EW NAH DON’T LOOK AT IT YET MEHHHHHHHHHHHHH
A young girl with keen eyes, not more than 17 years of age, steps confidently into her current environment. That being the dimply lit hub room of a building in which she had signed up to be eligible for a particular organization. It was a strange, almost alien-looking room with barely any furbishings inside; all that stood out was a circular, half-donut shaped white desk in the very middle of the room, and a glowing platform-like rise in the floor just below it; an indication where she was expected to stand. With a strong expression on her face, she strode with pride, a very professional kind of pride which was not usually her kind of style. But she thought it appropriate for the moment.
Once she reached the area, the ring of light glowed brighter and brought up a floating holographic screen, matching the same mysterious light blue of the floorlight. As this happened, the girl placed both of her hands firmly on the cool, white desk and looked powerful, as if she perfectly belonged there. In truth, she still had yet to prove herself. A simulated voice rang out in the hollow space.
“Base sequence: human genome confirmed —Alignment: Lawful-Good. Welcome to the data center for the future of humankind. This is the Security Organization for the Preservation of Humanity, Chaldea. Fingerprint, voiceprint, and DNA authentication cleared. Magical Circuit assessment complete.”
At this, the girl made a big grin, practically oozing out an optimistic confidence that was her prerogative. The voice continued on.
“Username matched. You are recognized as a member of the primates. Nice to meet you. You are our final visitor today. We hope you enjoy your time here. We deeply apologize. Another 180 seconds is needed to complete the admission process. Enjoy a simulated battle while you wait.”
At this, the voice paused and the desk that the girl was leaning on lowered slowly into the floor, until it disappeared. Seamless. The room also dimmed around her, until it became pitch black and it was only her left. The girl looked around at the action, but was unfazed. The voice spoke again.
“Regulation: Senior Contract Servants: Saber, Lancer, Archer. There will be no record of your score. Please feel free to enjoy.”
Lights come on again, the girl gets a fake summoner mark on her hand, and she gets into a battle stance, looking real cocky. The room simulates a field in the daylight, with the Servants in front of the girl.
“Activating Heroic Spirit Summoning System Fate. We hope you have a pleasant experience as a Master for these 180 seconds. Thank you.”
And the girl RUNS PAST THE SERVANTS AND GOES TO BATTLE THE BEASTS HERSELF OMG YOOOOOOO
and around here would be where the prologue cuts off and goes to the next game scenes wheeeeeeeeeeeeeeeee
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I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question.
and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost.
Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half."
All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon
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Maybe it's a 'study finds water is wet' type of thought, but
considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill
Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"
But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.
They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.
It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.
I don't know I just think it's particularly neat
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[ cw: violence mention / death mention / ]
Will never stop thinking about how Leo, all alone in an endless void and being beaten again and again and again by the only other living thing around, still finds comfort in that space. The situation he was in was completely hopeless, and in any other circumstances he would not have escaped, at least not fast enough to save him from permanent (or even fatal) damage, be it physical or mental.
And yet, despite the bleakness of his situation, despite the agony and helplessness, all he needs is one glance at a crumbled photograph, one glance to remember his family, and that’s enough of a reason for him to smile.
Maybe that’s why his powers center around manipulating space - because no matter how much space is between them, no matter how dire his own situation may be, just the thought of his family, alive and okay, is enough to give Leo hope.
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it's so fucking funny to see people defend the ofmd finale by saying well, there's other queers, it all cancels out. it doesn't, actually. watching queer characters die, especially when it comes out of nowhere, is deeply upsetting regardless of how many others you leave standing. like it is baffling that this is the part other people don't get: i didn't expect a queer character to die in a show that books itself a romantic comedy. it was upsetting. it was hurtful.
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Friendly reminder that Snape actually believed Sirius, Remus, and James were in on the werewolf prank and that they all tried to kill him. He believed his bullies were all capable of murder for nearly two decades and had only found out it was just Sirius during the Shrieking Shack scene in Prisoner of Azkaban.
So when you keep this in mind while looking at Snape going to Dumbledore to protect the Potters, remember that Snape thought James had tried to kill him at least once and didn’t care whether he lived or died. I’ve seen a lot of antis criticising him for only seeming to care about Lily because he asked Voldemort to spare only her, but many forget that 1. Harry was 100% going to die, Snape couldn’t ask his Master to not kill the main reason he’s going to the Potters in the first place, that’s a stupid idea. 2. Snape thought James had no problem with killing him (not just not caring if he died, he thought James was actually okay with killing Snape himself) — even putting aside everything else James and Co did to Snape, why would Snape want him to live?
Yet after all that, Snape went to Dumbledore to protect the Potters even though Voldemort had already agreed to spare Lily (the one whose death would break him), showing that he put aside his hatred of James and—to some extent—wanted Lily’s loved ones to be safe as well as Lily. We already know Lily’s happiness meant a lot to Snape, seeing as he automatically never bothered her again once she told him to leave her life after the incident in SWM. But going to Dumbledore, who could’ve easily killed him, in order to secure Lily’s protection would mean to protect the man who—as far as Snape knew—tried to kill him and an infant he never met, even after Voldemort already agreed to do what he wanted (and we see he actually tried to keep his promise, seeing as he gave Lily a choice to step aside, unlike James).
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