My lyrics for Double!! I really loved this song and became like a thousand times more impressed by Deco27 and Natsuki Hanae after working with it for so long 😅 I chickened out of recording this one in the apartment but if anyone wants to cover it... lmk.... 👀 I can definitely put something together to help hear how the rhythms work, because I got it all to line up very nicely! (Lyrics under the cut and my little commentary in the tags)
(I’ve got you, leave it to me!)
Welcome home, it's another day, keeping things at bay, you see no change
Not a smile in this mess, you're doing your best, you say (wake up)
"Don't need a break" as you proceed to start breaking, both sleeping and waking makes you bleed
And now, reborn anew -- I'll take in on for you
Not your plan? Who gives a damn, I'm here and here is where I'll stay
It's just the two of us, nothing left to run from. You're safe now, your hero's come.
All I did was dream, is that a crime? Is that enough to name me guilty by?
"He can't be trusted, he lied," you cried. Made me out as the bad guy. But why?
Ah, I'm the one that saved you, don't you see? So tell me why the hell you cry to me!
Let me hear you revel, grateful, cling to me with "savior," "adore" -- oh, sing to me.
Welcome home, it's another day, keeping things at bay, you see no change
Too late, your limits passed. Too late, yourself has cracked (goodnight)
If you persist I'll assist with releasing, keeping your peace is why I exist
And now reborn anew -- I'll take it on for you
(Oh, hello? Mom? It’s been a while. Yeah.. well, I mean, some days are hard but I’m doing alright, don’t worry. How’ve you been? I’ll go home next time I get some time off...)
The reason I'm alive, must be making sure that you survive
"He can't be trusted, he lied," you cried. Made me out as the bad guy. But why?
All I did was dream, did you forget? Go on and forgive me, I'm no threat.
Listen to me confess, honest. Eat your words and I bet, regret
Ah, I just tried to help, tried to be strong. So tell me why the hell it's all gone wrong
Let me hear you revel, grateful, cling to me with "savior," "adore" -- don't sing me this song
Lost my memory
I'm double, it was unavoidable
Living painfully
I'm trying, as hard as possible
Tell me, tell me.
If I wasn't born, maybe this trouble --
Tell me, tell me.
It's all my fault
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Tymbal (Septendecim AU)
Warnings: Body Horror, Suicidal Ideation, Use of a Gun.
Adam and Jonah make it back to HQ. They are not the only ones to do so.
1,538 words. Sequel to Exuvia.
"We're here," Adam's voice calls, startling Jonah out of his half-awake haze. The sun is just starting to peek over the horizon, washing the world in a dull blue light. They blink, everything coming back to them in a flash: Adam needs medical attention, badly, and Jonah needs to get him into the apartment.
They unbuckle their seatbelt, fumbling around with one hand until they hear a click as it releases, fighting until they are unrestrained by it. He leans forwards, bringing up a hand to claw at the car door until he finds the handle, yanking on it and toppling out of the backseat. Maybe they should have been a bit more graceful, the movement aggravates his headache, the dull ache rousing into a spike of pain as their head spins. They catch their balance, and brace both hands on their knees to keep steady, taking a moment to wait for the world to stand still. He heaves out a sigh, and straightens, using an arm to brace himself against the car as he trudges to the driver's side.
He almost does a double-take as he sees Adam's actual face through the reflections of the car window, but as they make their way over to the window, their own shadow obscures the light bouncing off of the glass, and he can once again see the grotesquely distorted image of his best friend. That is not him, that is not Adam. Adam is dead. He sighs, rubbing his temple with a wince. it was… disconcerting to see he was still hallucinating, but it was useful to know certain things could break the illusion.
They shake the musings off, they had more important things to worry about. They tug on the handle of the driver's side door, grimacing at the nagging pain that flares up in protest.
---
Adam does not want to get out of the car. If he gets out of the car, then he has to move its his disgusting body. If he gets out of the car, then he will have to tell Jonah the truth. Despite this, when Jonah opens the car door, he twists his body so he is facing the outside world, and tentatively paws at the ground with its his left leg. Although he had walked on it before, he's still surprised when it manages to hold his weight instead of buckling and sending him sprawling to the floor. The bones creak as they lock together, and the feeling of it sends shivers up his spine, but there is only a muted ache of discomfort rather than pain.
Jonah offers out an arm to Adam, who grasps it as he tries to haul his body up and out of the driver's seat fully, swinging his right leg forward.
He stumbles, and Jonah strengthens their grip, bringing their other arm to rest on Adam's back. The rest of its his right leg follows him like a revolting shadow, trailing on the asphalt as it he shuffles forward. Ever since he had woken up, it seemed his body could not decide whether he was in pain, completely numb, or in some sort of state of not-pain, but agony nonetheless. He grasps Jonah's arm and shoulder like a lifeline as they slam the car's door closed, then readjust to help Adam to the front door.
Each step to the apartment is its own circle of hell, and by the time Jonah is fishing the keys out of his pocket, it Adam wants to shove himself away from them and scream. It he cringes as the key turns in the lock, the sounds of it reminding him of bones breaking and distorting, slotting into places they shouldn't. He holds onto Jonah tighter. The door opens, swinging inwards, and Jonah beelines for the couch, heaving Adam towards it as its his limbs trip over themselves in an attempt to move. They finally reach it, and Adam simply lets itself himself fall forwards, collapsing on it face-first.
"Shit, man, be careful! You said you have broken bones, you can't just do that!" Jonah yelps, off-balance from the unexpected shift in weight.
"Jonah--," Adam starts, but is quickly cut off.
"I mean, seriously, i know you're probably exhausted but you have got to take better care of yourself. We can't go to a doctor, and I don't know anything about medical care! And unless Sarah has some secret medical degree, I don't think that we--"
"Jonah!" Adam shouts, a sharp jab of anger clouding his thoughts, before fading as quickly as it materialized. It he gives up on trying to get comfortable on the couch, slumping into the cushions.
"…Yeah?"
"…It doesn't even hurt. None of it does," Adam says, voice barely above a whisper. He isn't lying, the 'pain' that isn't really pain at all has stopped, if only for a moment.
Jonah seems to misconstrue the implications of Adam's statement, "Shit, okay, you must be in shock, just let me get Sarah's laptop and--"
"Jonah. We both know that's not true," Adam cuts in harshly. This has gone on for long enough, he can't keep pretending like this. He pauses, taking a breath to center himself, and asks the question he dreads knowing the answer to, "You… can see me, can't you?"
"…What do you mean?" Jonah asks, voice quiet. Adam sees through it, they know what he is asking.
"If this were a hallucination, then you wouldn't be able to see this too," Adam presses on, ignoring how sick the words make it him feel, "I know that you can see this."
Jonah shifts, looking away in discomfort. "I… I don't know what you're talking about. See what?"
"Jonah… what do i look like to you right now?" Adam inquires, already knowing the answer.
Jonah does not even look at him as he answers, "Normal. There's nothing wrong, you-you're fine."
"Jonah, look at me," Adam heaves out a dry laugh. "You're not even looking at me, and you want me to believe that? Just tell me the truth."
Jonah finally lifts his head to meet its his gaze, and Adam can now feel the slightest bit of fear in the air. Strangely, it is anxiety, not dread, and it is not directed towards him, but it wants it to be. It wants Jonah to be afraid of it. It shoves it down, but its own thoughts leave it feeling ill nonetheless. It does not deserve to pretend to be Adam Murray anymore, not after that.
Just as Jonah opens their mouth to respond, there is a click of a doorknob turning, and they both freeze, stiffening at the jarring sound, neither daring to make a noise. They both turn, slowly, to face the front door just as it begins to open with a strained creak. It swings outwards, revealing Sarah, hand on the doorknob and head turned downwards as she scuffs dirt and snow off her boots, not yet looking at either of them.
"Hey. Have either of you seen… my…" Sarah starts, and then trails off as she finally looks up, eyes unfocused until they land on Adam. She pauses, perplexed, trying to make sense of what she is seeing, the pieces not connecting into anything that makes sense. Until they finally snap into place, and she sees the full image in front of her. Adam can tell the moment she does, because it floods the entire room in a heavy miasma of dread.
"What the fuck is that!?" she croaks, her voice squeaking at the end, too terrified to even scream as she locks eyes with it. It almost leans towards her, to bask in the terror that radiates from her like rays from the sun, but it forces itself to stay still. It tells itself it does not want her fear, it may not be Adam, but it will not allow itself to stoop down to the level of a monster. It was still pathetically desperate to cling to its own non-existent humanity, after all. Such a shame.
"S-Sarah? Oh, wait- what?" Jonah starts, stops, starts again, and then seems to give up, head whipping back and forth between Sarah and Adam as if failing to keep up with a high-speed chase. It couldn't understand why, every moment seemed painfully drawn-out to it, making it process every detail, whether it wanted to or not.
Sarah jolts out of her stupor, and its eyes follow her hand as she reaches for something from her side with a frantic fervor.
Ah.
It knows what is going to happen before Sarah even rips her gun from the holster on her belt. It knows she never hesitates to pull the trigger, and it knows she will not hesitate this time, either. And as a flash of steel is leveled towards its head, it thinks that maybe it is better this way. Or maybe it is just a coward. It does not have time to ponder this, there is only a flash, a deafening sound it does not have time to process, and the world imploding in on itself into nothingness.
It thinks it may be screaming, but it cannot tell, because it does not exist anymore.
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Weird little AU I thought of today because I’ve been watching too many horror short films-
So when the Fowl Star sinks, everyone dies except Tim (or a few others live but are killed when they wash ashore, because Britva’s an asshole). He’s not in a coma but he’s still really badly hurt, still has the broken leg and the burns and all- Britva shows up to gloat about everything and Tim gets so pissed off/is so outraged by the death of everyone else that when Britva crouches down to gloat further, Tim punches him square in the nose.
Which... backfires. Badly. Tim gets drowned right there in the shallows by Britva and his henchman, alongside his crew, and nobody survives. The news reaches Fowl Manor and Artemis wakes up to his mother screaming- the full moon sets only to rise again the next night.
And along with it, the vengeful, warped souls of those lost on the Fowl Star, twisted into half-human, half-finned creatures of the deep- led by no other than Tim. Together, they all tear Britva and his men apart. Whoever goes onto the boat the next day to investigate what happens finds nothing but bloody pieces and bones.
A few days later, Artemis manages to escape from the grief-heavy Manor for a few minutes, and walks the long way down to the cliffs, and the beach- as if drawn there. Something wicked this way comes, he just knows it. Some magical force tells him he must be there to meet it.
And Artemis and his father reunite! Just with one looking a lot more terrifying, and acting a lot less human, dragging itself up from the water and watching Artemis with eyes black as a shark’s.
But hey, at least ‘he’ made it home.
Now that it’s home... does Artemis keep it? Does he look it in the eyes and call it ‘father’- what will happen when it grows hungry again? He got what he wanted, his beloved father back, by forces no man can understand... but at what cost?
What, exactly, came back at all?
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