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[myoonmii]

You wouldnt last an hour in the asylum where they raised me

[myoonmii]

☀️ ZINE PREVIEW ☀️

The one and only, @myoonmii is here to bring you to cloud nine with her art! ☀️

[myoonmii]

Okay so a lot of people write Arthur as being emotional constipated in a way that strongly implies that his emotional intelligence is close to a box of wet and soggy bread’s ability to read and understand feelings. And that’s valid! With mister troll shagger as a father, I get that it would be a likely outcome of his childhood. BUT what I love much more (and I’m not projecting at all, shush!) is Arthur knowing damn well what he feels but never truly feeling safe in any of his core emotions, because he has had to suppress them since he was a child. That he feels guilty and uncomfortable when he enjoys something. That he hides what he likes in fear of somebody using it to hurt him, and that he hides what he dislikes in fear of somebody using it to hurt him.

[myoonmii]

This is absolutely so incredible

A few days weeks ago I came across this post redrawing the wardrobe of historical and fantasy movie and tv characters in period accurate (insofar as that is possible) clothing. Because I'm an art historian/ archaeologist/illustrator and have terminal campy fantasy show brainrot, here I am hours of research and drawing later to answer the question "What if the wardrobe in BBC Merlin was historically accurate?" (but like also based on my taste *cough*)

Disclaimer: Though I am a professional art historian I am not an expert in Sub-Roman Britain or Arthuriana. I cite my sources, but I wasn't about to spend several months on this, so please be kind. Also I used Clip Studio Paint so sorry if the text is wonky or misspelled, their text tool is awful as is my spelling.

Individual designs after the jump...

As it turns out, it is incredibly hard to know what they would have worn with any certainty. After a cursory search and a good deal of frustration with the unreliability of the internet's sources on the subject, I sat back and had to ask myself: there's a fucking dragon in this show, why should we care?

The answer, of course, is because it's fun and while I don't believe TV shows and movies (particularly high fantasy ones) need to be historically accurate (what reads to an audience, symbolism, faithfulness to a character, and even budget are all arguably far more important for crafting a good story) I'm always in support of picking apart popular culture's, and therefore our society's, view of history. It can also generate some new and creative visions of the same story. So here I am, bibliography in hand and illustrations done.

Problems:

Before I even began researching or drawing, I hit the typical roadblocks with Arthurian stories: When, Where, and Who. Already I was forced to make some subjective choices. I've laid them out below:

When: Arthur and his stories are generally placed in the 5th to 6th century. This places these characters directly between the end of the Roman Era and the beginning of Saxon control of the region. There are certain through-lines in clothing between what we know was worn in Roman Britain and in Germanic/Saxon Britain. These things I've confidently included, like tablet woven trim on garments, glass beads, and dyes that would have been locally available.

Where: The show places Camelot in modern day Wales, while Gloucester is another popular location in modern scholarship. I've looked at grave goods and archaeological objects found in this area during the 5th to 6th century (mostly metal objects), but most extant hints at what clothing of the era looked like exist farther afield. Each outfit retains slightly different geographical references, and, as it seems scholars often do for this era, I am operating on the principal of averages: This is what people around the area were wearing, and there's only so much deviation, so all four of them together might get closer to accuracy.

Who: I mean this historically, as in "Who is Arthur Pendragon based on?" Obviously there is no actual answer to this question, so I've taken some liberties with characters to fit into this particular version of the story and what wardrobe choices might make sense thematically as well as historically. based on what we know of the characters, rather than one historical figure. These outfits jump around a bit, so again, hopefully at least one of them gets somewhere close.

Arthur:

Merlin:

Guinevere:

Morgana:

Additional notes:

I took some liberties based on my inability to find almost anything on what shoes would have been like, aside from "leather".

The column of decoration running up Arthur's tunic might also be inaccurate, but I felt the red needed to be broken up and its not impossible such a style existed. Realistically, the cuffs of the garment would probably have the most elaborate design, and the rest of the woven bands would be simpler. He is a prince/king though, so if anyone is going to be over the top why not him!

I may have gotten a little gold-happy with Morgana's second outfit. I just really like drawing metallics. Gold thread didn't enter the scene until later for the saxons, so just pretend its really over the top brocade like in Morgana's first outfit (which would have been strips of thin gold plate inserted into the band, rather than a solid ribbon of woven gold.)

If I were designing outfits with fantasy rather than history in mind, I would have designed veeery different outfits.

Sources (Most used bolded):

Brown, Katharine Reynolds. Migration art: A.D. 300-800. New York: Metropolitan Museum of Art, 1995.

Carroll, Maureen, Lucy Creighton, Patrick Gibbs, and James Osborn. “Rediscovering the Dead of Roman York.” YouTube, June 12, 2023. https://www.youtube.com/watch?v=MQ23upbKBHU.

Dean, Jenny. “Anglo-Saxon Dye Experiments - Part 1.” Jenny Dean’s Wild Colour, February 25, 2013. https://www.jennydean.co.uk/anglo-saxon-dye-experiments-part-1/.

“Disk Brooch: Anglo-Saxon.” The Metropolitan Museum of Art. Accessed March 26, 2024. https://www.metmuseum.org/art/collection/search/466157.

“Getting Dressed in Roman Britain.” YouTube, August 23, 2022. https://www.youtube.com/watch?v=SeqdgZ0QpZE.

Jarrett, Jonathan. “Seminar CLXVII: What about the Women of Post-Roman Britain?” A Corner of Tenth-Century Europe, June 13, 2014. https://tenthmedieval.wordpress.com/2014/05/25/seminar-clxvii-what-about-the-women-of-post-roman-britain/.

Kent, Shane. “How the Irish Dress in the 4th-6th Century.” YouTube, April 27, 2022. https://www.youtube.com/watch?v=njADJ_Jd8Qw.

Klein, Janice B. “The Life and Times of King Arthur.” Expedition Magazine, 1987. https://www.penn.museum/sites/expedition/the-life-and-times-of-king-arthur/.

Loven, Nicole. “Getting Dressed in 7th Century Britain.” YouTube, July 29, 2021. https://www.youtube.com/watch?v=q877Z5eePVg.

“Merovingian Architectural Ring: French.” The Metropolitan Museum of Art. Accessed March 26, 2024. https://www.metmuseum.org/art/collection/search/661705.

“Rare Merovingian Gold Ring Found in Jutland.” The history blog, February 20, 2024. https://www.thehistoryblog.com/archives/69517.

Rogers, Penelope Walt. Cloth and Clothing in Early Anglo-saxon England: AD 450-700. York: Council for British Archaeology, 2007.

Roberts, Mike. “Articles Dyed with Woad.” Woad dyed, December 23, 2023. http://www.woad.org.uk/html/woad_dyed.html.

Siddall, Ruth. “Red Pigments in Roman Britain.” The Pigment Timeline Project Red Pigments in Roman Britain Comments, October 31, 2018. https://blogs.ucl.ac.uk/pigment-timeline/2018/10/31/red-pigments-in-roman-britain/.

Snyder, Christopher A. “A Gazetteer of Sub-Roman Britain (AD 400-600): The British Sites.” Internet Archaeology, September 3, 1997. https://intarch.ac.uk/journal/issue3/snyder/part1.html.

Wild, J. P. “The Textile Industries of Roman Britain.” Britannia 33 (2002): 1–42. https://doi.org/10.2307/1558851.

Marzinzik, Sonja, "Expressions of Power – Luxury textiles from early medieval northern Europe" (2008). Textile Society of America Symposium Proceedings. 237. https://digitalcommons.unl.edu/tsaconf/237

“Fabrics.” Oxford University Historical Reenactment Society. Accessed April 9, 2024. https://users.ox.ac.uk/~wychwood/costumefabrics.shtml.

“Quoit Brooch: British Museum.” The British Museum. Accessed April 9, 2024. https://www.britishmuseum.org/collection/object/H_1893-0601-219.

“Weapons - Antiquity and Early Middle Age.” TEMPL. Accessed April 9, 2024. http://www.templ.net/english/weapons-antiquity_and_early_middle_age.php.

Makin, Alexandra. “Early Medieval (Mostly) Textiles #7.” Dr Alexandra Makin, January 1, 2021. https://alexandramakin.com/2021/01/01/early-medieval-mostly-textiles-7/.

“Belt Buckle with a Griffin: Frankish.” The Metropolitan Museum of Art. Accessed April 9, 2024. https://www.metmuseum.org/art/collection/search/464928?pos=5.

“Celebrating Ivory Bangle Lady .” York Museums Trust. Accessed April 9, 2024. https://www.yorkmuseumstrust.org.uk/blog/celebrating-ivory-bangle-lady/.

Ashby, Steven P. “Grooming the Face in the Early Middle Ages.” Internet Archaeology. Accessed April 9, 2024. https://intarch.ac.uk/journal/issue42/6/9.cfm.

[myoonmii]

bbc merlin - 03x08 The Eye of the Phoenix

long live the himbos

[myoonmii]

bbc merlin - 03x12 The Coming of Arthur, Part I

girls love girls love manipulating each other

[myoonmii]

It's your old friend @myoonmii!

You can enjoy their art "Dual Master" exclusively in our Shoemaking edition!

We're fundraising for RAINN and Safeline using a pay-what-you-like model. Which includes FREE if you need. Everyone deserves more Bildad! Please see more details at:

https://bildadzine.itch.io/twin-passions-a-bildad-zine

Available until Tuesday, May 7th at 11:59pm EST!

[myoonmii]

STICKERS ARE BACK BABY!!!

If you're interested in acquiring some pjo/hoo stickers, check out the form!

[myoonmii]

[myoonmii]

if there is anyone who deserves a free pass on queerbait/clickbait it's these guys. it's only fair.

[myoonmii]

Something I love about merlin fanfiction are the 24/7 always on call ol reliable bands of bandits and mercenaries constantly roaming every inch of albion forest, at your service should you need a sudden contrivance for some bamf, whump or angst. Why do they keep risking their lives by attacking strangers with no prospects of personal gain you ask? I say who are you to judge a ragtag team of no-names for their utter devotion to serving up dramatic plot points and developing the main characters' relationships purely out of the goodness of their hearts. True allies will fight you to the death so that you will get the chance to prove the true depths of your devotion. Braver than the troops if ever I saw it

[myoonmii]

Merlin BTS [14-15/100]

i, ii

[myoonmii]

look this isnt even the most embarrassing response Gwaine’s had to Merlin saying he needs a seat before.

[myoonmii]

morgwen doodles bc morgana and gwen is the top tier merlin ship

[myoonmii]

I think the downright most horrific and brutal detail in the show is that Kilgharrah actually used Merlin to make sure Arthur's death happened with the pretence of protecting him

[myoonmii]

!!!!! MERTHUR HUGS

absolutely adore your art!! and the way you draw characters, may i humbly request a merthur hug

@myoonmii thank you :) hugs for you! and a closeup under the cut.

[myoonmii]

I've got loads of Merlin doodles just sitting so I might start uploading them as they are.