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#'sugar we're going down' by fall out boy
rainbowcarousels · 8 months
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Song Poem
“put ur Spotify on shuffle and write down the first lyric of the first ten songs that come on, post the poem that results” (character playlist edition)
Tagged by @birdblacksocialclub
I was going to do Genesis but we have way too much crossover so Lestat/Nicki it is.
I invite you to a world where there is no such thing as time If I retreat words wars and symphonies Hey little sister what have you done? I thought I saw the devil this morning Am I more than you bargained for yet? The marionetter has your number There's a chair in my head I felt heaven One pill makes you larger We're standing here by the abyss
Tagging: @apoptoses @ryal-is-reading @hekateinhell and anyone who fancies it really use me as your tag if you like
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emails-i-cant-send · 1 year
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SUGAR WE'RE GOIN' DOWN live at Speak Now World Tour
"Pete Wentz is probably, if I had to choose a favorite lyricist it'd be a tie between him and Lana Del Rey. Blank Space is a song that is just zingers. One after another after another. Which I definitely learned from listening to Fall Out Boy.", "Since Speak Now was all about my songwriting, I decided to go to the artists who I feel influenced me most powerfully as a lyricist at that time and ask them to sing on the album. They’re so cool and generous for agreeing to support my version of Speak Now." @fobcreators + @tscreators electric touch creator event
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liverpool-enjoyer · 5 months
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de ligt is sm better than me cause if that bitch had the AUDACITY to walk up to me n APOLOGIZE,,, oh im SWINGING
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kalashtars · 1 year
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honestly watching streams is so fun bc i'm so used to the set list by now but you can always hear someone screaming "oh my god!!!" every single time a song is played, which brings back a little bit of the hype. a little bit of the mystery. you're so right, random concertgoer. oh my god. fall out boy is playing fall out boy songs.
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rhubarb-mage · 2 years
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First lines - From Under the Cork Tree (Fall Out Boy)
Part 1/2.
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xx-emowarz-xx · 1 year
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youtube
youtube
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imyoursgiogio · 9 months
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ive finally completed my fob album cd collection and im starting to find singles cds now :3
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thatsridicarus · 2 years
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Ok hear me out
Sugar We’re Going Down vocals played over CBAT
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fezwearingjellybananas · 11 months
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It was a close call after a bad morning but guess what I did yesterday
#the engineer who fixed the train and everyone who cleared the tracks yesterday need a raise right now#up until half 2 i was watching train after train get cancelled#also unable to get to the other suggested station because of a flooded road#also had to deal with the rheumatology department finally getting back to me to ask if i want to stay on the waiting list#(you have to do so many things just to login and tick a box that say yes i need an appointment still)#but the half 2 train ran! and we made it to london! and people offered me seats so i got to sit on the tube both ways#(i know i had my walking stick but usually people just give me judgemental looks i've never been offered seats before)#and we got there and they were so good the entire stadium screamed when they started sugar we're going down#and heaven iowa live is so incredibly good man i thought can it get any better?#and i don't really have a full ranking of songs but i do have a favourite and a second favourite#and then it's everything on a sliding scale depending on my mood#but i do have a second favourite it's bang the doldrums#so they start playing bang the doldrums and i'm on the edge of my seat screaming along#thinking the only way this can get any better is if they play my very favourite fall out boy song the (shipped) gold standard#but that's just a brief thought of wishful thinking that's not going to happen#so anyway it goes on everything is so good they play so much for stardust i think is this the last song it's so so good#and then then guess fucking what#guess what#'let's do a song we've never done live before' says pete and i don't really keep up with all that just albums so it could be anything#and then the first bars of the (shipped) gold standard and i almost fall out the chair holy shit#so i guess someone saw the morning i had and thought of a way to make it up to me#had to dip a couple of songs early to catch the train and ended the day in so much pain and so tired but that was so incredibly good#they played bang the doldrums and the (shipped) gold standard i'm so happy#*
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sh1tposterr · 2 years
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Cock head and bullet
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densewentz · 2 years
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sceletaflores · 3 months
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isn't it messed up how i'm just dying to be him?
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pairing: stanford!art donaldson x stanford!fem!reader
summary: and there it is. there’s that glimmer of attention, that hint of acknowledgement of him. the heavy look of rage taking over your features, the bite in your tone, it’s what art’s wanted for months. your undivided attention.
—or: art tries to get through to you about patrick, it doesn't go how he thought it would.
word count: 6.2k (i'm so sorry lmao pls still read it's good i promise)
warnings: 18+ SMUT MDNI, p in v, rough sex, unprotected sex (wrap it before you tap it y’all!), switch!art a little bit, creampie, kinda hate sex but not really, more like angry sex, swearing, fighting as foreplay, art is lowkey a little gay for patrick (it's literally canon), tiny bit of manipulative!art, art is just kinda an asshole in disguise honestly, hints of mean!reader cause i live for that shit, tashi and reader are cute besties, art being a bad bro, porn with too much plot, no use of y/n.
authors note: so this is basically a re-worked version of art and tashi’s dining hall scene when he’s trying to convince her that patrick isn’t in love with her. it’s really similar just way more messy and angry and with sex. this is literally just a tiny thought i had that somehow spiraled just a little bit, but i needed some lowkey asshole!art in my life. i had so much fun writing this, like way too much fun lmao. title is a lyric from fall out boy’s "sugar, we're going down swinging" cause that song fucks so hard and it's soooo art coded. okay bye! mwah xoxo
psst! tftw series masterlist!
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Art Donaldson is a patient guy. He's nice, understanding, empathetic. It's something he prides himself on, lots of guys on campus are pricks, but not him. He's "the sweet blonde guy that plays tennis, like, really well!" according to most people who've met him.
That being said, he's not blind to the fact that you frustrate him to the point of wanting to shout himself hoarse and rip his hair out.
It's been a while since he and Patrick met you for the first time at the Open, and Art has been through hell and back about a million times over by now.
He still so vividly remembers watching you step onto the court, the almost visceral reaction he had. The crowd was cheering and clapping nearly as loud as they were for Tashi. There were even a few signs made in support of you scattered throughout the stands. Big poster boards plastered with your name and your winning streak and pictures of you playing, tennis balls and rackets drawn from markers decorating them.
It was obvious you were a favorite, and it was more than obvious how much you lived for it.
Smiling and waving to the crowd, fully basking in their respect and adoration. You were nearly glowing, Art couldn't take his eyes off you. He could tell that Patrick was thinking the same thing, if the way his thigh tensed up where it was plastered against Arts was any hint, his breath slightly catching as you started stretching.
"Goddamn..." Patrick had muttered under his breath. Art could distantly see his hand clench on top of his thigh when you bent over to tighten your laces. He always tries to be less shameless than Patrick but he’d be lying if he said he wasn’t just as affected by you, fighting the urge to shift in his seat.
After you and Tashi walked up to the net with matching smiles and shook hands for a little longer than usual, it was time to start. Art watched as both of you got in position on the opposite ends of the court. Both of your faces lost the easy-going, excited expressions you’d shared when you first walked out, hardening in concentration as Tashi got ready to serve.
Patrick and Art openly gawking at the two of you would have been embarrassing if it wasn’t so fucking justified.
You and Tashi made magic happen on that court. 
It was powerful hit after powerful hit. Tashi’s backhand was out of this world, your overhand was a monster. Every rally, every volley, every serve was pure perfection. Art had never seen tennis played like that before in his life, he couldn't help but get sucked into your world the longer he watched.
The match was close, completely neck-and-neck throughout each set, neither of you willing to give an inch to the other. Tashi won by a single point, hardly wasting any time before she vaulted over the net to come barreling into your open arms, crashing into you so hard it knocked the two of you to the ground.
You both grasped at each other like lifelines on the hard concrete of the court as the announcer crowned Tashi the 2006 girl’s U.S Open champion.
Art let out a long breath and deflated a little deeper in his seat. His mind racing, he didn’t need to look at Patrick to know he felt the same. They sat in silence like that until the stands were practically empty. 
“What time did you say the party was again?”
Art pointedly ignored Patrick staring at him with a shit-eating grin on his face, stretching his arms out in feigned nonchalance. Patrick just snorted, shaking his head and squeezing Art’s thigh.
That was then, now Art sits across from you in the Stanford dining hall at the same table you two eat lunch at everyday, trying to stay cool as you complain about the latest biology lab you’re doing. 
He’s hardly listening to you, too busy trying his best to not glare too obviously at the hoodie you're wearing. One that he knows for a fact belongs to Patrick. You must have kept it the last time he was in town. The Nike swoosh embroidered to the front almost mocks him. Art puts his water down with a little more force than necessary.
Patrick and you being…whatever the two of you are now was something he tried his best to be okay with in the beginning.
Patrick’s his best guy, Art should have been so stoked that you were into him as much as he was into you when the two of them walked up to congratulate you and Tashi at the Adidas party. Only being able to steal you away from the house after you said your goodbyes to Tashi and her parents, inviting you to join them down at the beach.
It was obvious you were playing into Patrick’s attempts to get in your pants. Not blushing or averting your eyes shyly when he blatantly checked you out, throwing out smart comebacks to his sleazy lines, looking up at him through your lashes and biting your lip.
It would have been soul-crushing if Art wasn’t such a good friend. So, he stifled the rising feelings of jealousy and plastered a smile on his face as he watched Patrick shamelessly flirt with you.
It wasn’t like it was your fault. Art didn’t come on as strong as Patrick, he never did. Plus it wasn’t like he and Patrick had talked about who could try and score with you prior to the party, anything was fair game.
Besides, you were nice enough to Art that night. Chatting about college admissions and smiling at him over your coke bottle. Sure, it stung seeing you laugh at Patrick’s stupid jokes while the two of you smoked off the same cigarette, but there was nothing he could do about it.
You choosing Patrick had nothing to do with him. Everyone always chose Patrick, he was used to it by now.
At least he thought he was, but the longer it was just you and him, the more angry he felt each time Patrick would visit and steal all your attention. It wasn’t just jealousy or frustration anymore; it was a gnawing, consuming rage that twisted his insides every time he saw you light up around Patrick.
Patrick didn't fucking deserve you. You were too good for him. Nothing like all the easy, ditsy girls he fucked his way through at the academy. You were special, unlike any girl Art’s ever met. Patrick would just take you for granted. He'd grow tired of you, completely dismissing you when he got bored enough. Any day now he'd call Art to spill on his latest hookup with some chick he met on tour. 
But Art didn’t want to sit around and wait for that day to come. He couldn’t stand the thought of you being hurt by Patrick’s inevitable indifference. The idea of you, heartbroken and discarded, made his blood boil. You deserve more than that. You deserve someone who sees you for who you truly are, not just a trophy. 
Art knows he could be that person for you if you’d give him a chance, if for once you’d look at him instead of Patrick. He just has to find a way to get you to understand that.
“Pat texted me this morning,” you say from across the table, boredly poking at your pasta. “He’s gonna be here later this week, says he wants to go see 30 Days of Night. You and Tashi should come with us.”
Art hums noncommittally, not looking at you as he takes another bite of his salad. You do this a lot– extend invites to Art and Tashi when you and Patrick go out.
Art knows you think you’re being nice by trying to make them feel included, but getting invited usually means having to watch Patrick touch you and kiss you and walk around with his hand in your back pocket.
Art’s fork stabs into his salad roughly. He takes a slow breath, trying to calm the emotions starting to swirl inside him. “Yeah, sure,” he says eventually, forcing a smile. “Sounds fun.”
He sneaks a look at you from under his lashes. You’re already looking at him, brow raised at his clipped tone. “You don’t have to come if you don’t want to.”
Art shakes his head, waving a hand dismissively. “No, no, it’s fine. I’ll be there.”
“Okay,” you say slowly, still watching him with a hint of skepticism. “Are you alright? You’ve been weird all day.”
Art lets out a small laugh, but it sounds more sour than sweet, and finally looks up at you. You look back expectantly, concern lingering in your eyes. “Nothing, it’s just…” he pauses, drumming the fingers of his left hand on the table, “the fact that you two are still going out surprises me. That’s all.”
He regrets it as soon as he says it, words sounding way more patronizing than he wanted. His chest immediately tightens with guilt, but he doesn’t wince or shrink back like he normally would, just keeps his eyes on you.
Your brows furrow, a tiny frown pulling at the corners of your lips. “What?” you ask, fork stilling in your hand. “What’s that supposed to mean?”
Art just sighs, putting his fork down and leaning towards you. “I know Patrick better than you do,” he says with a tiny shrug, “he’s always had a hard time with…commitment.” He says slowly, searching for the right word.
You don’t say anything for a couple seconds, eyes scanning over his face slowly like you're examining him. Art forces himself to not start squirming under your intense, studying gaze.
You don’t seem to like what you find, eyes narrowing as you push your tray away from you and lean back in your seat. “Are you seriously shit talking your own best friend right now?”
Art’s brow raises, that wasn’t the reaction he was expecting, at all. His jaw ticks in annoyance, his hand balling into a fist on the tabletop.
“I’m not trying to shit talk him,” he says calmly, voice tinged with frustration. “I’ve just seen how things go with him. I’m looking out for you.”
Your eyes harden, disbelief mingling with irritation. “So, what? You think you know what’s best for me or something? Are you my keeper now?”
That pisses Art off, now you’re just being an asshole. His brows furrow, arms crossing in front of his chest defensively. “That’s not what I meant and you know it.” He says, tone harder than before.
You scoff, anger spilling over your face. “Well what the fuck do you mean then, Art? Because you dancing around whatever it is you obviously want to say is really starting to piss me off.”
Irritation flares in Art’s chest, piercing and sudden. He swallows it down, breathing out his nose slowly to try and calm himself. The air between the two of you is tense now.
You’re loud enough that a few people sitting at tables nearby start to quiet down, discreetly trying to listen in.
“Patrick doesn’t love you.” Art says spitefully, his fingers grip the muscle of his arms tighter. It’s childish, but he doesn't care.
Your eyes widen, clearly caught off guard. You recover quickly, letting out a disbelieving laugh as you push away from the table with a harsh scrape of your chair. "Excuse me?" Your voice cuts through the air, sharp and incredulous.  
He stays silent, letting the weight of his words hang heavy in the air. Your eyes narrow, searching his face for any sign of retreat, but Art meets your gaze head-on, jaw set stubbornly.
You stand with your arms crossed over your chest as you stare down at him. “Why are you telling me this? Why do you care if Patrick loves me or not?”
Why do you care? The question makes his heart drop down to his stomach. Dread mixes with the anger in his chest. This wasn’t how this was supposed to go, he doesn’t want to make a scene in the middle of the dining hall. You’re just being so difficult.
You’re jumping to defend Patrick, not even trying to hear him out, just like you always do. Still refusing to give Art the attention he deserves. It’s fucking infuriating.
“I’m just saying,” he says, voice distant and cold, “he hasn’t been in love with you for a while. He’s told me.” 
It’s a lie, he’s hardly spoken to Patrick recently, but he’s in this now. He may as well go for broke, he always plays to win after all. 
Your face contorts grimly, another disbelieving laugh punches it’s way out your chest. You don’t seem to notice the amount of heads turned in your direction, or maybe you just don’t care. “Oh, he’s told you that has he?” you parrot back mockingly, head cocked to the side as you stare daggers at him, “That’s fucking bullshit Art!”
Art clenches his fists, jaw flexing in anger. He’s never seen you this mad before, never expected to be the cause of it. But at the same time he’s fucking angry too. Angry at you. Angry at Patrick. Angry at himself.
His eyes narrow, holding your own heated gaze without backing down because if there's one thing he hates most, it's losing. “You don’t get it do you?” He mutters quietly, shaking his head in dismay. 
Your jaw tightens, eyes blazing as you lean forward, bracing your hands on the table to get up in his face. He can smell the familiar fruity sweetness of your perfume.
“What’s there to get? The only thing I’m getting right now, is a front row seat to you being a vindictive little prick.” You bite out, breath fanning over Art’s face. “Who even said I wanted Patrick to be in love with me? Who said I gave a fuck about any of that?” You question sternly, brows furrowed as you scowl at him.
Art scoffs loudly, his face twisting in disgust as he rolls his eyes. His blood boils at having to sit here while you bitch him out. He wants to strangle you, to take you by your shoulders and shake you so that you’ll listen.
To make you see what he sees. To make you love him. “Please,” he hisses through gritted teeth, shifting so he’s leaning across the table just as you are, his eyes dark. “Everyone wants Patrick to love them. Everyone wants his attention. You want it.”
You just blink at him, taken aback by his outburst. You stare at him, not budging as your eyes scan over his face for a second time. And there it is. There’s that glimmer of attention, that hint of acknowledgement of him.
The heavy look of rage taking over your features, the bite in your tone, it’s what Art’s wanted for months. Your undivided attention.
After a few tense seconds you just laugh, shaking your head in disbelief. “You might be the worst fucking friend in the world.” You say simply, like you're reading off this week's forecast.
Maybe he is.
Art can feel the heat rising to his cheeks in anger, in embarrassment, in hatred, in lust. The way you’re looking at him makes something stir deep in his gut. His heartbeat echoes in his ears.
You’re so mad, but in that you’re giving him a hint of your attention, giving him the time of day, and you’re still fucking defending Patrick. Rage seethes in him, hot like fire. Yet even in this moment, you’re the only person that really matters. The intensity of your gaze pulls at something raw inside him.
“He doesn’t deserve you.” His voice is lower, pinched with thinly veiled frustration threatening to boil over.
"And you think you're the expert on what I deserve, Art? Last time I checked, your own love life’s track record isn't exactly stellar."
It’s a low blow, bringing up how Tashi rejected him a while back. He hadn’t told you about that, so Tashi must have. He laughs, but his lips are pulled up in a sneer.
"Don’t start deflecting,” Your name falls from his lips sharply, stabbing through the thick tension in the air. “This isn't about me, it's about you. You're setting yourself up to get hurt, and I'm just trying to warn you–"
"Yeah, well, I didn't ask for your fucking opinion," you snap, "maybe you should focus on your own damn problems.”
Art’s jaw tightens further, his frustration finally getting the best of him. "Fine, do whatever the hell you want. But don't come crying to me when Patrick does what he always does— leaves you for someone new."
You stare at him incredulously, shock and anger warring in your expression. "I can't believe you just said that."
"Yeah, well," Art mutters bitterly, looking away. "Believe whatever you want. Just know that he’s playing with your feelings.”
You huff, throwing your arms out at your sides in frustration. “What fucking feelings Art!” you say loudly, not quite shouting but you’re getting there. “Sure, Patrick and I fuck but that doesn’t mean we’re playing husband and wife with each other!” 
You’re definitely way too loud, voice steadily rising in volume the more you talk. Seemingly not caring about who’s around to hear you yell about fucking Patrick. “In fact,” you continue, shaking an accusatory finger at Art, “you’re the one trying to get in my head and play with my feelings, you fucking hypocrite.”
His mind whites out, filled with blinding jealousy all over again. He wants you so fucking badly, he could be everything you needed. Why can’t you see that? How could you be so blind? How could you not see that Patrick was using you, just like he used everyone else?
Art leans further across the table as you speak, his hands coming up to grip the edges of it tightly. “You’re so fucking naive, you know that?” He snaps in a biting tone. It’s harsher than he’s spoken to you during this whole fight.
Your voice drips with sarcasm as you lean forward, eyes locked on his. "Oh, well forgive me for not seeing the truth according to Saint Art."
“So fucking naive.” He repeats, spitting the words across the table meanly.
“And you’re a fucking pussy.” You bite back, leaning in even closer so Art can see your lips form around the words maliciously. You sway close enough that the tip of your nose bumps against his. His breath catches, going ragged in his throat. You’re so close to him. He can smell you, can practically taste you on his tongue.
He wants to take you in his arms, to hold you and kiss the anger off your face. The only thing keeping him from lunging out is the way you look. Your whole body is rigid with anger, eyes dark and cheeks flushed. You’re so beautiful. He has to remind himself that he’s supposed to be pissed at you and fight the urge to pull you in and really taste you.
But then you're backing away completely, “I won’t waste my time on stupid shit like this,” you mutter, turning to pick your bag up off the floor. “Thanks for lunch, Art.” You say sarcastically, not even looking at him as you turn on your heel and walk towards the dining hall’s exit before he can respond.
Art’s heart lurches forward at your words, not with pain, but with want. He watches you leave, the regret quickly setting in once you’re not here to play into his resentment. It hits him like a cold shiver, he wants to feel good for speaking his mind, for telling you how it is. Maybe on some level he does, but it’s overshadowed by how awful he feels.
Art stares down at his unfinished salad, appetite gone. He sighs loudly, standing up to toss his own tray plus the one you left behind. He tries his best to ignore the stares he can feel following him as he walks out.
Art wallows in misery for the rest of the day, skipping the practice he had planned after lunch. He just locks himself in his dorm, laying on his mattress and staring at the ceiling as he replays the fight in his mind. Replaying every word you said to him, every word he said back to you, every angry look you gave him. 
He thinks about texting you a thousand times. Typing and deleting different messages until he eventually gave up. He knows you’re beyond pissed, that him reaching out will only piss you off more and he wants to try and salvage this before you completely shut him out. The thought of losing you is why he never wanted to bring it up in the first place, regret settles in his gut like a ball of lead.
And yet, there was a small part of him that hoped, despite the shit show in the dining hall, that you’d see the quiet care he showed, the way he was there for you, and choose him for once. But hope was a dangerous thing, and Art wasn’t sure how much longer he could hold out.
Hours go by with nothing from you, it’s the longest you’ve gone with talking since the semester started. He forced himself to study for his biology final in a lazy attempt at taking his mind off you. You’d usually be in his dorm room right now, all spread out on his bed like it’s your own as you talk his ear off about something like your asshole psychology professor. 
The longer he sits at his desk the longer the ache in his chest consumes him. Art would do anything to know what you were thinking right now. He’d grovel for your attention, he’d fall to his knees and beg and plead if that’s what it took for you to forgive him. 
He’s getting ready for bed when his Blackberry pings on his night stand, it’s almost embarrassing how fast he rushes over to it. His heart stutters in his chest when he sees it's a text from you. It’s only two words, a simple ‘come over’. 
Art’s never moved faster in his life, rushing out of his room with only his phone, wallet, and keys. 
He makes it to your dorm in record time, nearly sprinting across campus to hurry up and get there before you change your mind. All that needy rushing completely vanishes once he’s actually outside your door. 
Art hesitates, staring at the little door decals taped on with your name written on them in black sharpie. He rests his ear against the door, but he can’t hear anything. He worries his bottom lip between his teeth, brows pinched as he wrestles with himself.
“C’mon Donaldson, don’t be such a little bitch.” Patrick’s voice rings out in the back of his mind. He takes a breath and knocks on the door.
Barely a second passes before it’s swinging open and you're there, gripping the front of his shirt and dragging him inside your room. Art's back hits the closing door with a thud, his breath catching in surprise. His hands shoot out to brace on either side of the door, knocking over a racket resting on the wall. Everything he brought with him falling to clatter onto the wood floor loudly.
You look rough, eyes slightly red and puffy like you may have been crying. Your breath comes out in short, quick bursts as you stare up at him. All the anger he swore would come rushing back when he saw you drains out of him in a second.
His face softens, a tiny frown on his lips. "Hey, what’s going on?" he asks, voice a mix of confusion and worry. His hands come up to hover near your hips, hesitating at the last second, not sure if he should touch you.
Without a word, you’re flying forward while yanking him down by his shirt. Closing the distance between the two of you with your lips crashing against Art’s. It’s so sudden, so completely out of left field, that Art stumbles forward a few steps, hands gripping your hips tightly to steady himself.
It’s almost pathetic how easily he kisses back, not even hesitating. Flashes of Patrick’s face go through his mind as he eagerly reciprocates, not stopping him from pulling your hips flush against his. He definitely might be the worst friend in the world, all the loyalty he felt to Patrick tossed out of his mind the second your tongue slides past his lips.
It’s intense, there’s no romance or gentleness about it. Your lips move against his almost violently, all the aggression and anger from earlier still very much there. He’s never kissed a girl like this before, it’s not how he imagined his first kiss with you would go. He’s still getting hard in his sweats anyway.
Your tongue fucks into his mouth roughly, it reminds him of the time he and Patrick kissed when they were still at the academy for “practice”. He moans loudly into your mouth, letting you dominate the kiss and just trying his best to keep up. Your teeth clack against his roughly, biting down on his bottom lip hard enough to have him whining embarrassingly high and needy.  
“It’s over with Patrick,” you breathe hotly, slick lips brushing his with every word. “I want you to fuck me.”
Jesus fucking Christ.
Art’s dick feels hard enough to burst out of his sweats by sheer force, but he pauses, pulling away from you with a hesitant look. "I-" he tries, voice cracking slightly. He can feel his cheeks starting to burn as he clears his throat. "I don't think that's a good idea. It's so soon, and I mean you're obviously going through something and I don't want to take advantage of yo-"
An incredulous laugh bursting from your lips effectively cuts Art off, your eyes roll to the ceiling in dry amusement. “God, Art.” you scoff, both hands pushing off his chest to create space between the two of you. He keeps his hands on your hips, the thin material of your bottoms bunching in his grip. “You’re such a fucking little bitch, you can kiss me but you won’t fuck me? What is it? You scared of Patrick or something?”
The taunt hits Art like a slap across the face, he freezes for a second before disbelief gives way to white hot rage. You just stare up at him smugly, lips red and wet. Art bares his teeth, using his strong hold on your hips to force you backwards until your knees hit the edge of your bed.
“You��ve pushed me and pushed me and pushed me,” he spits, glaring down at you as he speaks. “Acting like such a fucking brat. You want me to fuck you?” He pushes you back onto the bed roughly, covering your body with his, letting his weight sink you deeper into the mattress. “Fine, I’ll fuck you.”
Art sits up, ripping his shirt over his head and tossing it somewhere behind his shoulder. Your greedy eyes rake down the toned muscle of his torso, hands coming up to lightly scratch your nails over his abs. His breath hitches, goosebumps breaking out all over his skin. He grabs your wrists, forcing them down and pinning them to the bed. “No touching.” he chastises, leaning down to bite the skin of your neck roughly. Sucking hard enough that he’ll definitely leave a mark. 
His dick twitches against the inside of his sweats at the thought of you walking around campus with his claim staked on you, at the thought of Patrick, if he was still coming down, seeing it and immediately knowing who left it there. He slides his knee between your legs, he can feel the warmth radiating from your pussy, can feel how you’re so wet it’s soaking through your bottoms and onto his thigh. 
You hiss at the sting of his teeth, trying to squeeze your wrists out of his strong grip. Your thighs tighten around his knee, hips bucking up against him. “Are you gonna fuck me anytime soon, Art? Or do I need to find someone else that’s not all talk?”
Art chuckles darkly, nipping at the sensitive skin of your collarbones. “You can bitch and moan all you want, but I haven’t even touched you yet–” he leans forward to whisper directly into your ear, “–And you’re still fucking soaked for me anyway.” He drags his tongue along the shell of your ear in a dirty stripe. 
You let out a keen, pretty and high, grinding your hungry pussy against his knee faster. He lets go of your hands, grabbing your hips and flipping you onto your stomach. Tossing you around like it’s nothing, just manhandling you.
“God,” he groans, big hands coming up to knead the meat of your ass, spreading it lewdly making you moan softly. “You’re so fucking hot.” He whispers, words falling from his lips like he couldn’t hold them in any longer.
Art keeps one hand tight on your hip, the other fumbling with the drawstring of his sweats so he can push them down to finally free his aching dick. Letting it spring out to slap up onto his bare stomach, trailing a thin line of pre-come across his abs. 
You squirm under him, feet kicking out as you struggle in his hold. Your head craning over your shoulder and zeroing in on his dick, hard and red and leaking. “You came over here with no panties on, Donaldson?” you taunt, pushing your ass back onto the sensitive length of his erection. “How slutty–” 
“Shut up,” he snaps harshly, but his dick twitches where it’s dragging over the seam of your ass. He’s leaking like a faucet, leaking like a girl, all over your light green plaid bottoms. It strikes him suddenly, how familiar they look. He stares at the worn down fabric covering your ass, at the way his pre-come stains the material darker, at the way they hang too low on your hips, too big for you. 
“Are these…are these Patrick's,” he asks slowly, voice low as his fingers skim over the soft material. You chuckle wickedly, wiggling your hips back teasingly. 
“Yeah, they are,” you say, sliding your ass back and forth over Art’s dick. “You’re leaking jizz all over your best friend's pants, Art.”
Art groans loudly, chin dropping to his chest as hips jerk against your ass involuntarily. A full body shiver wracks through him like lightning, eyes screwing shut as he tries not to come all over your ass. “Shit–” he bites out sharply, voice rough and scratchy. He can distantly hear you laughing at him through all the white noise buzzing in his ears.
He breathes out through his nose, willing himself to calm down. He needs to be in control for once, needs to teach you a lesson for ignoring him for so long.
Art’s hands come up to the waistband of your– Patrick's– pants, fingers digging underneath the loose material and forcefully yanking it down along with your panties, only pulling them down to your mid-thigh. You yelp in surprise, hands gripping the sheets of your bed tightly. 
“I need to get inside you, right fucking now.” he rumbles thickly, flipping you onto your back again. He needs to see your face when he fucks you for the first time, needs to burn it into his mind forever.
“Fuck yes,” you reply eagerly, arms coming up to circle around his shoulders. “Finally.”
Art doesn't reply, eyes fixed on your bare pussy, so fucking wet and shining underneath the shitty ceiling light of your dorm. His mouth waters, he wants to drop to his stomach and eat you out until you're shaking and squirting all over his face. His dick drools at the thought, but he’ll have to wait. He needs to fuck you.
He takes his dick in his hand, dragging it through the silky skin of your soaked folds. He spreads your wetness around your clit, rubbing the leaking tip over you back and forth teasingly. You whine, thighs starting to shake on either side of him. He drags his dick back down to your clenching hole, lining up and slowly sinking inside the tight, wet heat.
Art doesn’t give you any time to adjust to the thick head of his dick breaching your tight hole, burying himself to the hilt inside of you with a sharp thrust. 
“Fuck!” you cry out, legs coming up to wrap tightly around his hips, digging your heels into his lower back. “Shit, fuck you’re– God, you're so fucking deep.”
“I’m going to use your fucking pussy however I want,” Your name falls from his lips, dirty and blistering. “because it’s the least I deserve for putting up with your bullshit for so fucking long, and you’re going to be good and lay there and take it.” He drives his point home with a mean thrust of his hips.
“Fuck you, Art.” you mutter back, trying to keep up the bratty act even though your voice is going breathless and needy.
Art doesn’t ease into it, pulling back only to start pounding into your pussy ruthlessly. Sharp slaps of his hips stinging your ass each time he drives back in, your eyes roll back in your head, slack lips parted in pleasure as he fucks you. 
Art can’t help but lean down to claim your mouth, kissing you a little too sweetly for the moment. He can’t help it, not when you’re under him making the sweetest noises, letting him fuck your perfect fucking pussy like he owns it. God.
“Fuck, fuck, fuck, fuck,” Art growls, breaking the kiss to rest his sweaty forehead against yours. “You’re so fucking, tight. Feels so fucking– shit, so fucking good.” His hips speed up, desperately rutting into you.
“Art,” you whine, nails scratching down his back hard. “I’m so close, fuck I’m so close– keep going, don’t stop, don’t stop, don’t stop–”
He cuts off your rambling with a kiss, groaning at the way his name sounds getting fucked out of your mouth. The loud squelch your pussy makes each time he buries himself back inside has his ears burning, he can feel you soaking the skin of his thighs with every thrust.
“Wanna feel your tight pussy milk me dry,” he grinds out through gritted teeth, picking up his pace. “Fuck, I‘m gonna come, I’m gonna fucking come.” He ruts into you harder, splitting you open with every thrust. The skin of your ass turning red and raw from how hard he’s giving it to you. 
Your hands come up to bury themselves in his hair, tugging sharply to make him look at you. “Inside,” you pant, eyes glazed over and wild, “come inside me Art, please. I’m on the pill you can, you can come inside me.” Your legs tighten their hold on his hips, ankles locking snugly over his lower back so he couldn’t even pull out if he wanted.
“Fuck!” Art shouts your name hoarsely, hips stuttering as he unloads in you. Hot come spraying the walls of your pussy. You let out a broken moan, your whole body shaking as you come with him. Your pussy chokes his dick so tightly, gripping him like a vice, milking him.
Art tilts his head up, catching your lips with his to greedily swallow down all your moans. He keeps going, shallow thrusts of his hips working you through the aftershocks of your orgasm until you’re kicking at his back, whining at him to stop. He collapses on top of you, his sweaty skin sticking to the fabric of your shirt. 
It’s quiet for a while, the two of you silently trying to catch your breath. Your hands come up to his head, sliding into the messy strands of his hair. “It’s pretty late now,” you say slowly, nails scratching against his scalp softly. “You could…you could stay here if you want.”
Art hides the wide grin breaking out on his face in your chest, arms coming up to circle around your waist. “Yeah, that sounds good.” He whispers back, squeezing the soft skin of your hips once.
It’s only later, when you’ve fallen asleep on his chest, that he stares up at the ceiling lost in thought. He’s too worked up to sleep, so fucking thrilled that it worked. His plan actually worked. You’re his now. He looks down at you, glowing softly in the moonlight filtering through your window, deep hickeys scattered across your neck. He drags his fingers along your cheekbone, tucking a stray strand of hair behind your ear.
This is what he’s wanted for so long, you.
You asleep in bed with him, you curled up in his arms, you with his come steadily dripping out of your swollen pussy.
Art can hear his Blackberry start buzzing on your nightstand, lighting up with an incoming call. Even from far away he can read the name displayed on the screen. Patrick. He lets it ring.
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The dad in the minivan parked next to me rn is fucking blasting Hey There Delilah. Love it
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My favourite lines - From Under the Cork Tree (Fall Out Boy)
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6.5K CELEBRATION: 💿 + HAYLEY SINGING SUGAR WE'RE GOING DOWN WITH FALL OUT BOY ↳ for anon
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When The World Is Crashing Down [Chapter 1: Am I More Than You Bargained For Yet]
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Series summary: Your family is House Celtigar, one of Rhaenyra's wealthiest allies. In the aftermath of Rook's Rest, Aemond unknowingly conscripts you to save his brother's life. Now you are in the lair of the enemy, but your loyalties are quickly shifting...
Chapter warnings: Language, warfare, violence, serious injury, a brief history of burn treatments, alcoholism/addiction, references to sexual content (18+), a wild Sunfyre appears, catching feelings for literally the single most inappropriate man on the planet.
Series title is a lyric from: "7 Minutes in Heaven" by Fall Out Boy.
Chapter title is a lyric from: "Sugar, We're Goin' Down" by Fall Out Boy.
Word count: 5.3k.
Link to chapter list (and all my writing): HERE.
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You scream when he grabs you, this lightning strike of a man with a grip like an animal trap that splits bones. He pulls you away from the soldier you’re soothing—a young dark-haired Norcross, disoriented, doomed, his intestines spilling out onto the grass and blood on his lips—and through the forest of smoke and corpses and pine trees. Your eyes sting and water, your boots snag on gnarled roots. When you yelp and stumble to the earth, the man drags you upright again. You struggle like a beast with a blade at its throat, cold, serrated, pressure on the jugular. You shove and scratch at him, trying to plant your boots in soil strewn with gore and glowing embers.
“Stop, stop it, you’re hurting me!”
“Hurry up.”
“You’re going to break my wrist—!”
He wrenches you around to look you full in the face, and only now do you know who he is. A gasp hisses through your teeth; the acrid air in your lungs vanishes. Every muscle and tendon and ligament of you is taut with horror, tight enough to snap. It’s like meeting one of the Seven, the Warrior or Stranger or Smith, a shade you know only from myths and nightmares. It’s like being led to the executioner’s scaffold. His long silver braid hangs over one shoulder. His eyepatch conceals the childhood maiming that left him half-blind. There’s blood and ash on his scarred face, a ruthless breed of fear in his remaining eye, icy blue, creek-shallow, soulless. The man clasping your wrist is Prince Aemond Targaryen. “I’ll break your neck if you don’t come with me now.”
He does not wait for your protest or acquiescence. You couldn’t give it anyway. Your muddied boots move numbly as he tugs you forward, this man they call Aemond One-Eye, a monster, a murderer, a kinslayer. The earth is littered with carnage from the battle, charred ribcages and disemboweled horses, scattered armor and severed limbs. Ashes fall from the smoldering treetops like dark snow.
What does he want from me?
Rape seems unlikely; everyone knows Prince Aemond’s deviancies do not run in that direction. He is cold, hateful, dispassionate, made of stone. He does not lust for anything but power and retribution, fire and blood.
To kill me?
But why not do it here, now? There is a sword hanging from his belt, a dagger in one fist. There is no reason to wait.
To take me prisoner? To feed me to his dragon? To torture me for information?
Surely there are more knowledgeable people around to torture. What use could you be, a healer, a woman? Unless…
Unless he knows who my father is.
You glance down at the fabric band looped around the upper half of your right arm, the only mark you wear of your house, stark white banner, skittering red crabs. It is soaked through with blood. It is unreadable.
Someone is shrieking, but not like a dying man. He has too much fight in him for that, too much glass-clear agony, unwanted blistering consciousness. He screams like someone being flayed, gutted, burned alive. You’ve only ever heard this sound once before. You choke on the greasy, putrid, metallic sweetness of scorched human flesh as it sears down your throat, not knowing if it is real or remembered.
There is a tent in the midst of the pine trees, fluttering canvas that’s green like emeralds or jade. The wind is picking up; you will need to evacuate soon. The cinders will spread and the forest will blaze. Somewhere a dragon is roaring, wounded and mournful like the cry of a lost child. The screams of the man grow louder; they fill your skull like a fever, scalding and senseless and red. Aemond yanks the tent flap aside and pulls you in. And when you breathe it is nothing but the sickening miasma of burnt flesh, coppery blood, suffering, sweat, ruin.
He’s writhing on a wooden table, the man the Greens call king. It has to be him: white-blond hair down to his shoulders, blue eyes and fine aristocratic bones. Two ancient, shaky-handed maesters—hastily commandeered from the defeated House Staunton, you assume—confer nearby, clutching glass bottles of milk of the poppy. A man in armor is cutting tatters of clothing from the so-called king. When he lifts the fabric away, skin sloughs off with it. Aegon wails, struggles, begs him to stop. Aemond goes to his brother and carves away scraps of melted leather and charred cotton with the swift blade of his dagger.
“Shh, shh, don’t fight us, we’re trying to help—”
“Aemond, let me die,” the burned man rasps. He is trembling violently, he is half-mad with pain. Meleys’ flames claimed a swath of his right cheek, his neck and chest and back, his arms down to his wrists, his belly to the crests of his hip bones. “Please. I don’t want to be here. I don’t want it to hurt anymore. Don’t try to help me. Just let me die.”
Aemond looks back at you. “Can you treat this?”
He thinks I’m a Green, you realize with panic, with relief, with terror. And of course he would: you had wandered into the Greens’ side of the battlefield and therefore did not surrender or flee or die with the other Blacks, you were tending to a Green soldier when he found you. Aemond the Kinslayer would not comprehend the notion of service to humankind without a line drawn down the middle of it, of uncategorical compassion.
“Can you help him or not?!” Aemond shouts; and you know that he is not just afraid but shattering, spider-leg cracks inching across a window or a mirror. Perhaps the Greens have souls after all.
You shed your paralysis like daylight erases the stars and approach to examine the so-called king. You do not touch him; still, he whimpers, sobs, quakes like waves in a storm. “He needs more milk of the poppy. A lot more of it.”
“Yes,” Aegon agrees immediately. His streaming eyes—a bleak, murky blue like the sea off Claw Isle—list to you, agonized and grateful.
The maesters gape. “More could kill him,” one says. And they are petrified of being blamed for it. They are plagued by visions of Aemond hacking off their heads and displaying them on spikes above the stone walls of captured Rook’s Rest.
“No drawbacks at all then?” Aegon manages between moans.
“If his pain does not abate, he will die of shock,” you say. “He must be unconscious.”
“Knock me out,” Aegon pleads, pawing at Aemond. “Tell them, tell them.”
Aemond looks to the man in armor: dark-haired, olive-skinned, Dornish. Sir Criston Cole, you realize. The Hand of the King. The Kingmaker. After a moment, Criston nods. “Do it now,” Aemond orders the maesters.
Grimacing, grim, they pour the opalescent liquid into Aegon’s mouth. He gulps it down as quickly as he can. “Enough,” you tell the maesters. Instinctively, you reach out to comfort Aegon: a palm rested lightly on his forehead, fingers threaded through silvery hair that’s filthy with soot and blood. You should hate him, but you don’t. When you look at the Greens’ broken king, you cannot see a murderer, a usurper, a depraved hedonist, a consumer of innocence. You can only see a man worn threadbare by ill-advised bravery.
“Hello, angel,” Aegon murmurs as he gazes up at you, a ghost of a smile on his lips. His eyes really do remind you of home: ocean currents like iron, fog like flint. “Welcome to the end of the world.” And then he’s out, extinguished, eclipsed.
Servants bustle into the tent carrying heavy buckets. “What is that?” you ask.
“Pork lard,” one of the maesters says. “For his wounds.”
“No, no, no, some of these burns are nearly down to the muscle. They’re too deep, too fresh. Lard is for later, to help with scarring, although olive oil or rose oil would be better. He needs to be cleaned with vinegar diluted with water. Or red wine, if that’s all that can be found.”
“Vinegar?!” one of the maesters exclaims.
“It helps prevent infection. Nobody knows why.”
The same maester turns to Aemond, imploring him. “My prince, I can assure you, the Citadel recommends pork lard or cow dung as topical cures, or both used alternatingly. There are also reports of cases where frogs have been helpful, warmed in oil and then rubbed on the affected area.”
Criston blinks. “I’m sorry, you do what with the frogs…?!”
They’re going to kill him, you think. Not with malice, but with stupidity. A wasted life, a wasted death. You demand of the maester: “When was the last time you treated burns this severe?”
He glowers at you, sharp dark eyes like flecks of onyx in a nest of wrinkles. And you know you’ve won when he replies: “When have you?”
“My brother was burned in a housefire started by an upturned lantern. It was five years ago, but I remember the direness his injuries. And what was done to save him.”
Silence in this tent the color of summer: green grass, unsinged trees. Aemond waits for the maesters to produce some astute rebuttal. When they cannot, he orders the servants: “Vinegar, water, rags. Now.” They dash off to oblige him, wide-eyed and quivering like small dogs. Then Aemond looks to you. “What next?”
“His wounds should be treated with honey and then bandaged. The dressings must be changed frequently, at least once per day. He must be repositioned so the scar tissue does not immobilize his joints. He will suffer, it cannot be avoided, but he should suffer as little as possible. Listen to him when he says the pain is too much. Let him sleep. When he is awake, he must drink plenty of fluids. He is losing water through his burns, and it must be replaced. Milk is preferable. Tea and fruit juices are good as well. Some wine is acceptable if that’s what he likes best.”
“And it certainly is,” Criston mutters. You’ve heard the same: that the Greens’ king is a drunk, an adulterer, a coward, a ghoul. You cannot speak to any of this. You know him only as someone who is horrifically pained and sick to death of fighting. Again, without thinking, you comb your fingertips distractedly through his hair as he lies unconscious on the table, bleeding from everywhere. He’s so young, so breakable, so unlike the monster you’ve been led to believe he is.
“Get honey and bandages,” Aemond tells the maesters. They depart, casting each other incredulous glances: Are these our new overlords? Men who heed the wisdom of impetuous young women filthy with blood and earth?
“I’ve heard salt can be helpful for wounds,” Aemond says. “They used it on me when…” He gestures to his eyepatch, to his scar. Lucerys Velaryon took that part of him in self-defense; at least, that is what you have always been told. But you’ve read enough to know that for every event, there are at least two stories. Whatever the truth is, Luke paid for that eye. He paid, Rhaenyra paid, the world continues to pay the price over and over again.
“Because it dries. It absorbs moisture.” You skim your palm over Aegon’s forehead, without lines of fear or anguish as he sleeps. There is a ring on his left hand, a gold dragon with glinting dots of jade for eyes. You twist off the ring so it will not hinder circulation as his fingers swell and give it to Aemond. “But burns weep as they heal. They need to be wet. If they get too dry, they will crack open and fester.”
“Is that what happened to your brother?” Aemond asks.
“Where we did not pay enough attention. The backs of his knees, the soles of his feet.”
“But he survived.”
“Yes,” you tell Aemond; and you can see how desperately he is searching for hope in your face, your words. “He did.”
The servants return with buckets of water, handfuls of rags, glass bottles of vinegar that is cloudy and rust-colored.
“What’s it made from?” you say.
“Fermented a-a-apples, my lady,” one of the boys sputters. He watches Aemond out of the corner of his eye like sheep look for the shadows of wolves. He shivers, he sweats. This boy, who last night was fetching meat and mead for Lord Staunton, has heard the same stories you have: the degenerate king, his murderous brother.
“That’s fine then.” You haul over one of the water buckets and Criston helps you lift it up onto the table. You empty half a bottle of vinegar into the water, mix it by wobbling the bucket back and forth, and then soak a rag in the pungent liquid. “You can help,” you tell Aemond and Criston. “Dip a rag in the bucket, wring it out, then press it to his wounds. Remove any dirt or scraps of fabric. But don’t rub. Try not to damage the skin he has left.” You demonstrate: dabbing at flesh that is torn and bloody and blistered, a black-and-ruby wasteland that at best will leave him irreparably scarred and at worst will swallow his life like ships sink in storms.
Tentatively—with hands at ease with killing but not tenderness—Aemond and Criston join you, studying your movements and imitating them with great care. There is a sniffle, a teardrop that falls onto Aegon’s filthy but unburned left hand and glistens there like a splinter of glass; you are alarmed to see that the Kingmaker is weeping.
“Criston,” Aemond says gently. “We are doing everything we can for him.”
“Since the day he was born, I promised…”
“I know.”
“Your mother…”
“I know,” Aemond says again, and you think: The Greens aren’t demons, they aren’t savages. They’re just patchworks of memory and flesh and suffering, the same as any of us. “He will live. And his sacrifice won us a victory today.”
As you tended to wounded men caked with blood and pine needles, you saw them tangled above in the overcast sky, scales of scarlet and gold and an ancient muddy viridescence. There were flames and shouts, and then all three dragons hurdled towards the earth and out of view. “The Red Queen?” you ask Aemond, mindful to keep your voice perfectly level.
“Dead,” he says: dark satisfaction, fearsome pride. “And so is her rider.”
“The gods are good.” You are amazed at how easily it slips out, a reflex of self-preservation while your mind is elsewhere. Does my father know yet? Does Rhaenyra, does Daemon, does Corlys? People will be searching for you soon. If you do not appear from the smoke and chaos of the battlefield, your eldest brother Clement will come looking with his sword in hand. Everett, scarred and unagile but clever, will be pouring over maps to see where you might have ended up.
There is no suspicion in Aemond’s face when he glances over at you. He is gingerly cleaning soot and charred strips of ruined skin from Aegon’s chest, which rises and falls in deep, slow breaths. “Which family is yours?”
House Celtigar, but you can’t tell him that. You scramble for a noble family of the Crownlands whose accent you share, whose history you have been taught, whose men fight for the Greens but are not so distinguished that Aemond will know them well. “House Thorne.”
He nods. “Are you one of Sir Rickard’s sisters?”
You startle. Perhaps you have chosen the wrong disguise. “Far less illustrious than that. Just a cousin.”
The two maesters return, their archaic hands piled high with linen bandages and glass jars of honey, a fiery gold like sunset. “Set them down over there,” Aemond orders, pointing. He has a presence, it cannot be denied. He is tall, fierce, swift yet calculated. He moves like a man who has killed once, twice, again until it is no longer something that keeps him awake at night. It is something that has become a part of him like arteries or bones. “Prepare a room in the castle.”
“For Prince Aegon?” one of the maesters says, then quickly corrects himself. “I mean, for the king?”
“For until we decide what to do with him.” Aemond stares at Criston. Criston stares back, his dark eyes huge and shiny. There is a war to be waged, but Aegon will not be able to help them. Not for months, at least. Not ever, if he dies. The maesters disappear again, grumbling to each other. Unwelcome tasks, unwelcome guests.
Rhaenys is dead, you think as you work. It doesn’t feel real. Meleys is dead. Hundreds of Black soldiers are dead. Rook’s Rest is the Greens’ greatest victory yet, and one they desperately needed. This war is nowhere near over. And the betting odds keep changing.
You say to Aemond and Criston: “Help me turn him. We must clean the burns on his back as well.”
They listen, they obey, they help you because helping you means helping Aegon. When he is washed as well as he can be, you spread a thin sheen of shimmering honey over his wounds—an amber river that will trap moisture and discourage inflammation—and wrap him in bandages. The only burn you leave uncovered is the one on his right cheek. It creeps up over his pale face like red tentacles, curling and grasping, hungry, insatiable. They match now, you think. Two brothers, two scars.
Criston assembles a group of Green soldiers and Aegon is carried in a litter to the castle that serves as the seat of House Staunton, once allies of Rhaenyra, now traitors, now dead men walking. Outside rain has begun to fall, putting out flames born from dragonfire. The pine forest is saved; wounded men lie in the dirt with their mouths open hoping to quench their thirst. By the time Aegon is placed in an opulent bedroom with a view of Blackwater Bay, he has already bled through his bandages. You clean him again, bandage him, dribble milk of the poppy down his throat when he begins to stir and whimper. Aemond gives you command of a makeshift fleet of caretakers: the two requisitioned maesters, three maids, servants to bring food, drink, bandages, wood for the crackling fireplace.
My family is searching for me, you know as you battle to save their enemy’s life, this maybe-king with silver hair and eyes like deep water.And then: I cannot leave him. Not now, not yet.
In the night, as cool rain patters against the ocean and Aemond and Criston are slaughtering House Staunton men down in the castle courtyard, you dose Aegon with milk of the poppy every few hours. The maesters refuse to take responsibility for it; if the king is poisoned, it will be you who swings from a rope for it. You hold cloths dripping with cold water to his forehead. You feed him nibbles of bread and venison when he is conscious enough to eat, cinnamon tea, pomegranate juice, goat milk. You inspect him for any signs of infection. You braid a small lock of his hair before you’ve stopped to consider why you’re doing it.
And when no one else is watching, you untie the bloodstained armband of your own house and burn it to ashes in the fire.
~~~~~~~~~~
Someone is jostling you, grabbing at you. You fell into an exhausted, sporadic sleep in the next room long after midnight. It’s morning now; warm sunlight blooms like flowers on your face, yellow roses and buttercups and daffodils. When your eyes open, they are sore and unfocused. Aemond is a blur of white hair and black leather. He is tugging on you again, his lithe fingers like a vice around your forearm.
“Stop it, get off me!” You shove him away. He waits, bemused. “You can’t keep dragging me around like this!”
“Why not?”
Because my father is one of the wealthiest men in the Seven Kingdoms. Because I may not have silver hair or a dragon, but if you cut me open the blood of Old Valyria would spill out like red waves. Because the man I am pledged to marry is good at killing, very good at killing, maybe even better than you. “Because I’m a noblewoman. I’m a lady.”
“You don’t act like one,” Aemond counters. “Ladies flee from blood and gore. Ladies are nowhere to be found on battlefields.”
“I like being useful.”
“Then I have brought you a gift. You are needed now. Aegon is asking for you.” And then, when you hurry out of bed, finding your footing on chilly wood floors: “Well, that certainly got you moving quickly.”
“He’s in pain?”
“Not especially, from what I can tell. I think he just wants you.” Aemond glides out of the bedroom. You follow him to Aegon’s chamber. The Greens’ king is propped up in bed on a great mass of pillows, bandaged, limp, eyes glazed and barely open. There are men huddled around him. You recognize Criston, though not the other ones, some old and some young and all in armor. You hope that none of them are Sir Rickard Thorne.
You feel Aegon’s forehead for fever. To your relief, he is no more than modestly warm. He catches your hand, holds it tightly, doesn’t let go. After a moment’s hesitation, you sit down beside him on the edge of the bed. There is a curl of his lips, just a whisper of a smile, just a phantom of one. Aemond glances at you and Aegon with mild interest, then turns his attention to Criston.
“Aegon,” Criston informs the king, patiently, like a good father would. “We have to move you back to King’s Landing.”
“No,” Aegon says. His voice is so low and weak that he’s difficult to hear.
“Your recovery will be long and arduous,” Criston explains. “Aemond and I will be needed in combat. We cannot stay to guard you. The Blacks may try to retake Rook’s Rest. You staying here is not an option. King’s Landing is safer. It is well-supplied, it is protected. And we have our own maesters there who will help tend to you.”
“Can’t leave,” Aegon croaks. “Sunfyre.”
“Aegon—”
“I can’t leave without Sunfyre,” he forces out with immense effort. Then he gasps and moans, tears pooling in his eyes. You offer him milk of the poppy; he guzzles as much as you’ll allow him to have.
Criston sighs. “You can’t stay. And Sunfyre can’t leave. One of his wings was nearly ripped off, he’ll never fly again. We have no way to transport him, he’s too heavy.”
One of the armored men mutters: “And that’s assuming he wouldn’t incinerate anyone who ventured close enough to try.”
“Where is he now?” Aemond asks the man.
“Down on the beach, my prince. Eating dead soldiers.”
Criston shudders. Working in close proximity to dragons has not given him a liking for them.
“Can’t leave him here,” Aegon whispers, shaking his head.
“You must,” Aemond says.
“What if it was Vhagar?”
“I’d leave her. I’d have no choice.”
Aegon frowns, squeezing his eyes shut. It’s all too much for him. “Not the same.”
No, perhaps not; Aemond’s dragon may be the largest and most lethal in the world, but Aegon’s bond with Sunfyre is said to be what legends are built of, words written in ink and stone. You watch the agonized confliction on Aegon’s drawn face: can’t leave, can’t stay, can’t fight, can’t run. You say softly: “Could Sunfyre be assigned a detachment of guards?”
Aemond looks at you as if just remembering you’re here. “What?”
“Men could be tasked with ensuring the dragon is secure and fed. From a safe distance, of course. They could report on his health. Then perhaps when he is stronger, he can be reunited with the king.” The king. Again, it stuns you how easily the treason rolls out, like waves bubbling over rocks and sand.
Aemond turns to Criston. “Could it be done?”
“I don’t foresee many men volunteering for the task. But it could be done, yes. Sure.”
Aemond asks his brother: “Would that make a difference?”
Aegon’s eyes drift to you. They are churning with sluggish, clunky thoughts, heavy burdens to bear on raw shoulders. The braid that you wove absentmindedly into his hair is still there. “Alright,” Aegon agrees at last. “I’ll go.”
“Good,” Aemond says. “We leave at dawn tomorrow.” Then he looks to you. “You will come south with us.” His tone invites no argument. He doesn’t even conceive of it as a possibility. Why would you refuse? Why would you, a purportedly devout Green, shy away from the opportunity to nurse your king back to health? You bow your head in compliance. You wonder what is being discussed in the Black Council; you wonder what your father is thinking, what Everett believes happened to you.
“But I have to see him first,” Aegon says.
Aemond does not understand. “See who?”
“Sunfyre.”
“But you can’t walk to the beach,” Criston says. “You can’t walk anywhere.”
Aegon grins, showing his teeth. His dazed, deep blue eyes glitter mischieviously. His hand has not disentangled itself from yours. “Then carry me.”
The deal is struck, like a face minted onto a coin or a bolt of lightning meeting the earth. Soldiers transport Aegon down to the stony, mist-sopped shoreline. Blade-sharp agony is flooding back into his face, but he refuses more milk of the poppy. He wants to be awake when he gets there. He wants to be himself.
The soldiers cannot get too close to Sunfyre; no one besides Aegon can. He is helped off the litter and then tries to amble across the wet, grey sand. After a few steps he collapses. You rush to him, dodging Aemond and Criston’s grasps as they try to stop you.
“No,” Aegon says when you attempt to help him to his feet. He is panting from the pain, his face flushed with torment and exertion. His white-blond hair whips in the wind. “Do not follow me. Not even if I pass out, not even if I’m dead. I don’t know what Sunfyre would do to you.” And then he crawls forward alone on his hands and knees.
Waves crash, spraying saltwater into the air. Crabs scuttle over rocks. Gulls swoop low to claim mouthfuls of flesh from bloated corpses in worthless uniforms. The dragon known as Sunfyre the Golden is curled up on the beach. Many of his metallic scales are singed; the pink membranes of his wings are tattered like lace. His right wing hangs at a ruinously odd angle. You would know how to set that if he was a human. And you could do it without the threat of being reduced to ash and history.
Sunfyre unravels as Aegon nears him, long angular face rising, frayed wings settling by his sides. You have seen dragons before, of course—Syrax, Caraxes, Arrax, Vermax, Meleys—though never from this close. They horrify you. You cannot look at them without thinking of the devastation they sow like a plague, of how they so unmistakably no longer belong in this world.
Sunfyre’s head stretches out towards his rider, a half-dead man kneeling in wet sand and wearing only bandages and loose cotton trousers. Beside you, Sir Criston Cole sucks in a noisy, nervous breath. Aemond watches Aegon, his face like stone. His hair hangs in long, damp waves.
Aegon embraces Sunfyre, clinging to him, resting his face against the dragon’s. They stay like that for what feels like a very long time. Then Aegon crawls back to you, sobbing with pain by the time he is lifted into the litter. You give him milk of the poppy and he accepts it eagerly. He is unconscious again within seconds. Down the beach, Sunfyre looses a soft desolate cry like a plea: Don’t go. Don’t leave me. You might never come back.
~~~~~~~~~~
The drivers have been instructed to proceed slowly and with caution; still, the carriage pitches and jolts as you traverse the Rosby Road towards King’s Landing. In addition to the caravan’s most precious cargo—the Greens’ fragile and intermittently sentient king—it transports also two severed heads: Lord Simon Staunton’s in a basket, and Meleys’ in the bed of a mule-drawn wagon. High above in slate-grey clouds, Aemond and Vhagar are safeguarding your progress. Criston rides on a monstrous warhorse just outside the carriage. You are leafing through a book that you found in the castle library at Rook’s Rest: anatomy, surgery, sicknesses and cures. Aegon is bandaged and heavily medicated in the cushioned seat across from you. While servants flit in and out frequently, you are the only passengers in the carriage at the moment. You do not know that Aegon is awake until he speaks.
“Sinful,” he says. His voice is groggy, only half-here. He is gazing blearily at the illustration on the open pages of your book: a quite detailed naked man, his arteries and veins mapped like the roads of Westeros, his cock bare and sizeable.
“It’s informative,” you reply in your own defense, smiling.
“My father would have hit me for looking at something like that. If he’d noticed.” Aegon smirks, resting his head against the back of his velvet seat. His hair has been scrubbed and rinsed by servants, the braid you made for him undone. “He probably wouldn’t have noticed.”
“Mine has a great love for all books.” Bartimos Celtigar is eternally turning pages: computations, records, revenue. He does not just sit on Rhaenyra’s council. He is her Master of Coin. He funds her war effort, he fuels her like wood to a fire. “Besides, I have seen naked men in person. No book can scandalize me now.”
A little twitch of his silvery eyebrows: fascination, amusement. “He does not lose sleep over your spent innocence?”
“He has other things on his mind presently.”
“Like what?”
Like helping Rhaenyra win the war. You find a different truth to tell him. “Some men consider one daughter to be too many. My father has four. His attention is thoroughly divided.”
“He doesn’t like you?”
“He likes me plenty. He just doesn’t need me.”
Aegon nods. His eyes travel over you slowly and meditatively, not leering but learning, memorizing slopes and angles, taking you in like he’s never been able to before. He is in the brief lull between doses of milk of the poppy: lucid enough to speak but not so much that he can feel the full extent of his injuries. “Are you married?”
This is a bit of a fraught subject. “I am betrothed.”
“Oh,” he says, with what might be disappointment. “And he wouldn’t rather have you home right now? Putting all that knowledge of male anatomy to good use? That’s difficult to believe.”
You peer evasively down at your book. “He has a role to play in the war. I’ve been given permission to serve in my own way until it is over.”
“Permission,” Aegon echoes. He finds this interesting. He studies you for a while before he asks, his voice gentle: “What’s wrong with him?”
“Nothing. He’s honorable, he’s brave. He’s marvelously formidable. He could carry you around like a sack of potatoes.”
Aegon chuckles, a slow reflective laugh, curiosity, intrigue, something to think about besides the fact that he’s missing half his skin. “Do you fear marriage?”
What is the answer to that question? Do you even know yourself? “I fear being possessed. And having no remedy if the circumstances are not to my liking.”
“You can’t get one of your three superfluous sisters to marry him instead?”
You smile faintly. “No, we’ve met. He chose me, he favored me. I’m not sure why.”
“Probably because you’ve read all there is to know about cocks.” Aegon grins, drowsy and crooked and playful. “Who is he?”
“Just a man,” you say. You can’t tell Aegon more than that. It would give your Black affiliations away.
You are betrothed to the Warden of the North, Lord Cregan Stark.
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