sufferthesea - Tumblr blog

[sufferthesea]

instead of hate-watching the velma show on hbo max right now, might i suggest watching The Solve-It Squad Returns! (2017) for free on youtube!

the solve-it-squad is a one-act play exploring precisely what an “adult scooby doo”™️ would look like! and unlike velma, it’s absolutely hilarious and crafted with love. i cannot recommend it enough!

[sufferthesea]

[sufferthesea]

"Sometimes I think you must be a genjutsu, because my life with you feels like a beautiful dream."

[sufferthesea]

Cheat Code #3 for accommodating disabled characters in sci-fi/fantasy:

If you want your setting to be accommodating, change the environment more than the person.

i.e.: On a worldbuilding level, if you want to portray a society that keeps disabled people in mind, then that needs to be reflected more broadly, even without your disabled character on screen. Because this means that your society was considering disabled people as part of itself when it was figuring out what's necessary.

If your computer takes voice commands, it should also have an optional keyboard in case someone can't speak.

If your magic school has multiple floors, it should have a teleporting rune circle for those that can't take the ever-changing stairs.

Whenever you have a feature you're adding, ask yourself—"If my character couldn't use this, what would they do instead?" And if the answer is "they'd have to wait until they could" or "they need someone else to use it for them," then your setting isn't accommodating. An accommodating setting always has an actionable answer to that question.

And as a bonus, if you follow through with it, oftentimes you'll end up with a more interesting world and story overall. Spells most people can speak can be written in ancient elven instead? That means you can have a character sneak a spell into a magic-banned city by writing it on their hair ribbon, and that it's possible that a book might be a self-generating spell on its own. Your spaceship has textured lines on the walls to let blind people navigate without guidance? Not only can you make it look artistic (different colored paints, glowing patterns), but now your engineer can make it to the warp core when the power's out and oxygen's finite.

Don't limit yourself just to what's needed in the moment. Figure out interesting alternatives to your setting's features, and your world will automatically feel more alive.

Cheat Code 1: How to avoid eliminating disability in your setting

Cheat Code 2: What kinds of aid to use to accommodate disability

[sufferthesea]

DO NOT DO THIS!!!

If a website has a paywall, like New York Times, DO NOT use the ctrl+A shortcut then the ctrl+c shortcut as fast as you can because then you may accidentally copy the entire article before the paywall comes up. And definitely don't do ctrl+v into the next google doc or whatever you open because then you will accidentally paste the entire article into a google doc or something!!!! I repeat DO NOT do this because it is piracy which is absolutely totally wrong!!!

[sufferthesea]

hello! so, i currently have an oc in the works. i dont have much for his character yet, and hes kind of a blank slate at the moment, however, whilst trying to develop him i had the idea to give him a disability; its something i dont do with my characters very often, and i feel like it could give some depth and realism to his character. however, i..... dont know where to really start with it? i have the vague idea that i think id like him to have crutches, so some sort of leg disability, but just going off that its been hard for me to find any condition that feels quite right. im unsure about making him an amputee either; seemingly the "go to" for anyone who wants to make a physically disabled character. i want to try and represent a disability thats less fetishized by the general public, and looking through this blog here its definitely apparent that a lot of people are tired of seeing basic half amputee characters with overly functional prosthetics; i wanna avoid that. sorry this has gotten a bit rambly, but basically what im asking is,, do you have advice for what i could use as just. a general starting point in this? im terribly uneducated and lost at the moment and id love some help. thank you :]

Hi!

It's great that you're interested in writing a disabled character (with care)! I'm always happy to see more writers/artists/creatives do that.

You mentioned wanting to give him crutches, which is cool! Mobility aid users in media make me happy. However, you mentioned crutches as meaning a leg disability, which isn't always the case — and while I don't have statistics on it, I believe that most crutch users do not use them for leg-only problems, and a lot of them have the not-so-fetishized conditions. Here are some suggestions of what you could give your character, which hopefully gives you some ideas. If you need, you can get back to us with a more specific question after you figure out what exactly your character has! :-) (smile)

Cerebral palsy — probably the most common reason for using crutches in non-elderly people, and the most common (physical) disability in younger people in general. If your character has diplegic (meaning lower limbs affected) CP, he could use crutches and if he has hemiplegic (one arm and one leg affected) CP, then he could use a single crutch or a cane. Cerebral palsy is generally extremely underrepresented when compared to how many people have it IRL! Just be aware that there is a lot of research involved just about the condition itself — multiple types (spastic/ataxic/dyskinetic), different kinds of body involvement, tons of different mobility aids and orthotics to learn about. There is also hereditary spastic paraplegia, which is not the same as CP but similar and progressive.

Spinal cord injury — the general assumption is that all people with spinal cord injuries are fully paralyzed below the neck or waist, and that's not the case. If your character has an incomplete SCI on any level or just a very low level injury, he could be using crutches or switch between a wheelchair and crutches. It's essential to research SCIs to have them be more than “legs don't work, but that's literally it”. SCI can come with severe nerve pain, spasticity, atrophy, and a lot of other things. Worth noting that spinal cord injury could be traumatic, but could also be congenital (spina bifida) or illness related (polio, transverse myelitis, spinal stroke, or cancer, for example). You could think that it's overrepresented in media, but SCI is generally just used as a “default condition” for why a character is in a wheelchair, and a lot of these representations are unfortunately very shallow.

Paralysis — in the monoplegic sense here. Much more rare than the rest of the things here, but your character could have a single paralyzed leg, largely due to nerve damage. Could be traumatic or illness-related (e.g., cancer, infection, or multiple sclerosis).

Stroke (and other traumatic/acquired brain injuries) — stroke can cause a million different symptoms and depending on what happens to your character exactly, he might need crutches! A big portion of stroke survivors deal with hemiplegia and could use a crutch on their non-affected side, for example. Some kinds of stroke might cause your character to have troubles with balance and require a mobility aid to not fall. Of course stroke will also cause other symptoms for your character (it wouldn't be too realistic to only have him have problems with his legs) for example speech issues, headaches, or seizures. Stroke can happen to anyone, and it wouldn't be weird to have a younger character with it. Very common in real life but very rarely represented in fiction.

Limb difference — you can definitely write a character with a limb difference or an amputation without fetishizing it! The main concern with the fetishization is the concept of the robotic limb that works just as well as or even better than a meat leg, and thus the character is “fixed”. But your character could just… not use a prosthetic. A lot of congenital amputees, people with limb differences, or with high level (above knee) amputations might do that. He could also have a leg length difference, which could cause him to need crutches (for example, Morteza Mehrzad has one of his legs significantly shorter after a pelvic injury, and he uses crutches among other mobility aids).

Chronic pain — very broad category for too many specific conditions to count. Neuropathy in the legs and/or lower back could be a reason for using crutches, for example. Unhealed, or poorly healed past injuries. Arthritis in knees or hips. Hypermobility that makes him unsteady or dislocate joints. Pain in bones or muscles where he can't fully weight-bear.

Gait disorders — another broad category (sorry). Your character could have problems with his gait and need aids for that. It could be caused by dyspraxia (I have it), ataxia, progressive muscular dystrophy (there is a lot of different types), Parkinson's disease, or a lot of other things! Could also be injury related.

And of course you could have multiple characters that are disabled to make sure that there is some variety :)

I hope that the above list gave you some ideas for your character :-) (smile) if you have more questions, feel free to send another ask

mod Sasza

[sufferthesea]

"This fic was ai generated—" Cool, so lemme block you real quick

[sufferthesea]

do you have any tips for how to not sound like an ableist asshole when writing people who use wheelchairs in fic?

yea sure

1. kill wheelchair-centered angst plots. when you’re mobility impaired, getting a wheelchair is a joyful occasion and something you’re excited for (unless your only option is a big painful hospital chair.) there’s nothing progressive or empowering about associating wheelchair use with dreariness and misery.

2. consider the specific wheelchair user’s abilities and limitations. it’s lazy to just give them legs-don’t-work syndrome, think about why they use their chair. questions to ask yourself can include: have they always used it? do they use it because of injury, illness, or deformity? can they sometimes go without it? are they independent while using it? what are the consequences of trying to get around without it? is their day-to-day life wheelchair accessible, or do they have some challenges with navigation?

3. if you’re not disabled you shouldn’t make the backbone of your story about the disabled experience. if you’re not disabled, you don’t know what it’s like to be disabled, and no amount of imagining is going to create an accurate or meaningful representation. this isn’t to say that you should avoid disabled characters or that you can’t touch on ableism in your stories if you’re abled, but revolving your entire narrative around the disabled experience would be as hollow and meaningless as if i tried to write a story about what it means to be a black man. 

4. search up and find a specific wheelchair model to give your character; the model isn’t something that has to be mentioned in-text but referencing features of a specific chair throughout your story will add dimension and realism.

5. acknowledgement of disability in fiction exists on a spectrum; on one extreme the author makes way too big a deal out of it and reduces the character to only their disability, and on the other extreme it’s entirely ignored. both of these are shitty. find balance in recognizing their condition and not being weirdly obsessed with it.

6. if your character resembles a caricature of a stereotypical wheelchair user, they need to be rewritten. this comes in 2 major flavors: the helpless, naïve, useless wheelchair user, or the entitled, whining, unpleasant wheelchair user. adding to the stereotype glut affects people’s perceptions of disabled people in real life.

7. the most important thing to remember is that they are just a person sitting down. wheelchair use is not an altered state of consciousness. develop them the same as you would any other character, and be mindful of their limitations as you do so.

[sufferthesea]

firefox just started doing this too so remember kids if you want to stream things like netflix or hulu over discord without the video being blacked out you just have to disable hardware acceleration in your browser settings!

[sufferthesea]

@ duolingo users

More ai shit taking jobs

[sufferthesea]

Writing Blind and Visually Impaired Characters: Tropes

Hmm, I decided to work on part three before I got to part two. Forgive me.

This is part three of a multi-step series I’m writing on how to write a good visually impaired or blind character. The master post with links is here: https://mimzy-writing-online.tumblr.com/post/185122795699/writing-a-blind-or-visually-impaired-character

The Master Post will include links to all parts. All posts of this multi-step guide and all guides I make in the future about blind characters will be tagged blindcharacter on my blog.

Disclaimer: I am a visually impaired writer and blogger who has written two blind characters thus far. I have been living with vision loss for two years, have had my cane for almost as long, and every day I strive to learn all there is to know about writing and living my life blind.

Part Three: Tropes and Cliches to Avoid, and Other Things You Should Avoid

Keep reading

[sufferthesea]

Writing a Blind or Visually Impaired Character: Crafting

How to Craft a Blind or Visually Impaired Character, Part One of a series

The is part of a multi-step guide for writing blind characters, and it’s master post is this link: https://mimzy-writing-online.tumblr.com/post/185122795699/writing-a-blind-or-visually-impaired-character

All the posts associated with this guide will be tagged #blindcharacter along with any other posts I write in the future regarding writing blind characters.

Disclaimer: This blogger/writer is visually impaired, has lived with vision loss for almost two years, has been using a cane for two years, and has written two blind characters so far. 

Part One: Crafting the Blind Character

Keep reading

[sufferthesea]

Writing Blind or Visually Impaired Characters: Narrative

Before I get started, I want to refer you back to part one of this post which covers how to craft your blind character. The reason for this referral is because it involves determining what caused your character to go blind and what they see themselves. What your blind or visually impaired character is capable of seeing is crazy important to what kind of narrative you’re using.

Link to the Master Post: https://mimzy-writing-online.tumblr.com/post/185122795699/writing-a-blind-or-visually-impaired-character

Link to Part One, Crafting your Character: https://mimzy-writing-online.tumblr.com/post/185123396964/writing-a-blind-or-visually-impaired-character

Every post I make about writing blind characters, both now and future, will be tagged #blindcharacter on my blog. Follow this blog for more writing advice.

Disclaimer: I have been visually impaired for the last two years of my life, and I have written with two blind characters, using specifically their first person POV, so this is really getting into my experience there. This will also involve some real life experience and memories that I, a visually impaired person, have.

Narrative Choice

If your character is the main character than you have to make the choice between writing in first person and writing in third person. If you character is a secondary character or a background character, narrative choice won’t be as important, but you still need to be aware of what they can see in a particular moment and scene because it will affect how they act in that moment.

Keep reading

[sufferthesea]

CREATING AUTHENTIC DEAF AND HARD OF HEARING CHARACTERS: A WRITER'S JOURNAL

Introduction

Creating authentic characters in your writing is essential for engaging storytelling, and this includes characters who are deaf or hard of hearing. To craft a character that accurately represents this community, it's crucial to do your research, gain a deep understanding of their experiences, and portray them with sensitivity and respect. In this journal, we'll explore how to write a deaf or hard-of-hearing character, including key information and preparation steps.

Understanding Deaf and Hard-of-Hearing Characters

Research: Start by researching deaf and hard-of-hearing individuals' experiences, challenges, and culture. Read books, articles, and personal stories, and watch documentaries or interviews featuring members of the Deaf community.

Consult with Experts: Reach out to members of the Deaf community or experts in Deaf studies to gain insights into their experiences. They can provide invaluable guidance and help you avoid common misconceptions.

Diversity Within the Community: Understand that the Deaf and hard-of-hearing communities are diverse. Some individuals communicate using sign language, while others rely on lip-reading, cochlear implants, or hearing aids. Be aware of these differences when creating your character.

Character Development

Backstory and Identity: Consider your character's background. Were they born deaf, or did they become deaf later in life? How do they identify within the Deaf community? Understanding their identity and experiences will shape their character.

Language and Communication: Decide how your character communicates. Are they fluent in sign language, or do they primarily rely on lip-reading and spoken language? Their communication style will influence their interactions with other characters.

Cultural Awareness: Explore the cultural aspects of the Deaf community. Understand the importance of Deaf culture, including its history, art, and values. Incorporate these elements into your character's life when relevant.

Writing Tips

Dialogue and Communication: When writing dialogue for a deaf or hard-of-hearing character, be mindful of their unique communication style. Use visual cues, body language, and facial expressions to convey emotions and context.

Access to Information: Consider the challenges your character may face in accessing information. This could involve issues with closed captioning, subtitles, or accommodations in educational or work settings.

Social Interactions: Depict social interactions realistically. Show how your character navigates conversations, group dynamics, and social events within their community and with hearing individuals.

Preparation

Sensitivity Readers: Consider hiring sensitivity readers who are part of the Deaf or hard-of-hearing community to review your work and provide feedback. Their insights can help you avoid stereotypes and inaccuracies.

Learn Sign Language: If your character uses sign language, take the time to learn at least basic signs. This will not only enrich your writing but also demonstrate your commitment to accuracy.

Beta Readers: Seek feedback from a diverse group of beta readers who can assess the authenticity of your character and offer constructive criticism.

Engage with the Community: Attend Deaf community events, workshops, or online forums to immerse yourself in the culture and better understand the perspectives and experiences of deaf and hard-of-hearing individuals.

Creating a deaf or hard-of-hearing character that resonates with readers requires dedication, empathy, and thorough research. By following these steps and embracing the rich culture and diversity of the Deaf community, you can create a character that is not only authentic but also promotes understanding and inclusivity in your writing. In addition, when writing dialogue for your deaf or hard-of-hearing character, remember:

It's important to clarify why, when writing dialogue for a deaf character, you should continue to use structured English grammar and not sign language structured grammar.

Maintaining Structured English Grammar:

Readability: Writing in structured English grammar ensures that the text remains accessible and comprehensible to all readers, including those who may not be familiar with sign language or Deaf culture. It avoids potential confusion that could arise from using sign language grammar in written text.

Universal Understanding: English is a global language, and adhering to its grammar rules allows for a wider audience to understand and engage with your story. Sign language grammar varies between different sign languages, making it less universally applicable in written form.

Respect for the Medium: While sign language is a rich and expressive mode of communication, it is primarily a visual and gestural language. Attempting to replicate sign language grammar in written text can be cumbersome and may not fully capture the nuances of sign language communication.

Balance of Realism and Readability: Striking a balance between authenticity and readability is crucial in storytelling. Maintaining structured English grammar while depicting a deaf character's interactions helps convey the character's experience without compromising the reader's ability to follow the narrative.

As an illustration, consider the following text: Dialogues with Descriptive Sign Language:

Sarah greeted John with a warm smile, her hands moving gracefully as she signed, "Hi, how are you?"

John returned the greeting in sign language, his expressions mirroring his words. "I'm good, thanks. Did you see the new movie?"

Sarah's eyes lit up as she signed back enthusiastically, "Yes, I loved it!"

In summary, using structured English grammar when writing dialogue for a deaf character is a practical and respectful choice that ensures your writing remains inclusive and accessible to a broad audience while still authentically representing the character's identity and experiences.

Furthermore, it's essential to avoid creating a character who is overly perfect or one-dimensional. In real life, we understand that everyone has imperfections and complexities, regardless of whether they are deaf or hard of hearing. Therefore, it's entirely acceptable to depict your character as a villain with a hearing issue if that aligns with your storytelling goals.

[sufferthesea]

Good news, fellow artists! Nightshade has finally been released by the UChicago team! If you aren't aware of what Nightshade is, it's a tool that helps poison AI datasets so that the model "sees" something different from what an image actually depicts. It's the same team that released Glaze, which helps protect art against style mimicry (aka those finetuned models that try to rip off a specific artist). As they show in their paper, even a hundred poisoned concepts make a huge difference.

(Reminder that glazing your art is more important than nighshading it, as they mention in their tweets above, so when you're uploading your art, try to glaze it at the very least.)

[sufferthesea]

Tumblr is doing some stupid AI shit so go to blog settings > Visibility > Prevent third-party sharing.

[sufferthesea]

Me writing