#nostalgic cartoons

[dreammeiser]

Hello, hi! I'd like to introduce you to my animated indie series that I've been working on called Dream Along With Me! Dream Along With Me will follow the lives and antics of a group of puppet friends, The Dreamalong Gang, as they navigate a patchwork dreamscape while being stalked by secrets and horrors of the past. An escapist dream may become their cotton-candied purgatory!

On their journey through the subconscious, you will be joining: Archie Aster, the Stellar Storyteller and his Living Shadow Early Early Oxenfree the Soothsaying Trickster Mae Flowers the Rainbow Goblin Lunette Lullabye the Playtime Devil Honeybell the Counting Sheep Darling Fiona the Wayward Siren Teddy O'Stara the Merrymaking Magician Mufflin Mallow the Big Rock Candy Monster Bertie Sherbet the Softserve Sweetheart Oddrey Shivers the Phantom Primadonna And your Friendly Midnight Television Host, Roy G. Biv! Walk on into that Good Night carefully friends, lest The Strangers of the Wonder Void hear you!

[saliosis]

some stuff

[aviscranio]

The Grim Adventures of Billy & Mandy (2003-2007) S1E8: Grim or Gregory?

[glitter-gummy-bears]

Anyone else remember that one time Ben 10 was a teen mom?

[butterflyangel3102]

[trissketch]

I would have crapped myself as a kid

[ladyblueberrymuffin]

Commission for @DreamingGumPop on Twitter. Anyone remember Princess Gwenevere and the Jewel Riders? The commissioner, lovely lady btw, really loves all those retro sparkly magical girl shows from America and overseas.

[waty-art]

Does anyone remember Johnny Quest?

My sister and I have been watching The New Adventures of Johnny Quest, (80s reboot) and have been wondering how the heck Hadji can do his amazing, yet dangerous, magic tricks.

[emeraldscoast]

[ms-scarletwings]

Media Musin’ Monday, #7:

Screw You, Nickalodeon: Making Fiends Deserved Better

I have no idea how anyone could seriously believe that the entertainment industrial complex™ even tries anymore to hold the illusion of a just or meritocratic realm. No holds barred, I have my issues with about every company still clinging like barnacles to the tragic, sinking ship that cable TV has become, but if you want me to point to a network that’s given me an entire skeleton of bones to pick by this point, and I’m underlining Nickelodeon in red at the top of my list.

It’s not because they host some bad shows, no. It’s not a sour grapes reaction to the untimely end of some of my favorite shows either, and though the entire rotten apple situation with creators like Dan Schneider and Butch Hartman certainly added to barrel’s spoilage, I would still feel every bit of my disdain for Nick’s tv group for the one cardinal sin they have committed again and again and again to ad nauseum- their ongoing phase of running a talent slaughterhouse.

It sounds hyperbolic, but I’d call it a fair observation: Spongebob is widely aknowledged as legitimately both the best and the worst thing to happen to this corner of kid’s media, hands down, but I don’t blame the little yellow guy one bit. He’s only another victim to the mess, and as much as I would love to go on a whole dossier spiel of the history of Nickalodeon from the 90s “golden age” to a full list of the dozens of shows and creators their execs have royally fucked over in the name of chasing the ratings dragon… for one, that’s been done a hundred times by other people at this point, and much better than I could. For two, that would take all freaking day. Just off the top of any cartoon savvy person’s head you’d vaguely recall the assassination of Legend of Korra, El Tigre, or Invader Zim, but that can is filled with so many “blink and you’ll miss it” smaller shows that were barely given two steps out of the starting gate, it pads down an entire TVTropes article on the subject. Dozens of them, shows that Nick all but basically set up for failure before quietly shipping them to the peaceful farm upstate- by which I mean shuffled off to inconsistent time blocks and lower priority channels so they could burn out their final approved episodes in hospice. Nicktoons alone garnered a hell of a reputation for exactly what I’m talking about, but that’s show biz, or… something.

Their worst and probably most audacious offense of all? Let me tell you about the fate of the charming world of a little girl who made fiends.

There’s no better place to talk about the end than the beginning.

Making Fiends, I mean, the original Making Fiends was a series of flash-animated shorts among a handful of other early 2000s web cartoons made by Amy Winfrey.

✨ Just, in case you didn’t recognize or feel something for that name, Amy Winfrey is one of the utter beasts of cartoons in general, not purely kids’ media. Songwriter, directing, animation, screenwriting, voice acting… you name a part of the process, and she’s probably dipped her toe in there at some point. Professionally, she broke into the industry contributing work to earliest season of South Park, and while she personally is most known for and associated with Making Fiends, the likely most prominent body of work she’s been a part of would be Bojack Horseman, wherein she’s credited as a director for many of its strongest episodes, including (but not limited to):

- “Free Churro”

- “The Telescope”

- "Sunk Cost and All That"

- “The View from Halfway Down”

- Amy Winfrey and her spouse (Peter Merryman) making a cameo appearance in the BJH episode “sunk cost and all that”

And even before all of that, she’s been at this animation stuff since the 90s and it shows in a loaded up portfolio of accolades and projects, both professional and personal.

The relevance of this information is to help put in some perspective to just how rotten of a deal she comparatively got with Nickelodeon, when one of those passion creations got a chance to join the network’s airing list.

But to sum up the idea of the web series proper, it independently released 24 short episodes in total, each centered around the antics of two girls engaged in both a completely one sided friendship and nemesis-ship. The show’s namesake refers to the single action the evil little Vendetta is most known for- creating a variety of servant monsters, many of which she uses to secure her rule over the port town of Clamburg, and all its inhabitants. Charlotte, on the other hand, is the quintessential “children’s show” character: near inhumanly kind, cheerful, and naive. So much so that she’s oblivious to her “best friend’s” near daily attempts to murder her, or the fact that she, you know, despises her.

In 2006, Nickelodeon took an interest in Winfrey’s toon and the prospect of adapting it into a TV series, reportedly because a daughter of a studio employee was a huge fan.

And fun fact btw, this was actually the first time that Nick did this approach of turning an indie web animation into one of their shows, but it certainly wasn’t the last if you remember this was also the origin of Breadwinners.

And as far as the audience was concerned, it was quite the successful transition! The TV version pretty much kept all of the major beats and vibes of the original, with polished animation, the same voice actors, and some stylistic upgrades to the art/environmental designs. For a brief time, it was the highest rated thing on its release channel too. Someone I don’t quite recall the name of once endearingly referred to the show as “baby’s first grimdark” and I adore how fitting of a summary that is. It sports a charmingly unique art style, memorable soundtrack, and I can swear to y’all, the humor aged like a fine wine.

“Why don’t you pretend to be dead?”

“:) ok!”

*slam*

(Also, sidenote, the entire series is still up on your tube, in HD, completely free to watch!)

So, if it’s such a neat little show, then why on earth does barely a soul seem to remember it existing? And even fewer scare who recall knowing about the show during its 2008 release?

Because Nickelodeon Studios, without hyperbole, set this show up for failure at every single turn before it even got a fighting chance.

People know of some shows that Nick treated like garbage, but this one they treated like absolute shit for reasons I can’t fathom.

Making Fiends, for one, never actually saw the light of day on the main network channel, as per the original plans. It was actually instead delegated over to Nick’s sister channel, Nicktoons, by a last minute decision.

Nicktoons, fyi, was not carried by most cable packages. I obviously lived on it as a kid, and it was functionally to Nick what I remember Boomerang being to Carton Network- the cable block where reruns of much older but loved shows were shoveled off to once they finished their days on the main channel.

Second, it was quietly premiered with barely a couple farts of advertising, too. I remember maybe seeing one preview as a kid, on Nicktoons.

And I guess, not keeping either of these in mind, Nick then abruptly pulled the plug on the whole thing, citing the tried and true “low ratings” explanation and leaving it at that.

Not counting years of post-cancelation reruns, the show actively ran from October 4, 2008, to November 1, 2008.

That is roughly a month between premiere and the end production date.

One season. Six entire episodes.

Seven whole additional completed scripts abandoned on the table.

Yeah.

I’m a touch salty about it still.

And with the shutting down of the Nicktoons network social media in 2018, any additional acknowledgment of the show from Nickelodoen themselves has kind of vanished to my knowledge. Like, it’s almost no wonder you already had to be part of the cult following to know about it, when Nick has been quiet about the calf they sent to auction since. Worst part is, they still hogged the rights to the show instead of idk, wild idea, giving it back over to Winfrey. I can only imagine people get away with entire reuploads of the series under the otherwise very IP protective Nick’s nose as another display of how low and bastardly those execs really view Making Fiends.

And that sucks! Wow! But I guess in a “be happy it happened, not sad it ended” way, I’m kind of glad for the fact that we can still enjoy and pass around the show that we did get to experience at all, rather than see it fade into true lost media territory.

Even today, about 16 whole years later, I know for a fact there are still plenty of other fans that remember and cherish the splash this tiny show made in that big, brutal pond. So, in that manner, you can’t truly call Making Fiends dead and gone.

A bittersweet story to think about, and only one of many down a long list, but ultimately one I’m happy to be able to tell at all.

Even if all the while still raising a giant middle finger to the network for the ending.

[dreammeiser]

🌈⭐️☁️⭐️🌈

He is the most Devious Bastard in

🎊🎊Nyeeewww Yoooork Citaaayyyy 🎉🎉

[saliosis]

let's just say that my recognizable becky design trait is to draw her with drastically different hairstyles each time. she's an alien so her hair defies logic.

[aviscranio]

Chalkzone (2002-2008) || S1E1: Rudy's First Adventure

[toon-romantic]

📺On this day ✨ September 12th, 1981 ✨The first three Smurf episodes aired on TV✨ S1:E1 The Astrosmurf, S1:E2 Jokey's Medicine, S1:E3 Vanity Fare

[roselyn-writing]

Some Caleb icons from W.I.T.C.H why? Because I love him and he gives me Hadi Aepel vibes 💚🌲🌳🗾🗺️🧭 (my oc)

[ladyblueberrymuffin]

So there's this little project I've been working on for a while called She-ra: Guardians of Etheria, which is kinda like a silly what-if She-ra reboot written and designed by me. I have my own designs and ideas, that I hope you guys would like. I really respect the reboot's choice to not include He-man in the series, and let Adora stand on her own. She-ra is kinda treated as a footnote in He-man story lately, and that kinda sucks, cause I love Adora so much. I do have an idea how to incorporate Adam into my story, but he's not part of Adora's origin, they were just both destined to get the two halves of the Original Sword and become heroes in their own right. In my mind the sword didn't chose Adora because she was worthy, but because it knew deep down she was a good person, but needed a lot of guidence. Kinda like a subversion of that whole Sword in the Stone/Whoever is Worthy Shall Possess the Power of Thor.

The Sword of Protection has a mind of it's own, and often doesn't listen to Adora, or outright refuses to transform her if she does something against her good conscience and refuses to admit she feels bad about it.

Anyways, I really hope we see Adora in the CG He-man show or Masters of the Universe: Revolution, cause even tho I said I don't want her to just be a sidekick to He-man, I still wanna see her in any way I can, because I luv Adora.