#'and ultimately parting ways'

[airanke]

Collection of sketches.

Actually love how Dabi looks in that 3rd sketch mgngngm,gnmfnfmn (the 4th one is nice too I should fix that up at some later date)

[crescentfool]

reunion 🌸

[ruporas]

kisses of affirmation (ID in alt)

[skeletoninthemelonland]

a glimpse of what their early dynamic looks like

[artflameball]

HAPPY ANNIVERSARY TO MICHAEL AFTON DRAGGING HIS FATHER TO HELL TO TORTURE HIM FOR ETERNITY 🎉🎉🎉🎉HERE'S A BUNCH OF VENGEFUL SPIRIT MICHAEL ART IN CELEBRATION + WILLY BOY GENERALLY GETTING TORTURED

[Commissions for Palestine are open! Check my pinned for details!]

[tomwambsgans]

greg said actually i wanna take YOU out and I'M gonna pay for it

[ww2yaoi]

man......................................

[i-dreamed-i-had-a-son]

Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet

Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)

Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[imperial-nuisance-rudje]

I think my most toxic trait as a Zenos enjoyer is wanting to 1v1 everyone who says that Zenos actively wants to kill his opponents

Like, completely disregarding that it is actively ignoring the text even in StB there (and that he consistently wants the WoL especially to live), he, uh, is written as having a desire for more the opposite to happen. Very, very consistently. His drive to live is solely linked to brief moments of pleasure-from-struggle and when that drops he explicitly wants to die so he can preserve the moment (and like. *looks at the end of 6.0* if he wanted to kill the WoL he would not be disappointed when they fall before the game allows it, nor would they have lived after given his will was strong enough to bring them back if they bite it). He wants struggle and lacks the ability to give enough of a shit to hold back if someone walks up and says they're going to go for his head.

Like, death is a side effect of what he's after, it's not the goal and he explicitly considers it a waste of life. Even fighting isn't the goal, the goal is to struggle, to need to put effort in. The WoL is just the only person to put him in that state as he currently is, hence his obsession.

[frenchifries]

i feel like at the start of dungeon meshi marcille comes across as a kind of frustrating character because it's like "oh great the One female protagonist is too whiny and prissy to keep pace with her male counterparts -_- thanks a lot" but the further you get into the story the more it becomes "we stan a failgirl 😍 let 👏 women 👏 be 👏 annoying!!!! 👏"

[mummer]

i think it’s really cute that rogue is just some dorky guy from the future who still plays old earth dungeons and dragons and listens to ancient kylie records and has a themed ring and he became a bounty hunter and named himself rogue to be edgy and cool but purely because of dweeb reasons. like if anyone’s a cosplayer it’s him lol. he’s so clearly a soft nerd pretending to be han solo. like yeah he “”has no moral compass”” but he’s basically doing that as longform actual play. this guy definitely saw a wanted poster of jack harkness when he was a teenager and was like “…. i gotta be that guy…..”. 10/10 character concept

[mikkeneko]

You know that old joke about "you don't have to run faster than the bear, you just have to run faster than the other guy"? Was just thinking about how that's not necessarily true.

Because it depends on why the bear is chasing you.

If the bear is chasing you because it's hunting for food (which seems unlikely, unless it's a polar bear?) then yes, it'll stop after the first target it pulls down, because there's no point in the bear continuing to expend energy once it's got what it wants.

But if the bear is chasing you for some other reason -- say, you pissed it off by threatening its babies, or its territory -- then it will not stop with the first guy. It will continue coming until all of the threats are fled or dead. In which case, you do in fact still need to be able to run faster than the bear.

Not to overthink a metaphor, but I feel like there's a lesson here in how picking the callous path isn't necessarily any more guaranteed of success than choosing to keep faith. Now you have a bear mauling you and you're a dick. Maybe you should have stuck around to help the other guy.

[tending-the-hearth]

some of my absolute favorite moments from the tony performance

[clowndensation]

it's like. louis attempted to tell this story to daniel the first time, broke down, and attacked him before he could finish it.

and then decades later he's convinced himself that it was leaving the story unresolved that's holding him back from living his life fully now. so he invites daniel back again. and louis is sitting poised and put together, confident in his ability to recite his history in a pretty, poignant, neat little narrative that will resolve all the guilt and yearning and emptiness inside of him. that if he can just tell a compelling, satisfying story, maybe it will actually be that, and not the life he lived through, with all the pitfalls of his own failures lurking inside.

and then season 1 ends with him once again being forced to confront that the story he wants to imagine and the life he actually lived aren't the same thing. the boundaries around his narrative are shredded and he's left exposed, and subsequently able to face his past for the first time since that original interview. and you think, you think, "well this is it. they've crossed the event horizon. there's no use hiding the truth anymore, not after it's come flooding out into the open like this"

and then season 2 opens. not only is it back to the original, practiced distance, we now have armand literally enforcing that distance. a man sitting at the table who's interjections must be disregarded, an intentional interruption to the flow of the story. he doesn't exist to aid or add detail, he exists to distract louis when he gets too deep in the story. the only time we do get louis allowing any deep truth to come out is when armand leaves the room.

it's like. louis wants a story that's true, and the truth is what he's convinced will leave him satisfied. armand wants a story that will satisfy louis, to the extent louis will accept it's true.

[kelocitta]

"But if we dont get reblogs and likes than why bother creating at all" Did you never doodle in your notebook in class. Did you never have a notebook of cringe doodles you never wanted people to see but got filled anyway. Was this never something you did because it was a tool of personal comfort.