#<- in case i end up giving her one...

[hxntresses]

I was a lil reluctant to give Velvet an OP verse but... Mink!Velvet do be looking cute...

[ruporas]

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

[existencebringsonlypain]

lil asshole. kept me up all last night

[kaidabakugou]

just hurt my own feelings while drying my hair bc i thought of an angst idea and now i’m crying 😔

[iindigoeyed]

A detail I noticed about Feast

Feast (S3E15) is a very important episode for many reasons: it gives us Fu's backstory and origins of the miracle box, it hammers home the element of emotions when creating sentibeings, it restores the Tibetan temple and causes a chain reaction that is relevant later in the series (namely with Su Han), Mayura is there... but I rewatched it recently and I noticed a detail near the end that I believe to be foreshadowing.

At the end of Feast, our heroes defeat the sentimonster by entering it and cataclysm-ing Fu's staff with the amuk in it. Once Ladybug casts her Miraculous Ladybug and returns the world to normal, the Guardian Temple reappears and we can see the news reporting on it:

As the news is reporting on the temple, a few people can be seen watching (or listening). Those would be Gabriel and Nathalie, Tomoe, Alya, and Audrey Bourgeois.

Gabriel and Nathalie makes sense. They are Hawkmoth and Mayura, after all-- and Gabriel used the peacock with Emilie to create Adrien. Tomoe again is understandable, as she is a close ally to Hawkmoth and possibly used the peacock miraculous to create Kagami (which is all but confirmed in canon at this point.) And Alya herself is the catalyst for this episode's events: she brings Marinette to the Louvre where the dormant sentimonster is, shows Marinette her findings about the guardian symbol, and publishes those findings on her Ladyblog which HM & Mayura then discover. She's also a Miraculous holder too.

Now, why is Audrey watching the news? From a meta standpoint there's no need to show her in this scene since she isn't of the same importance that the others are. Hell, Audrey wasn't even in this episode before then. Even if her daughter is a Miraculous holder, Audrey has no reason to be interested in the Temple...

...unless, of course, she has some connection to the Miraculous.

As an aside... I'm not sure exactly what this means. If Audrey used the peacock to create Chloe like many believe, surely Audrey or Andre would've fallen ill like predecessors Emilie and Colt did. You could argue that she used the peacock miraculous to create Zoe as we've never seen Zoe's dad and aren't sure he's even alive, but considering this was in season 3 before Zoe was even introduced to us I have my doubts to believe this was the intent. Or maybe there's some unseen third option that I don't know about.

Regardless, this seems like pretty obvious foreshadowing to me. Even if this ends up going nowhere it's interesting to recontextualize it knowing everything that we know now. I don't think we've seen the last of Chloe or of her family quite yet (even if the writers want us to think we have.)

[dirtytransmasc]

self indulgent got concept.

Ned brings Jon home, Cat hates the boy, everything stays the same... until Robert Baratheon is charging through the halls of Winterfell looking for the babe, ready to butcher the poor thing where he lay helpless in his cradle.

in a matter of moments Catelyn learns three things:

The babe was never a bastard, Ned had only lied to her to protect Jon, and that she would die before she let Robert lay a finger on the babe she'd previously wished death upon.

cue Catelyn Stark snatching Jon from his cradle, holding him, protecting him, loving him as she would her own son, risking it all to keep him safe, all care for herself thrown to the wind.

like they say, what a mother's love holds no bounds, and what it makes her capable of had no limits.

[tvrningout]

sometimes i think about moving all my dorverold stuff and muses to a separate blog bc there's so much and it's just gonna keep growing, but then i worry that i'm gonna neglect either chiyo or my dorverold muses bc i am notoriously bad at managing more than one blog

[lordgolden]

got out of work at 2:30 today SLAY!!!!

[katyahina]

Paleblood Hunter could be Laurence’s reincarnation?

Or how things look different if you use cut content!

I received an ask from @marchioness-of-the-flowers-blog on my other blog that made me dive into a small bit of cute dialogue.. and then dive into an ABYSS of potential because I am unhinged fdshfhd Okay, so I presumed that you was referring to this cut dialogue:

There are different ways to go about it, yeah! The simplest way to interpret it is him 'speaking with a person that isn't here' thing - so he doesn't really call US Laurence, but just clings to the memory of him. Like, you know, same vein as the guy accomplishing something and casting arms to the sky all like 'Father I did this, do you see???' meanwhile 'father' is many years ago dead. You get the point!

But, heck, the version that he does start to confuse us for Laurence (whether because of going insane, or us looking similar, or both) is more interesting! I doubt that intention was within appearance because Souls-like games feature custom playable character in their trademark style! Sekiro is more 'a From's game' than it is 'a Souls-like game' after all.  So it is probably Gehrman's mind just falling apart!

However, there is another possibility. It could be that the paleblood hunter is a reincarnation of Laurence, or at least was intended to be such in beta version!

We can conclude that the Paleblood Hunter arrived in Yharnam already being aware of 'paleblood' - and even of the risk of losing their memory after blood transfusion! The bit about the very first note being written in your own handwriting is lost in translation so as always I am using excerpts from the lifesaving Last Protagonist's document ( x ).

Also, interestingly, with the context it seems like the Hunter chosen to arrive in the hood intentionally - as if knowing in advance that Yharnam would be hostile to foreigners from somewhere already. For one reason or another, Hunter was informed of what to expect and what they were looking for - be it some divine omens, dreams, them reading about it somewhere, some other character informing them, etc. Arriving in the city to potentially seek the red moon deity behind the Hunt and the Dream is... already very interesting. And very risky task because as gameplay choices show us - without memory it is easy to fail the quest. Not enough cords, not choosing to fight Gehrman...

But also, a detail often missed is that Paleblood Hunter is already not as simple! Here is the invitation in Cainhurst that you can find after imposter doctor invades Iosefka's clinic and takes her place, if you sneak from the secret cave through the woods. It is found in the exact same room where you start the game and where that first note about 'Seek paleblood to transcend the hunt' is!

Easily, she brought it! She, or Iosefka herself right after we left the room - they are most likely twins because devs aren't even subtle about them looking the same.

I talked more about the theory of Laurence having roots in Cainhurst in this ( x ) post, but the key point -  a portrait on the Cainhurst has both gold pendant and a necklace Church Servants wear. Can't imagine a more FAT hint, haha. Laurence was the one responsible for creating Hunter's Dream and associating with the paleblood / moon presence, and in that cut dialogue with Gehrman you see he mentions - "The way we've always said we'd end it, you recall".

So, perhaps Laurence could vaguely (or fully) predict what was to come - his impending early death included. Iosefka and the imposter are both in the Healing Church (and very likely both with Cainhurst roots as well - don't forget that Imposter Doctor can prepare the Numbing Mists that are "secret recipe from Cainhurst" and comments on us having scent 'of the moon' - with the only other character saying the same being Annalise). It is a possibility he entrusted one or both of them with the letter. Maybe name of Paleblood Hunter was known many years prior, or maybe they were instructed to write the invitation as soon as they spot a suspicious person seeking paleblood without being a Yharnamite... because that person WILL be important.

Alternatively - maybe the note written in Hunter’s handwriting was not written BY them, but their handwriting matches Laurence’s, so it seems like their! And the note was by Laurence as he knew where the future self would awaken. Then, maybe rather than one of the doctors bringing Cainhurst invitation, it was something along the lines of imposter Iosefka just fumbling around the place, finding this letter tucked somewhere and discarding it - letter he left? And maybe the reason him being reborn was apparent because of strange Cainhurst heritage transcending death as concept - or him having one favour from the Moon Presece for giving her a surrogate child (old man)? There are so many interpretations that choosing only one is already a hassle!

Laurence also lays idly as a beast, yet for some reason his human skull happens to exist in the Nightmare realm, but can't return his memories. So like... If you follow the reincarnation idea - would not that explain why his reaction upon receiving the skull he so desperately wanted is to turn hostile and attack us? Yeah, in the final game most likely he goes erratic when it doesn't help. But if it just so happens that Laurence is full beast, without any 'human but corrupted' sentiment left to him... would not that make sense why he attacks us? Because his actual soul is within HUNTER and now he realizes, and the way to actually return THE Laurence is to kill and consume the hunter.

And on the brink of the end of the night of the hunt, Gehrman just knows. He just can sense that even reborn as new person - this is merely Laurence's next reincarnation, and speaks hoping this part within the Hunter just... understands.

How is this interpretation?

Yeah, this is possible that it is a bit of a stretch, but that would explain some things. Especially the mystery of Cainhurst invitation and why the hunter specifically arrives to solve mystery of paleblood. Such a long time passed that Laurence found Gehrman again as a reincarnation - but he still arrived to at least free him.

Heh... worth a notice that in the cut dialogue, Gehrman sounds like the burning of the Hunter's Dream will destroy it for good, as opposed to the actual game where it seems to be merely a reset. Anyway, thank you for the ask, this was really fun to think about!

[blackjackkent]

So, what Rakha really wants to do right now is go kill the people hunting Karlach, because they don't have anything else that would qualify as a direct plan other than the creche, and the "paladins" are closer. However, I happen to know that the paladins are level five and Rakha is level 2 and could be knocked over by a stiff breeze, so I think a better bet is a more full exploration of the Emerald Grove first.

I'm guessing that this is the result of a concerted effort on Wyll and Shadowheart's part, primarily - Wyll already knows the people of the grove and Shadowheart has fixated on Halsin as a useful lead. Gale doesn't seem to have any specific plan in mind and, left to their own devices, Lae'zel would already be heading for the creche and Rakha and Karlach would be after the paladins. But between them, Shadowheart and Wyll manage to convince everyone that at least TALKING to the healer in the grove would be a useful start before everyone goes off half-cocked.

Amused because I stopped in to talk to Zevlor and got a disapproval from Wyll purely for leaving the conversation without asking the question about whether the ritual could be stopped. XD Sorry, Wyll. I swear we'll get to a point where you like Rakha, somehow, but I doubt sincerely we're there yet.

Speaking of the ritual, down we go to the grove proper - with a quick stop to talk to the teeth-ling kids.

"Whoa. Hey! Can't say I've ever seen someone like you before."

Without preamble, he shows his hands to her, empty. Then a quick flick of the wrist, and suddenly he's holding out a tarnished gold ring between his fingers.

"Go on," he says cheerfully. "Take this ring. It's lucky."

Rakha, who has very little context for anything she experiences, has never seen slight-of-hand magic done before, nor is she familiar with the concept of a con man. So she watches this little display and is immediately fascinated. Magic - but with no surge of that visible tapestry around the boy, the network of power that Gale calls the Weave.

How?

"That was a fancy trick," she says slowly.

His eyes narrow and something subtle shifts in his expression, a flash of interest. "You haven't seen anything yet, lady," he says dryly. "Go on - take the ring and watch your fortune change!"

Take the ring.

She takes it and looks at it carefully. There is no magic on the ring either, nothing that she can sense. But the boy looks up at her earnestly as he draws a coin from his pocket. "Call it! Heads or tails."

She blinks at him, puzzled by the question.

Pocket the ring.

"Hey, hold on!" the boy cries at once. "You gotta pay for that!"

She does? She withdraws the ring out of her pocket again and squints at the boy, incredibly baffled by the entire situation.

("The boy seeks to deceive you," Lae'zel says impatiently under her breath. "His magic is mundanity. The ring likely the same."

Wyll sighs. "Be kind, the both of you. He wants to show you a trick, that's all. Let him flip the coin.")

Rakha's eyes narrow. She stands there with the ring sitting on her palm and feels foolish. "It's only a joke," she says slowly after a long silence and trying to sort through the words from her companions. "Go on... flip your coin." If anything, she is curious to learn what that means.

"Real sweet sense of humor you got there, chum." The boy looks as if he's starting to regret his choice of mark, but he presses on gamely. "Anyway, you gotta call before the flip. Heads or tails."

A long pause. "Heads?" Rakha says cautiously.

The boy grins, tosses the coin in the air, catches it, and then shows her the side with the head facing up. "Heads it is!" he crows. "See? That's the kinda luck you get from just one of my lucky rings! I've got more where that came from. Real cheap, too. Interested?"

Rakha is starting to understand the situation now that she has seen it play out, and her lips twitch with irritation. [SORCERER] "If there was magic in this ring, I'd have felt it," she says bluntly. "It's nothing but junk."

The boy flinches and raises his hands defensively. "Not so loud!" he hisses. "You caught me, all right? They're not lucky rings." His eyes grow wide, his expression twisting with sudden, exaggerated pathos. "I'm just... trying to earn money for my family," he whimpers. "My father left and my mother... she's so sick. I wish I had better things to sell than... trinkets, but it's all I have!"

Rakha squints. The shift in tone is abrupt enough that she is certain it's disingenuous and that Lae'zel is right - the boy is making a fool of her. There is nothing of value here.

Wordlessly she shoves the ring back in the boy's face.

Return the ring and leave.

[undertheknightwing]

I loved their short-lived "I hate this fucking family" scenes

[transgaysex]

god remember jake marshall. from rfta

[laerrynseelie]

read it on ao3

Princess Suntar of the Unseelie Court is a ray of sunshine amidst the dreary, dark caves and jagged cliffs. She laughs when it is appropriate, always has the exact right thing to say, and charms everyone in her path.

Some say who you become is due to genetics, others how you are shaped by the world. Suntar knows that she was created by the cards she was dealt in life.

Her brother has always been a study in contradictions. Andhera, heir to the Unseelie Court, with more expectations upon them than her, strived to be more than they were made to be. A dreamer, a romantic, a friend. Suntar has internalized and weaponized it, using it as her sword and shield through life.

She does not know how Andhera does it, how he survives with all that earnestness in his open heart.

Suntar has always known exactly who she has to be, the place she holds in the world. She is a princess, she is a symbol, a pawn, a hand in marriage, a political alliance. She is the spare. Who she is isn't important - it's what she is that matters.

Suntar has always known her place in the world. As second-in-line, as an Unseelie, as a lady. And so she learns what is expected of her, knows how to manipulate courtly doublespeak and which fork to use and each time, fails to teach Andhera along with her.

They had been close, once. When her imagination and ability to dream was as strong as his, when they would make strange noises just to hear them echo in the caverns, when he would gift her with pretty stones he had found and befriended. Shards of volcanic glass, rocks he had smashed open to reveal crystals inside, stalagmites he broke from cave walls.

But he didn't wish to learn decorum. When, as a little girl, she already knew that she couldn't act a certain way, Andhera would continue to lick cave walls and carve faces into rocks. She noticed the way the ladies in waiting looked at them, when it stopped being cute and started being weird. She had tried to stop them, stole the rocks and scattered them, but they always found them again. Listen to me, she yells at them from inside her head. The world will not be kind to you.

As time went on, she stopped being kind to him.

Despite being raised together, the siblings became very different people. Andhera is chicken scratch in the margins of an oft-read book, private and illustrious all at once. Suntar, on the other hand, is well-practiced calligraphy on letter paper, mistakes prestidigitated away before the ink has even dried, true feelings hidden behind courtly pleasantries.

Isolated, away from society, Andhera drew into himself, hiding his unwanted feelings from the world, while Suntar only learned to strike out at others. Differing sides of their mother.

Sometimes, Suntar clutches Advisor's hand, and pretends it is enough.

When Suntar begins going to other courts, writing correspondences, practicing her royal manners, she learns what it means to be Unseelie in Faerie. She doesn't know how to relay this to Andhera.

He stopped being kind to her, too.

They are Unseelie; they are not built to wrap their arms around each other like parentheses, to curve their bodies into question marks and hold one another when they don't have the answers. They are not built to huddle for warmth to survive.

Andhera is spring rain that brings flowers and fresh starts. She is sea fog, salt crystals and obscuring mist brought up from the crashing of waves.

Hope is not simple, comfortable, or easy. Hope is a risk, a gamble, a struggle.

She is there at the duel with Captain K.P. Hob. Sees Andhera, who never learned the proper decorum for duels, not only regain their honour, but gain a friend. She almost smiles, then sees Viscountess Grabalba, thinks of the failed engagement, and stops. She feels a lump in her throat that mimics the stone at the back of her neck, and leaves in a gentle pitter-patter of rain.

Hope has a cost.

As she discusses matches and marriage with Prince Apollo, Suntar has no qualms about leaving love behind.

She is her mother's daughter, and no matter how much you love the ocean, it will always drown you. Love, too, is a gamble, one that is not worth the risk.

In a world of reputation and politics, what use does the wind have of love?

Sentiment is a weakness, yes, but there is still much to be had from loyalty. Does Andhera realize, she wonders, that she fakes her accent too? When she heard them speak in public for the first time, and mimicked it the best she could to protect them both?

Whenever she hears rain, her first instinct is to cast Calm Emotions.

Suntar hums a little tune as she returns to her quarters, one travelling quickly through the Bloom. It's a song about Andhera, sending a princess away on a mighty steed. A replaying of one of her most embarrassing moments that causes a pang in her chest.

Some days, she is the shining gem underneath their skin; others, she feels like the edges, raw and struggling to heal.

She thinks of the prejudice against their court, and Andhera's pride this season. She thinks of Mucky, made of dark water and rising flames, and feels a little pride in them, too.

The phrase "come hell or high water" comes from their court, after all.

As she prepares for the ball that evening, her hands find an old hair pin. She doesn't look at it, simply uses it to secure her hair into a bun.

An obsidian shard, jagged edges perfect in its imperfection, with only a small part of its surface marred. Carved faintly, difficult to see in the dark rock, is a smiley face.

[aquilamage]

au where Muse goes back to snakemouth to either rescue Leif or get his body back and gets caught up in the roach lab part. Results of which can run the gamut from “the roaches put her in some kind of stasis to keep her contained but then things went bad before they could actually do anything so team snakemouth comes across her rescues her and she’s fine” to “the roaches do all their fucked up and evil experimenting and she ends up like the other bugs there”

personally my preference is more to the good ending side (or something middle-ish where we get some trauma but she’s still herself with awesome magic) but I’m sure in the right hands the messed-up options would be super compelling

[rosicheeks]

as a fellow she-ra fan it makes me REALLY happy that you watch it too! it’s such a good show ugh and it’s so cute 🥺 10/10 i would love to cuddle and watch it with you and nerd out about it 🥺🤭💖

-🌸

[thatgirlwhokeepsreading]

Fine. Taking my autistic-with-shitty-parents ass and watching Bluey. Maybe I will cuddle Dotty while I do so for the full experience. I feel like you sick bastards just want to see me cry