#✧˚ · . ( muse ; louis lane )

[dcrkcrwns]

character tags pt 1.

[skybrushus]

A Patreon patron reward. They wanted me to draw skunk muse Rosemary Parker in a variant dress Link worn by St. Louis Link from Azur Lane. Link As a professional model she knows how to make it work for her.

[whiteshipnightjar]

Does art make a difference?

Aw, sure. Of course there are degrees of extremity to the potential change that art can effect, depending on how many people are able to engage with it. The Beatles made a huge difference in the world. But Henry Darger, Jeff McKissack, Karen Dalton, Pauline Oliveros, Kenneth Patchen – there are so many folks who have made great art and not gotten massively famous for it, yet I think there are all sorts of ways their work informs and shapes other people’s work, and brains, and decisions.

Should politics and art mix?

Well, everything mixes, the New Statesman! That’s like asking if a knee-reflex hammer and a quadriceps tendon should “mix”.

Is your work for the many or for the few?

That’s for the many/few to say. I just crank out the hot jams.

If you were world leader, what would be your first law?

Gravity. I feel like we need to tighten up the constitutional protections that particular law enjoys. It’s a ticking time bomb, if you ask me.

Who would be your top advisers?

Cute angel on one shoulder, cute devil on the other.

What, if anything, would you censor?

Maybe we could all agree to not bust each other’s chops all cut-dang day.

If you had to banish one public figure, who would it be?

Don’t know, banishment might be a little extreme, but I’d sure like to take that Stephen Hawking dude down a notch or two. Right? Are you with me?

What are the rules that you live by?

Basically, “bros before hos”. I feel like if you stay true to that, everything else just kind of falls into place.

Do you love your country?

I love William Faulkner, Dolly Parton, fried chicken, Van Dyke Parks, the Grand Canyon, Topanga Canyon, bacon cheeseburgers with horseradish, Georgia O’Keeffe, Grand Ole Opry, Gary Snyder, Gilda Radner, Radio City Music Hall, Big Sur, Ponderosa pines, Southern BBQ, Highway One, Kris Kristofferson, National Arts Club in New York, Ruth Crawford Seeger, Joni Mitchell, Ernest Hemingway, Harriet Tubman, Hearst Castle, Ansel Adams, Kenneth Jay Lane, Yuba River, South Yuba River Citizens League, “Alice Doesn’t Live Here Anymore”, “Hired Hand”, “The Jerk”, “The Sting”, “Butch Cassidy and the Sundance Kid”, clambakes, lobster rolls, s’mores, camping in the Sierra Nevadas, land sailing in the Nevada desert, riding horseback in Canyon de Chelly; Walker Percy, Billie Holiday, Drag City, Chez Panisse/Alice Waters/slow food movement, David Crosby, Ralph Lauren,San Francisco Tape Music Center, Albert Brooks, Utah Phillips, Carol Moseley Braun, Bolinas CA, Ashland OR, Lawrence KS, Austin TX, Bainbridge Island WA, Marilyn Monroe, Mills College, Elizabeth Cotton, Carl Sandburg, the Orange Show in Houston, Toni Morrison, Texas Gladden, California College of Ayurvedic Medicine, Louis Comfort Tiffany, Saturday Night Live, Aaron Copland, Barack Obama, Oscar de la Renta, Alan Lomax, Joyce Carol Oates, Fred Neil, Henry Cowell, Barneys New York, Golden Gate Park, Musee Mechanique, Woody Guthrie, Maxfield Parrish, Malibu, Maui, Napa Valley, Terry Riley, drive-in movies, homemade blackberry ice cream from blackberries picked on my property, Lil Wayne, Walt Whitman, Halston, Lavender Ridge Grenache from Lodi CA, Tony Duquette, Julia Morgan, Lotta Crabtree, Empire Mine, North Columbia Schoolhouse, Disneyland, Nevada County Grandmothers for Peace; Roberta Flack, Randy Newman, Mark Helprin, Larry David, Prince; cooking on Thanksgiving; Shel Siverstein, Lee Hazlewood, Lee Radziwill, Jackie Onassis, E.B. White, William Carlos Williams, Jay Z, Ralph Stanley, Allen Ginsberg, Cesar Chavez, Harvey Milk, RFK, Rosa Parks, Arthur Miller, “The Simpsons”, Julia Child, Henry Miller, Arthur Ashe, Anne Bancroft, The Farm Midwifery Center in TN, Martha Graham, Alvin Ailey, Jr., Eleanor Roosevelt, Clark Gable, Harry Nilsson, Woodstock, and some other stuff. Buuuut, the ol’ U S of A can pull some pretty dick moves. I’m hoping it’ll all come out in the wash...

Are we all doomed?

If we keep our expectations pretty low I think we might be fine. I mean, we’re definitely all dying at some point. There’s no getting around that. But between now and then, things might start looking up!

— Joanna Newsom for The New Statesman, 2008

[ladyimaginarium]

listing introjects' fcs 4 the sake of my& sanity

clementine maria jasmine cree ( twdg ) - ashley moore (primary), nyané lebajoa, amandla stenberg (secondary)

louis lacroix ( twdg ) - marcus sivyer

violet collmore ( twdg ) - phoebe bridgers

james dae young ( twdg ) - choi yeonjun

aasim acharya ( twdg ) - jeenu mahadevan

ava adebowale ( twdg ) - lashana lynch ( primary ); lupita nyong'o ( secondary )

harry potter ( potterverse ) - suraj sharma

hermione granger ( potterverse ) - logan browning

blaise zabini ( potterverse ) - rome flynn (tentative)

pansy parkinson ( potterverse ) - song hye kyo

haneul eun ha / luna lovegood ( potterverse ) - jung jinsoul

ginny weasley ( potterverse ) - luca hollestelle

sirius black ( potterverse ) - avan jogia

dutch ( black lagoon ) - mike colter

okajima rokuro / rock ( black lagoon ) - arata mackenyu

rebecca lee / revy ( black lagoon ) - jessica henwick

benjamin issacs / benny ( black lagoon ) - evan peters

edith blackwater / eda ( black lagoon ) - kristen stewart ( primary ); maya hawke ( secondary )

janet bhai ( black lagoon ) - mandip gill

lyanna stark ( asoiaf ) - adelaide kane

jon snow ( asoiaf ) - timothee chalamet ( primary ); kit harington ( secondary )

daenerys targaryen ( asoiaf ) - anya taylor joy ( primary ); freya allan, emilia clarke ( secondary )

asha greyjoy ( asoiaf ) - marina moschen

ashara dayne ( asoiaf ) - simone ashley, kate mgrath ( formerly; may consider dropping )

arianne martell ( asoiaf ) - deepika padukone

obara sand ( asoiaf ) - cynthia addai robinson

nymeria sand ( asoiaf ) - shanina shaik

tyene sand ( asoiaf ) - stephanie rose bertram ( primary ); gigi hadid ( secondary )

sarella sand ( asoiaf ) - adut akech ( primary; tentative); duckie thot ( secondary ), tracy ifeachor ( tertiary )

melisandre of asshai ( asoiaf ) - dilraba dilmurat

nymeria of ny sar ( asoiaf ) - aishwarya rai

visenya targaryen ( asoiaf ) - katheryn winnick

myrcella baratheon ( asoiaf ) - holliday grainger

val the wildling / of the free folk ( asoiaf ) - alyssa sutherland

willas tyrell ( asoiaf ) - peter mooney

garlan tyrell ( asoiaf ) - ben lamb

hua mulan ( disneyverse laced w/ historical source ) - zhang xinyu / viann zhang

tiana brown ( disneyverse laced with history ) - kiki layne

katniss everdeen ( the hunger games ) - kawennahere devery jacobs

worick arcangelo ( gangsta ) - austin butler ( tentative ); alex pettyfer ( tentative )

nicolas brown ( gangsta ) - chella man

alexandria benedetto ( gangsta ) - normani kordei

emilio benedetto ( gangsta ) - aubrey joseph (primary), rome flynn

constance raveau ( gangsta ) - shailene woodley ( tentative )

erica abaddonato ( gangsta ) - nastya zhidkova ( primary ); jennifer lawrence ( usually faceless if i& can help it )

delico abaddonato ( gangsta ) - lucky blue smith

svetlana morozova nikolaeva ( gangsta ) - tati gabrielle ( primary ); ryan destiny ( secondary )

bernardo corsica ( gangsta ) - ross lynch ( tentative )

nimes ( gangsta ) - dominique jackson

sherry christiano amodio ( gangsta ) - sydney sweeney ( tentative )

loretta christiano amodio ( gangsta ) - willow shields

georgiana corsica ( gangsta ) - loey lane

evelyn ( gangsta ) - sab quesada

sidney ( gangsta ) - cartia mallan

also, below are neither our& introjects or rp muses but we& may use in edits:

sebastian cree ( twdg oc; clementine's younger half brother ) - d'pharaoh woon-a-tai

ivan glaziev ( gangsta ) - adrien brody

galahad woehor ( gangsta ) - zae france

[prettymvgic]

my muses ; this is temporary until i figure out how to make things mobile friendly !

FEMALES : poppy : age unknown, pixie, currently captive by a vampire - madelaine petsch. kiana murphy : 22, college student, waitress - samantha logan. kimberly vaughn : 24, 1990's - young!julia roberts. olivia harrington: 22, college student - grace van dien. robyn bailey : 29, model & influencer - laura harrier. sidney prescott : 17-22, scream 1-3 - neve campbell. samantha palmer : 18-23, hs student/college student - katherine langford. marianne parker : 55, ranger wife - diane lane. katherine foster : 42, conwoman - anne hathaway. andrea "annie" bennett : 41, inn owner & keeper, starting over - bethany joy lenz. mercedes hart: 27, influencer & industry plant, upcoming musical artist - ryan destiny. bristol harper : 35, online jewelry store owner, mother to two - hilary duff. evangelina constance : 48, owner of a cult - carla gugino. allison barnes : 38, former nurse now surviving the apocalypse - lauren cohen. lacey thomas : 18-20, college student - nicole wallace. seline castillo : 33, owner of flattop bar & grill, more info upon request - vanessa hudgens. cassandra foxx : better known in her world as ALASKA, 30, sugar baby/escort, more info upon request - vanessa hudgens. marzia vadala : 34, italian, jewelry store owner - phoebe tonkin. gianna ortiz : 34, spanish, receptionist for a corportation - ana de armas. mariana ruiz : 19-22, spanish, hs or college student - alexa demie. holland st. clair : 25, model trying to get her debut, trans-female - hunter schafer. angeline swanson : 23, pornstar - sabrina carpenter. first last : 40, prosecutor - kerry washington.

MALES : marshall "the judge" owens : 49, apocalyptic cult member - andrew lincoln. jude mitchell : 34, lives in an apartment in nyc, struggling artist - andrew garfield. david bascom : 26, 1950's, closeted homosexual - harry styles. casey theriot : 27, nomad. - tom holland. pak dae-hyun : 23, idol struggling with fame - junkook. patrick galloway : 29, blackballed actor starting over - nicholas galitzine. choi minho, 25, establishing actor, mostly indie films waiting for his break - kim jiwoong ( aki. ) hak su-jin : 31, book store / cafe manager in seoul - woo do-hwan. kai kahinu : 19, younger brother to zane, new zealand native, maori - matthew sato. wihan chen : 24, indie musician - first kanaphan puitrakul. ( tashi. ) felix maynard : 30, owner of tart & thyme restaurant, chef - will poulter. caskey dallas : 18-23, outcast, more info upon request - cole sprouse. robin sallow : 28, manager of off beat records, more info upon request - thomas doherty. jesse dylan : 18-30 ( 1985 - 1997 ), teen/convict, more info upon request - dacre montgomery. dean maddox : 22, college student, more info upon request - hero fiennes tiffin. simon parker : 29, lead singer & guitar player of killin' time, more info upon request - joe keery. maverick reed : 26, fisherman's son - rudy pankow. hwan van : 26, mechanic - cha eun-woo choi daehyun : 20, idol, au!fae - felix lee. trevor elliot : 24, college, indie musician, au!fame - felix mallard. kim hanuel : 26, ceo- yeo jin-goo. andrew baker : 19, homeless. - brandon flynn. casper cromwell : forever 20, ghostboy haunting a house. - louis patridge.

THEYS : zane kahinu, 22, older sibling to kai, new zealand native, maori - zoe terakes.

[multivcrsity-archive]

MOBILE MUSE LIST

television

THE 100

bellamy blake + bob morley

clark griffin + eliza taylor

jasper jordan + devon bostick

john murphy + richard harmon

octavia blake + marie avgeropoulos

raven reyes + lindsay morgan

AMERICAN HORROR STORY

madison montgomery + tati gabrielle

misty day + lily rabe

THE HAUNTING OF BLY MANOR

flora fairchild + india eisley

THE HAUNTING OF HILL HOUSE

luke crain + oliver jackson cohen

theo crain + kate siegel

film

AGE OF ADALINE

adaline bowman + blake lively

THE COVENANT

caleb danvers + steven strait

pogue parry + taylor kitsch

reid garwin + toby hemingway

tyler simms + chace crawford

DC

billy batson + asher angel

cassandra cain + ella jay basco

chato santana + jay hernandez

floyd lawton + michael b jordan

freddy freeman + adam brody

harley quinn + margot robbie

lucy quinzel + chloe moretz

selina kyle + ana de armas

THE DESCENDANTS

carlos de ville + ross lynch

chad charming + nicholas galitzine

evie grimhilde + sophia carson

jay + booboo stewart

mal bertha + dove cameron

malinda bertha + elizabeth gillies (oc)

DISNEY

anna + sadie sink

aurora + elle fanning

belle + troian bellesario

chip potts + asa butterfield

elsa + gabriella wilde

eugene fitzherbert + thomas mcdonell

merida + sophie turner / eleanor tomlinson

moana + auli’i cravalho

maui + jason momoa

rapunzel + lily james

tinkerbell + freya allen

vanellope von schweetz + mackenzie foy

FEAR STREET

deena johnson + kiana madeira

ruby lane + india eisley

sarah fier + kiana madeira

IT

avery hockstetter + felix mallard

beverly marsh + jessica chastain

bill denbrough + james mcavoy

eddie kaspbrak + timothée chamalet

greta keene + sabrina carpenter

henry bowers + nicholas hamilton

mike hanlon + isaiah mustafa

patrick hockstetter + owen teague

richie tozier + bill hader

stanley uris + andy bean

JURASSIC WORLD

maisie lockwood + mackenzie foy

MARVEL

peter parker + tom holland / andrew garfield

THE OUTSIDERS

curly shepard + jordan connor

johnny cade + steven r mcqueen

ponyboy curtis + jake t austin

US

adelaide wilson + lupita nyong'o

red + lupita nyong'o

misc.

GREEK MYTHOLOGY

aphrodite + nyané lebajoa

cerberus + aidan turner

dionysus + toby regbo

hades + cheyenne jackson

hermes + faceclaim

persephone + gugu mbtha raw

poseidon + jason momoa

literature

HARRY POTTER

cormac mclaggen + freddie stroma

dominique weasley + faceclaim

hannah abbott + faceclaim

hermione granger + jessica sula

lily luna potter + luca hollestelle

lucy weasley + elle fanning

luna lovegood + evanna lynch

millicent bulstrode + barbie ferreira

neville longbottom + matthew lewis

rose weasley + ashley moore

scorpius malfoy + austin butler

THE VAMPIRE CHRONICLES

lestat de lioncourt + cody fern

louis de pointe du lac + felix mallard

original characters

alejandro valdez + danny ramirez ( serial killer based on ahs' the night stalker )

axel zimmermann + aidan turner ( vampire )

elijah catton + jacob elordi ( twin brother of @everyoneismytoy's felix )

gabriel + jamie campbell bower ( archangel )

isabelle blackwood + taylor momsen ( witch )

michael fitzpatrick + max thieriot ( spn hunter )

oliver todd + richard harmon ( serial killer / nightclub manager associated with @painofhumanity's alexander )

[herogassm]

hi! this is a sideblog to @femnize; can't follow back. low activity. plotting preferred before interactions. muses under read more. don't expect canon compliance ... but feel free to ask questions !

all muses are versatile and open to being intersex upon request. regular asterisk indicates alternative faces available. bold asterisk indicates different verses available. underlined asterisk means muse will only be written as femme or intersex.

BROCK RUMLOW. crossbones . frank grillo fc .

BRUCE BANNER. hulk . hugh dancy fc . *

BUCKY BARNES. winter soldier . sebastian stan fc .

CLINT BARTON. hawkeye . chris hemsworth fc . *

PETER PARKER. spider-man . nick robinson fc . **

SAM WILSON. falcon . aldis hodge fc .

STEVE ROGERS. cap america . chris evans fc .

THOR ODINSON. god of thunder . charlie hunnam fc . *

TONY STARK. iron-man . michele morrone fc . *

BEN GRIMM. the thing . jay courtney fc . *

JOHNNY STORM. human torch . andre lamoglia fc . *

REED RICHARDS. mr. fantastic . james mcavoy fc . *

SUE STORM. invisible woman . alfonso herrera fc . *

ALFRED. the butler . cameron chapman fc . *

BRUCE WAYNE. batman . jon hamm fc .

DICK GRAYSON. nightwing . finn wittrock fc . *

HARLEY QUINN. joker's gf . drew van acker fc . *

JACK NAPIER. the joker . jake gyllenhaal fc .

PAMELA ISLEY. poison ivy . michael yerger fc . *

SELINA KYLE. catwoman . marco mengoni fc . **

CLARK KENT. superman . henry cavill fc . **

GENERAL ZOD. supervillain . jude law fc .

JIMMY OLSEN. photographer . jack quaid fc .

KARA DANVERS. supergirl . froy gutierrez fc . *

LEX LUTHOR. businessman . christopher meloni fc .

LOUIS LANE. journalist . josh dallas fc . *

METALLO. cyborg villain . alan ritchson fc .

PERRY WHITE. editor chief . ewan mcgregor fc .

[tenthdoctxr]

shuffle your ‘on repeat’ and post the first 10 songs

thanks for the tag @joanwtsn!! :D i actually haven't been on my spotify in a while, so this was an interesting trip down memory lane and also a surprise since i swear i haven't heard some of these songs before unless i possibly fell asleep with spotify on lol:

Love Letter Boxes - The Posies

joyful - Dante Bowe

Every Single Night - Computer Games

Pressure - Muse

Like the Movies - Laufey

Back to You - Louis Tomlinson, Bebe Rexha, Digital Farm Animals

Somebody Sometimes - FITZ, Fitz and The Tantrums

i2i - Tevin Campbell, Rosie Gaines

Chasing You - Capital Cities, Soseh

If You Ever Come Back - The Script

no pressure tags: @cha-melodius @abitofboth @sirtadcooper @dannyriccowboy and anyone else who sees this and wants to do so

[corruptedforce]

meet the mun!

name: Tanya

pronouns: she/her

preference of communication: discord; just ask if we're mutuals

most active muse: Anakin/Vader

experience / how many years: 7 months on Anakin, 12 years on Tumblr, 16 years total 

best experience: The partners who've become friends 

pet peeves: people who decide things about me or my characterization without asking and then get their cult to unfollow too, The Sequels, Kylo Ren, The St. Louis Cardinals, Pittsburgh Pirates, Tampa Bay Devil Rays, Boston RedSox, Chicago WhiteSux, People who get mad if you reply fast, people who confuse excitement for being pushy, people who don't understand that you can love villains and still understand they're flawed, people who judge anything about another roleplayer's characterization. Just stay in your own fucking lane. People obsessed with aesthetics. People who remake their blog every five minutes. People who get jealous if you have more than ship. People who get annoyed that I'm fast on Discord. I'm not going to be slow. People who want a fix it nonstop for the tragedy of Anakin Skywalker. Leave his goddamn tragedy alone. It's amazing. Also, people like me who have an opinion on everything.

fluff, angst, or smut: All three but angst, smut, then fluff. I do better if we have multiple threads and I can kind of half some of all of it. I understand some people will only write smut on Discord. I've been writing it since 2007, so I can write it in my sleep. But, I don't hate fluff. I just play characters who it would be a disservice to make them happy all the time. It's character assassination to them.

plots or memes: Both!! Memes are great ice breakers and I'm always willing to plot them out. Hit up my inbox or discord to plot somethin out with or without a meme.

time to write: I write on Discord on my phone 24/7. I'll make us a server and do 5000 things. I've just been slow lately, because I threw my back out. I'm on a do drafts everyday kick, but that never lasts. Honestly, my best writing time is 7am or sometimes 1am.

are you like your muse: We're both extremely stubborn, set in our ways, don't give in no matter what, and will fight our point for days. It's an issue. I don't force choke though. I wish I could sometimes, though.

[steampoweredskeletons]

Pick a song for every letter of your URL

S- St Louis by Moon Hooch

T- Turn Your Back by Billy Talent

E- Eat That Up, It's Good For You by Two Door Cinema Club

A- All I Wanted by Paramore

M- Map of the Problematique by Muse

P- Paper Machete by Queens of the Stone Age

O- O My Heart by Mother Mother

W- Welcome to the Black Parade by My Chemical Romance

E- Everlong by Foo Fighters

R- Read My Mind by The Killers

E- Easily by Red Hot Chili Peppers

D- Dirty Rotten Bastards by Green Day

S- Somewhere I Belong by Linkin Park

K- Keep Your Hands Off My Girl by Good Charlotte

E- Excuse Me by Nothing But Thieves

L- Lane Boy by Twenty One Pilots

E- eez-eh by Kasabian

T- Twin Skeletons by Fall Out Boy

O- Own My Mind by Måneskin

N- Never Gonna Give You Up by Rick Astley (hahaha fuck you get rickrolled)

S- Satellite by Rise Against

[diisplxced]

MUSES

THE AGE OF ADALINE

Adaline Bowman (Blake Lively)

AMERICAN HORROR STORY

Madison Montgomery (Tati Gabrielle)

Misty Day (Lily Rabe)

Nora Montgomery (Lily Rabe)

Violet Harmon (Tessa Farmiga)

THE CALL

Oh Young Sook (Jeon Jong-seo)

THE COVENANT

Tyler Simms (Chace Crawford)

DC

Barbara Gordon / Batgirl (Teresa Palmer)

Billy Batson (Asher Angel)

Cassandra Cain / Batgirl (Ella Jay Basco)

June Moon / Enchantress (Cara Delevingne)

Koriand'r / Starfire (Vanessa Morgan)

Lucy Quinzel (Chloé Moretz)

Pamela Isley / Poison Ivy (Madelaine Petsch)

Selina Kyle / Catwoman (Ana De Armas)

THE DESCENDANTS

Carlos Deville

Evie Grimhilde (Sofia Carson)

Jay (BooBoo Stewart)

Mal Bertha (Dove Cameron)

DISNEY

Anna (Sadie Sink)

Belle (Emily Carey)

Chip Potts (Asa Butterfield)

Elsa (Gabriella Wilde)

Eugene Fitzherbert (Thomas McDonell)

Fix-It Felix

Maui (Jason Momoa)

Moana (Auliʻi Cravalho)

Olaf

Peter Pan (Robbie Kay / Thomas Brody Sangster)

Rapunzel (Lily James)

Tinkerbell (Freya Allan)

Vanellolpe Von Schweetz (Mackenzie Foy)

FEAR STREET

Deena Johnson (Kiana Madeira)

Ruby Lane (India Eisley)

Sarah Fier

GREEK MYTHOLOGY

Aphrodite (Nyané Lebajoa)

Apollo (Jamie Campbell Bower)

Cerberus (Aidan Turner)

Hades (Cheyenne Jackson)

Hermes (Alex Pettyfer)

Icarus (Evan Mock)

Persephone (Gugu Mbtha Raw)

Poseidon (Jason Momoa)

HARRY POTTER (ANTI JKR)

Albus Severus Potter (Freddie Highmore)

Cormac McLaggen (Freddie Stroma / Daniel Sharman)

Dominique Weasley (Kat McNamara)

George Weasley (James/Oliver Phelps)

Hannah Abbott (Olivia Holt)

Hermione Granger (Jessica Sula)

Lucy Weasley (Luca Hollestelle)

Luna Lovegood (Saoirse Ronan)

Padma Patil (Anya Chalotra)

Parvati Patil (Jameela Jamil)

Ron Weasley (Rupert Grint)

Rose Weasley (Zendaya)

Roxanne Weasley (Ashley Moore)

Scorpius Malfoy (Austin Butler)

Victoire Weasley (Dove Cameron)

IT

Ben Hanscom (Jay Ryan)

Beverly Marsh (Sophia Lillis / Jessica Chastain)

Bill Denbrough (Jaeden Martell / James McAvoy)

Eddie Kaspbrak (Timothée Chamalet)

Greta Keene (Sabrina Carpenter)

Henry Bowers (Nicholas Hamilton)

Mike Hanlon (Chosen Jacobs / Isaiah Mustafa)

Stanley Uris (Wyatt Oleff / Andy Bean)

JURASSIC WORLD

Maisie Lockwood (Mackenzie Foy)

LUCIFER

Ella Lopez (Aimee Garcia)

Lucifer (Tom Ellis)

Mazikeen (Lesley-Ann Brandt)

Trixie Espinoza (Scarlett Estevez)

MARVEL

Darcy Lewis (Kat Dennings)

Maybelle Parker / Aunt May (Sally Field)

Michelle Jones (Zendaya)

THE OUTSIDERS

Ponyboy Curtis (Jake T Austin)

TWISTED WONDERLAND

Ace Trappola

Azul Ashengrotto

Cater Diamond (Ross Lynch)

Deuce Spade

Epel Felmier

Floyd Leech

Idia Shroud

Jamil Viper (BooBoo Stewart)

Kalim Al-Asim

Lilia Vanrouge (Kyle Gallner)

Malleus Draconia (Felix Mallard)

Ortho Shroud

+ their tsums !

US

Adelaide Wilson (Lupita Nyong'o)

Red (Lupita Nyong'o)

THE VAMPIRE CHRONICLES

Lestat de Lioncourt (Cody Fern)

Louis de Pointe du Lac (Freddy Carter)

[helluvaslut]

ooc : So i decided to add Prinz Eugen, Inplacable, Jean Bartz,  Zara and St Louis from Azur lane into the cast of the muses I have feel free to bug them.

[jugheadx-xjones]

Bughead - @oilflowrs​

                   “For God’s sakes! You’re the perfect girl next door.”                                                                                                  “I hate that word.”                    “I’m the damaged loner outsider from the wrong side of the tracks. Betty, come                              on. Who are we kidding? We’re on borrowed time.”                                                                                       “What the hell is that supposed to mean?”                    “Betty, I’m not one of your projects, okay? Like solving Jason’s murder.”                                                                                 “No, You’re not a project, you’re my boyfriend.”                    “Until you’re sick of slumming it with me, or until Archie changes his mind and says                       he wants to be with you.”

[grigori77]

Movies of 2020 - My Pre-Summer Favourites (Part 2)

The Top Ten:

10.  TRUE HISTORY OF THE KELLY GANG – Justin Kurzel has been on my directors-to-watch list for a while now, each of his offerings impressing me more than the last (his home-grown Aussie debut, Snowtown, was a low key wallow in Outback nastiness, while his follow up, Macbeth, quickly became one of my favourite Shakespeare flicks, and I seem to be one of the frustrated few who actually genuinely loved his adaptation of Assassin’s Creed, considering it to be one the very best video game movies out there), and his latest is no exception – returning to his native Australia, he’s brought his trademark punky grit and fever-dream edginess to bear in his quest to bring his country’s most famous outlaw to the big screen in a biopic truly worthy of his name. Two actors bring infamous 19th Century bushranger Ned Kelly to life here, and they’re both exceptional – the earlier half of the film sees newcomer Orlando Schwerdt explode onto the screen as the child Ned, all righteous indignation and fiery stubbornness as he rails against the positions his family’s poverty continues to put him in, then George MacKay (Sunshine On Leith, Captain Fantastic) delivers the best performance of his career in the second half, a barely restrained beast as Ned grown, his mercurial turn bringing the man’s inherent unpredictability to the fore.  The Babadook’s Essie Davis, meanwhile, frequently steals the film from under both of them as Ellen, the fearsome matriarch of the Kelly clan, and Nicholas Hoult is similarly impressive as Constable Fitzpatrick, Ned’s slimily duplicitous friend/nemesis, while there are quality supporting turns from Charlie Hunnam and Russell Crowe as two of the most important men of Ned’s formative years.  In Kurzel’s hands, this account of Australia’s greatest true-life crime saga becomes one of the ultimate marmite movies – its glacial pace, grubby intensity and frequent brutality will turn some viewers off, but fans of more “alternative” cinema will find much to enjoy here.  There’s a blasted beauty to its imagery (this is BY FAR the bleakest the Outback’s ever looked on film), while the screenplay from relative unknown Shaun Grant (adapting Peter Carey’s bestselling novel) is STRONG, delivering rich character development and sublime dialogue, and Kurzel delivers some brilliantly offbeat and inventive action beats in the latter half that are well worth the wait.  Evocative, intense and undeniable, this has just the kind of irreverent punk aesthetic that I’m sure the real life Ned Kelly would have approved of …

9.  JUST MERCY – more true-life cinema, this time presenting an altogether classier account of two idealists’ struggle to overturn horrific racial injustices in Alabama. Writer-director Destin Daniel Cretton (Short Term 12, The Glass Castle) brings heart, passion and honest nobility to the story of fresh-faced young lawyer Bryan Stevenson (Michael B. Jordan) and his personal crusade to free Walter “Johnny D” McMillan (Jamie Foxx), an African-American man wrongfully sentenced to death for the murder of a white woman.  His only ally is altruistic young paralegal Eva Ansley (Cretton’s regular screen muse Brie Larson), while the opposition arrayed against them is MAMMOTH – not only do they face the cruelly racist might of the Alabama legal system circa 1989, but a corrupt local police force determined to circumvent his efforts at every turn and a thoroughly disinterested prosecutor, Tommy Chapman (Rafe Spall), who’s far too concerned with his own personal political ambitions to be any help.  The cast are uniformly excellent, Jordan and Foxx particularly impressing with career best performances that sear themselves deep into the memory, while there’s a truly harrowing supporting turn from Rob Morgan as Johnny D’s fellow Death Row inmate Herbert, whose own execution date is fast approaching.  This is courtroom drama at its most gripping, Cretton keeping the inherent tension cranked up tight while tugging hard on our heartstrings for maximum effect, and the result is a timely, racially-charged throat-lumper of considerable power and emotional heft that guarantees there won’t be a single dry eye in the house by the time the credits roll.  Further proof, then, that Destin Daniel Cretton is one of those rare talents of his generation – next up is his tour of duty in the MCU with Shang-Chi & the Legend of the Ten Rings, and if this seems like a strange leftfield turn given his previous track record, I nevertheless have the utmost confidence in him after seeing this …

8.  UNDERWATER – at first glance, this probably seems like a strange choice for the year’s current Top Ten – a much-maligned, commercially underperforming glorified B-movie creature-feature headlined by the former star of the Twilight franchise, there’s no way that could be any good, surely?  Well hold your horses, folks, because not only is this very much worth your time and a comprehensive suspension of your low expectations, but I can’t even consider this a guilty pleasure – as far as I’m concerned this is a GENUINELY GREAT FILM, without reservation.  The man behind the camera is William Eubank, a director whose career I’ve been following with great interest since his feature debut Love (a decidedly oddball but strangely beautiful little space movie) and its more high profile but still unapologetically INDIE follow-up The Signal, and this is the one where he finally delivers wholeheartedly on all that wonderful sci-fi potential.  The plot is deceptively simple – an industrial conglomerate has established an instillation drilling right down to the very bottom of the Marianas Trench, the deepest point in our Earth’s oceans, only for an unknown disaster to leave six survivors from the operation’s permanent crew stranded miles below the surface with very few escape options left – but Eubank and writers Brian Duffield (Jane Got a Gun, Insurgent) and Adam Cozad (The Legend of Tarzan) wring all the possible suspense and fraught, claustrophobic terror out of the premise to deliver a piano wire-tense horror thriller that grips from its sudden start to a wonderfully cathartic climax.  The small but potent cast are all on top form, Vincent Cassel, Jessica Henwick (Netflix’ Iron Fist) and John Gallagher Jr. (Hush, 10 Cloverfield Lane) particularly impressing, and even the decidedly hit-and-miss T.J. Miller delivers a surprisingly likeable turn here, but it’s that Twilight alumnus who REALLY sticks in your memory here – Kristen Stewart’s been doing a pretty good job lately distancing herself from the role that, unfortunately, both made her name and turned her into an object of (rather unfair) derision for many years, but in my opinion THIS is the performance that REALLY separates her from Bella effing-Swan.  Mechanical engineer Norah Price is tough, ingenious and fiercely determined, but with the right amount of vulnerability that we really root for her, and Stewart acts her little heart out in a turn sure to win over her strongest detractors. The creature effects are impressive too, the ultimate threat proving some of the nastiest, most repulsively icky creations I’ve seen committed to film, and the inspired design work and strong visual effects easily belie the film’s B-movie leanings.  Those made uneasy by deep, dark open water or tight, enclosed spaces should take heed that this can be a tough watch, but anyone who likes being scared should find plenty to enjoy here.  Altogether a MUCH better film than its mediocre Rotten Tomatoes rating makes it out to be …

7.  ONWARD – Disney and Pixar’s latest digitally animated family feature clearly has a love of tabletop fantasy roleplay games like Dungeons & Dragons, its quirky modern-day AU take populated by fantastical races and creatures seemingly tailor-made for the geek crowd … needless to say, me and many of my friends absolutely loved it. That doesn’t mean that the classic Disney ideals of love, family and believing in yourself have been sidelined in favour of fan-service – this is as heartfelt, affecting and tearful as their previous standouts, albeit with plenty of literal magic added to the metaphorical kind.  The central premise is a clever one – once upon a time, magic was commonplace, but over the years technology came along to make life easier, so that in the present day the various races (elves, centaurs, fauns, pixies, goblins and trolls among others) get along fine without it.  Then timid elf Ian Lightfoot (Tom Holland) receives a wizard’s staff for his sixteenth birthday, a bequeathed gift from his father, who died before he was born, with instructions for a spell that could bring him back to life for one whole day.  Encouraged by his brash, over-confident wannabe adventurer elder brother Barley (Chris Pratt), Ian tries it out, only for the spell to backfire, leaving them with the animated bottom half of their father and just 24 hours to find a means to restore the rest of him before time runs out.  Cue an “epic quest” … needless to say, this is another top-notch offering from the original masters of the craft, a fun, affecting and thoroughly infectious family-friendly romp with a winning sense of humour and inspired, flawless world-building.  Holland and Pratt are both fantastic, their odd-couple chemistry effortlessly driving the story through its ingenious paces, and the ensuing emotional fireworks are hilarious and heartbreaking in equal measure, while there’s typically excellent support from Julia Louis-Dreyfus (Elaine from Seinfeld) as Ian and Barley’s put-upon but supportive mum, Laurel, Octavia Spencer as once-mighty adventurer-turned-restaurateur “Corey” the Manticore and Mel Rodriguez (Getting On, The Last Man On Earth) as overbearing centaur cop (and Laurel’s new boyfriend) Colt Bronco.  The film marks the sophomore feature gig for Dan Scanlon, who debuted with 2013’s sequel Monsters University, and while that was enjoyable enough I ultimately found it non-essential – no such verdict can be levelled against THIS film, the writer-director delivering magnificently in all categories, while the animation team have outdone themselves in every scene, from the exquisite world-building and character/creature designs to some fantastic (and frequently delightfully bonkers) set-pieces, while there’s a veritable riot of brilliant RPG in-jokes to delight geekier viewers (gelatinous cube! XD).  Massive, unadulterated fun, frequently hilarious and absolutely BURSTING with Disney’s trademark heart, this is currently (and deservedly) my animated feature of the year.  It’s certainly gonna be a tough one to beat …

6.  THE GENTLEMEN – Guy Ritchie’s been having a rough time with his last few movies (The Man From UNCLE didn’t do too bad but it wasn’t exactly a hit and was largely overlooked or simply ignored critically, while intended franchise-starter King Arthur: Legend of the Sword was largely derided and suffered badly on release, dying a quick death financially – it’s a shame on both counts, because I really liked them), so it’s nice to see him having some proper success with his latest, even if he has basically reverted to type to do it.  Still, when his newest London gangster flick is THIS GOOD it seems churlish to quibble – this really is what he does best, bringing together a collection of colourful geezers and shaking up their status quo, then standing back and letting us enjoy the bloody, expletive-riddled results. This particularly motley crew is another winning selection, led by Matthew McConaughey as ruthlessly successful cannabis baron Mickey Pearson, who’s looking to retire from the game by selling off his massive and highly lucrative enterprise for a most tidy sum (some $400,000,000 to be precise) to up-and-coming fellow American ex-pat Matthew Berger (Succession’s Jeremy Strong, oozing sleazy charm), only for local Chinese triad Dry Eye (Crazy Rich Asians’ Henry Golding, chewing the scenery with enthusiasm) to start throwing spanners into the works with the intention of nabbing the deal for himself for a significant discount.  Needless to say Mickey’s not about to let that happen … McConaughey is ON FIRE here, the best he’s been since Dallas Buyers Club in my opinion, clearly having great fun sinking his teeth into this rich character and Ritchie’s typically sparkling, razor-witted dialogue, and he’s ably supported by a uniformly excellent ensemble cast, particularly co-star Charlie Hunnam as Mickey’s ice-cold, steel-nerved right-hand-man Raymond Smith, Downton Abbey’s Michelle Dockery as his classy, strong-willed wife Rosalind, Colin Farrell as a wise-cracking, quietly exasperated MMA trainer and small-time hood simply known as the Coach (who gets many of the film’s best lines), and, most notably, Hugh Grant as the film’s nominal narrator, thoroughly morally bankrupt private investigator Fletcher, who consistently steals the film.  This is Guy Ritchie at his very best – a twisty rug-puller of a plot that constantly leaves you guessing, brilliantly observed and richly drawn characters you can’t help loving in spite of the fact there’s not a single hero among them, a deliciously unapologetic, politically incorrect sense of humour and a killer soundtrack.  It got the cinematic year off to a cracking start, and looks set to stay high in the running for the remainder – it’s EASILY Ritchie’s best film since Sherlock Holmes, and a strong call-back to the heady days of Snatch (STILL my favourite) and Lock, Stock & Two Smoking Barrels.  Here’s hoping he’s on a roll again, eh?

5.  THE INVISIBLE MAN – looks like third time’s a charm for Leigh Whannell, writer-director of my current horror movie of the year – while he’s had immense success as a horror writer over the years (co-creator of both the Saw and Insidious franchises), as a director his first two features haven’t exactly set the world alight, with debut Insidious: Chapter III garnering similar takes to the rest of the series but ultimately turning out to be a bit of a damp squib quality-wise, while his second feature Upgrade was a stone-cold masterpiece that was (rightly) EXTREMELY well received critically, but ultimately snuck in under the radar and has remained a stubbornly hidden gem since.  No such problems with his third feature, though – his latest collaboration with producer Jason Blum and his insanely lucrative Blumhouse Pictures has proven a massive hit both financially AND with reviewers, and deservedly so.  Having given up on trying to create a shared cinematic universe inhabited by their classic monsters, Universal have resolved to concentrate on standalones to showcase their elite properties, and their first try is a rousing success, Whannell bringing HG Wells’ dark and devious human monster smack into the 21st Century as only he can.  The result is a surprisingly subtle piece of work, much more a lethally precise exercise in cinematic sleight of hand and extraordinary acting than flashy visual effects, very much adhering to the Blumhouse credo of maximum returns for minimum bucks as the story is stripped right back to its bare essentials and allowed to play out without any unnecessary weight.  The Handmaid’s Tale’s Elizabeth Moss once again confirms what a masterful actress she is as she brings all her performing weapons to bear in the role of Cecelia “Cee” Kass, the cloistered wife of affluent but monstrously abusive optics pioneer Aidan Griffin (Netflix’ The Haunting of Hill House’s Oliver Jackson-Cohen), who escapes his clutches in the furiously tense opening sequence and goes to ground with the help of her closest childhood friend, San Francisco cop James Lanier (Leverage’s Aldis Hodge) and his teenage daughter Sydney (A Wrinkle in Time’s Storm Reid).  Two weeks later, Aidan commits suicide, leaving Cee with a fortune to start her life over (with the proviso that she’s never ruled mentally incompetent), but as she tries to find her way in the world again little things start going wrong for her, and she begins to question if there might be something insidious going on.  As her nerves start to unravel, she begins to suspect that Aidan is still alive, still very much in her life, fiendishly toying with her and her friends, but no-one can see him.  Whannell plays her paranoia up for all it’s worth, skilfully teasing out the scares so that, just like her friends, we begin to wonder if it might all in her head after all, before a spectacular mid-movie reveal throws the switch into high gear and the true threat becomes clear.  The lion’s share of the film’s immense success must of course go to Moss – her performance is BEYOND a revelation, a truly blistering career best turn that totally powers the whole enterprise, and it almost goes without saying that she’s the best thing in this.  Even so, she has sterling support from Hodge and Reid, as well as Love Child’s Harriet Dyer as Cee’s estranged big sister Emily and Wonderland’s Michael Dorman as Adrian’s slimy, spineless lawyer brother Tom, and, while he doesn’t have much actual (ahem) “screen time”, Jackson-Cohen delivers a fantastically icy, subtly malevolent turn which casts a large “shadow” over the film.  This is one of my very favourite Blumhouse films, a pitch-perfect psychological chiller that keeps the tension cranked up unbearably tight and never lets go, Whannell once again displaying uncanny skill with expert jump-scares, knuckle-whitening chills and a truly astounding standout set-piece that looks set to go down as one of the year’s top action sequences.  Undoubtedly the best version of Wells’ story to date, this goes a long way in repairing the damage of Universal’s abortive “Dark Universe” efforts, as well as showcasing a filmmaking master at the very height of his talents.

4.  EXTRACTION – the Coronavirus certainly has thrown a massive spanner in the works of this year’s cinematic calendar – the new A Quiet Place sequel should have been setting the big screen alight for almost two months now, while the latest (and most long-awaited) MCU movie, Black Widow, should have just opened to further record-breaking box office success, but instead the theatres are all closed and virtually all the big blockbusters have been pushed back or shelved indefinitely. Thank God, then, for the streaming services, particularly Hulu, Amazon and Netflix, the latter of which provided a perfect movie for us to see through the key transition from spring to the summer blockbuster season, an explosively flashy big budget action thriller ushered in by MCU alumni the Russo Brothers (who produced and co-wrote this adaptation of Ciudad, a graphic novel that Joe Russo co-created with Ande Parks and Fernando Leon Gonzalez) and barely able to contain the sheer star-power wattage of its lead, Thor himself.  Chris Hemsworth plays Tyler Rake, a former Australian SAS operative who hires out his services to an extraction operation, under the command of mercenary Nik Khan (The Patience Stone’s Golshifteh Farahani), brought in to liberate Ovi Mahajan (Rudhraksh Jaiswal in his first major role), the pre-teen son of incarcerated Indian crime lord Ovi Sr. (Pankaj Tripathi), who has been abducted by Bangladeshi rival Amir Asif (Priyanshu Painyuli).  The rescue itself goes perfectly, but when the time comes for the hand-off the team is double-crossed and Tyler is left stranded in the middle of Dhaka with no choice but to keep Ovi alive as every corrupt cop and street gang in the city closes in around them.  This is the feature debut of Sam Hargrave, the latest stuntman to try his hand at directing, so he certainly knows his way around an action sequence, and the result is a thoroughly breathless adrenaline rush of a film, bursting at the seams with spectacular fights, gun battles and car chases, dominated by a stunning sustained action sequence that plays out in one long shot, guaranteed to leave jaws lying on the floor.  Not that there should be any surprise – Hargrave cut his teeth as a stunt coordinator for the Russos on Captain America: Civil War and their Avengers films.  That said, he displays strong talent for the quieter disciplines of filmmaking too, delivering quality character development and drawing out consistently noteworthy performances from his cast.  Of course, Hemsworth can do the action stuff in his sleep, but there’s a lot more to Tyler than just his muscle, the MCU veteran investing him with real wounded vulnerability and a tragic fatalism which colours his every scene, while Jaiswal is exceptional throughout, showing plenty of promise for the future, and there’s strong support from Farahani and Painyuli, as well as Stranger Things’s David Harbour as world-weary retired merc Gaspard, and a particularly impressive, muscular turn from Randeep Hooda (Once Upon a Time in Mumbai) as Saju, a former Para and Ovi’s bodyguard, who’s determined to take possession of the boy himself, even if he has to go through Tyler to get him.  This is action cinema that really deserves to be seen on the big screen – I watched it twice in a week and would happily have paid for two trips to the cinema for it if I could have.  As we look down the barrel of a summer season largely devoid of big blockbuster fare, I can’t recommend this film enough.  Thank the gods for Netflix …

3.  PARASITE – I’ve been a fan of master Korean filmmaker Bong Joon-ho ever since I stumbled across his deeply weird but also thoroughly brilliant breakthrough feature The Host, and it’s a love that’s deepened since thanks to the truly magnificent sci-fi actioner Snowpiercer, so I was looking forward to his latest feature as much as any movie geek, but even I wasn’t prepared for just what a runaway juggernaut of a hit this one turned out to be, from the insane box office to all that award-season glory (especially that undeniable clean-sweep at the Oscars). I’ll just come out and say it, this film deserves it all.  It’s EASILY Bong’s best film to date (which is really saying something), a masterful social satire and jet black comedy that raises some genuinely intriguing questions before delivering some deeply troubling answers.  Straddling the ever-widening gulf between a disaffected idle rich upper class and impoverished, struggling lower class in modern-day Seoul, it tells the story of the Kim family – father Ki-taek (Bong’s veritable good luck charm Song Kang-ho), mother Chung-sook (Jang Hye-jin), son Ki-woo (Train to Busan’s Choi Woo-shik) and daughter Ki-jung (The Silenced’s Park So-dam) – a poor family living in a run-down basement apartment who live hand-to-mouth in minimum wage jobs and can barely rub two cents together, until they’re presented with an intriguing opportunity.  Through happy chance, Ki-woon is hired as an English tutor for Park Da-hye (Jung Ji-so), the daughter of a wealthy family, which offers him the chance to recommend Ki-jung as an art tutor to the Parks’ troubled young son, Da-song (Jung Hyeon-jun).  Soon the rest of the Kims are getting in on the act, the young Kims contriving opportunities for their father to replace Mr Park’s chauffeur and their mother to oust the family’s long-serving housekeeper, Gook Moon-gwang (Lee Jung-eun), and before long their situation has improved dramatically.  But as they two families become more deeply entwined, cracks begin to show in their supposed blissful harmony as the natural prejudices of their respective classes start to take hold, and as events spiral out of control a terrible confrontation looms on the horizon.  This is social commentary at its most scathing, Bong drawing on personal experiences from his youth to inform the razor-sharp script (co-written by his production assistant Han Jin-won), while he weaves a palpable atmosphere of knife-edged tension throughout to add spice to the perfectly observed dark humour of the situation, all the while throwing intriguing twists and turns at us before suddenly dropping such a massive jaw-dropper of a gear-change that the film completely turns on its head, to stunning effect.  The cast are all thoroughly astounding, Song once again dominating the film with a turn which is at once sloppy and dishevelled but also poignant and heartfelt, while there are particularly noteworthy turns from Lee Sun-kyun as the Parks’ self-absorbed patriarch Dong-ik and Choi Yeo-jeong (The Concubine) as his flighty, easily-led wife Choi Yeon-gyo, as well as a fantastically weird appearance in the latter half from Park Myung-hoon.  This is heady stuff, dangerously seductive even as it becomes increasingly uncomfortable viewing, so that even as the screws tighten and everything goes to hell it’s simply impossible to look away.  Bong Joon-ho really has surpassed himself this time, delivering an existential mind-scrambler that lingers long after the credits have rolled and might even have you questioning your place in society once you’ve thought about it some. It deserves every single award and every ounce of praise it’s been lavished with so far, and looks set to go down as one of the true cinematic greats of this new decade.  Trust me, if this was a purely critical best-of list it’d be RIGHT AT THE TOP …

2.  1917 – it’s a rare thing for a film to leave me truly shell-shocked by its sheer awesomeness, for me to walk out of a cinema in a genuine daze, unable to talk or even really think about much of anything for a few hours because I’m simply marvelling at what I’ve just witnessed.  Needless to say, when I do find a film like that (Fight Club, Inception, Mad Max: Fury Road) it usually earns a place very close to my heart indeed.  The latest tour-de-force from Sam Mendes is one of those films – an epic World War I thriller that plays out ENTIRELY in one shot, which doesn’t simply feel like a glorified gimmick or stunt but instead is a genuine MASTERPIECE of a film, a mesmerising journey of emotion and imagination in a shockingly real environment that it’s impossible to tear your eyes away from.  Sure, Mendes has impressed us before – his first film, American Beauty, is a GREAT movie, one of the most impressive feature debuts of the 2000s, while Skyfall is, in my opinion, quite simply THE BEST BOND FILM EVER MADE – but this is in a whole other league.  It’s an astounding achievement, made all the more impressive when you realise that there’s very little trickery at play here, no clever digital magic (just some augmentation here and there), it’s all real locations and sets, filmed in long, elaborately choreographed takes blended together with clever edits to make it as seamless as possible – it’s not the first film to try to do this (remember Birdman? Bushwick?), but I’ve never seen it done better, or with greater skill. But it’s not just a clever cinematic exercise, there’s a genuine story here, told with guts and urgency, and populated by real flesh and blood characters – the heart of the film is George MacKay and Dean Chapman (probably best known as Tommen Baratheon in Game of Thrones) as Lance Corporals Will Schofield and Tom Blake, the two young tommies sent out across enemy territory on a desperate mission to stop a British regiment from rushing headlong into a German trap (Tom himself has a personal stake in this because his brother is an officer in the attack).  They’re a likeable pair, very human and relatable throughout, brave and true but never so overly heroic that they stretch credibility, so when tragedy strikes along the way it’s particularly devastating; both deliver exceptional performances that effortlessly carry us through the film, and they’re given sterling support from a selection of top-drawer British talent, from Sherlock stars Andrew Scott and Benedict Cumberbatch to Mark Strong and Colin Firth, each delivering magnificently in small but potent cameos.  That said, the cinematography and art department are the BIGGEST stars here, masterful veteran DoP Roger Deakins (The Shawshank Redemption, Blade Runner 2049 and pretty much the Coen Brothers’ entire back catalogue among MANY others) making every frame sing with beauty, horror, tension or tragedy as the need arises, and the environments are SO REAL it feels less like production design than that someone simply sent the cast and crew back in time to film in the real Northern France circa 1917 – from a nightmarish trek across No Man’s Land to a desperate chase through a ruined French village lit only by dancing flare-light in the darkness before dawn, every scene is totally immersive and simply STUNNING.  I don’t think it’s possible for Mendes to make a film better than this, but I sure hope he gives it a go all the same.  Either way, this is the most incredible, exhausting, truly AWESOME experience I’ve had at the cinema this year (so far) – it’s a film that DESERVES to be seen on the big screen, and I feel truly sorry for those who missed the chance …

1.  BIRDS OF PREY & THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN – the only reason 1917 isn’t at number one right now is because Warner Bros.’ cinematic DC Extended Universe project FINALLY got round to bringing my favourite DC Comics title to the big screen.  It’s been the biggest pleasure of my cinematic year so far getting to see my top DC superheroines brought to life on the big screen, and it’s been done in high style, in my opinion THE BEST of the DCEU films to date (yup, I loved it EVEN MORE than Wonder Woman).  It was also great seeing Harley Quinn return after her show-stealing turn in David Ayer’s clunky but ultimately still hugely enjoyable Suicide Squad, better still that this time round they got her SPOT ON this time – this is the Harley I’ve always loved in the comics, unpredictable, irreverent and entirely without regard for what anyone else thinks of her, as well as one hell of a talented psychiatrist.  Margot Robbie once more excels in the role she was basically BORN to play, clearly relishing the chance to finally do Harley justice, and she’s a total riot from start to finish, infectiously lovable no matter what crazy, sometimes downright REPRIHENSIBLE antics she gets up to.  Needless to say she’s the nominal star here, her latest ill-advised adventure driving the story – finally done with the Joker and itching to make her emancipation official, Harley publicly announces their breakup by blowing up Ace Chemicals (their love spot, basically), inadvertently painting a target on her back in the process since she’s no longer under the supposed protection of Gotham’s feared Clown Prince of Crime – but that doesn’t mean she eclipses the other main players the movie’s REALLY supposed to be about. Each member of the Birds of Prey is beautifully written and brought to vivid, arse-kicking life by what has to be the year’s most exciting cast – Helena Bertinelli, aka the Huntress, is the perfect character for Mary Elizabeth Winstead to finally pay off on that action heroine potential she showed in Scott Pilgrim Vs. the World, but this is a MUCH more enjoyable role outside of the fight choreography because while Helena may be a world-class dark avenger, socially she’s a total dork, which just makes her thoroughly adorable; Rosie Perez is similarly perfect casting as Renee Montoya, the uncompromising pint-sized Gotham PD detective who kicks against the corrupt system no matter what kind of trouble it gets her into, and just gets angrier all the time, paradoxically making us like her even more; and then there’s the film’s major controversy, at least as far as the fans are concerned, namely one Cassandra Cain.  Sure, this take is VERY different from the comics’ version (a nearly mute master assassin who went on to become the second woman to wear the mask of Batgirl before assuming her own crime-fighting  mantle as Black Bat and now Orphan), but personally I like to think this is simply Cass at THE VERY START of her origin story, leaving plenty of time for her to discovery her warrior origins when the DCEU gets around to introducing Lady Shiva (personally I want Michelle Yeoh to play her, but that’s just me) – anyways, here she’s a skilled child pickpocket whose latest theft inadvertently sets off the larger central plot, and newcomer Ella Jay Basco brings a fantastic pre-teen irreverence and spiky charm to the role, beautifully playing against Robbie’s mercurial energy.  My favourite here BY FAR, however, is Dinah Lance, aka the Black Canary (not only my favourite Bird of Prey but my very favourite DC superheroine PERIOD), the choice of up-and-comer Jurnee Smollet-Bell (Friday Night Lights, Underground) proving to be the film’s most truly inspired casting – a club singer with the metahuman ability to emit piercing supersonic screams, she’s also a truly ferocious martial artist (in the comics she’s one of the very best fighters IN THE WORLD), as well as a wonderfully pure soul you just can’t help loving, and it made me SO UNBELIEVABLY HAPPY that they got my Canary EXACTLY RIGHT.  Altogether they’re a fantastic bunch, basically my perfect superhero team, and the way they’re all brought together (along with Harley, of course) is beautifully thought out and perfectly executed … they’ve also got one hell of a threat to overcome, namely Gotham crime boss Roman Sionis, aka the Black Mask, one of the Joker’s chief rivals – Ewan McGregor brings his A-game in a frustratingly rare villainous turn (currently my number one bad guy for the movie year), a monstrously narcissistic, woman-hating control freak with a penchant for peeling off the faces of those who displease him, sharing some exquisitely creepy chemistry with Chris Messina (The Mindy Project) as Sionis’ nihilistic lieutenant Victor Zsasz. This is about as good as superhero cinema gets, a perfect example of the sheer brilliance you get when you switch up the formula to create something new, an ultra-violent, unapologetically R-rated middle finger to the classic tropes, a fantastic black comedy thrill ride that’s got to be the most full-on feminist blockbuster yet – it’s helmed by a woman (Dead Pigs director Cathy Yan), written by a woman (Bumblebee’s Christina Hodson), produced by more women and ABOUT a bunch of badass women magnificently triumphing over toxic masculinity in all its forms.  It’s also simply BRILLIANT – the cast are all clearly having a blast, the action sequences are first rate (the spectacular GCPD evidence room fight in which Harley gets to REALLY cut loose is the undisputable highlight), it has a gleefully anarchic sense of humour and is simply BURSTING with phenomenal homages, references and in-jokes for the fans (Bruce the hyena! Stuffed beaver! Roller derby!).  It’s also got a killer soundtrack, populated almost exclusively by numbers from female artists.  Altogether, then, this is the VERY BEST the DCEU has to offer to date (Wonder Woman 1984 has got a MAJOR job ahead of it beating this one), and my absolute FAVOURITE film of 2020 (so far).  Give it all the love you can, it sure as hell deserves it.

[etlunainmorte]

🌙 EtLunaInMorte's 🌙

🎻 Fanfiction Music Masterlist 🎻

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1. Led Zeppelin's The Immigrant Song

"We're almost there." Nico told him, her move to turn off the speaker finally blessing his ears with some much needed peace. "To be totally frank, I've never been in this part of the city before. This place has a reputation, ya know."

"Reputation, you say?" V repeated the word as he curiously looked back at his female companion.

Nico waved a single hand as her eyes rolled. "The place is nice, so are the neighbors. But, ya know, this place was rumored to be cursed. Had an endless chain of unfortunate events since the 1900s."

"Like what kind of unfortunate events?" This really caught his attention.

"Oh, nothin'. Just a few deaths here and there, rich neighbors goin' bankrupt all of a sudden, wives being left by husbands due to third party relationships, wives being left by husbands permanently, if ya know what I mean. Yeah. That kind of thing." Nico explained with slight amusement in her tone. "But, I believe none of them curses. Or in fate. It's just how ya live yer life. If ya do good, then no harm could be done to ya. If not, well," the woman chuckled as she sucked on her cigar once more, making V duck from the smoke she just blew. "... shame on ya."

~ I. The House At Swan Lane

2. Little Big Planet 3 Covers' Mister Sandman

"Mister Sandman? Really?" Griffon sassed, slightly irritated at the song's cheesy lyrics.

"Hey, it's better than nothin', 'kay?" The woman answered as she went back to rearranging the mysterious wires that were scattered on the floor. "Or do ya want me to put in Zeppelin again?"

"NO! STOP! I BEG YA! PLEASE!"

"THEN, QUIT COMPLAININ' AND HELP ME HERE!" Nico screamed at the bird as she pointed a strange looking radio at him.

"AYE!" The bird obliged, swooping down on the floor near the wires to fix them.

~ IV. First Night

3. The Chordettes' Mister Sandman

"Okay, Shakespeare! We better hurry! Something's really wrong about this place! I can't - "

"W - wait! P - please,..." He heard V stutter under his breath.

"Wait, what?"

"(Y/N),..." V muttered, his voice hoarse and broken. "Please,..."

"What the f - ?!" Griffon drew back, confusion now taking over. He slowly and cautiously looked up to where V was staring at and found, attached to the rotten ceiling like a spider waiting for its prey,...

... a woman with long blonde hair dressed completely in white.

For a few moments, Griffon was stuck where he was, unable to form coherent words or even make a sound. But, the moment she slowly turned to look at him, his eyes widened and his beak dropped open and it took him a few more seconds to finally make a move and grab V by his collar.

"FUCK!" The demonic bird howled in fear as he carried V away from the room and the menace of that blonde creature, who just dropped on the floor and went after them in all fours, its speed frightening the hell out of the, otherwise, powerful familiar. "FUCK! FUCK! FU - !"

"Mister Sandman! Mister Sandman!"

"FUCK! TURN THAT THING OFF!" Griffon howled helplessly as V's radio alarmed with the distorted song once more. Again, another hour has passed. "V, WAKE THE FUCK UP! WE'VE GOT A CCCRRRAAAZZZYYY WOMAN TO BURN! VVVVVVEEEEEE!"

~ VIII. Second Night

4. Air Supply's All Out Of Love

"Victor!" She called. "Victor Blake!"

And then, V finally saw him as he turned.

Wavy shoulder length hair as dark as the night. Gentle, and yet deep and intimidating, eyes that gleamed like a pair of emeralds. Hollow cheeks that formed dimples when he opened his mouth in awe of what he just saw.

It was him.

The supple lips of the poet named Victor Blake formed a mischievous, and yet endearing, smirk as he left the group of women who was barraging him with a lot of requests and questions to make his way closer to where V, Daniella, and (Y/N) were.

And as he playfully twirled a familiar - looking metal cane with his long and slender fingers and made his way to them, he began quoting.

"The modest rose,... puts forth a thorn,... the humble sheep,... a threat'ning horn." He recited, his voice pure honey to everyone's ears. "While the lily white,... shall in love delight,... " He, then, stopped right where (Y/N) was as he looked down at her. " ...nor a thorn nor a threat,..." The women squealed in delight while some snickered in envy as Victor Blake kneeled before (Y/N) and gently took her dainty hand in his huge and calloused ones. " ...stain her beauty bright." And as he ended the poem, he placed a chaste peck on the back of her hand, making her cheeks red and her eyes widen.

~ IX. Victor Blake

5. Louis Armstrong's Dear Old Southland

V smiled to himself as he watched the couple speak their vows and how they slid the ring on the other's finger. And when the people began cheering for them, Victor cupped (Y/N)'s cheeks and gave her a very sweet and gentle kiss that lasted for at least a minute.

The atmosphere changed once more and V saw (Y/N) dragging Victor upstairs towards her bedroom. He followed closely behind them and noticed the girl taking a folded stationery from her pocket and giving it to Victor. She, then, pressed a kiss against two of her fingers and pressed them on the note on Victor's hand. She smiled, stood on her toes, and gave the man a chaste peck on the cheek. She waved good night and opened her door, went in, and gave him another smile before finally closing it.

Victor didn't wait a moment longer and unfolded the note, and what he read there made his eyes widen. He abruptly knocked on the door, and when (Y/N) opened it, he hastily engulfed her in a tight embrace.

V felt his heart swell as the lovers shared a very passionate kiss.

Hands caressing and exploring. Lips moving in a rhythmic pattern. For a moment, V saw himself as Victor.

For a brief moment, he saw himself passionately kissing and caressing (Y/N).

The girl stepped backwards, leading Victor inside but never breaking the sweet kiss. After a while, V's eyebrows shot up to his hairline as he saw Victor's, his, metal cane flying from the room to the hallway, along with his cravat and one of (Y/N)'s shoes. Victor came out a few seconds later, looking so in love and excited, to retrieve the items. Then, he entered the room and closed the door.

~ XI. (Y/N) And Victor

6. Sergei Rachmaninov’s Sonata For Cello Andante as played by Narek Hakhnazaryan on cello and Noreen Plera on piano

July 27, 1898

My dearest and humblest poet, Victor,

I will never forget the very first time we met. You kneeled before me, took my hand, then you kissed it, reciting to me a very sweet poem as you looked into my eyes.

I will never forget the days after that, of our little talks, of our how are yous and how's your days, of the way we embarrass each other when we caught ourselves looking into each other.

I will never forget the first time I sang for you as you played the piano, of the sweet melody that conveyed how I felt towards you. I will never forget the days, and nights, we read poetry together. I will never forget those mornings we have to sneak away from father to have little chats and laughs in the garden.

And most importantly, I will never forget those nights we wrote to each other and passed those notes through that crack in the door as you sat just outside my room while I waited on the other side.

Such little trivial things that other women might have done for you that I will always remember. You may forget me in the future when you meet others more memorable than I' am. You may tell them amazing stories as you did for me. You may find other reasons to laugh and smile with another as you have laughed and smiled with me. You may play the piano for another belle who would sing willingly for you. You may find more pleasure reciting and reading poetry for someone else. You may call another your "Little Wanderer", "Evening Star", "Beloved Muse", "Little, Innocent One", and "Little Lamb".

And most importantly, you may exchange little notes in the middle of the night with someone else.

All of these may happen when you finally meet the one for you, and you may fall for them just as easily as I have fallen for you.

I'm aware of all these things. How could they not love you? How could anyone not offer their heart to you?

We will part ways within a month, maybe a week, as my father has decided to enroll me in a boarding school in Paris. But, I want you to know how honored I' am to have met you. Of how grateful I' am when you indulged my foolish fantasies.

Of how thankful I' am that, in a very short time, you have made my dull and unhappy life meaningful and filled with hope.

Please, don't forget me, my dear, humble poet, and of those times we spent together.

I will cherish those moments for as long as I live.

I will never forget May 11. I will never forget I have met the most wonderful man in the whole wide world.

I will never forget you for as long as live, V.

Yours truly,

(Y/N), your Little Wanderer, Evening Star, Beloved Muse, Little, Innocent One, and Little Lamb.

P.S.

I Love You

~ XII. Christopher Lancaster

7. Alessandro Moreschi’s Ave Maria

"Day twenty - one: Bloodletting and purging."

V heard Lancaster's voice in the phonograph a few seconds later as the atmosphere around him changed one more time.

And what he saw next made his stomach turn.

Three nurses wounding (Y/N) on both arms with a knife as she was restrained on a metal chair inside a sickly bright room, letting her blood stain the perfect white floor. He turned and saw Lancaster speaking to the cylinder of his phonograph as the poor girl screamed in pain and begged him to stop.

"Please, stop! I beg you!"

"Internal biochemical relationship was behind mental disorders. Bleeding, purging, and vomiting will help correct these imbalances in the body and would help heal the physical and mental illness.”

"I'm not insane! Please! Pl - !" (Y/N) screamed before one of the nurses stifled her howls of pain with a gag.

"One trait of mental illness is denial. The patient often finds itself unable to grasp what's truth and what's not. At times, they would even go as far as hurting the people they love. And worse, themselves."

V looked away, wishing the visions to stop plaguing him, to stop showing him these painful memories,...

"Day forty - six: Hydrotherapy."

The poet looked once more, and this time, he saw the nurses tying the girl's hands and feet and throwing a sheet over her head, twisting it roughly around her throat so she would not scream. They, then, put her in a bathtub filled with what looked like ice water.

"This turn of the century technique proved to be highly effective in reducing the patient's agitation by submerging it in cold water, especially during manic episodes. I will keep her submerged for extended periods of time, instructing my assistants to add more - "

"ENOUGH!" V howled as he chased the visions away.

And with just one blink, he's back to his own reality.

~ XIII. Descend To Madness

8. Wojciech Killar’s Mina Dracula

"These letters," V began as he looked back at the poet's grandchild. " ... Victor,... tried to get your mother back?"

"Indeed. He told me he wanted to raise her and give her the life she once promised to (Y/N). But, as you can see, Lady Daniella refused. Victor admitted to burning and discarding all of (Y/N)'s mementos in the past but, he regretted it later. Lady Daniella, on the other hand, hid everything, including those documents and the old photographs. She may have refused Victor his very own child, but she refused to burn the last remnants of her best friend's happiest memories on earth. She showed them to my mother before she died.

"And those letters you have in your hand? They were the only things left that reminded Victor of his relationship with (Y/N) and the child born out of their love. That was,... all he had,..."

The woman wiped her tears once more and went on.

"So, I made it a point to bring these photographs the next time I visited England. I showed them to him, and for the very first time, he looked really happy and emotional. He refused to let go of these photographs. He told me everything that happened between him and his beloved (Y/N), of those little letters passed in the middle of the night, of the times they played music together, of those times when they read poetry together, of that one time she confessed, of that very first night he shared with her. He told me all of those with tears, and he told me that he regretted every foolish decision he has made in his miserable life, of leaving her, of hurting her, of marrying another just to forget her.

"He had his marriage to the American woman annulled just to take his beloved under his wing. He took her to England. Despite his own disability, he took care of her, fed her, bathed her. He did everything he can to make up for his own mistakes. But, due to her own disability due to a lot of complications and trauma, she was never able to reciprocate. She died in his arms a month later in the year of 1899. He became even more depressed and crippled with pain and regret and guilt. He slowly lost the ability to walk, and he lost his fame as a writer due to the Lancaster scandal that was forever linked to him. He died without even seeing his daughter in person."

V and Roman watched with difficulty as the old woman wept for her grandfather, and V actually felt sorry for the poet. He may have hated him for what he's done, but he realized that all his life, Victor did everything he can to make up for his mistakes.

But, he knew that the poet was too late.

~ XIV. The Lovers' Grandchild

9. Kenny Rankin's Haven't We Met

"Come here, V!" Roman said with a huge smile ( still unaware of what's happening to the wedding cake ) as he took the poet's arm and dragged him towards the center. V arrived just in time to see Avery dragging the lucky girl who caught the bouquet towards the center to where he was. Avery looked up at V, smiled at him, and moved to the side, revealing to him the girl who was now holding her bouquet.

And as he looked at the girl, he couldn't help but get mesmerized and emotional at the same time. The girl, who laid her (E/C) - colored eyes on his green ones, felt the same as some kind of unknown emotion started to form in her chest.

She brushed a wayward (H/C) lock away from her face and placed it behind her ear. She, then, gave him that smile that V was longing to see once more.

And with an achingly familiar voice that he thought he would never hear ever again, she spoke to him.

"Haven't we met?" She asked him.

"My,... Evening Star,..." V whispered as he smiled at her,...

~ Epilogue

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🌙🎻

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[luvneedsnosyt]

My Favorite Albums of 2020 So Far

Here is my list of my favorite albums half-way through 2020

You can find my list of my favorite albums of 2019 here And my list of my favorite EPs of 2019 here

My Monthly top albums lists from 2020: January, February, March, April, May

Keep in mind I didn’t include albums released after June 12th on this list

Honorable Mention:

Blanche - EMPIRE Genre: Indie Pop

Proof: Empire / Till We Collide

Caroline Rose - Superstar Genre: Synth-Pop

Proof: Nothing’s Impossible / Someone New

Deante’ Hitchcock - BETTER Genre: Hip Hop

Proof: I Remember / I Got Money Now (Feat. J.I.D.)

dvsn - A Muse In Her Feelings Genre: R&B / neo-Soul

Proof: Dangerous City (Feat. Ty Dolla $ign & Buju Banton) / A Muse

Grimes - Miss Anthropocene Genre: Synth Pop / Electronic

Proof: Violence (w/ i_o) / idoru // Bonus: We Appreciate Power (BloodPop Remix) Feat. HANA

Halsey - Manic Genre: alt-R&B / Pop

Proof: You should be sad / Without Me // Bonus: Marshmello & Halsey - Be Kind / You should be sad (Tiësto Remix) / Graveyard (Axwell Remix) / Without Me (ILLENIUM Remix)

Illenium - ASCEND (Remixes) Genre: Electronic / Dance

Proof: Good Things Fall Apart (3LAU Remix) w/ Jon Bellion / In Your Arms (Alan Walker Remix) w/ X Ambassadors

Jason Ross - 1000 Faces //   1000 Faces (Remixes) Genre: Electronic / Dance

Proof: One That Got Away (w/ Dabin & Dylan Matthew) / 1000 Faces (w/ Dia Frampton) //  Known You Before (Trivecta Remix) Feat. Emilie Brandt / Shelter (No Mana Remix) Feat. Melanie Fontana

KAYTRANADA - BUBBA Genre: alt-R&B / House

Proof: 10% (Feat. Kali Uchis) / Need It (Feat. Masego)

Lady Gaga - Chromatica Genre: Pop / Dance

Proof: Stupid Love / Replay

Låpsley - Through Water Genre: Indie Pop / Electronic

Proof: Ligne 3 / Womxn

Loote - heart eyes EP Genre: Indie Pop

Proof: This is How U Feel / All The Fucking Time // Bonus: teamwork., Loote & John K - Wasted Summer

Matoma - RYTME EP Genre: Electronic / House / Dance

Proof: Don’t Stop The Rhythm (Feat. Bryn Christopher) / Beside You (w/ Captain Cuts Feat. Georgia Ku) // Bonus: The Bender (The Him Remix) (w/ Brando) / Time To Go

Seven Lions - Find Another Way EP Genre: Electronic / Dance / Trance

Proof: Only Now (Feat. Tyler Graves) / Another Way (w/ April Bender) // Bonus: 3LAU - Tokyo (Seven Lions Remix) Feat. XIRA / Abaxis , Dimibo & Seven Lions - Half Of It

The Strokes - The New Abnormal Genre: Alternative / Rock

Proof: Brooklyn Bridge To Chorus / Not The Same Anymore

Tchami - Born Again / Buenos Aires EP Genre: Electronic / House / Dance

Proof: Buenos Aires / Proud (Feat. Daecolm) // Bonus: Proud (Steffan City Remix) Feat. Daecolm / Ghosts (Vowed Remix) Feat. Hana

We Are The City - RIP Genre: Rock / Alternative

Proof: Killer B-Side Music / Saint Peter

The List:

15. Alina Baraz - It Was Divine Genre: R&B / Soul

Proof: Morocco (Feat. 6LACK) / Endlessly / Off The Grid (Feat. Khalid) / More Than Enough

14. Harry Styles - Fine Line Genre: Alternative / Indie Pop

Proof: Watermelon Sugar / Adore You / Lights Up / Fine Line

13. Krewella - zer0 // zer0 (The Remixes Pt. 1) EP // zer0 (The Remixes Pt. 2) EP Genre: Electronic / Synth-Pop / Dance

Proof: Good On You (Feat. Nucleya) / Anxiety (Feat. Arrested Youth) / Ghost / Greenlights // Good On You (MOTi Remix) Feat. Nucleya / Greenlights (MADGRRL Remix) // Anxiety (Prince Fox Remix) Feat. Arrested Youth / Like We (BEAUZ Remix) Feat. Yung Baby & Alaya

12. iamnotshane - iamnotshane EP Genre: alt-R&B / Electronic

Proof: Afterlife / Security / Perfect / Right Now // Bonus: Afterlife (Michael Calfan Remix) / Perfect (Thomas Gold Remix) / Right Now (jackLNDN Remix)

11. Jack Garrett - Love, Death & Dancing Genre: R&B / Pop / Electronic

Proof: Time / Return Them To The One / Better / Circles

10. Charli XCX - how i’m feeling now Genre: Synth Pop / Dance

Proof: forever / enemy / i finally understand / anthems // Bonus: claws (Whethan Remix)

9. Buscabulla - Regresa Genre: Latin / Pop / Dance

Proof: Vàmono / El Aproeto / Mío / NTE

8. Purity Ring - WOMB Genre: Synth Pop

Proof: pink lightening / i like the devil / vehemence / stardew

7. Run The Jewels - RTJ4 Genre: Hip Hop

Proof: yankee and the brave (ep. 4) / JU$T (Feat. Pharrell WIlliams & Zach de la Rocha) / the ground below / a few words from the firing squad (radiation)

6. Shallou - Magical Thinking Genre: Electronic / Future Bass

Proof: Forget / Mutual Love (Feat. Zachary Knowles) / Older (Feat. Daya) / Good Together (Feat. Ashe) // Bonus: Older (Felix Cartel Remix) Feat. Daya / I Leave Again (w/ Petit Biscuit) / Jeremy Zucker & Chelsea Cutler - you were good to me (Shallou Remix)

5. The Weeknd - After Hours //  After Hours (Remixes) EP Genre: alt-R&B

Proof: Heartless / Blinding Lights / In Your Eyes / After Hours // Blinding Lights (Chromatics Remix) Feat. Johnny Jewel / After Hours (The Blaze Remix) // Bonus: Blinding Lights (Major Lazer Remix)

4. Jonah Mutono - GERG Genre: alt-R&B / Soul

Proof: Shoulders / If You Mean It / The Low / Circulation

3. Phantogram - Ceremony Genre: Synth-Pop

Proof: Dear God / In A Spiral / Pedestal / Let Me Down

2. Childish Gambino - 3.15.20 Genre: Hip Hop / alt-R&B

Proof: Alogrhythm / Time (Feat. Ariana Grande) / 19.10 / 42.26

1. Tame Impala - The Slow Rush Genre: Synth-Pop / Alternative

Proof: Borderline / Breathe Deeper / Lost in Yesterday / It Might Be Time // Bonus: It Might Be Time (Louis The Child Bootleg)

Others:

Good: A Boogie wit da Hoodie - Artist 2.0, AceMoMa - A New Dawn [HOA007], Ada Lea - woman, here EP, Adrian Younge & Ali Shaeed Muhammad - Jazz Is Dead 001, Active Child - In Another Life, Aesop Rock - Freedom Finger [Music from the Game], Agnes Obel - Myopia, Alec Benjamin - These Two Windows, Alexandra Savior - The Archer, Allan Kingdom - Iddtfm EP, Allan Rayman - Christian, Allie X - Cape God, ALMA - Have You Seen Her?, Amber Liu - Rogue Rogue EP, Amber Liu - X EP, Andy Shauf - The Neon Skyline, Anna Burch - If You’re Dreaming, Anna Calvi - Hunted EP, Ant Saunders - BUBBLE EP, April - New Conditions EP, Ari Lennox - Shea Butter Baby (Remix EP), Arin Ray - Phases II EP, Atmosphere - Whenever, Audrey Mika - 5 A.M. EP, AWOLNATION - Angel Miners & the Lightning Riders, Bad Bunny - LAS QUE NO IBAN A SALIR, Baril - One More Rush EP, Baths - Pop Music / False B-Sides II, Banoffee - Look at Us Now Dad, Beach Bunny - Honeymoon, Becca Stevens - Wonderbloom, Best Coast - Always Tomorrow, Big Gigantic - Free Your Mind, Bishop Nehru - Nehruvian Tuesdays: Vol, 1, Bombay Bicycle Club - Everything Else Has Gone Wrong, Bongeziwe Mabandla - iimini, Boniface - Boniface, BOSCO - Some Day This Will All Make Sense EP, Brandon Banks - STATIC EP, Brent Faiyaz - Fuck The World, Bring Me the Horizon - Music to Listen to~Dance to~Blaze to~Pray to~Feed to~Sleep to~Talk to~Grind to~Trip to~Breathe to~Help to~Hurt to~Scroll to~Roll to~Love to~Hate to~Learn Too~Plot to~Play to~Be to~Feel to~Breed to~Sweat to~Dream to~Hide to~Live to~Die to~Go To EP, Buddy & Kent Jamz - Janktape Vol. 1, Calvin Harris - Love Regenerator 1 EP, Calvin Harris - Love Regenerator 2 EP, Calvin Harris - Love Regenerator 3 EP, Calvin Harris & Eli Brown - Moving EP, Cam’ron - Purple Haze 2, Caribou - Suddenly, Carly Rae Jepsen - Dedicated Side B, Car Seat Headrest - Making a Door Less Open, Charlotte de Witte - Return to Nowhere EP, Chelsea Cutler - How To Be Human, Chloe x Halle - Ungodly Hour, Christian Paul - Christian Paul EP, Christine and the Queens - La vita nuova EP, Chromeo - Quarantine Casanova EP, Clap! Clap! - Liquid Portraits, Cleo Sol - Rose in the Dark, Conor Matthews - Balloons EP, D Smoke - Bad Habits, DaBaby - BLAME IT ON BABY, Daecolm - Figur£$, Dan Deacon - Mystic Familiar, Day Wave - Crush EP, Delacey - Black Coffee, Delta Heavy - Only in Dreams (Remixes), Denzel Curry - UNLOCKED [Mixtape], Destroyer - How We Met, Diana Gordon - Wasted Youth, Dijon - How Do You Feel About Getting Married? EP, Diplo - Diplo Presents Thomas Wesley Chapter 1: Snake Oil, Dirty Projectors - Windows Open EP, Disclosure - Ecstasy EP, DJ BORING - Like Water EP, dj poolboi - it’s good to hear your voice, DJ Snake - Carte Blanche (Deluxe), Drake - Dark Lane Demo Tapes, DRAMA - Dance Without Me, Dreamville - Revenge of the Dreamers III : Director’s Cut, Dua Lipa - Future Nostalgia, Dua Saleh - Rosetta EP, Duke Dumont - Duality, Ebenezer - Bad Romantic II EP, Echosmith - Lonely Generation, EDEN - no future, Ekali - A World Away, Elah Hale - Room 206 EP, Ellie Winter - Yeah, No. EP, Empress Of - I’m Your Empress Of, Eric Bellinger - Hor D’oeuvres, Ethan Gruska - En Garde, Everything Is Recorded - FRIDAY FOREVER, Example - Some Nights Last For Days, Fiona Apple - Fetch The Bolt Cutters, Flatbush Zombies - now, more than ever EP, flora cash - Baby, It’s Okay, Four Tet - Sixteen Oceans, Fractures - EP III, Fred again.. - Actual Life EP, Freddie Gibbs & The Alchemist - Alfredo, Free Nationals - Free Nationals, Gabrielle Aplin - Dear Happy, Galantis - Church, Gengahr - Sanctuary, Georgia - Seeking Thrills, Gil Scott-Heron & Makaya McCraven - We’re New Again: A Reimagine by Makaya McCraven, Giveon - TAKE TIME, The Glitch Mob - Chemicals EP, GRiZ - bangers[5].zip EP, Grouplove - The Healer, GUM - Out In The World, Half Waif - The Caretaker, Hailee Steinfeld - Half Written Story EP, HAWA - the ONE, Hayley Kiyoko - I’m Too Sensitive For This Shit EP, Hayley Williams - Petals for Armor, Hayley Williams - Petals For Armor I EP, Hinds - The Prettiest Curse, HMLTD - West of Eden, Icarus - Unfold, Incubus - Trust Falls (Side B) EP, i_o - NRG 444 EP, Isaia Huron - Libbie, iyla - OTHER WAYS TO VENT, J Balvin - Colores, Jack Garrett - Love, Death & Dancing (Vol. 1) EP, Jack Garrett - Love, Death & Dancing (Vol. 2) EP,  JACKBOYS & Travis Scott - JACKBOYS EP, Jacob Latimore - C3, Jadakiss - Ignatius, Jade Novah - Stages, James Smith - An EP, Japan, Man - Cautious EP, Jason Isbell and the 400 Unit - Reunions, Jauz - Dangerous Waters EP, Jay Electronica - A Written Testimony, Jeremy Zucker - love is not dying, Jessie Reyez - BEFORE LOVE CAME TO KILL US, Jhené Aiko - Chilombo, Jody Wisteernoff - Story of Light EP, JoJo - good to know, Joyner Lucas - ADHD, JOYRYDE - Brave, JP Saxe - Hold It Together EP, Justin Bieber - Changes, Kali Uchis - TO FEEL ALIVE EP, Kamaiyah - Got It Made, Kaskade - Redux 004 EP, Katie Gately - Loom, K CAMP - Kiss 5, Kehlani - It Was Good Until It Wasn’t, Kevin Ross - Audacity, Vol 1 EP, Kiana Ledé - KIKI, Kid Krow - Conan Gray, King Princess - Cheap Queen (Deluxe), Khushi - Strange Seasons, Khruangbin & Leon Bridges - Texas Sun EP, KIRBY - Sis. EP, K. Michelle - All Monsters Are Human, Knxwledge - 1998, Kodaline - One Day at a Time, Kygo - Golden Hour, Lane 8 - Brightest Lights, LA Priest - GENE, La Roux - Supervision, Laura Marling - Song For Our Daughter, Lauren Auder - two caves in EP, Lauv - ~how i’m feeling~, Lil Wayne - Funeral, Little Dragon - New Me, Same Us, Little Simz - Drop 6 EP, LL Cool J - Authentic, Long Beach Dub Allstars - Long Beach Dub Allstars, Lonr. - Land of Nothing Real, LOONY - JOYRiDE EP, Loud Luxury - Nights Like This EP, Louis Tomlinson - Walls, Lucky Daye - Painted (Deluxe Edition), Luke James - to feel love/d, Lupe Fiasco - Chill Spotlight EP, Mac Miller - Circles, Mahalia - Isolation Tapes EP, MAITA - Best Wishes, Major Lazer - Soca Storm EP, Mala Rodriguez - MALA, Manatee Commune - Crescent Lake EP, Mason Maynard - Lookin’ At Me EP, Medasin - RIPPLS, Megan Thee Stallion - Suga, Mick Jenkins - The Circus EP, Midwife - Forever, Mija - Desert Trash, MILCK - Into Gold EP, Moaning - Uneasy Laughter, Model Man - Beta Songs EP, Moses Sumner - græ, Mourning [A] BLKstar - The Cycle, Mura Masa - R.Y.C., mxmtoon - dawn, Nada Surf - Never Not Together, Naeem - Startisha,  Nap Eyes - Snapshot of a Beginner, Nathaniel Rateliff - And It’s Still Alright, NNAMDÏ - BRAT, Noah Cyrus - THE END OF EVERYTHING EP, No Mana - Secret Level, Noel Gallagher’s High Flying Birds - Blue Moon Rising EP, Norah Jones - Pick Me Up off the Floor, Ohmme - Fantasize Your Ghost, Oh Wonder - No One Else Can Wear The Crown, Okay Kaya - Watch This Liquid Pour Itself, Omar S - You Want, Orion Sun - Hold Space For Me, The Overcoats - The Fight, PARTYNEXTDOOR - PARTYMOBILE, Perfume Genius - Set My Heart on Fire Immediately, Pet Shop Boys - Hotspot, Photay - Waking Hours, Pictish Trail - Thumb World, POLIÇA - When We Stay Alive, Poppy - I Disagree, Poolside - Low Season, Porches - Ricky Music, Post Animal - Forward Motion Godyssey, The Professionals (Madlib & Oh No) - The Professionals, Princess Nokia - Everything Is Beautiful, Princess Nokia - Everything Sucks, Pure X - Pure X, RAC - BOY, Ratboys - Printer’s Devil, Raveena - Moonstone EP, Real Estate - The Main Thing, Recondite - Dwell, renforshort - teenage angst EP, Ric Wilson & Terrace Martin - They Call Me Disco EP, Rileyy Lanez - Beautiful Mistakes EP, Rina Sawayama - SAWAYAMA, Riz Ahmed - The Long Goodbye, RJD2 - The Fun Ones, Robinson - Watching You EP, Ro James - MANTIC, Royce da 5’9” - The Allegory, Roy Woods - Dem Times EP, rum.gold - aiMless EP, Russ - SHAKE THE SNOW GLOBE, Ryan Beatty - Dreaming of David, Sam Lee - Oh Wow, San Fermin - The Cormorant I & II, SAYGRACE - The Defining Moments of SAYGRACE: Girlhood, Fuckboys & Situationlists, Sea Wolf - Through A Dark Wood, Selena Gomez - Rare, Sérgio Mendez - In the Key of Joy, Shabazz Palaces - The Don of Diamond Dreams, Shakey Graves - Look Alive EP, Ship Wrek - Mirror Mirror EP, Shoffy - Flash, Shopping - All or Nothing, Sleepy Hallow - Sleepy Hallow Presents: Sleepy For President, Slowly Slowly - Race Car Blues, Smino - She Already Decided [Mixtape], Soccer Mommy - Color Theory, Son Little - Aloha, Sorry - 925, Spacey Jane - Sunlight, Spencer Brown - Stream of Consciousness, Steve Aoki - Neon Future IV, Steve Spacek - House, Stormzy - Heavy Is The Head, STRFKR - Future Past Life, Striking Matches - Night EP, Subtronics - Scream Saver EP, Surfaces - Horizons, $uicideboy$ - Stop Staring at the Shadows, Sweaton Klank - Good Days, Sweet Whirl - How Much Works, Swing Ting - 100 Dances, Tank - While You Wait EP, Tate McRae - all the things i never said EP, TOKiMONSTA - Oasis Nocturno, Tom Misch & Yussef Dayes - What Kinda Music, TOPS - I Feel Alive, TORRES - Silver Tongue, Tory Lanez - The New Toronto 3, TeaMarr - Before I Spill Myself, Tech N9ne - Enterfear, Tech N9ne - ENTERFEAR Level 2 EP, Tennis - Swimmer, Tiësto - The London Sessions, Tink - Hopeless Romantic, Thao & The Get Down Stay Down - Temple, The-Dream - SXTPA, Theophilus London - Bebay, Thundercat - It Is What It Is, Tokio Myers - BLACK DAWN EP , Tourist - Wild (Remixes) EP, Trivecta - Everyday EP, T.R.U. & 2 Chainz - No Face No Chase, Two Feet - Pink, Tycho - Simulcast, T3 - Mr. Fantastic EP, Various Artists - Bad Boys For Life Soundtrack, Various Artists - Birds is Pray: The Album, Various Artists - Ophelia Presents: Advent Volume 1, Various Artists - The Turning (Original Motion Picture Soundtrack), Varsity - Fine Forever, Vistas - Everything Changes in the End, Vundabar - Either Light, Vybz Kartel - To Tanesha, Waxahatchee - Saint Cloud, WENS - Lemoncholy EP, William Black - Pages (The Remixes), Wiz Khalifa - The Saga of Wiz Khalifa, Wolf Parade - Thin Mind, X Ambassador - Belong EP, xylø - The Ganglands of My Heart EP, Yaeji - WHAT WE DREW 우리가 그려왔던, Yellow Claw - Never Dies, Yo Gotti - Untrapped, Youngr - Memories, Yumi Zouma - Truth or Consequences, Yves Tumor - Heaven To a Tortured Mind, Zeds Dead - We Are Deadbeats (Vol. 4), Zsela - Ache of Victory EP, 070 Shake - Modus Vivendi, The 1975 - Notes On A Conditional Form, 5 Seconds of Summer - CALM

Meh: ARTHUR - Hair of the Dog, The Black Lips - Sing in a World That’s Falling Apart,  Bruno Major - To Let A Good Thing Die, Don Toliver - Heaven Or Hell, Eminem - Music To Be Murdered By, Frances Quinlan - Likewise, Future - High On Life, iann dior - I’m Gone, Jaunt - All In One, Jeezy - Twenty/20 Pyrex Vision EP, Lil Baby - My Turn, Lil Uzi Vert - Eternal Atake, Lil Uzi Vert - LUV vs. The World 2, Liquid Stranger - Ascension EP, Masiwei & Higher Brothers - Prince Charming, MHYSA - Navaeh, Nicolas Jaar - Cenizas, Rich The Kid - BOSS MAN, Social Club Misfits - MOOD // DOOM