#<- this will be the designated tag for this series of posts!

[muriers]

@mcyt-femslash - Week 4: Snow/Cultivation

So I know the "cultivation" part of this prompt meant like, plant cultivation, but I'm taking any excuse to draw wuxia au gempearl

[meimi-haneoka]

Clear Card Trivia 1 ~ Literary and musical references/mentions in Cardcaptor Sakura Clear Card

Hello everyone! The end of the Clear Card manga is very near, so I thought it was about time to start writing the long list of posts I'm going to release in the upcoming months, since it's almost time to wrap everything up and it would be nice to look back and not only analyze the plot but also trivia and themes/topics discussed (openly or not) in these almost 7 years of serialization of Cardcaptor Sakura Clear Card Arc.

Today we talk about the several literary and musical references spread across the different CCS Clear Card media. The references are quite a lot and I find it so very fitting for a story that features books so much, both under a positive and negative light. Books have a life-saving role, being the only thing young Akiho could cling to, to survive mentally till the arrival of Kaito in her life and the subsequent removal from her abusive family, but for a twist of fate, a spell under the guise of a book is also what was about to destroy her soul forever when said book got filled up with magic. The very first time Akiho's inner book gets set off is precisely in Fujitaka's library. Moreover, a fictional world existing into a forbidden book called Alice in Clockland is also where Kaito sends everyone in the climax of the story. In that fictional world, it is said that books record the memories and feelings of people. And after recording them, that same book can rewrite them. Books are literally an essential element of the plot of Clear Card Arc.

In my list I will take in consideration both the anime and the manga, with a special section for the now-defunct Happiness Memories mobile game! The references are ordered basing on their impact or importance within the plot, and include all the info we have till chapter 72. I might update this post if we get more literary references in the very last chapters of the arc. I will probably not be able to talk in depth about all the possible double meanings and connections of these stories to the real Clear Card plot, as I haven't read most of these books or I'm still in the process of reading them, but I have looked at summaries on Wikipedia, so hopefully I'll be able to feature at least a part of the interesting connections. Anyone who knows these stories or songs in depth is welcome to give more insight!

Soooo, ready to dive in?

1) Through the Looking-Glass, and What Alice Found There / Lewis Carrol

Of course the first reference featured in this list couldn't be other than this one! The whole Clear Card arc is heavily based on the Alice In Wonderland narrative, but particularly in the sequel "Through the Looking-Glass". The very first mentions of "Alice-related" stuff is as early as chapter 12, when Sakura and Tomoyo visit Akiho's home and they check out her huge library: here Akiho shows them her book "Alice in Clockland" for the first time. Tomoyo spots the resemblance with the title of the best-known novel, but Akiho says that the book she's holding wasn't written by the author of Alice in Wonderland, and although the language it's written in is composed by runes, she was taught how to read it. Later on we discover that the more she progresses reading this book, the more it gets connected to recurring dreams she's having, with an "Alice" as the main character who experiences all sorts of adventures (unbeknownst to her, she's dreaming about Sakura's adventures with the Clear Cards). Akiho sometimes shares these dreams with Kaito and he always listens attentively, commenting that it'd be good if Alice acquired "more and more skills". We also see Rika (through Sakura) giving away to Akiho one of her Alice picture books, and the girl is definitely thrilled and moved by the kind gesture of who is basically a stranger to her.

Moreover, in chapter 38 & 39, Kaito shrinks Sakura in order to prompt her to create a Card, and sends her down a hole carved in a tree, calling her "Alice". Sakura also created the Shade card supposedly basing it on the Jabberwock featured in Through The Looking Glass. The whole situation prompts Kaito to remember about his first face-to-face meeting with Akiho, which he says happened in a garden fit for Alice in Wonderland. The whole scenery Sakura witnesses in the strange world she's sent to is very reminiscent of Alice in Wonderland/Through the looking Glass, with her being so little and the talking flowers. Of course, the biggest reference to Through the Looking Glass is the whole Alice in Clockland play, in its first version based on Akiho's beloved book with the same title (Naoko initially called the play "The Two Alice", but then decided to change it at last minute, in a twist of fate). Both "before" and "after" the rewriting of memories operated by Momo's book, we not only have an Alice in this story, but also a Cat (which will have a key role) and a Red Queen. Another notable similarity is how Alice, in Through the Looking Glass, crosses "the wood where things have no names", forgetting her own name for a short time while crossing that forest in the company of a fawn. In Alice in Clockland, the Red Queen completely forgot her name once she entered Clockland, in both versions of the play, before and after the rewriting. Akiho/Red Queen regains her memories by lifting the dark veil covering her face, while Sakura/Red Queen regains her memories thanks to Alice telling her the truth about what happened.

Furthermore, the fact that later in the climax Sakura and Akiho are turned into twins by the forbidden magic activated by Kaito might be considered a reference to the famous twins Tweedledum and Tweedledee (although, that's also commonly known as one of CLAMP's obsessions 😂). One more reference is represented by the White Queen in Through the Looking Glass, who can remember events that will happen in the future, and while Sakura can do that herself to a certain degree, certainly this character is better represented by Lilie, Akiho's mother, who could see so much of the future ahead and tried to reach Sakura in her dreams to inform her of an important truth. It is also to be noted that the White Queen's daughter in Through the Looking Glass is named.....Lily.

2) Ten Nights of Dreams (夢十夜) / Natsume Sōseki

"Ten Nights of Dreams" is a collection of short pieces by Japanese novelist Natsume Soseki, where he narrates 10 mysterious dreams set in various time periods, including his own. The book gets featured for the first time in chapter 10 / volume 3 of the manga, and episode n. 6 of the anime. In this scene, Sakura and Akiho are each reading a portion from the 7th dream, the one where the dreamer finds himself on a ship, among strangers, not knowing where the ship is headed to or when he'll see land again. The tone of this dream, like the rest of them, is pretty dark, as the dreamer is extremely discouraged and decides to throw himself into the sea, regretting it when it's already too late. This book gets directly mentioned again in chapter 58 of the manga, when Naoko reflects on the fact that even the tenth night told in the collection is a dream, because there's no point where the storyteller wakes up. This leads her to think how scary it would be to have a dream you can't wake up from, and this will become for her one of the sources of inspiration for the scenario of the school play. When the teacher talked about this book to her students back in chapter 10, she stated "this collection features plenty of mysterious stories, but depending on the person, they could also be considered 'scary' ". I feel like this is exactly how Clear Card Arc could be described too, especially from the POV of the Japanese readers, that I've witnessed these past couple of years on social media. I wonder if this wasn't a way for CLAMP to tip the readers off regarding the thematics and tone that Clear Card would take halfway through. Moreover, the teacher mentions "foretelling dreams" in relation to this book, and that prompts Sakura to consider if the dream she's constantly seeing with the Mysterious Cloaked Figure could be a foretelling dream too.

3) Momo / Michael Ende

"Momo" is a fantasy novel written by German writer Michael Ende (the same of The Neverending Story), and it gets featured in chapter 39 of Clear Card, while Kaito is having a flashback of his first face-to-face meeting with Akiho. At the moment of Kaito's arrival in the rose garden, Akiho was reading a book, and when she's asked about its content by Kaito himself, the girl tells him of a story that is unequivocally that of "Momo": a little girl battles some so-called "time thieves". Akiho seems to love that story, as she has read it many times.

Although it might seem just an easter egg at the level of the Cthulhu books that I will mention later, the presence of the "Momo" novel here is completely different and very significant to the main story of Clear Card. First of all, its complete German title translates in English to "Momo, or the strange story of the time-thieves and the child who brought the stolen time back to the people". As we all know, this sequel of the Cardcaptor Sakura series deals heavily with the theme of time, and Kaito is strictly related to that theme, as he's the major "player" of that element, using magic to stop it or especially to rewind it. In "Momo", the "time-thieves" (also called Men in Grey) are some kind of paranormal parasites with the goal of stealing the time of humans. They appear to people offering to save their time in some so-called "Timesaving Banks", urging them to spare time by dropping any activity that supposedly "wastes time" like relaxing, playing, enjoying things, with the goal of having that time returned back with interests later. But that time saved in the bank is actually stolen and consumed by the Men in Grey for their own survival. Human feelings such as love are a hindrance for them, and they avoid at all costs to form any bond with anyone. Momo is a mysterious little girl, beloved by everyone in her town as she seems to be able to solve anyone's problems or afflictions just by listening and talking to them. She will eventually take on the task of defeating the Men in Grey. Ende's novel is a critique to consumerism in the modern society and how hectic our lives have become, where time is everything and we often never use it for what really matters the most: making us happy. Momo was published in 1973 but its thematics are super relevant even today.

Aside from the easy connection of the topic of time to what Kaito does (although in a more benign way, in our case), "Momo" is also how Akiho chose to name her beloved bunny plushie, who, unbeknownst to her, is actually the magical Guardian of the Book of Time. We don't know when exactly that naming happened, as of chapter 72, but the fact that one of the most treasured and beloved existences in Akiho's life was named "Momo" - the same as the title of the book Akiho was reading when she met Kaito for the first time - suggests hitsuzen is strongly at work here. Akiho might have named Momo after she met Kaito, and to show how important that meeting was to her, she chose to name her after an element that was strictly connected to that meeting. And if she named her so before meeting Kaito, then it shows just how fateful their meeting was. She named one important existence after a beloved book, and precisely when she was reading that same book, she had her first meeting with another important person in her life. The one she will love the most.

It is also to be noted that in "Momo", the time is consumed by the Men in Grey in the form of smoking cigars made out of dried hour-lilies' petals, which are pink flowers representing time itself. Again, a feature of lily flowers, which connects us once more to Lilie.

Depending on how Clear Card will end, and whether Sakura will be able to regain all the memories and the time lost with them, beating the Forbidden Magic activated by Kaito, we might even draw another reference - how Ende's Momo is able to give the stolen time back to the people of her town.

4) "Tsuki ga kirei desu ne" (月が綺麗ですね) / Natsume Sōseki + "Kaze no nai yoru ga boku wo semetogameru" (風のない夜が僕を責めとがめる) / SPARKS GO GO

In chapter 48 of the manga, Akiho, unable to sleep after waking up from an unsettling dream, heads to the garden of her home in the middle of the night. And there surprisingly she finds Kaito, also awake and staring intently at the full moon. In a magical and emotional scene, illuminated by the full moon and prompted by feelings of worry for Kaito's pale complexion - too pale for his own good, Akiho tells him "Can we talk a little bit longer? Because...the moon is really beautiful".

At first, these can seem totally normal words of admiration for the full moon illuminating the two. But actually in this scene, Akiho has just covertly confessed to Kaito that she loves him. Many of you probably already know, but in Japan there's a little story that takes us back again to the famous novelist Natsume Soseki who seems to influence Clear Card so much (he'll get another mention later in this post). There's no actual written evidence of this, so Japanese people tend to consider this as some folklore tale, but when Soseki worked as an English teacher, he allegedly corrected one of his students who translated too literally the English phrase "I love you" in Japanese. He supposedly said "that's too direct, Japanese people don't express such phrase so directly. You should use 月が綺麗ですね (tsuki ga kirei desu ne, 'The moon is beautiful, right?') instead". And that's how the myth of expressing "I love you" in Japanese with "the moon is beautiful, right?" was born. It is very poetic, romantic and subtle so there's no doubt its popularity is really high and used in all kinds of media even today. And, I have to say, it fits romantic, shy and bookworm Akiho to a T. But how can we be sure that Akiho was really-really meaning that? It's because of the quotation marks on the original Japanese script. Akiho was deliberately quoting a source. And her face right afterwards, eyes cast down and red as a tomato, is the final proof of her intention. We still don't know, 24 chapters later, if Kaito's surprised face meant he understood what she was secretly meaning, or not.

However, I have a second source for this particular line from Akiho. One day I was searching on the internet, wanting to know more about this popular phrase, exactly as she worded it (it's slightly different from the classic one) and I stumbled upon the song "Kaze ga nai yoru ga boku wo seme togameru" (The windless night is reproving me) by Sparks Go Go. It's a love song from 1993, and the very first verse features the very same line Akiho said, worded exactly as she did. When I started to translate the lyrics, I was shocked. The lyrics actually fit perfectly the scene in the garden under the moonlight and what was going on between Kaito and Akiho in that moment, so much that it really makes me wonder if Ohkawa wasn't trying to make a double reference here:

Since the moon is beautiful I'll invite you for a stroll outside Tonight it's a bit chilly So wear one more layer of clothing I'm stammering And for some reason I suddenly realize All the feelings I've kept inside till now The windless night is reproving me Even though you're telling me A funny thing that happened to you today Tonight it's a bit different than usual My heart is twinkling Our footsteps echo softly As if I'm about to realize something All the feelings I've kept inside till now The windless night is reproving me The windless night is gently inviting me

As you can see, it's almost a precise description of that scene, with the mention of the stroll at night under the moonlight, the talk and the hidden feelings that are being conveyed in that moment.

I'll conclude this paragraph with something that I usually always mention when I tell people about the "moon is beautiful" 's hidden meaning in relation to Clear Card's storyline, because I think it's highly related. There are several ways to respond "I love you too" to a love confession made in that fashion. And one of the most popular ones that gets associated so much to this phrase (despite not coming from the same author but actually another one, Japanese novelist Shimei Futabatei who lived in the same period of Soseki) is 死んでもいいわ (shinde mo ii wa), which literally translates in English to "I can die happy" or "I can die for you" (you already know where I'm going with this one, right?). Apparently, Futabatei decided to translate in Japanese as shinde mo ii wa the Russian word Ваша present in a passage of the book "Asya" by Ivan S. Turgenev. The word Ваша actually literally translates in English as "yours", and the scene showed a woman deeply committing to her love, but since this is the same period as Soseki, the Japanese novelist used an indirect way to express it. I've read that the choice of shinde mo ii wa is tightly connected to the context of the original story, where a woman of low social status (an illegitimate daughter of a Russian landowner) and a man of higher class fell in love, but kept it hidden for most of the story. Back in those times, such relationship was frowned upon by society and so, indulging in that love could also be seen as the death of someone's life in society. In that sense, that "I would die for you" expresses the spirit of abnegation and complete dedication that such profound love inspires. Now, back to Clear Card, consider who's literally sacrificing himself for Akiho, and draw your conclusions.......

5) Liber Ivonis, Celaeno Fragments / H. P. Lovecraft & August Derleth

When Akiho visits Sakura's home in ch. 26 in order to learn how to cook from her, Sakura also brings her to visit her father's small library. In a very excited way, Akiho recognizes some books of her interest and she asks Sakura if she can take them. Those books are, in order of appearance, "Liber Ivonis" and "Celaeno Fragments" (there's a small typo on the book's title, due to the ambivalence of R/L in Japanese) which are two books featured in the Cthulhu Mythos created by US writer H. P. Lovecraft. Both books seems to be grimoires about occult topics and dark magic spells. It is very likely that the two books are merely easter eggs (they had no influence whatsoever on the plot) or a covertly way from CLAMP to let us know that Akiho was acquainted with magical books.

6) Buying Mittens (手袋を買いに) / Nankichi Niimi

"Buying Mittens" from Japanese author Nankichi Niimi is the book Sakura and Akiho are asked to read to the children of the hospital in episode 19 of the Clear Card anime. The story features a baby fox going on a journey to a nearby village to buy mittens to warm its cold paws in the rigid snowy winter. The story revolves around the themes of trust in other human beings. Although the mother fox advised her little one to be careful of human beings, because if they found out it was a fox, something terrible would've happened, the little fox actually finds out humans are not all the same, and the human being selling the mittens wasn't actually harmful at all.

See, when this episode was released in May 2018, I remember it got a lot of criticism for being a "wasted episode" and not bringing the plot forward at all. But I had already understood back then that this was actually a very symbolic episode for one of the major thematics of Clear Card, which would've shown its full importance only later on the story: how much we can trust other people, especially when we don't know them and they are having seemingly hostile behaviors. I knew the anime staff chose to feature this book for a precise reason. With hindsight, from the manga storyline POV, this is absolutely connecting to how Sakura had her trust tested multiple times in the entire arc, not only towards Kaito who had the most ambiguous behaviors, but also her loved ones, starting from Syaoran himself - who stole her cards in the very beginning and even lied to her, hiding an important truth for her sake; but also Yukito, for a moment, when he activated the Moon barrier all of a sudden, scaring even Kero and Suppi; or how inevitably Sakura's trust in Akiho was also put under pressure once she found out that Kaito was a magician and so inevitably she had to question the reliability of a person very close to him. Trust, trust in your beloved people and even more deciding to trust someone you don't know well is of utmost importance in this arc. If Kaito the magician is, in Buying Mittens, the human known for hurting and hunting and killing foxes, Sakura is the little fox who has to make the important decision of whether she can trust him or not, especially when she's in a moment of vulnerability (in the story the little fox shows the fox paw instead of the human hand to the hatter, who recognizes it as a fox but actually doesn't hurt it at all).

When Sakura found out about Kaito being a magician, she made a careful and delicate decision: she decided to trust Akiho and indirectly to trust Kaito too, avoiding to jump to conclusions and to ruin Akiho and Kaito's relationship by questioning her friend about Kaito's nature. And despite acting in shady ways for the entire arc, and sometimes being just misunderstood - leading everyone to believe he intended to hurt Sakura, in the end we found out that none of that has ever been Kaito's intention from the very beginning.

As repeatedly told by Nanase Ohkawa of CLAMP in Twitter Spaces, Sakura trusts her loved ones, and that actually represents her strength to believe that she will always be ok and everything will eventually be alright.

At the end of the Buying Mittens story, on its way back to his mother, the little fox hears a human mother singing a lullaby to her baby, and the fox draws a parallel to its own mother. Thanks to that, while being cuddled by the mother fox later, the baby fox says "maybe humans are good, after all". Motherhood and mother's love is definitely another thematic common to Clear Card and Buying Mittens, but also finding something that wholesome in common between the two species (humans and foxes) is the key to trust that there can be something good to be found even in "the other" that seems so scary and oppositive in the beginning. I'm certain that will also be a huge theme that will lead Sakura to help Akiho and Kaito in the very end of this climax.

7) Night on The Galactic Railroad / Kenji Miyazawa

"Night on The Galactic Railroad" is the title of the book Yukito is reading to the children of the hospital in episode 19 of the Clear Card anime.

8) "Oborozukiyo" (朧月夜)

"Oborozukiyo" is a Japanese folk song that gets featured in chapter 9 of the manga and episode 6 of the anime. Tomoyo and Akiho sing together this song in 2 different occasions between manga and anime: in the manga they sing it at the hanami in front of group of school friends, while in the anime it is a song that Tomoyo suggests to Akiho to sing together, and at the end of the performance she offers Akiho to join the choir later. The song is also featured in the Clear Card soundtrack album.

9) Special references appearing in the mobile game Happiness Memories:

Botchan / Natsume Sōseki

Natsume Soseki gets mentioned again in the Happiness Memories game when Akiho, in one of the photostories (the one focused on the study of English, with Syaoran reiterating his love to Sakura in English without her knowing what he meant ❤️) tells Sakura she's looking for the English version of some books, namely Night On The Galactic Railroad by Kenji Miyazawa (already mentioned above) and Botchan by Natsume Soseki. Apparently, Kaito suggested her to find those books and read them in English, since she's still having some difficulties with Japanese language. Akiho doesn't initially remember the titles of those books, so Syaoran intervenes and tries to help.

The Wandering Lake / Sven Hedin

"The Wandering Lake" is a book written by swedish geographer Sven Hedin. This one gets seemingly mentioned during one of the photostories set during the old anime arcs, where Syaoran gets invited to the Kinomoto home and bakes a cake with Fujitaka and Sakura (I don't really know much of the details because I never got this card 💦) While they wait for it to bake, Fujitaka and Syaoran talk about their favorite subject, archeology! And Fujitaka apparently makes references to this book (he supposedly mentions the lake name, Lop Nur) while explaining his love for archeology.

And I believe that's all for this first installment of "Clear Card Trivia"!! I hope you enjoyed it and maybe that it surprised you too, for some reference that you didn't catch before today! My love for this story is infinite, for all the reading "layers" it provides us with, and one of those is composed by all the literary references featured in it, since books are really so important in this arc. Knowing all these little quotes and references makes me appreciate CLAMP's efforts to build this arc as something deeper and more meaningful.

As I said in the beginning, I intend to update this post in case something else comes up in the handful of chapters that are left! See you next time, what will I feature? I have looooots I want to talk about!!

[sirenetica]

Thought I'd take a crack at the Life Series In Your Style board (courtesy of @/xmaruu11)

Tell me which ones your favorite :)

[ink-ghoul]

🌻 Skin Commission for GoodTimesWithScar 🥀

It's always so much fun to work on these, I hope you've been enjoying Secret Life!

[quailfence]

[Image description: text that reads “‘to me? I am not Human.’ ‘If I don't know that, who does?’ ‘I.’ Kirk sobered. ‘Spock, we have lived with that, too. From the pon farr to the spores. You've banged me—us--around once in a while. So what?’” End description.]

hello?!

(book is The Promethus Desgin)

[gee-arid]

Sooo I made a design for every hermit- and some others- but didnt end up finishing all of them cus i lost motivation. I will be posting the completed Hermits individually in small groups over the next few err weeks?

Here are the sketches of the hermits i missed 😔 I am sorry for left to right: Impulse, False, Ren, XB, Keralis, and Beef...

[dreammeiser]

“What would you change if you could?

How far will you go to change it?”

[mire-draws-things-spiceverse]

Day 1 | Sergeant Hunter

Calendar masterlist | Buy me a coffee?

'Tis the season! And as my thank you for this fandom that kept my brain pumping that sweet, rewarding serotonin + dopamine combo for two years in a row (so far): here it is, the first of my 24 clone arts. I hope you all enjoy my humble offerings 🤲🏾✨

Closeups + tags under the cut (◡‿◡✿)

Roll call: @kimiheartblade @the-bad-batch-baroness @cc--2224 @clonethirstingisreal @wackylurker @freesia-writes @vimse @starrylothcat @vodika-vibes @blackhunter666 @eternal-transcience @not-that-syndrigast @t3mpest98 @dreamie411 @king-chaos-world @burningfieldof-clover @wings-and-beskar @lavenderxechoe @mishakoon @padawancat97 @foodmoneyandcats @nobody-expects-the-inquisitorius @anxiouspineapple99 @wolviecat @fussyrogue @esser5170 @nika6q @523rdrebel

[snarkspawn]

KP ANNIVERSARY week 3: Favourite Outfit(s)

Tankhun's entire wardrobe

[pinkbowsandprettyprose]

he thinks they’re friends now that they’re on the same team (she wants to break his kneecaps)

[sirensea14]

A quick doodle for tonight's posttttt

I love her. I. Just. Love her. She is me and me is her.

(i also love the ep's insanity, guess im in)

[klonoadoortophantomile]

aww the skrungkly ☺️ double tap now to scrunkly the when 💕💕

[eryanlainfa]

Tried to finally give a design to some Tangled (series) OCs of mine.

They're all important people in Aiden's life (my main OC) so their descriptions are mostly built around him.

Alan and Edith are Aiden's parents, they're simple and sweet people, I dont have much to say about them. They're farmers in Old Corona and are old friends of Quirin and Ulla as they arrived in the Light Kingdom around the same time. They tend to keep a low profile but they're not afraid to take matter into their own hands if necessary. When Quirin is busy they tend to fill his role in his absence.

Laurel and Daniel are siblings, they're children of the family in charge of a prominant merchant guild. They both work in the castle at the moment, Laurel as a maid assisting in the physician office specifically, Daniel as a royal guard. Laurel is the eldest of the two and is aware of every gossip going around the castle, she knows everyone. Daniel usually finds people tiring and is rather focus on his duties.

Daniel is Aiden's best friend in the castle, he is usually assigned in escorting them when the young physician is sent to nearby villages for assistance or yearly check ups. However the two met when Daniel was still working for his parents, Aiden needed to pass command for specific herbs and Daniel was the one in charge of taking commands at the time.

Caroline is another friend of Aiden but she is from outside the castle. Officially she works at an inn in a nearby village. Aiden's mentor is close friend with her boss so they used to carry favor for the other, which resulted in Caro and Aiden meeting. Caroline is an enthusiastic and fun woman, she has a reputation of being overconfident but overall people enjoy her company and recognize her hard work.

Hubert is the current royal physician and Aiden's mentor. He was the only doctor who hadn't given up when the queen fell terribly ill, thus he has been the only royal physician for a while. He is known for being stubborn and sometimes reckless. Most of his students ended up sick of him and left to carry their practice elsewhere. At the moment he cannot wait to finally retire and is adamant on making Aiden his last pupil and successor.

THE END-

No, actually, I have so many more to do but its a start. I like them all very much :3 some things might change later (as always) but for now... there you go.

[asanjou]

giramie week day 6: au/crossover

there's an obvious answer for au right

[kit-screams-into-the-abyss]

for @cherrifire​‘s DTIYS! first one i’ve ever done :]

original:

[waddles-ex-machina]

hi please bear with me while i go insane about the colours in Hilda (aka I'm looking at the trio's season 3 designs and losing my mind)

SO in most visual media, quite a bit of thought goes into the colours they use and how those colours interact with one another - not in a "the curtains are blue bc [character] is sad" kind of way but in terms of which colours stand out and which are harmonious, and even if the viewer doesn't know any colour theory (like me, lol) and isn't paying attention to it, I think it still helps reinforce what we know about the characters, and influence what we take away from the show. visual design is a language and colour is one of the key aspects of it and if you want to hear about how Hilda uses colour in so many clever ways, to guide the viewer's eye or distinguish important characters, there's a really excellent video on that made by someone who actually does know what they're talking about, but one thing I wanna talk about based on my own limited knowledge is how it tells us about the characters -

FOR EXAMPLE Johanna - so you have Hilda, who is dressed in bright primary colours, especially her signature blue hair which makes her stand out as different even more - and then there's her mother, who has, by contrast, a much more toned down colour palette. she broadly shares the colour red with her daughter, but a less-saturated shade and her standard outfit consists of that, brown trousers and sometimes her yellow coat. Hilda's signature blue is completely absent from her design (and even if the creators didn't want to give Johanna the same hair colour as her daughter, they could have added some small blue accent of clothing if they'd wanted to, but chose not to), leaving her with purely warm, harmonious colours. she has an almost completely different palette to her daughter, but still just enough similarity (particularly with her yellow coat) to reinforce that the two are related in some way. (I'm not saying that Hilda is related to everyone who wears yellow in the show, just that the fact they share a colour helps tie them together on screen)

(yep, this is the screencap i'm choosing to illustrate this point it's fantastic)

most importantly (to me, anyway), Johanna's colours are warm. they're safe. to me, the dominance of warm colours and absence of Hilda's blue signify that Johanna is a safe person to Hilda, someone who is supposed to be a respite from her adventures rather than someone who dives into them with her (which, y'know, ties in quite nicely to Hilda's line in Stone Forest about preferring to adventure on her own and then come home to her mum, and how in the show she generally likes to keep her adventures and home life separate... (I could probably write an essay on how Hilda and Johanna's issues in season 2 were kind of a commentary on how Johanna has been coded as the safe stable bg character and how she is actively trying to go beyond that role but I shouldn't tbh)). the point is, they are connected, but Johanna doesn't have the same adventurous streak that Hilda does, so they have some of their warmer colours in common, but not Hilda's unusual, stand-out blue.

(I could also talk about Kaisa here and her copyright claim on the colour purple, but truthfully all I would be doing is paraphrasing the excellent video I linked earlier, so I won't. however I do think its fun to compare her to Johanna, in the sense that here are two adults who Hilda often comes to for guidance, and one is all warm gentle colours that match the home decor and the other all monochrome with two little hints of a colour we rarely see elsewhere in the show, suggesting that this is a character of particular interest.. it kind of hammers in how one is meant to embody the safety and comfort of Hilda's home life and the other is literally there to point hilda at things that might kill her lmao)

that was supposed to be a quick example and it got away from me so uh ANYWAY what I'm getting at here is that in Hilda's friend group, I believe their colour palettes were constructed in a similar way - they work together to tell you about the group

I feel like Hilda as a show is known for making excellent use of a limited colour palette - a lot of the characters have at least one black or brown item of clothing and just one or two stand-out colours, particularly the main trio. you can easily look at Hilda, David and Frida come away with one particular colour associated with them - blue or red for Hilda, orange for David, and...blue again for Frida, which doesn't sound great on paper but works well in the show because Hilda's palette also has a lot of red, so when the two characters are put together it doesn't seem like blue is dominating the colours. I also find Frida's colour palette (basically just her hoodie, lol) super interesting because it used to be different.

now, I haven't spoken to anyone who worked on the show about this, this is purely conjecture, but if you've ever googled the characters you've probably seen an official-looking turnaround page of Frida in a purple hoodie.

this is real pre-prod show art, and considering the purple hoodie made it all the way through the design pipeline to be included in the turnaround (generally the last stage of character design, as this is what would be given to the riggers to make the character rig)....and was even posted on twitter months before the show aired -

then I think it's safe to say that her hoodie was changed after the fact (2 or 3 episodes into production, by my vague guess looking at the date of this tweet) - not too hard to do, if your show is 2D rig animation, luckily - but if you're me and like reading into things way too hard, this begs the question of why. having purple as Frida's signature colour is perfectly serviceable and sets her apart from Hilda and David nicely. but what her new hoodie colour does is the opposite - it ties them all together

(the other possible explanation is that maybe Kaisa's design was finalised later in production than this turnaround was made (speaking purely from my own experience, secondary characters who appear in later episodes are often finalised later than the main characters, just ahead of the episode they're needed for, and Kaisa wasn't needed until halfway through the first season) and someone noticed that her and Frida sharing the colour purple made them look a little too similar...(I'm sure ppl who like the idea of Frida and Kaisa being witch sisters are yelling through the screen rn that this would've been a good thing and maybe lightly foreshadowed Frida becoming a witch, like Kaisa, but this was all set at the start of season 1, probably a bit too early to start hinting at the witch stuff :') we will come back to this tho)

anyway I love the trio's designs bc if you put Hilda and David next to eachother, they don't visually have much in common, but if you put Frida there then suddenly they're a unit. they got rid of her signature colour and gave her her friends' ones. she quite literally ties the group together so that they look cohesive as a whole

and this is absolutely me digging too deep in things here but her being the one to bring the group's colour palette together also lends itself thematically to their falling out at the end of season 1, and how Frida leaving also caused Hilda and David's friendship to struggle. they are a set and it doesn't work the same if they're not all there. Frida sharing Hilda's signature blue could also lend itself to the idea that Frida shares her love of adventures to a greater extent than David does (though maybe that's closer to 'blue curtains' territory tbh). anyway I love the design of this show so much

SO (if you actually made it this far down I'm so impressed) the thing that sparked all of this was...if this is what the trio's designs are doing in seasons 1-2.....what are the season 3 designs doing

no but this is super interesting to me, Hilda essentially just traded her skirt for leggings and left her colour palette intact, but David and Frida changed theirs entirely and I'm fascinated. both their signature colours are GONE. is it to imply that they've grown and changed in the duration of the time skip? is it David's turn on the 'having a colour in common with Hilda'?? but particularly I want to draw attention to Frida bc now that her hoodie is gone her original purple is BACK and (if there is any weight to my theory that she was changed bc she looked too similar to Kaisa) what's even more interesting is that they doubled down on the witch vibes. she literally has Kaisa's exact colour palette minus the dark purple cape lining. Kaisa's design reflected her personality as this unknowable person with a hint of mystery to her - all monochrome with that pop of an unusual colour - are we to expect the same of Frida? is this a sign that she's leaning further into witchcraft than before? does her contrast to Hilda and David signify that she's come more into her own and has a stronger sense of her own identity (something something closure for her issues in season 1)? or do we take things way too literally and assume that season 3 has her breaking off on her own from the group? or maybe it means absolutely nothing and someone on the design team just thought grey/purple was a neat combo. I know I've talked in this post as if I know things but here I truly don't and I'm obsessed w the possibilities. what does it mean what does it all mean

anyway that's all for this delusional fever dream post, hope you enjoyed and if you made it this far down you deserve some kind of prize