflate And flag them down.

“I got a bus here.” I say. “Even though I hated it. I repeatedly get buses to see you Because you live far away Near no good transport And it’s quicker than walking. Just.”

“What are you trying to say?” You take my hand And it’s like you know The map of me.

“I don’t know my own feelings Most of the time. They roam where they will They keep no schedule They conform neither to the laws Of gods nor mortals

I spent a lot of time waiting for them When I was young And eventually I worked out I’ll only know they exist When they’re taking me somewhere. Often where I don’t want to go.

I know that I love you When I realise I am willing To go out of my way If it brings me to you In the end.

Because love is not just a thing That squats in your chest It’s actions you choose to take And I only notice it When I verb the noun And realise I’ve changed my life To fit it On purpose.

And I took a bus to get here To you Even though I hated it.”

And you say: “Gods you’re so fudging weird. ... I’d get a bus for you too.”

40 notes · View notes

midnightsandmadness · 3 months

Text

List of 400+ Dialogue Tags

Below is a full (but not exhaustive) and updated list of dialogue tags. Dialogue tags are a widely debated topic for writers, some saying you should only use said, others arguing the opposite. You will get no opinion for me—only a list to use as you wish :D

Some words may differ in categories based on context.

Expressing Agreement or Confirmation

Acknowledged, Admitted, Affirmed, Agreed, Apologized, Confirmed, Conceded, Gibed, Professed, Reassured, Verified, Vouched

Initiating or Continuing Conversation

Added, Began, Chimed In, Commented, Continued, Conversed, Discussed, Elaborated, Greeted, Interjected, Offered, Proposed, Remarked, Went On

Making a Declaration or Announcement

Announced, Attested, Declared, Decreed, Emphasized, Enunciated, Proclaimed, Revealed, Stated, Voiced

Formal or Deliberate Communication

Chanted, Concurred, Observed, Postulated, Preached, Put Forth, Reasoned, Surmised, Testified

Indirect Communication

Digressed, Hinted, Implied, Insinuated

Providing Information, Explanation or Speculation

Alleged, Articulated, Asserted, Clarified, Doubted, Equivocated, Explained, Guessed, Imparted, Informed, Lectured, Noted, Predicted, Quoted, Recited, Reported, Theorized

Expressing Doubt or Uncertainty

Doubted, Faltered, Guessed, Hesitated, Pondered, Questioned, Speculated, Wondered, Ventured

Seeking or Giving Advice

Advised, Coaxed, Proposed, Recommended, Remonstrated, Suggested, Supposed, Urged

Animalistic

Barked, Croaked, Growled, Hissed, Hooted, Howled, Hummed, Roared, Snarled

Expressing Discontent or Frustration

Complained, Fretted, Grumbled, Protested, Ranted

Demonstrating Authority or Command

Avowed, Commanded, Crowed, Decided, Demanded, Dictated, Directed, Insisted, Instructed, Maintained, Ordered, Pressed, Proclaimed, Reprimanded

Displaying Confidence or Assertiveness

Asserted, Assured, Boasted, Bragged, Claimed, Piped Up, Pledged, Spoke Up, Told, Vowed

Exhibiting Anger or Aggression

Accused, Bristled, Challenged, Cursed, Erupted, Exasperated, Fumed, Groaned, Huffed, Raged, Seethed, Snapped, Spat, Stormed, Swore, Threatened, Whinged

Displaying Sadness or Despair

Anguished, Bawled, Bemoaned, Blubbered, Cried, Despaired, Grieved, Lamented, Mourned, Sobbed, Wept, Whimpered, Worried

Persuasiveness

Appealed, Begged, Cajoled, Convinced, Persuaded, Petitioned, Pleaded, Prayed

Conveying Fear or Worry

Cautioned, Entreated, Gasped, Quaked, Shuddered, Stressed, Trembled, Warned

Softly or Quietly

Breathed, Called, Crooned, Murmured, Mumbled, Muttered, Sighed, Whispered

Loudly or Forcefully

Bellowed, Boomed, Cried Out, Hollered, Screamed, Screeched, Shouted, Shrieked, Thundered, Wailed, Whooped, Yelled

Demonstrating Disgust or Disdain

Cringed, Gagged, Griped, Groused, Rasped, Scowled, Sneered, Snorted

Expressing Mockery, Disrespect or Sarcasm

Dared, Imitated, Insulted, Jeered, Mimicked, Mocked, Ribbed, Ridiculed, Scoffed, Snickered, Taunted

Doing Annoyingly

Gloated, Goaded, Nagged, Pestered, Provoked, Sassed, Tattled

Emotional or Expressive Communication

Grunted, Mewled, Panted, Quavered, Sniffled, Snivelled, Squawked, Whined, Yowled

Showing Empathy or Comfort

Comforted, Consoled, Empathized, Soothed, Sympathized

Indicating Thoughtfulness or Reflection

Contemplated, Echoed, Mused, Pondered, Recalled, Reflected, Remembered, Reminded, Reminisced, Retorted, Reiterated

Expressing Humour or Amusement

Cackled, Chirped, Chuckled, Giggled, Guffawed, Jested, Joked, Laughed, Quipped

Revealing Information

Confessed, Confided, Divulged, Disclosed, Expressed, Hinted, Revealed, Shared, Spilled, Uttered

In a Flirtatious Way

Bantered, Cooed, Flirted, Joshed, Moaned, Purred, Teased

Demonstrating Surprise or Astonishment

Gasped, Marvelled, Yelped

Indicating Hesitation or Reluctance

Faltered, Hesitated, Stammered, Stuttered

Engaging in a Dispute or Argument

Argued, Bargained, Bickered, Contended, Debated, Disputed, Negotiates, Objected, Rebutted, Shot Back

Showing Enthusiasm or Excitement

Beamed, Blurted, Cheered, Exclaimed, Gushed, Raved, Rejoiced, Sang, Squealed, Trumpeted

Expressing Approval or Praise

Applauded, Complimented, Encouraged, Exhorted, Extolled, Lauded, Praised

Speaking in a Continuous or Repetitive Manner

Babbled, Chattered, Jabbered, Rambled, Rattled On, Repeated

Questions and Answers

Answered, Asked, Cross-examined, Inquired, Implored, Probed. Prodded, Prompted, Queried, Questioned, Quizzed, Requested

Expressing Criticism or Disagreement

Challenged, Chastised, Chided, Condemned, Corrected, Countered, Criticized, Deflected, Demurred, Denounced, Scolded

Negative or Deceptive Communication

Denied, Droned, Exaggerated, Interrupted, Lied

Finishing the Conversation

Concluded, Finished, Thanked

Neutral or Miscellaneous

Admired, Consented, Foretold, Invited, Mentioned, Mouthed, Pointed Out, Replied, Said, Sputtered, Volunteered

Don’t forget our Grand Opening Giveaway starts February 1st/24 on Tumblr, Instagram and slayingfiction.com! You don’t want to miss it!

Happy Writing!

#creative writing #tumblr writers #writing #writing resource

3K notes · View notes

midnightsandmadness · 3 months

Text

Just was driving in all the snow, nearly got stuck in a ditch.

#the coffee was still worth it.#not writing #personal

0 notes

midnightsandmadness · 3 months

Text

How Traditional Publishing Works for Novel-Length Manuscripts

Your future as a writer may seem murky at best. It's difficult to dream beyond your latest notebook or Google Doc if you don't know how publishing works.

Today we're going to talk a bit about that! This post will be for publishing longer manuscripts. Eventually, I'll make another one for publishing short stories.

Step 1: Finish That Manuscript

You may have heard that you can start contacting literary agents or publishers after you have a decent chunk of your manuscript done. While there are a few here and there that could be fine with that, it's best to always finish your manuscript before querying begins.

How do you know when it's finished? I'll write more on that later, but for now here's a basic checklist:

Edit your story for flow, character development and pacing. This may involve storyboarding again or even talking through your book with a friend.

Edit your work for line-edits (spelling, punctuation, etc.)

Give your work to a beta reader! That could be your partner, best friend, family member, etc. They'll have a fresh pair of eyes for things like plot holes, confusing arcs, unfinished story lines, and tension that never resolves.

Double check that your themes get resolved.

Step 2: Draft Your Query Letter

I already made a post showing how to draft a query letter and the answers to common query questions, but here's a summary: you need a good query letter for your finished manuscript. They're the first impression an agent gets of you and your work.

Query letters always include:

An introduction to your work (the title, the genre, the word count, a one-sentence summary)

An explanation of the plot (don't hold back—it should include your beginning, middle, and end, plus any tropes and themes)

Comparative titles (novels in the same genre as your work that were published in the last ~2 years or less)

The reason why you wrote your novel (what makes you the best person to write about that theme/plot/character growth, etc)

Step 3: Find Your Agents

There are a few ways to find agents and you can try different methods throughout your querying journey.

Use QueryTracker to find agents by genre, availability, location, etc. Then track your queries with the same website to find out who's read your work, who's rejected it and who wants to get in touch. (The free version does most of this, but there's a paid version for people who want to hardcore dedicate themselves to querying).

Check out those comparative titles—authors almost always thank their agents in the Acknowledgements section. Start a running list and note their publishers.

Search Twitter for agents who are open to queries. It may seem strange, but most agents have Twitter accounts and announce when they're open or closed to queries. You can always follow them on your personal or writing account, but you can also search for them by looking up hashtags like “open for queries" and “submissions are open.” If you want more details, check out this great resource for more hashtags and strategies. Note—you should never direct message an agent on Twitter. Always contact them through their preferred methods, usually located in their bio or pinned tweet (if they’re open to queries).

Step 4: Sign With an Agent

This step can take weeks, months, or years. Every writer’s querying journey is different. Sometimes the market isn’t right for a specific genre or storyline. Other times, you may need time to revise and polish your manuscript or shelve it entirely for a more developed idea.

Searching “amquerying” on Twitter is a great way to read other writers’ experiences. You’re not alone if you’re frustrated, exhausted, tired, or just plain sad. It’s hard to get rejections and try again when you’re likely the only person who currently believes in your specific manuscript.

Agents have to pick projects based on what they want to represent, but also what they can sell. If your story is too new or different, they may pass until it’s more culturally relevant or more popular with readers.

When an interested agent offers representation (likely after requesting a full manuscript), ask plenty of questions to get to know them. You don’t have to accept the first agent who comes along. They should align with your vision for your book and who you want to reach with it.

When you do sign with an agent, celebrate! It’s a big step that you should recognize! Lots of hard work and dedication went into getting an agent, and it’s only the start of your publishing journey.

Step 5: Look Forward to Your Book Deal

Your agent has a few roles. They’re supposed to look out for your best interests with publishers and all the legal aspects that come along with book deals.

But first, they have to land a deal. That means they write pitch letters or decks and send them to publishers they think will be the best fit for your manuscript. Letters are more common, but pitch decks are more necessary for writers of children’s books and graphic novels who have pictures integrated into their work.

This process can take a while. Don’t expect to sign a book deal overnight or even in the first month. As long as your agent keeps up communication with you about the process, you’ll know you’re in good hands.

Things That Will Be in Your Book Deal

Your Contract

Contracts include all the information related to your deal. Your agent will use it to potentially negotiate for more money, better control over your film rights or foreign publication rights, and basically all the little details that go along with those things.

Your Advance

When writer’s sign a book deal, the get a check. That check is called your advance. The advance is a sum of money that the publishing house or imprint gives you for the right to publish that book. It could vary from $1,000 to six figures, but new authors (and especially women and people of color) typically get around $5,000 for their first book.

Smaller amounts will arrive in a single check. Larger amounts are split into multiple checks spanning the time from your signing date to publication.

Your Royalties

Every time your book sells a copy, you’ll earn royalties on that sale. However, writers don’t see royalty earnings until those royalties out-earn their advance.

If you got the average $5k advance, you’ll have to sell enough books to earn $5k in royalties before you see routine checks in the mail for royalties after that point. Your agent will negotiate your royalty percentage during…well, negotiations.

Step 6: Figure Out the Pre-Production Details

You’ve signed your book deal—throw a party! Then it’s time to get to work.

Your agent will connect you with an editor, who then sends you an editorial letter after reading your manuscript. It will contain everything they think could improve plus their marked-up copy. You’ll dive into structural changes if necessary, but mostly line edits.

You don’t have to agree with everything your editor suggests. It’s still your book. However, they know the industry the best and will want your work to succeed as much as you do. Talk things out and come to a compromise, but stay true to your book’s intended purpose throughout editing.

Your publisher’s legal team will go over your edited copy when it’s close to perfect to ensure there are no issues. They typically find things like the use of song lyrics that you haven’t bought the rights to and mentions of real persons or brands that may result in lawsuits.

Next, your design team will work with you on potential cover designs. interior layouts, jacket versus hardcover designs and blurb placement. They have most of the say over your final cover, but your agent can go to bat for you if you think the options are truly ugly.

Next, you’ll come up with a marketing plan. Imprints and publishing houses typically have marketing teams and publicity experts that work with authors. You’ll talk about which stores will sell your book and which websites will get ads based on your target reader audience’s known shopping habits/website preferences. Ads on social media and your involvement with posting about your book will also come up.

Proofreaders and beta readers are also part of this stage. They’re the fresh sets of eyes every writer needs to know if their readers will understand how they wrapped up their themes, character development paths and plot. They’ll point out when things don’t make sense, need more expansion or could be cut as they read through your Advanced Readers Copies (ARCs).

Step 7: Marketing and Blurbs

A bit more about the marketing stage—your agent has a hand in this too. Based on their previous or current authors, they may have personal connections with influencers and big names in the book world. They’ll send those people ARCs and ask those people for blurbs if they think those famous people have audiences who would be interested in your manuscript.

You can also talk with your agent about getting blurbs from similar debut authors in your genre or only authors from marginalized communities, depending on your priorities. The only time they might say no to this idea would be if your preferred people hardly have audiences or if their audiences have shown interest (via book sales) in other genres.

Your team will decide other things like:

Who gets your ARCs

If you’ll send some ARCs through contests

Which retail stores will stock your book

If you’ll pitch your book to get sponsored by big book clubs

If you’ll pitch for your book to be included in book subscription services

Where you’ll post digital ads and for how long

How you’ll create marketing campaigns with sites like Goodreads and other book sites popular with readers

Most writers also have to market their book on their personal Facebook, Instagram, and/or Twitter accounts. You’ll likely only get out of this step if you’re already an established author who can sell books without blinking (think: James Patterson or Nora Roberts).

If you need help putting together a posting plan, your marketing team and agent can help with that. Most publishers request that their writers’ develop online followings because it creates personal, instant connections with readers/allows for free advertising via posts/generates direct feedback.

Step 8: Negotiate Your Media Rights

Most writers negotiate their media rights after landing a publishing deal. The publisher needs to know that your work has a chance of being picked up as a movie or TV show. Debut authors have a lot to prove, unless you’re one of the rare writers who snags a movie deal alongside a mega-advance because your work is once in a generation.

Your agent will negotiate this for you and possibly let you keep your media rights. If you keep them, you can sell them separately later on. When you or your publisher is ready to sell, production company scouts will see the announcement on book deal websites. They may contact your agent to negotiate with you before you start selling copies, but it may happen after your book has shown promise on the market for a while too.

Step 9: Sign Copies of Your Books

About a month before readers can buy your books, you’ll get copies to sign! Prepare your hand and wrist, because this step surprises most writers. If you have more than a handful of books to sign, you’ll need to pace yourself.

Still, this is an exciting step in your publishing journey. Take lots of selfies and enjoy the moment!

Potential Step 10: Start Your Book Tour

Big names in the book world get book tours set up by their publishers. Debut authors often don’t. If you want to do a book tour, talk with your agent early in the process. They can work with your publicist to schedule a few speaking engagements, but you’d mostly be in charge of contacting bookstores to reserve an hour or two for signing books and meeting with readers.

If your publisher does want you to do a book tour, regardless of whether you’ve been published or not, they might pay for your transportation and accommodations. It depends on your unique situation.

---

This is a very brief, not super specific outline of traditional publishing. I hope it gives you some perspective on the process. After landing a book deal, it can be a year or more before your debut day arrives. There’s so much happening behind the scenes—but now you know a bit more about it.

#writing advice #long post #writing resources

260 notes · View notes

midnightsandmadness · 3 months

Text

You answered my prayers lol. Love this!

Viv waited, soaking in the hum of the shuttle’s electronics and the steady vibrations of its engine. The commander, sitting opposite them, also seemed to be enjoying the silence and was spending the journey in a comfortable doze.

Occasionally, Viv would glance over to the viewscreen, where the ship ahead of them grew ever closer.

It was a beauty of a vessel - all angles and chrome, lit up by the white brilliance of its Grace Drive.

As the shuttle changed course to begin the docking approach, Viv finally broke the silence:

“So … why me?”

“You’re a pilot aren’t you?” The commander replied, dryly, without opening her eyes. “You applied for combat service.”

“And I was denied. Three times.”

“Really. And why was that?”

“Someone didn’t like my psych profile.”

This made the commander crack an eye.

“Unstable?” A glint lit up in her sleep-dulled eye. “Damaged?”

“Too sensitive.” Viv smiled

“Ah, that explains it, then.” She closed her eye again. Crossed her arms.

“Explains what?”

“This ship has refused to take a pilot so far. Three times, in fact.”

Viv furrowed their brow.

“Is it … difficult to handle?”

“Worse.” The commander yawned. “It’s shy.”

“...they can be shy?”

“That’s the thing with hostborn vessels. They come in all different kinds. The spark isn’t always a grizzled warrior, veteran of the rebellion, or an awe-inspiring herald.” She chuckled. “Sometimes it’s just a member of the heavenly chorus who’s not used to being in the solo spot.”

“But why would an, uh, *entity* like that sign up for Abyss service?”

The commander opened both eyes.

“We were hoping you might be able to tell us.”

#sci fi #writing #not mine #short story #flash fiction

363 notes · View notes

midnightsandmadness · 3 months

Text

A Writer's Guide to Character Development

I don’t know about you guys, but I can only answer “what’s your character’s favorite flavor of ice cream” so many times before I realize those lists are not going to help me actually write the character.

So, instead, I like to drabble practice. Answer these ten key questions about your character (answer in character). Then, after you know them a little better, write ten scenes (NOT part of your planned story) with the ten prompts below. Set it in your world, but it can be whenever you want—pre-story, or post-story, or mid-story. You could even write two scenes for one prompt, contrasting where your character starts the story and where they end up, or write one in first person and then write it again in third.

Just has to cover events that are NOT plot points. The point of the exercise is to come up with scenes you can toss out as soon as you finish them. You might end up using some of the lines or scenes you come up with, but for now you’re just playing around.

QUESTIONS

What does your character tell everyone is their greatest fear? What is it actually? Is it the same? Why or why not?

What is their greatest strength and greatest weakness?

Name the most important people to this character. All of them. Family and close friends and lovers.

Does your character have enemies? Who and why?

What is your character’s favorite holiday and why?

How does your character like to present himself/herself? How do they dress? How do they act? Are they friendly or standoffish? Do they like to make a scene, or are they a wallflower?

What is their love language? How do they express it, and how do they best receive it?

What is their highest virtue? What is something that peers would praise about your character? What do they value most in other people?

Are they messy or neat? Why or why not?

If your character could change one thing about their life, what would it be and why? And, conversely, if they could only save one thing from their life, what would it be?

PROMPTS

Your character has had a bad day. What happened?

Your character’s loved one is sick. What do they do?

It’s your character’s birthday.

Someone is hiding something from your character. How do they uncover what it is?

Your character has just heard the news. A character they loved is dead. Describe the rest of their day.

Your character is on their own for dinner.

Your character has the day to himself/herself. No responsibilities, nothing. What do they do?

In the middle of the night, your character hears a noise in the house.

Your character knows they will die at midnight. What is their last day like?

Your character suddenly develops amnesia. Their loved ones try to jog your character’s memories by taking them to familiar locations and reminiscing.

#writing resources #writing #writers on tumblr #writblr #creative writing

2K notes · View notes