#// gets to this 50 years later

[claraoswalds]

#mrs flood who are you: time lord edition

[kyonshi-8610]

more than one week i will be gone

translations and img descriptions in alt thing

[destinysbounty]

Yall ever think about how Zane is a seer with prophetic dreams of the future, but he's also a robot with memory problems who struggles to maintain his sense of self? Like. He's condemned to see a future he cannot prevent, yet cursed to long for a past he cannot recall. His dreams are filled with the vestiges of tragedies yet to come, but never the tragedies he wishes he could remember. Do you think he ever used to get disappointed when he'd have prophetic dreams, upset that it was another vision of the future but not of the past he so desperately wished to understand?

Anyway I'm gonna start biting people

[total-drama-brainrot]

i now wanna hear your very long character analysis on how the drama machine affected alejandro

Yeah alright.

So I haven't actually watched All-stars, but I did skim through this video to get a feel for Alejandro's characterisation in it, since All-stars is the only canonical material we get from Alejandro post Drama Machine.

And by skim I really do mean skim; I was mostly looking out for signs of his imprisonment's influence, which for the most part seems to be as follows:

His legs fell asleep.

He developed a minor case of agoraphobia, mostly in the context of sleeping in open spaces.

His standards of human interaction have plummeted; something he's aware and accepting of.

Interestingly enough, he doesn't really seem to acknowledge the volcano itself (outside of an offhanded comment) or the injuries he got from the explosion. His focus is solely on his time in the suit, not what out him there in the first place. He even skirts over a memory loss issue, which could contribute to this.

I'll tackle these three points in more detail, and then give examples of how they can be developed into actual characterisation points instead of (for the most part) gags.

Number one; Leggy McLatin and the paraplegia scheme.

Alejandro's inadvertant and unintentional escape from the Drama Machine, and subsequent readmission into the competition (as himself, instead of as the machine) is, for the most part, entirely focal on the fact that his legs no longer work after his year of entrapment. It's a big deal - or, at least, as big of a deal as any injury or ailment can be in the context of Total Drama, considering that he doesn't miraculously get better in the span of an episode. Of course, we learn fairly early on that he's faking the paraplegia, but it's fairly heavily implied that his legs really were asleep initially (and that, in all likelihood, the massage we see him getting from an intern is what "wakes them up").

What's interesting about this particular plotline choice is that it would, realistically, be entirely feasable for Alejandro to have mobility issues after spending a year inside a robot.

Now, I'm no doctor, nor do I have any formal medical training, but I do know that not being able to move your body for an extended period of time results in a serious case of muscle atrophy. We see in canon that Alejandro was essentially locked in a seated position for the year; his arms, head and (assumedly) torso had place to move around, but he couldn't really stretch out his legs. This would explain the "weakness" of his legs in the first episode - i.e. their wobbliness, and the fact that they couldn't hold up Alejandro's body weight. The numbness he cites would be explained by poor circulation - again caused by him being sat down for a solid twelve months.

Or it could be nerve damage from the eruption, but given that Alejandro doesn't seem to have any long-term issues that stem from the volcano itself, it's unlikely.

So it can be assumed that the numbness of his legs was offset by the massage he gets after the first challenge. The masseuse kickstarts the blood circulation back into his legs, resulting in him regaining sensation in them - enough feeling to notice a crab pinching at his feet.

And, if I really want to reach into headcanon territory/realism, the reason he keeps up the "ruse" is because, despite having feeling in his legs, the muscles there are still fairly atrophied and he has a lot of trouble walking, let alone running, for extended periods of time. Though, as it stands, any long-term impact on his health would be entirely headcanon/fanon territory, due to the nature of the show itself.*

Then there's the psychological aspect to consider. Alejandro's a very prideful person by design - that's evident in both the way he portrays himself and the physical standards he holds himself to. Having use of half of his body stripped away from his is bound to be distressing, perhaps even traumatising. Hence why he tries to make himself as useful to the team as possible despite still recovering; he needs everyone to see that he's still capable.

Eventually his legs fully recover, because this is Total Drama and things like "realistic healing processes" and "lasting damage" don't seem to exist in-universe.

Number two; snug as a bug in a rug.

Alejandro's shown to have started sleeping in a sleeping bag throughout All-stars. He even canonically states that he needs to, because of his time in the Drama Machine. He cites that sleeping whilst srpawled out makes him uncomfortable, unspokenly referring to the fact that, for a year, he'd only had the option to sleep in an incredibly cramped position/environment.

This is interesting since, for the most part, you'd assume that someone held in close-quaters captivity would develop claustrophobia instead of a form of agorophobia, and yet Alejandro seems to have internalised the need to be in an enclosed space to sleep. Maybe it's symptom of just how long be was encased for - a year is a long time - or maybe it started out as claustrophobia, but the indefinate nature of his captivity morphed the initial fear into a twisted sort of coping mechanism.

It begs the question; what else can't Alejandro do in open spaces?

Is he perpetually uncomfortable with the openness of the outside world? Does he resort to hermiting himself into closed-off corners and enclosed rooms, just to feel a semblence of normalcy after he escapes the confines of the Drama Machine? Would he take to wearing tighter but more concealing clothing, just to immitate the feeling/pressure of being trapped in a too-tight enclosure?

Is his need for a snug sleeping space indicitive of him missing his isolated imprisonment?

Which brings us nicely into the third point.

Number three; long-term isolation and the effects thereof.

Alejandro explodes out of a glorified toaster and one of the first things he really comments on is Heather's off-putting personality and her facial hair. In a positive manner. He's so starved for human contact that he attaches himself to the first "friendly"/familiar face he sees, which in this case is Heather, and focuses on the aspects of her that make her human.

If he were a "weaker man", I have no doubt Alejandro would be clambering for attention from his team, mostly for proof that he's no longer completely isolated. It's a well-documented phenomenon; people who experience a long time in isolation, or who suffer through long periods of loneliness, become desperate for socialisation (and physical contact), to the point their immune systems and biological rhythyms (from circadian to infradian) start to deteriorate.

Realistically, Alejandro would've come out of the Drama Machine a desperate and sickly mess, riddled with insomnia and paranoia and incredibly touch-starved. But, as established, the show isn't exactly true-to-life when it comes to things like this, so...

As it stands, the fact that he emerged from his prison and immediately jumped back into his charming persona attests more to the fact that his flirtatious act is so deeply ingrained into his psyche than it does to his mental wellbeing. It could be argued that he's using the same act/mask/persona as a tether to his old self and an anchor to normalcy, as he'd likely crumble into an inconsolable mess without the scaffolding of his "TV personality" keeping him upright (metaphorically of course, as Alejandro is in fact not upright in the show. He's upside down for the majority of his time on All-stars).

Or maybe he's just built different? Who's to say.

We don't exactly know what went down during his year away, so it's impossible to make any concrete statements as to whether Alejandro was afforded the luxury of other people's company, or if he really was kept 100% isolated in the machine. The only thing we do know is that he likely had access to a phone, though didn't have the capability of using it without assistance, since he calls Heather out for never trying to contact him but also states the impossibility of him doing the same in turn.

Number four; lava damage and the lack thereof.

It's sort of explained during his scene at the end of World Tour, but Alejandro's whole "being trapped in the Drama Machine" deal - alongside being a parody of the scene where Anakin Skywalker is first put into the Darth Vader suit - is stated to be for his own benefit. He's essentially being locked away into a healing suit. Again, just like Anakin - they both even sport similar burn wounds.

He mentions at the beginning of All-stars that he doesn't really remember being put into the machine, and it's safe to assume that the majority of his time in the contraption is likely fuzzy to him as well; being fully concious of complete isolation for a whole year would be enough to drive anyone completely mad, and Alejandro is decidedly not insane (for the most part). Ergo, it's also a safe assumption that the inner mechanisms of the Drama Machine act as a sort of stoporous healing chamber, keeping Alejandro semi-concious and healing his various lava burns over the course of his concealment.

Sort of like a medical coma. Inside of a robot. A portable medical coma.

The "healing properties" would also justify why Alejandro's whole body hadn't deteriorated from muscle atrophy, or developed any (visible) burn scars from his stint in the Hot Sauce. Of course, as far as burn scars go, unless they're significantly deep they do tend to fade into near-invisibility over time. That, paired with the ~magical healing properties~ of his confinement, likely resulted in his lava burns scarring over into insignificance.

Then again, I once again have to take cartoon logic into account - the show itself likely just didn't consider the semi-realistic consequences of a year of entrapment, and wanted Alejandro to be near-enough the same character he was at the end of World Tour before the consequences™.

The main point here is this; Alejandro doesn't seem to remember the majority of his injuries following the volcano eruption in the World Tour finale, or if he does he's had a year of semi-conciousness to work through his thoughts and feelings on the matter, and as a result he doesn't seem to carry any (reasonable) trauma regarding lava, volcanoes, or other related stimuli.

He does, however, retain some "quirks" from his time in the machine.

Number five; an overview.

Alejandro comes out of the Drama Machine with a surprisingly little amount of visible trauma, both in terms of physical damage/scarring and observable mental changes.

He developed a very minor case of agoraphobia, spurned on by him becoming accustomed to existing in a very small, very cramped space, but otherwise attunes himself to the outside world incredibly fast.

Is this probably related to his social training, as a diplomat's son, and his heavy reliance on a "suave and charming" persona. He's likely battling with a lot of internal issues throughout the season, but squahing down his inner turmoil under his determination to win, which explains how/why he falls so easily into his scheming mindset - it, in and of itself, is a coping mechanism, though not a very healthy one.

*The paralysis of his legs was in all likelihood genuine, and a result of poor circulatory issues and minor muscular atrophy, which was almost immediately treated by the masseuse intern after the first challenge. Realistically (and how many times have I said that word) he'd have some lasting weakness in his legs, and maybe require the use of a mobility aid and/or physiotherapy. This is not the case, because... Total Drama.

There are subtle signs of the mental impact of his imprisonment, mostly in his immediate attachment to Heather (despite her taking away his reproduction privileges the last time they spoke, and her being Heather) and his innate need to prove himself as useful/capable despite his gameplan riding on him appearing pitiable and unthreatening (due to his "sleepy legs"). He's so starved for social interaction and validation that his actions are directly contradictory to his gameplans.

Though in the case of his Heather attachment, he could just be like that. He was also fairly infatuated with her in the latter half of World Tour, and the pineapple scene speaks for itself.

In conclusion; Alejandro is either completely goated and (for the most part) just shrugged off the trauma of being trapped in a tiny box for a year, or he was already so traumatised that the imprisonment was just another needle in his haystack of turmoil.

[supermaks]

Kit do you not rep Charles anymore 😭

Of course I do he’s prime I just need a break from his team and that fucking dog

[wolframpant]

I, Claudius Episode 3 Waiting in the Wings

This is your doing, isn't it? Don't think I don't know. You think you're very clever. You think that by discrediting me, he'll bring your son back from Rhodes. You're so transparent. You want that precious son of yours to follow him when he dies so you can come into your own. But I have two sons. And they both come before yours. So make your mind up to it, Livia. When my father dies, you won't be wanted anymore. So take my advice and climb on the funeral pyre with him!

[deep-space-lines]

I got my wisdom teeth taken out like 2 weeks ago and I was super out of it afterward (despite, apparently, vehemently insisting I was completely normal) and my little sister got a video of me deciding it was a great idea to blast Ultrakill music (or as I described it, "music that makes people not want to listen to music with me") in the car on the way home

Transcript:

"(slurred) Uh I'm like-- pretty coherent [unintelligible murmuring] [hiccup]"

"You're funny."

"Wow. Thanks. I wanna listen to music."

"What music?"

"Music that... makes people not want to listen to music with me [hiccup]"

"........bet"

"[absolutely unintelligible garbled speaking in tongues. literally I have no idea what the fuck I was trying to say here]"

[Tenebre Rosso Sangue starts blasting at max volume interrupted by occasional hiccups]

"How can you still talk if you have a numb tongue?"

"Um.... creativity"

"You have a very bloody mouth"

(sadly not included: apparently right after the video ended I started talking about how I should have blood on my mouth as a fashion statement more often)

[munchboxart]

Yay I finally managed to make my 2023 art summary! First half of the year was a little disappointing looking back (in terms of both amount and quality). I think I managed to make more personal work this year, thankfully, which is what I wanted last year

[blujayonthewing]

if a human asks a gnome when gnomes reach adulthood, they'll probably pin it somewhere between 20 and 40, depending on how they're interpreting the question; if an elf asks, they'll say "oh, we don't"

[5h0w1sh]

Look. I love shadow and tails friendship

Dynamic but-

Listen.

What if- Tails didn’t immediately like Shadow (he beat sonic up)

And shadow is just like oblivious to it-

[fate-defiant]

Duck hits different when you're no longer thirteen and in the throes of navigating friendships for the very first time and defining yourself by your social ineptitude.

[camgoloud]

anybody on here read fucking. uh. the magicians

[exoscreamsoda]

i know next season is supposed to be lestat focused (and im currently having a breakdown imagining him as a rockstar) but i would give ANYTHING to see a glimpse of how louis and armand were living in the current age before they invited their couple therapist. theres no way they figured out how to use the internet to its full potential. did rashid come over one day to set up their wifi and then ended up their little henchman. are their man snacks found on craigslist or something. armand said he didnt want daniel there so i can only imagine louis was annoying him 24/7 while he was trying to read on his kindle in peace 💀 the way louis is so adamant about getting this book made makes me think he was watching tv and one of those reality shows that covers old musicians came on and he saw lestat and started tweaking because no way did he think about old man dan's book out of no where

[designernishiki]

noticed that the ps app now shows how many hours you’ve spent on a game if youve recently played it and uh. im clearly very normal about yakuza 0

[redladydeath]

The Vees struggling to deal most with the days Vox is afraid is something so heartbreaking.

The Vox they knew was never afraid, at least not in such an obvious, vulnerable way, not the way a child hiding under the covers is afraid.

Valentino in particular struggles to deal with seeing him that way. It’d be so easy to snap his neck, go to his room, retrieve a gun, dig for one of the few angelic bullets he’d scrounged up and put an end to this whole pathetic charade.

He never does it though, instead he’ll continue playing out the ill-fitting role of a caretaker role for as long as it takes. As long as what takes? He doesn’t know.

All overlords build their empires by constantly projecting strength and invulnerability. Hell's already a place where you learn very quickly that you can't show weakness for even a second, lest someone take advantage of you, and overlords are the sinners who took that lesson most to heart. Val was already someone who couldn't stand being "weak" when he arrived; the idea of not exploiting weakness in others is so utterly foreign to him that he can't understand why he keeps choosing not to take advantage of Vox's vulnerability in some way.

Velvette's in a bizarre situation because she's so young by Hell's standards. She's fully committed to the idea that you've always got to be the toughest, most ruthless person in any room you enter– something she learned from Vox himself– but she's still got some niggling bits of humanity left in her that older sinners have long since left behind. She feels compassion for Vox, then gets angry at herself for being compassionate, then tries to rationalize why being kind to him is okay but she should still treat everyone else who's vulnerable like scum– and it just goes on like that.

How do you make sense of the urge to be kind when you've built your entire identity around being as cruel as possible in order to stay on top?

[coconut530]

NEW CRANE WIVES SONG = NEW LENORE SONG