#Ð?u

[evangelinapeeples66]

Don Cayito chi?m v? trí hàng d?u l?n th? ba t?i Costa Rica Cup of Excellence

[robinbargery40]

Ðang ký m? ra d?u giá cà phê qu?c gia Yemen khai m?c

[theresamartinez89]

Cà phê hàng d?u ki?m du?c 254 dô la m?i pound t?i cu?c d?u giá b?t d?ng s?n c?a Gesha Village Coffee

[deborahtepperman5]

Ba Geshas d?t 90+ trong Cúp Guatemala th? 19;

[janicevela86]

Cafeología d?a trên Ace và Chiapas ra m?t d?u giá cho cà phê ch? bi?n t? nhiên

[kathleenmitton40]

Hai hon 90 lo?i cà phê trong s? 29 ngu?i tham gia phiên d?u giá t?t nh?t c?a Yemen

[gloriaedwardson70]

2022 M?t trong nh?ng ngu?i chi?n th?ng cà phê Guatemala

[joandegroff12]

Mu?i lam lô ki?m du?c $ 80,10 m?i pound t?i phiên d?u giá b? suu t?p tu nhân th? hai c?a Ðài Loan

[denoriosbelt]

:-)

[2-dsimp]

Popular choice

—> <Walk through the park>

—————————————

Current location: [The Park] approaching {Your Neighborhood}

—-//———————//———

You’ve decided to pick the path to the park and happened to discover Hidden Admirer! Tighnari

He seems to be occupied in your proximity with a shovel in hand. He has an unreadable expression on his face as he mutters something intelligible under his breath. He looks as if he’s hiding something

It’s been awhile since you’ve seen Tighnari as he’s reclusive and mainly spends his time in the inclusive forests. Though he always did make it a point to how much he’d enjoy your company…

【 Ð i Ď ŷ O u E v e Ř p Æ y h I m Ą V Į s I T ? 】

—-//——————//———-

I. Tutorial tip ‼️

Since this is your first encounter with said admirer should you have a successful interaction you may be able to discover his primary trait!

Also Keep in mind you’re defenseless with no kind of protection. Your only options for now are to run or hide from the perilous eyes that are set upon you within the dark of the night.

Caution is advised.

—-//———————//———

3rd objective: choose your approach

—-//———————//———

—> {Greet/Approach him}

—> (call out to him from a distance)

—> <Ignore him completely>

—> [Try going a different route [The hiking trails]

—-//——————//————

Votes end Friday midnight 🕛

—-//——————//————

Player inquiries ✨

A/n: did a minor change XD

[starleska]

a non-exhaustive guide to writing the Toymaker's fake German accent (or, how RTD broke the German language so effectively) 🔥

hello everyone!!! 🥰 after a tremendous response to my Toymaker x Reader fic 'Dollface', lots of you reached out for some advice on writing the Toymaker's dialogue: specifically his faux-German accent 👀 now i am by no means an authority, but i do love figuring out unusual character voices and the 'rules' they follow while speaking! so i've put together this non-exhaustive guide on my logic for writing the Toymaker's fake German, based on the snippet of script we have, Neil Patrick Harris' delivery in The Giggle, a never-used linguistics degree and a few years of German lessons 😂 do take these 'rules' with a grain of salt; there is no right or wrong way to write the Toymaker, or any character for that matter! however, my autistic self had a lot of fun writing this, and i hope it gives you some useful pointers if you're struggling with how to write that horrible entity's butchering of the German language 🙈 as the Toymaker would say: 'Zey are very, very, importanten, zese rules, don't you sink?' 😉

consonant sounds (part one) 🧡

as you can see above, Russell T Davies wrote the script of 'The Giggle' so Neil Patrick Harris would sound 'German' in a very specific way. one way he did this is by replacing consonants. consonants are the opposite of vowels (a, e, i, o, u, and sometimes y), and are made by obstructing breath while speaking. by comparison, vowels are made by speaking without this vocal obstruction!

the way we pronounce words varies between accents. the Toymaker's faux-German accent is a stereotype of how speakers with German as their mother tongue may pronounce English. as such, having a general knowledge of German pronunciation makes writing the Toymaker's accent easier!

for the Toymaker, this means that consonant sounds like [w] (the 'w' in 'win') becomes [v] (the 'v' in 'violet'). this is common for German pronunciation ✨

in certain instances, the Toymaker will also flip pronunciation and change [d] (the 'd' in 'day') to [t] (the 't' in 'time'), which is why he calls Donna 'Tonna'.

likewise, sometimes the consonant digraph (two consonants forming a single sound) [ð] (the 'th' sound in 'the') becomes [ɗ] (the 'd' sound in 'dog'). this is how you end up with 'dee' instead of 'the'! however, sometimes [ð] becomes [z] (the 'z' sound in 'zebra'). this is how you end up with 'zey' instead of 'they', and 'zis' instead of 'this'! 🔥 (note: the Toymaker jumps around between these pronunciations, so you can use both!)

consonant sounds (part two) 💛

on occasion, the Toymaker will also substitute [ð] for an entirely different sound: [s] (the 's' sound is 'sun'). this transforms 'think' into 'sink'! likewise, the Toymaker will sometimes change [ŋ] (the 'ng' sound in 'sing') to [k] (the 'k' sound in 'kind'). combining the two, this makes the word 'everything' into 'everysink'!

putting all of this together, we can Toymakerify pronunciations! the sentence 'They were everything to me' becomes 'Zey vere everysink to me.'

now, the Toymaker's accent is inconsistent: in the above picture you can see a rule being broken by writing out 'everything' as 'everysing' rather than 'everysink'. don't be afraid to be loose with it - remember, this isn't the Toymaker's real accent, and he slips up too (especially when he forgets himself) 🤭

vowel sounds 💚

as i don't have access to the full script, i am unsure how often the vowel sounds are written out compared to the consonant sounds. however, we can see a few sounds being exaggerated in a stereotypically German fashion: the [ʌ] (the 'uh' in 'cup') becomes [uː] (the 'oo' in 'tool'), transforming 'beautiful' into 'beautifool'. likewise, the [ə] sound in 'the' becomes elongated into [i], transforming 'the' into 'thee' (or, with the consonant rules, 'dee').

verbs 💙

one of the silliest aspects of the Toymaker's accent is his tendency to add the '-ge' prefix to verbs (action/doing words). this means a word like 'learning' becomes 'ge-learning', and 'want' becomes 'ge-want' (or 'ge-vont' if we add in the consonant rules) 🙈

depending on your preference, sometimes the Toymaker adds an additional 's' to the end of these verbs! so 'learning' not only becomes 'ge-learning': it can become 'ge-learnings'!

sometimes the Toymaker also supplements his verbs with auxiliary verbs, specifically 'be'. you can see this in his construction: 'What is he being inventing now?' the 'being' doesn't need to be there!

however, the Toymaker isn't consistent with either of these rules. in particular with the '-ge' prefix, he will usually only use this once per sentence. try not to overload your sentences with too many of these rules: remember that he still needs to be understandable! ⚡

plurals 💜

some German plurals (multiples of a thing) are created using the '-en' suffix: for instance, 'die Frau' ('the woman') becomes 'die Frauen' ('the women'). this is why the Toymaker frequently changes the English plural suffix '-s' or -'es' (as in 'cats' and 'boxes') to '-en'!

this makes 'snakes' into 'snaken', 'hobbyhorses' into 'hobbyhorsen', and 'dolls' into 'dollen'. silly, yet effective 😂

adjectives 🤎

surprise!!! the Toymaker doesn't just add the -en suffix to plurals...he also adds '-en' indiscriminately to adjectives (describing words) 🙈 words like 'important' become 'importanten', and 'favourite' becomes 'favouriten'!

the key to this rule is that the original word must be intact after adding '-en'. for instance: 'balden' would work for 'bald', but 'clouden' wouldn't work for 'cloudy', because it replaces a vital sound! because we only have a couple of examples of him using this rule, this is the best way i've figured out how to use it without making his speech sound overburdened or clunky 💖

experiment with this rule however you like!!! here's some fun Toymakerisms i've just come up with: 'plumpen' for 'plump', 'squaren' for 'square', and 'coolen' for 'cool'. 😉

random usage of real German words (part one) 🖤

something which makes the Toymaker's fake German so effective is how liberally he sprinkles in real German words into his speech. the majority of these words are common ones which are recognisable to most English speakers, and include conjunctions and pronouns. here are a few German words that the Toymaker canonically uses:

mit - with | und - and | ja - yes | wunderbar - wonderful | nein - no | das - that | guten Tag - good day | ein - a (remember that in German it would be ein or eine for masculine vs feminine, but the Toymaker doesn't make this distinction!) | mein - my (same as ein - it would be mein or meine, but he seems to only use meine as an accented thing rather than referring to gendered nouns!).

random usage of real German words (part two) 💖

every now and again, the Toymaker will use a random German noun: for instance, 'Straße' for 'street', or 'Achtung!' for 'danger!'.

however, the Toymaker also uses real German words/phrases in the incorrect context. for instance, when the Toymaker screams, 'BACKEN SIE!', a non-German speaker might take this to mean 'GET BACK!', when it actually means 'BAKE THEM!' 😂 the golden rule is for the Toymaker's speech to sound German at all costs, not for it to be linguistically accurate!

RTD also writes out words like 'come' as 'komm', referencing the German word 'kommen'. adding in a little German spelling goes a long way to replicating his accent when written down!

when writing the Toymaker, i chose to expand on this pseudo-German by including additional words to 'Germanify' his speech: for instance, using 'ist' for 'is' and 'hast' for 'have'. i also add in other general phrases, such as 'Herzlichen Glückwunsch' for 'congratulations!'. if you have a general knowledge of German, you can play around with the Toymaker's speech this way 😉

onomatopoeia and reduplication ✨

part of the charm of the Toymaker's terrible German accent is how musical and inviting it seems. a really cute tendency of his is to use onomatopoeia (words which sound like what they are) and reduplication (the repetition of sounds in a set) together. examples of this are 'splishy-splashy' and 'clippety-clop'! 🥺

onomatopoeia adds a sensory dimension to the Toymaker's speech, and reduplication is most often associated with baby-talk and children. in this way, the Toymaker's speech is playful and childish, and lures you into his performance.

this is why in 'Dollface', i chose to have the Toymaker vocalise 'Choo-choo!' for the train, and to describe his dolls as 'ge-having ein chitter-chatter.' add a touch of this here and there, and it helps to demonstrate the Toymaker's playful nature 🥰

grammar 💀

thankfully for us, the Toymaker's grammatical constructions are largely unchanged from English! this is because the Toymaker's faux-German is supposed to evoke German while still being understandable. his language isn't a real representation of a German speaker speaking English: it's a pantomime version! 🔥

general ideas/tips 🧸

if you're struggling with writing the Toymaker's German accent, try writing it out in non-accented English first! it's a lot easier to think of how to 'Germanify' English which already exists then coming up with it on the fly (although that will get easier the more you do it 😉).

try not to overburden your sentences with too many of these rules!! it is easy to think that pouring as many Germanisms as possible into the Toymaker's speech will just make him sound like himself, but this might break the reader's immersion. trust that sometimes less is more - especially if you are going to be writing the Toymaker accent-switching.

have fun!! don't worry about these ideas too much - you're writing fic, not a dissertation 💖 the Toymaker's whole deal is being playful and engaging in games - he isn't even following his own bloody rules!! just enjoy the process - you can always add more to his speech later 🔥

that's all for now!!! use this silly little guide however you like 🥰💖 godspeed in writing your Toymaker fics - i do hope this helps a bit. and shout-out to all the lovely fluent German speakers who have reacted with both humour and horror to the Toymaker's faux-German (including in my own writing) 😂

[melisscan]

Ð u Ŷ M a Ņ '' İçīīn ÐeğīīŁ . . .! A r t ı k ;

AnŁayabīīŁmen İçīīn ,

'' δ e δ δ i Z Ł i Ğ i Ņ '' δesīīnīī δonuna Ƙªdªr Açtım ....!!!!

[jackhkeynes]

Markish

Markish is an English language of the German family of languages which evolved on the island of Albion. It is closely related to other English languages like Kentish and Wessern, and is the primary language of the polity of Markland.

Contemporary Markish descends form the Early Markish spoken in Markland, which itself descends from Anglian varieties of Old English.

This article principally describes the acrolect of Markish spoken in and around the capital city of Tommarth.

Examples

A jalicked knave bought a new quistre. /ə ˈdʒa.lɪ.kəd knɛːv bɔft ə nəu ˈkwɪ.stə/ A guy in a tuxedo bought a new phone. Aquifex is the temendest corporal. /ˈa.kwɪˌfɛks ɪz ðe ˈtiː.mən.dəs ˈkoː.pʊ.ɾəl/ Hydrogen is the most abundant element. Do thy breches of and put thysel abed! /duː ðəi ˈbɾiː.tʃəz ɔf ən pʊt ðəiˈsɛl əˈbɛd/ Take off your clothes and get on the bed! By way o'dreend al therin ough, he asked "As swich?" /bəi wəi əˈdɾiː.ən‿dal ðəˈɾɪn uːf | hiː ˈa.skəd | az swɪtʃ/ While doing everything wrong, he asked "Like that?" Psolick tersures may breken wines brewing of. /ˈsɔ.lɪk ˈtɛː.zjəz məi ˈbɾiːkə wəinz ˈbɾəwɪŋg ɔf/ Sulphites can stop wine fermentation.

Phonology

Consonants

The consonant phonemes found in Markish are:

/m n/ /p t tʃ k/ /b d dʒ g/ /f θ s ʃ h/ /v ð z/ /w l ɾ j/

and they are subject to the following orthographic conventions:

b d f h k l m n p t v w z represent their IPA symbols.

j r y represent /dʒ ɾ j/ respectively.

c usually represents /s/ before i e y and /k/ elsewhere.

awice /əˈwəis/ "indeed" < OE ġewiss "certain" coholl /kʊˈhɔl/ "sulfide" < Ar كُحْل "kohl"

g usually represents /g/ but may represent /dʒ/ before i e y.

eagre /ˈeː.gə/ "acid" < L ācer nargill /ˈnaː.dʒɪl/ "coconut" < Ar نَرْجِيل "coconut palm" girl /geːl/ "young person"

q appears almost always in the diagraph qu to represent /kw/.

quoit /kwəit/ "tyre, torus"

s represents /z/ between vowels and word-finally (unless doubled), and /s/ otherwise.

Brasil /bɾəˈzɪl/ "Newfoundland" < Ir Breasail betimes /bɪˈtəimz/ "earlier" surblavick /soːˈblɛː.vɪk/ "ultraviolet" < L blavus "blue"

x represents /gz/ between vowels, and /ks/ otherwise.

oxy /ˈɔg.ziː/ "stubborn" œculux /ˈɛ.kjəˌlʊks/ "EM radiation" < Gr οἶκος "house", L lux "light"

There are several digraphs of letters with -h: ch gh ph sh th wh.

ph sh wh represent /f ʃ f/.

ch usually represents /tʃ/, but sometimes also /k/.

chalk /tʃalk/ "chalk" yacht /jakt/ "cult" < Du jaght "hunting party"

gh usually represents either /ʃ/ (following i) or /f/ (following u).

wight /wɪʃt/ "person" < OE wiht "thing, creature" ough /uːf/ "bad" < OE wōh "wrong, crooked" NB I'ght /ˈəift/ "I must", contracted from I ought

th usually represents either of /θ ð/, and sometimes /t/.

thrift /θɾɪft/ "energy" < ON þrift "prosperity" yeathre /ˈjeːðə/ "together" < OE geador

There are several situations in which written consonants may be silent.

In certain endings: participle -end /ən/, infinitive -en /ə/, superlative -est /əs/.

discurrend /dɪˈskʊ.ɾən/ "different" < L discurrēns "roaming" chammen /ˈtʃa.mə/ "to chew" (poss. onomatopoetic) tharvest /ˈθaː.vəs/ "least sociable" < OE þeorf "unleavened"

Coda r lengthens the preceding vowel and word-final -re is pronounced /ə/.

interpel /ɪnˈtɛː.pəl/ "interact with" < L interpellō "I disturb" sundre /ˈsʊn.də/ "many" < OE sundor "separately"

Post-tonic -st- immediately before a closed syllable is pronounced /s/.

hirstend /ˈheː.sən/ "extra" < OE hyrstan "to ornament" pistol /ˈpɪ.səl/ "message" < L epistola

Likewise, post-tonic -v- is lost in some common words.

morovre /mʊˈɾoː(ə)/ "as well" evre /ɛː(ə)/ "always"

Vowels

The vowels of (this variety of) Markish are:

/a ɛ ɪ ɔ ʊ ə/ /aː ɛː eː iː ɔː oː ʉː/ /əi əu/

and they are subject to the following orthographic conventions:

In stressed syllables, "short" a e i~y o u represent /a ɛ ɪ ɔ ʊ/.

sam /sam/ "set, collection" < OE samnian "gather" whelp /fɛlp/ "baby animal" quick /kwɪk/ "awake" thon /ðɔn/ "one, someone", contracted from the one bulk /bʊlk/ "cargo"

In unstressed syllables, a e i~y o u instead represent /ə ə~ɪ ɪ ʊ ʊ/—except word-finally, where /ɪ ʊ/ become /iː ə/.

defectend /dɪˈfɛk.tən/ "positively charged" behemoth /bɪˈhiː.mʊθ/ "hippopotamus" costumery /kʊˈstjəu.mə.ɾiː/ "fashion plate"

"Long" a e i~y o u represent /ɛː iː əi uː jəu/.

besake /bɪˈzɛːk/ "because" mete /miːt/ "standard, gauge" < OE metan "measure" ty /təi/ "to join" poke /puːk/ "container" < OFr poque "bag" huge /hjəudʒ/ "huge"

There are plenty of digraphs representing vowels.

Coda -r: ar er ir or ur represent /aː ɛː eː oː oː/.

davarn /dəˈvaːn/ "grand hotel, resort" < W tafarn "inn"

-a: ea oa represent /eː oː/.

roaden /ˈɾoː.də/ "to travel"

-e: ee ie ue represent /iː əi jəu/.

conspue /kʊnˈspjəu/ "to deride" < L cōnspuō "I spit upon"

-i/y: ai ei oi and ay ey oy represent /əi əi~iː əi/.

fain /fəin/ "willing(ly)"

-o: oo represents /uː/.

soon /suːn/ "as soon as"

-u/w: au eu ou and aw ew ow represent /əu əu əu~uː/.

blew /bləu/ "blue" coshow /ˈkɔ.ʃuː/ "rubber" < Quechua kawchu

[genderoftoday]

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[pixelshrine]

(´๑•_•๑)

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(˃ ⌑ ˂ഃ )

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૮₍•᷄ ࡇ •᷅₎ა

૮ ˶ᵔ ᵕ ᵔ˶ ა

ପ(๑•ᴗ•๑)ଓ ♡

૮₍ ˃ ⤙ ˂ ₎ა

(づ ᴗ ᴗ)づ♡

(ᴗ͈ˬᴗ͈)ꕤ.ﾟ

ଘ(੭ˊᵕˋ)੭

₍ᐢ× ༝ ×ᐢ₎

(´,,>ω<,,)♡

٩̋(ˊ•͈ ꇴ •͈ˋ)و

⸜(｡˃ ᵕ ˂ )⸝

(๑•ᴗ•๑)♡

( ｡ •̀ ᴖ •́ ｡)

（≧∇≦）

(≧∀≦*)

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(๑>◡<๑)

ヾ( ˃ᴗ˂ )◞ • *✰

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๐·°(৹˃̵﹏˂̵৹)°·๐

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°՞(ᗒᗣᗕ)՞💦

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(っ◞‸◟ c)

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(*ᴗ͈ˬᴗ͈)ꕤ*.ﾟ

( ˶°ㅁ°) !!

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⋆୨୧˚૮ ＾ﻌ＾ა˚୨୧⋆

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( · ❛ ֊ ❛)

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(˚ ˃̣̣̥⌓˂̣̣̥  )づ♡

.·°՞(¯□¯)՞°·.

╮ (. ❛ ᴗ ❛.) ╭

₍ ᐢ. ༝ .ᐢ₎♡꒰>﹏< ꒱

ღ´͈ ᵕ `͈ )♡⃛(´͈ ᵕ `͈ ღ

٩(˵˃̶ω˂̶˵)◞*

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(,,Ծ‸Ծ,, )

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ヽ(｀Д´#)ﾉ ﾑｷｰ!!

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(๑•̀ㅂ•́)و

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＼＼\\٩( 'ω' )و //／／

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(๑ ⁍̥̥̥᷅ ᴈ⁍̥̥̥᷅)人(⁌̥̥̥᷄ε ⁌̥̥̥᷄ ๑)ｰ

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☆૮꒰•༝  •。꒱ა

*ପ꒰⑅•ᴗ•｡꒱໊੭*

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"( – ⌓ – )

૮ ꈍﻌ ꈍა♥(˘ ε˘ U)

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｡*ﾟ.*.｡(っ ᐛ )っ 𝖍𝖎

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(^_-)-☆

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((´д｀))

((；ﾟДﾟ)

:;(∩´﹏`∩);:

random kaomojis 2

[multiversetravelingjournalist]

Ægir conlang ideas 2

Just a thought dump of ideas I recently came up for the Ægir conlang.

The aesthetic of the script could be something like cursive, arabic writing, and/or the Vulcan script. linear with lots of curves and spirals.

The writing system could be an abjad due to the consonant-root system. with a twist. not only will there be a symbol for every consonant, but every pair of consonants as well. this could allow for words to be relatively shorter at the cost of having more glyphs to come up with. this system is inspired by the system employed Reddit-user very-original-user for the conlang Ҧ̄sṱӄ̌ .

Maybe a sort of Verb chaining in the grammar. perhaps when a noun has multiple verbs or something like that. the chaining could be good ol' concatenation or something more exotic like the consonants in the root get shuffled together like a deck of cards then conjugated. this feature is inspired by a conlang of u/Skåulg, Þvo̊o̊lð.

While on the idea of "root-shuffling" maybe there are certain roots that got incorporated into the main verb that now indicate tense-aspect-mood information. this could be used in addition to regular suffixes and vowel alternation.

the first two consonants of the verb root indicate information about the subject while the latter two consonants of the root indicate object. the placement of the vowel in either spot encodes the person while the type of vowel indicates number. e.g. Skadi's name could be sxaðði. where s-x-ð-ð is the root for "to kill". a is the singular vowel and i the plural. both are in the third-person subject and object position respectively in the root. all together sxaðði means "she kills them." I actually like this and will keep it.

this is all I got for now. feedback is appreciated, as always.

thanks for reading. Till next time... ;).