katie, she/her, back on tumblr since all the other apps are owned by right wing fascists.
Don't wanna be here? Send us removal request.
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I love when you go on a date with someone and you’re like. well that was neither wonderful nor horrendous. You seem Fine. I’m sure if this was the 18th century and we were gentry arranged married to secure our fathers respective land interests we would care for each other in our way. you would buy me nice horses that I really had no interest in but would admire how gentle you were with them and when I died in labor during my third pregnancy you would tell our surviving heirs that their mother was a handsome woman who never drank too much and embarrassed herself in company
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if this gets 100,000 notes then i, the worlds greatest space agency will personally shoot donald trump into the sun
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My favourite Da Vinky twins trans ally moments:
When they said their pronouns are they/them because there’s 2 of them
“It doesn’t matter what your pronouns are, because at the end of the day, it’s night”
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this whole scene had me giggling kicking my feet
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I have now read All Systems Red from The Murderbot Diaries, and I think the main charm of it is I went in fully expecting a "Humans treat robots like appliances then some of them slowly learn not to because of This One Special Example" but instead the crew immediately goes "No, Murderbot is a person. Look at it, it's got anxiety."
Meanwhile, Murderbot itself is like "Why was I cursed with a face. Please treat me like an appliance so I don't have to make eye contact with any of you. I've got anxiety."
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The thing that I think really sets Murderbot apart from a lot of other robot media (particularly mainstream entries like the I, Robot movie) is that bots and constructs aren't a uniquely oppressed class, and humans aren't a uniquely privileged one. A lot of robot media rings a bit hollow because it portrays humans as all living a lavish, comfortable lifestyle, free from the burden of physical labor or control by their corporate overlords, and it's like. I think if the rise of generative AI has proven anything, it's that corporations and billionaires have absolutely no interest in making life easier for anybody, but will gleefully use new technology to make life infinitely worse if it means an extra buck in their pocket.
We are shown over and over again throughout the Murderbot Diaries that humans are mistreated just as badly as (or sometimes, in MB's own opinion, even worse than) bots and constructs. We see humans stripped of their rights, reduced to corporate assets to be bought and sold, sent into suicidal situations, abandoned and discarded as things. We see humans trapped in multigenerational labor contracts -- people born into an indentured servitude that requires them to pay back their food and lodging to the same company that will not let them leave.
None of these are hypothetical scenarios. These are all things that happen to real people in our world today.
And that is a huge part of why it resonates so much. The overarching theme of "capitalism is hell" actually means something because it isn't only applied to the fictional dynamic of bots vs humans. The theme is constantly reiterated through the humans themselves.
And that's also why it's so important that MB demonstrates empathy for and solidarity with humans who are themselves victims of the system. Because ultimately, that's one of the main things the series is about. It's about what it's like to be simultaneously a product, and victim, of a corporate hellscape.
That theme simply can't work if the humans aren't also forced to navigate that issue. If the story can't acknowledge that right now, in our own world, there are humans facing these same problems, and that these human rights matter quite a bit.
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I finished the Kaladin and Zahel animation and also made a sticker!
If you would like your very own 4x4 inch water prof vinyl "Wit Is An Asshole" sticker you can use the link to preorder one using the link. They’ll be shipped out mid to late June.
Audio Credit
Rhythm of War by Brandon Sanderson
Narrated by Micheal Kramer
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Twin jades and their impeccable taste in men
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Dadji how I love you
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Imagine you're in a car with your brother and you keep telling him "slow down, you're going too fast" and he insists "I've got it under control!" And then he hits someone and you get out of the car and find out it's your sister. Your brother goes crazy from guilt and starts running over people left and right until you have to kill him to make sure no one else dies. Then years later he comes back to life and his boyfriend reveals oh guess what fuckhead. The reason he had to drive recklessly everywhere? Because he gave his legs to you in a secret operation you didnt know about. That's mdzs from Jiang Cheng's pov
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Jiang Cheng came to me crying and told me to post this on Tumblr

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this isn't the first time @cerbykerby had an idea that i've impulsively drawn... rest of the comic under the cut!
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state of you // 花城
qifrey cover redraw! because i realized what's better than drawing blorbo once is drawing blorbo four times
(no reposts; reblogs appreciated)
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*jingling keys in front of elon musk* elon they were always gonna use you as the fall boy you need to do something alarming and crazy to get back at Trump jingle jingle oooh you wanna physically harm him so bad jingle jingle elon musk you could totally get away with doing something insane to the president btw jingle jingle
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The Capitol's imposition of gender roles on the tributes is demonstrated by their treatment of Katniss' and Haymitch's scars respectively.
The crowd chants and shouts and demands to see Haymitch's scar from where he was disembowelled. Because boys are tough and so if they survive things, they're allowed to come out the other side with a gnarly scar.
But while Katniss is unconscious after her Games, the Capitol doctors, without Katniss' consent, put her through a process that removes every single one of her scars. Because nobody wants scars on the Capitol's pretty new girl victor.
And at the end of Mockingjay, as ugly and painful as Katniss' burn scars are, at least there's nobody to wipe them off her and pretend it didn't happen.
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