#(and also how fucking INCREDIBLE the ballad of jane doe is)

[fuck-you-upmusicbracket]

You Are My Sunshine (Johnny Cash)

I dreamed I held you in my arms/But when I woke dear I was mistaken/So I hung my head and I cried

"He recorded it in the few months between June Carters death and his own. you can hear the heart wrenching mourning in his voice."

The Ballad of Jane Doe (Ride the Cyclone)

Oh no soul, and no name/And no story, what a shame/Cruel existence was only a sham/Oh Saint Peter, let me in/You must know where I've been/Won't you tell me at last who I am

And I'm askin' why/Lord If this is how I die Lord/Why be left with no family and no friends?/I've got no celebration/Just this consolation/Time eats all his children in the end

"The song is about a ghost who has no memory of who she was before she died. She laments her lack of memory and how it prevents her from moving on. Personally it’s the vocal range of the song that gets me really fucked up cuz it’s insane"

"You're dead and you don't even know who you are! No one can identify your body! Would they even let you into heaven if you don't exist? At least your voice sound incredibly haunting and you can sing while being turned upside down! Hello this is Rod Sterling. Wouldn't that be fucked up or what?"

"Jane Doe died via decapitation (all the characters in Ride the Cyclone die from the same accident, by the way). Because of this, no one could idenitify her body and so she doesn't know who she is in death. This song about her frustration about not knowing who she is, and wondering if she even has a soul or will be let into heaven because of this. The more higher-pitched singing she does is meant to mimic her screams when she died. This song gets the other characters to stop treating her like a creepy monster (or try to stop, anyway). It also convinces them to all vote for her, which lets her be reincarnated and live a full life. As with Talia, I would recommend watching the live performance for this one, it's pretty cool!"

You are my Sunshine submitted by @theclevercorpse

[bambi-kinos]

I agree that Here, There and Everywhere is about John. I recall Peter Asher saying it wasn't about Jane. Makes sense, as the lyrics about undying love contradict the lyrics of For No One on the same album. Everyone agrees For No One is about Jane. My Love is also about John IMO. It's in the hands of my love (we know he loved John's hands) and he quotes HTAE - I'll still find *something there* with my love, it's *everywhere* with my love. John reportedly cried when he heard the song. Really?

Oh, anon. Believe it or not I had not heard this song before you mentioned it here. First of all: wow, what a wonderful 70s piece. This song is an incredible encapsulation of everything good about 70s music. That climbing guitar, the keyboard, Paul's voice, the minor key, the devotion, holy hell. I can see why this hit #1. This is art, I've been listening to it for five hours now.

Let's look at these lyrics together, anon. We'll cut out the chorus and focus on the meat:

I absolutely believe John cried at this song. How could he not?

And when I go away I know my heart can stay with my love It's understood, it's in the hands of my love And my love does it good

You're right about John's hands being referenced here. I can imagine Paul having a thing for hands in general since he's a guitarist but John's hands were special to him as we know. Remember that line Paul has in Help! at the palace, when he's asked if hands are ugly or beautiful and he just replies, "Some hands." He's obviously thinking about John's hands in that moment. We can safely assume that when he references "hands," he is thinking of John's in particular:

And when the cupboard's bare I'll still find somethin' there with my love It's understood, it's everywhere with my love And my love does it good

>domesticity -- again, kitchen oriented (did Paul ever cook for John?) >being down on your luck/otherwise having a bad day >relying on your loved one to pick you back up

Oh yeah, it's John Lennon time. And you know what else this passage reminds me of?

Never understood a word But you were always there with a smile

And when the cupboard's bare I'll still find somethin' there with my love

Time to cry!!!!!!!

Oh, I love, oh, my love Only my love holds the other key to me

This is how you know it's a ballad written for John and Linda both -- they both saw the secret parts of Paul that he doesn't show anyone else. They held that key...though I guess in 1973 John may not have been so sure about that anymore with everything that happened. No wonder he cried.

Don't ever ask me why Lord, I never say goodbye to my love It's understood, it's everywhere with my love And my love, she does it good

I want her everywhere and if she's beside me I know I need never care But to love her is to need her everywhere Knowing that love is to share

I am fucking feral.

Anon your brain is massive. Thank you for this gift.

[farklelucas]

i was tagged by @amarakaran to post my 6 recent fave songs 💕 ty sunny ily and this was fun!! i put these in no particular order bc. i cant make decisions xoxo

BEJEWLED | TAYLOR SWIFT (2022) - this song. bangs so hard. this song is the inverse of my mental illness where im like “ill be whoever you want me to be to fit in” where im like!! i will be cool as hell and dope as fuck and myself and i hope i stand out bitch!! feel good anthem of the winter cured my seasonal depression

THE BALLAD OF JANE DOE | RIDE THE CYCLONE (2008) - i have never had an operatic range but nothing gives me the CONFIDENCE that i do quite like this one. its so hauntingly beautiful, it’s an incredible show, and i absolutely scream it in the shower so. 10/10.

POINTLESS | LEWIS CAPALDI (2023) - i literally haven’t yearned like this in ages and it’s all lewis capaldi’s fault that bastard. this song makes me absolutely batshit crazy and it makes me want love so bad so i highly recommend it UNLESS you’re a hopeless romantic single person in which case maybe don’t

I’M SO HOT | CHRISSY CHALPEKA (2023) - FINALLY MY HOT GIRL ANTHEM HAS DROPPED it bangs so hard!!! truly a feel good banger for hot babes everywhere. the devil works hard but chrissy works harder. go stream for clear skin.

IF I BELIEVED | TWISTED (2013) - whew. speaking of yearning. the soulmates.... the lost love.... the dedication. the wanting to believe rather than believing. i’m on my hopeless romantic bs again just trust me it drives me crazy 

HOW TO BE A HEARTBREAKER | MARINA (2012) - i listened to this song when i was like 13 and i never looked back. do i actually know how to be a heartbreaker? no. but i know the instructions like the back of my hand. my theme for music rn is yearning n hot girl bangers and this is a hot girl banger!!!

tagging: @narcissusanasui @alienjack @geometricalien @jingo-raichi @raeflora only if you want to and also whoever else wants to do it and say i tagged you xoxo

[yellowjavkets]

Can you recommend non white and non American music?

Absolutely! I am so fucking excited to answer this ask, like u have no idea. I’m fucking thrilled. Some of these are american but all of these are bands of color or are fronted by people of color(I’m gonna italicize musicians that I know are lgbt also. just like. given my recent complaints)

Mashrou’ leila is a Lebanese rock band that has just like. god. the lyrics. I can’t believe I went so long in my life without knowing of them. Their songs are in Arabic, but the translations for most are very easy to find. My personal recs for songs by them to get you started are wajih, radio romance, and  3 minutes. I absolutely cannot recommend them highly enough. 

Babymetal is a band that I recently started getting into, like a million years behind everyone else. They’re a Japanese metal band and their music is super fucking high energy, really just launches you into the damn stratosphere. Some of my favorite songs by them are gimme chocolate, catch me if you can and starlight (most of their music is in Japanese but once again there are loads of translations)

Kevin Abstract is an American hip hop singer who writes music both soft and heavy sounding songs that relate to a lot of not often given the spotlight experiences, namely the experiences of being a gay black man in America. I relate to him more than a LOT of white gay musicians and his album “American Boyfriend” is an absolute fucking masterpiece, I even have it downloaded to listen to on long car rides. My favorite songs by him are Echo, Papercut and Miserable America!

Conan Gray is a pop musician who writes a lot of really fun music and like, so many fucking earworms. I literally cannot think of a single one of his songs that I don’t like at least a little, which is very rare for even musicians I do like. And his music videos are super fun. Some of my favorite songs by him are Fight or Flight, Crush Culture, and Wish You Were Sober, which I have listened to over 200 times

More music recs under the cut!

Fea is a latina punk rock band based in San Antonio that I absolutely cannot get enough of. Their name means ugly, but in the feminine form in spanish. Speaking of spanish, a lot of their songs are in spanish, but some are not, which gives it a nice eclectic mix. and helpful for spanish practice lol. Plus they were produced by Laura Jane Grace of Against Me! god, imagine being that fucking cool. My favorite songs by them are La Llorona, Sister K, and Pelo Suelto

Oceanator writes an eclectic mix of synthy business and guitar ballads. I love her music so goddamn much, and it's been a big inspiration in me finding my own sound! my favorite songs by her are Nowhere Nothing, I would Find you, and January 21st

The Hu is a band that took me quite some time to get into but they're a Mongolian rock band that wrote that one song that was super popular here in the states a while back. Their sound is heavier, but it's also so incredibly fucking cool. Some of my favorite songs by them are Sad but True, The Legend of Mother Swan, and Wolf Totem

Meet Me @ The Altar is a band that is very, very derivitave of paramore but in like a super fun way. Their sound is just so fun. Their sound has making me forgive pop punk bc turns out when pop punk is sung by a trio of WOC and not a white dude crying on his guitar about his shitty girlfriend, it can actually fucking rule. Some of my favorite songs by them are Garden, Tyranny, and May the Odds Be In Your Favor

Japanese Breakfast writes a lot of really cool slower songs that make my brain feel like it is melting in the absolute best way possible. it's really hard to describe, which is actually one of my favorite things about it. Some of my favorite songs by her are Road Head, 12 Steps, and The Body is a Blade.

Neon Jungle is a British band who writes a lot of high energy shit that just launches me directly into the fucking stratosphere. Like I'm so serious, they will end your life and revive you fifty fucking times over. My favorite songs by them are Trouble, Louder, and So Alive.

Pom Pom Squad is another band I really like, a rock band who does softer shit sometimes. Their range is insane, and Mia Berrin is one of the most talented fucking vocalists I've ever heard in my whole life. Some of my favorites are Sunday Song, Heavy Heavy, and Honeysuckle

Nova Twins are another duo from the UK who write a lot of heavier guitar stuff. Mostly white punk fans have gotten pissy about them being classified as punk, so I won't, but lbr it's clear what their influences are. In a good way. Their music WILL rip your dick clean off. Some of my favorite songs by them are Bassline Bitch, Devil Face, and Ivory Tower.

Black Belt Eagle Scout is an indigenous musician that writes a lot of really cool softer guitar shit. Super chill music I like to put on to relax and write to. Also loads of her lyrics are downright masterful. Some of my favorite songs by them are Half Colored Hair, Just Lie Down, and Indians Never Die

Rina Sawayama, who you probably know of at least periferally, writes pop music and stuff of that nature. Her music could pull me out of a fucking coma. She's based in the UK. I absolutely adore her and her weird fucking fashion. Some of my favorites by her are Bad Friend, Comme des Garcons (Like The Boys), and Lucid

Milck does a lot of like, idk how to describe it. I have no idea what genre it is. I don't care to know. It rules, whatever it is. It's sort of soft, but powerful with a really cool beat. Some of my favorite songs by her are Devil Devil, This is Not the End, and Call of the Wild.

I HAVE TONS MORE, LIKE LOADS MORE, LIKE GIVE ME THE GO AHEAD AND I WILL MAKE A PART TWO, but I think that's a good amount of my favorites for now.

[mrmallard]

My Top 5 Artists of 2020

This is heavily based on my Spotify stats, since I shifted to using it as my primary source of music this year. Unfortunately, there's been some fuckery - The Weepies added both of its members, Deb Talan and Steve Tannen, to the contributing artists section a month or two ago. And I've already run them both up into my top 5 artists purely from their Weepies output.

So I've utilised a couple of other apps to dig into my Spotify stats, and I'll be building a list from that. This has given me the opportunity to be a bit more creative with the list, so it won't just be a carbon copy of my Spotify stats.

Honorable Mentions:

Melissa Horn: she's a Swedish artist who sings in Swedish. I put her music on when I'm Really Feeling It and when I want to go to sleep.

The Weakerthans: I can't keep streaming the same four albums over and over again, so they fell short. But they're really good, like a more rock-oriented Mountain Goats. None of the Above, Left and Leaving and One Great City! are recommended if you're getting into them as a Mountain Goats fan.

The Mountain Goats: I'm gonna speak about them in my Favorite Songs of 2020 list. I don't have enough material to talk about their entire output this year, and I'm kinda on the outs with them - my interest ebbs and flows, and atm it's more of a flow.

Rachael Yamagata: I've loved her music ever since I heard one of her songs on an internet radio station years ago, and I'm hanging on for some new material. She made it into my Spotify Top 5 after accounting for the individual Weepies members, but I've knocked her back by one spot because of a very surprising comeback this year that I want to talk about more.

Top 5 Artists of 2020

#5: Brandi Carlile

I first found Brandi Carlile's music last year, and over the course of 2020 I've taken deep dives into her music and really let it settle into me. She's a Grammy-winning country artist, recognised for her album By the Way, I Forgive You. I understand that country is a very hit or miss genre, but the sound of By The Way, I Forgive You throws back to older sounds from the genre's history, eschewing the more obnoxious hallmarks of Bro Country to deliver some of the most emotional country ballads in recent memory.

One aspect that makes her work different is her orientation - she's a lesbian. It makes songs like The Mother, where she adjusts to motherhood, really come around twice and resonate twice as hard. We've all heard With Arms Wide Open - but The Mother tackles the same subject matter in a more intimate, close-to-home fashion, and there's that resonance of "there are people who spent years trying to stop people from experiencing this happiness, and through the wider struggles of the LGBTQ+ community, we've reached a point where this future is possible for us".

But message or not, the music has to be good - and it's honestly pretty fantastic. Sugartooth is this arena-country song about a man who succumbed to opiate addiction, Fulton Country Jane Doe is a song commemorating an unknown woman who died in hospital without a name. Turpentine is a great song about how it feels to grow apart from something. Heart's Content feels like a commemoration of a happy relationship that just beams through your speakers. I really enjoy Brandi Carlile's music, and I hope her future content is as strong as By The Way, I Forgive You.

#4: Gorillaz

Song Machine is the best Gorillaz album since Plastic Beach. Straight up. This past year of Gorillaz videos has been absolutely phenomenal, and it's really brought me back into the fold as a Gorillaz fan.

Humanz failed to captivate me, and while Humility was an excellent single off of the Now Now, that album's other singles just didn't hit with me. Song Machine has been hit after hit after hit. Plastic Beach slowly got better for me over time, as I listened to each of the songs more intently and began to appreciate aspects of songs I had written off - I've enjoyed each and every Song Machine song from the moment I heard it.

Pac-Man is probably their most radio-friendly single in years, I even had non-fans vibing on it. Friday the 13th is overhated - it took a while to grow on me, but it's one of the more atmospheric, moody cuts of the album, and it ended up being a highlight for me. The Pink Phantom is an excellent ballad featuring three generations of musicians.

At the end of the day, this turnaround in quality has been incredible to witness, and I'm back in that mindset of a 15 year old where I'm consuming every new single over and over again and wondering if it plays into a larger narrative. Gorillaz fucks.

#3: Maria Mena

It's been over a year since I've dived into Maria Mena's music, and while my interest has ebbed and flowed, her album Growing Pains has cemented itself as one of my favorite albums - possibly ever.

I like her so much because of the way she enunciates her words. Her songs can get kind of wordy, which is an appeal in itself, but her way of singing puts so much weight on each individual word and it makes her music all the more unique and amazing. And her material is genuinely unique in how grim it can get, and how brutally honest it all feels.

Her latest project, They Never Leave Their Wives, had a lot to live up to after Growing Pains. The singles that came out polarised me, but when the album came out, I found myself enjoying it as much as any other Maria Mena project. I did a total 180 on You Live and You Learn, and it solidified her as one of my favorite recent artists. I wish more people listened to her.

#2: Sara Bareilles

I have two confessions about Sara Bareilles. First of all, I don't like Love Song - at all. It got overplayed during my formulative years, like Adele and AC/DC as a whole, and I genuinely can't stand it. That plonking piano opening sends shivers of discomfort up my spine. My second confession is that I've never heard anyone pronounce her last name, so I don't know how to say it. Not really relevant, but I wanted to get it off my chest.

Sara Bareilles has persisted as one of my favorite artists over the last 3 years. I first latched onto her music with the song She Used to be Mine, which I felt so strongly about at points I nearly cried in class while listening to it. Twice. Since then, I've learned she also recorded the radio hit Brave which is fan-fucking-tastic, I've completely worn out her song 1000 Times, and I adore a solid half of the tracks from her album Amidst the Chaos.

I adore her balladry on songs like Orpheus, Someone Who Loves Me and Without A Believer. Her voice soars, and it lingers on low notes that make me feel like I'm wrapped in a thick doona. And she's written one of the lyrics that's made me go absolutely apeshit like no other - "kiss me goodnight / like a good friend might". I maintain that it's one of the most underutilized song lyrics used in fan content.

I never would have thought I could like Sara Bareilles as much as I do based on the one song I know her from the most. But thanks to Spotify, I managed to hear some of the most emotionally resonant music in her discography, and I'm incredibly happy about that.

#1: The Weepies

I'm sorry, but you must have seen this coming with all of the Weepies content I've been indulging in lately. The write ups, the reblogs, the pleas to get anyone else to listen to these guys as well. Because while their music can be hit or miss, they axe the ball out of the fuckin ballpark every time they hit.

I can recommend so many songs (Gotta Have You, Slow Pony Home, Somebody Loved) which drip with an unparalleled degree of love and affection, or which speak to some of the most vulnerable parts of me (Citywide Rodeo, Hummingbird), or which are just flat out gorgeous (Sirens, Painting By Chagall, They're In Love, Where Am I). I'm totally infatuated with this band's music.

And what sends me the most is that the two members of the band, Deb Talan and Steve Tannen, are a married couple with kids and a home. Like, is that the reason their songs are so emotionally impactful and fulfilling to listen to? It's wild. I'm so glad they're happy together, and I can't help but feel like that love bleeds through into their music.

The Weepies got me through some of the toughest times of 2020. They swept in with a total underdog victory, considering that I didn't know who they were until this year. Every other artist on this list has been on my radar for at least a year, except this band. I'm so glad I managed to stumble into this band through sheer happenstance, because their music has made my life better.

[grimelords]

October Playlist

My October playlist is finished and it’s complete from Rico Nasty to Rachmaninoff. I absolutely guarantee there’s something you’ll love in this 3 and a half hours of music, and probably something you’ll hate too! Something for everyone!

If you’d like to have these playlists delivered to your inbox instead of having them randomly appear on your dash, please subscribe to my tinyletter here.

listen here

Santeria - Pusha T: In anticipation of Jesus Is King I relistened to the entire Wyoming Sessions project a few times, and a year removed from all the hype and controversy here's the thing: it's fucking great. The individual albums ranged pretty widely in quality and felt slightly unfinished for how short they were sometimes, but taking the project as a whole 5-album 120 minute playlist it turns out it's a masterpiece. My personal tracklist goes Ye/Daytona/Nasir/KTSE/Kids See Ghosts, which isn't release order but I think makes it flow the best - both Kanye albums bookending it and the less impactful Nas and Teyana Taylor albums buried a bit further in where you can appreciate them now that you're deep in the mindset of the whole thing rather than alone on their own.

Puppets (Succession Remix) - Pusha T & Nicholas Brittel: This remix is such a perfect match: Pusha T’s corporate villainy finally given a context and prestige it deserves. It’s also short enough that it could feasible be the actual theme song next season, which would be a marked improvement imo.

Use This Gospel - Kanye West, Clipse & Kenny G: I am and remain a Kanye stan, even after everything. It’s nice to see him going back to the extremely uneven mastering of MBDTF era, it’s a sound that is uniquely his and it’s fun to see him revisit it. The thick vocoder harmony is so soupy you get lost in it, and the way it opens up to include the full choir in the No Malice verse is beautiful. Kanye reunited Clipse through Christ and we have Him to thank for that at least. The Kenny G break is great, and the grain and dirt on the whole track when the beat kicks in is so gritty you can feel it.

Man Of The Year - Schoolboy Q: I didn't love the Chromatics album they surprise released but it did thankfully remind me of the time Schoolboy Q sampled Cherry for Man Of The Year. Taken exclusively on lyrics, Man Of The Year is a triumph: he's the man of the year and it's all worked out but the sample and the beat underscores the dead eyed melancholy that runs through the whole of Oxymoron of never winning even when you've won.

Cold - Rico Nasty: This song fucking tears your face off. Imagine STARTING your album at this level of intensity. She just goes straight to 100 and burns the house down. Outside of Lil John so few rappers can get away with just straight up screaming in the adlibs but the way she just lung tearingly screams GOOOO through this is fucking sick.

Fake ID - Riton & Kah-Lo: TikTok songs are becoming their own genre, but it’s a very nebulous sort of a mood encompassing everything from aughts pop punk hooks to skipping rope raps like this. It’s a strange new way for songs to blow up that everyone seems compelled to write articles about but my take on it is it’s exactly the same as ads were in the old days. Remember how many songs did absolute numbers because someone put it in a Motorola ad? Same thing except you’re not being sold a phone this time, so in some ways it’s better. Anyway, this song bangs. The spirit of 212 era Azealia Banks lives on even if she’s doing her best ever since then to kill it.

Doctor Pressure - MYLO & Miami Sound Machine: There was a very good era in the mid-2000s where you could just put mashups out as singles and they’d chart, it was sick. My only two examples are this and Destination Calabria but I’m sure there’s more. Drop The Pressure is a masterpiece but as an alternate version this mashup is equally masterful.  

If You’re Tarzan, I’m Jane - Martika: Martika is unfortunately best known for the 1989 one hit wonder Toy Soldiers, a sort of boring overdramatic ballad which is best known for being sampled by Eminem in 2004 in his quite bad super duper serious song Like Toy Soldiers. I say unfortunately because every other song on her first album is great, it’s all hypercolour 80s synthpop and I love this song especially because it is so completely stuffed with activity it becomes dizzying. It gets so lost in itself that they completely abandon the dramatic pause before “I’m Jane” for some reason toward the end and instead just layer three different tracks of vocal adlibs. Every part of this song is great, the weird ‘o we o we o’ chant before the second verse? The neighing horse guitar before the bridge? The musical tour of the world IN the bridge? The part where she says ‘I want to swing on your vine?’. This song has everything.

You Got Me Into This - Martika: Every part of the instrumentation in this is amazing. The bass sound, the main synth, the extremely athletic brass, the wonderful echoing 80s snare that’s as big as a house. I just love it. She also does some really intriguing slurs on the word ‘love’ all the way through, just moving it around absolutely anywhere.

Space Time Motion - Jennifer Vanilla: I love when someone has such a clearly defined aesthetic and mission from the very beginning. Jennifer Vanilla is the alter ego of Becca Kaufmann from Ava Luna who I've had in this playlist before but never competely investigated. Jennifer Vanilla feels like an episode of Sex And The City where Samantha gets really into Laurie Anderson and she is incredible. This video is the best mission statement I’ve ever seen and is currently criminally underviewed so please do your part and support the Jennifer cause by watching these two videos.

So Hot You’re Hurting My Feelings - Caroline Polachek: Caroline Polachek said watch me write a Haim song and did it. Apparently the very early versions of this album started when she was in writing sessions for Katy Perry, but then it started to turn into something else and she took it for herself, and I think you can hear that. With more normal production and a little faster this is a hundred percent a Katy Perry song, but instead it’s completely uniquely Caroline Polachek and it’s all the better for it. And also Katy Perry must be furious because her new songs are simply not good at all.

Electric Blue - Arcade Fire: I just love the obsession of this song in the outro, chanting over and over and over “Cover my eyes electric blue, every single night I dream about you”

Promiscuous - Nelly Furtado and Timbaland: I got a youtube ad for one of those Masterclass videos the other day and it was Timbaland teaching production. This ad went for five minutes for some reason and I watched the whole thing and it made me admire Timbaland even more. He’s demonstrating his compositional technique which is basically to just beatbox, and then loop it, and then add some extra percussion layers with more beatboxing and hand percussion, then loop that and add a little melody by singing or humming. ‘It’s that simple’ he says. Then later he goes back in and puts in actual drums or synths or whatever. I was stunned because suddenly a lot of his music makes sense. Without the barrier of instrument or timbre to get hung up on it allows him to write from this instantly head-nodding place of just making up a little beat you can sing and dance to immediately. Listening to a lot of his music now you can hear the bones underneath everything so clearly, all his beats are supremely beatboxable and all his melodies are very hummable, they’ve never overcomplicated by instrumental skill or habits, they just exist to serve the song.

Serpent - TNGHT:  TNGHT are back baby and this song is like nothing I’ve ever heard before. It feels like afrofuturist footwork from another dimension, the mbira sounding lead against the oil drum percussion in this cacophony of yelps and screams that just builds to an irrepressible energy without a bassline in sight.

Ghosts Of My Life - Rufige Kru: I'm reading Mark Fisher's Ghosts Of My Life right now and some good person has put together a spotify playlist of all the songs he mentions. He has a whole essay about why this song is sick so I’m not going to go into it here but it’s interesting to hear about someone growing up with jungle when it’s a genre that has always felt very niche to me. I guess partly as a result of it never really making it mainstream as a genre here, and also me being a little too young for it.

Renegade Snares - Omni Trio: My biggest introduction to drum and bass comes from the game Midnight Club 3: Dub Edition and this really great song from the soundtrack that is finally on spotify after a very long absence. At almost the exact same time as I discovered this song with its spacious piano and repitched snares, I discovered Venetian Snares and breakcore in general. Having no particular frame of reference for breakcore as an offshoot of drum and bass only amplified its appeal to me as a completely alien genre that sounded like nothing else I’d ever heard, and so my personal history with drum and bass is a story of walking backwards into it after the fact which is interesting if not helpful.

Punching In A Dream - The Naked And Famous: The Mark Fisher book also mentions the Tricky song which I’ve never heard from which The Naked And Famous got their name and I thought ‘man remember The Naked And Famous, they were sick?’. The sort of harder edged Passion Pit instrumentation mixed with pop punk, a winning combination.

Vegas - Polica: My favourite part of this song is the unexpected blastbeats after the chorus, using their two drummers to their full advantage and just shaking the song by its foundations every now and then lest you get too comfortable.

Right Words - Cults: I’m beginning to suspect I may be the last surviving Cults stan but if this be my lot I’ll gladly do it

Running From The Sun - Chromatics: The new Chromatics album got me to relisten to their definitive document Kill For Love, and something new I appreciated this time about an album I love a lot is its length. Kill For Love is almost 80 minutes long and it luxuriates in that length. It’s sequenced perfectly so it never feels like it’s long for no reason, but large chunks just completely space out and go out of focus in the soft neon light and the second half of this song is a good example. The whole thing just evaporates into smoke and it feels perfect. If this were a shorter and more concise song that had a proper ending it wouldn’t feel right, this whole album has no straight edges at all and it’s all the better for it.

Chance - Angel Olsen: I cannot belive this song. This feels like she wrote her own version of My Way looking forward instead of back. Instead of the ruefully triumphant "I've lived a life that's full / I've traveled each and every highway" it's “I don't want it all / I've had enough / I don't want it all / I've had a love." before the turn from the future to the present at the end, where she gives up on a forever love in exchange for right now. I love how raw this vocal take feels. It's not her best voice but it feels very very honest as a result. She's just singing her heart out in this huge showstopping closer. In an interview she said "I didn’t love the recording of it very much, and now I just feel in love with it as a closing statement, because it’s a way of saying, ‘Look, I have hope for the next thing in my life.’ I’m not going to anticipate negativity or hate or an end. But instead of us looking towards forever, why don’t we just work on right now?"

Something To Believe - Weyes Blood: This album just keeps paying dividends. I’m systematically going through long obsessive periods with every single song on it and now it’s Something To Believe’s turn.

Don’t Shut Me Up (Politely) - Brigid Mae Power: Without meaning to, Brigid Mae Power seems to have created some incredible fusion of folk music and stoner metal. The way this song absolutely sits unmoving on one deep and resonant chord for so long is amazing. When it does change chords it feels like a full body effort to get up and shift. She has a similar feeling to Emma Ruth Rundle, who more explicitly wears her metal influences, but Brigid Mae Powers' strength is in how much it resembles the traditional folk side of the spectrum. Her voice is also amazing, with the huge effortless runs she goes on about halfway through just coming unmoored from the song completely and floating off into space.

Sweetheart I Ain’t Your Christ - Josh T. Pearson: I had a real problem with Josh T. Pearson for a long time because of how he presents as so authentic on this album, and as I’ve previously discussed in these playlists the concept of authenticity in country music is a source of neverending anguish for me. But his newest album The Straight Hits! has largely cured that for me because it’s not good at all, is extremely contrived (all the song titles have the word ‘hit’ in them) and he’s shaved his beard and replaced it with one of the worst irony moustaches I’ve ever seen. So now I’m free to enjoy The Last Of The Country Gentlemen as a character construction, which allows me a far deeper and truer engagement than the idea of a man actually living and thinking like this which is frankly a little embarrassing.

Codeine Dream - Colter Wall: I love this song, it has that feeling that great folk songs do of feeling like you’ve always known it. The strongest moments on this Colter Wall album to me are in songs like this that chase this particular feeling of morose isolation, and where he leans away from storytelling like his biggest hit Kate McCannon - a kind of cliche country murder ballad. This song is fantastic because of the way it wallows in this black depression not as a low point, but as a reprieve from the lower previous point. Things are as bad as they get now, and they’re always going to be like this, but at least I don’t dream of you anymore.

Motorcycle - Colter Wall: I only just found out about Colter Wall this month and have been listening to this album over and over. When I first heard him I though it was strange I'd never heard of him before because he's obviously some old country veteran based off his voice, but it turns out he's 24 and this is his first album he just sings like he ate a cigar. I love this song especially because it's so straighforward. It's a simple and supremely relatable mood: what if I bought a motorbike and fucking died.

Who By Fire - Leonard Cohen: I watched American Animals a couple of weeks ago and it’s a great movie, highly recommended. This song plays near the end and I waited for the credits to find out what this great song was, and like a rube found out it’s only one of the most celebrated songwriters of all time. I’ve never had much of a Leonard Cohen phase, somehow. In my mind I always get him mixed up with Lou Reed, which I’m learning is actually way off. I love the harmony vocals in this, and the way they move around into the shadows in the ‘who shall I say is calling’ parts.

Words From The Executioner To Alexander Pearce - The Drones: Alexander Pearce was a convict who escaped Sarah Island’s penal settlement in Tasmania with seven other convicts in 1822. He was recaptured two months later alone. In 1823 he re-escaped with a fellow convict, Thomas Cox and again was returned alone.He was executed by hanging later having eaten six men during his escape attempts.

It Ain’t All Flowers - Sturgill Simpson: I found this album going through the Pichfork 200 albums of the decade list and I feel like a fool for not having heard it sooner because now I am completely obsessed. Sturgill Simpson is doing the very best work in country music right now because he's looking backwards with one eye and forwards with the other and this song is a great illustration: a perfect Hank Williams Jr type country song with big voiced hollers that morphs into a surprise psych freakout for the whole second half.

Desolation Row (Take 1, Alternate Take) - Bob Dylan: I’ve always liked Desolation Row a lot as a song but the acoustic guitar on the album version is simply not good, it's just kind of mindlessly playing this long directionless solo the whole time and over the course of a song this long it really adds up to just being annoying. Luckily because it’s a Bob Dylan song there’s a whole universe of alternate takes and mixes and this is a great pared down version I found without it. The best kind of Bob Dylan songs are the ones where he just makes an endless stream of allusions and bizzare imagery, and this and Bob Dylan's 115th Dream are my favourite examples of it.

Living On Credit Blues - El Ten Eleven: This is a groove I get stuck in my head a lot, and this is also a song I think would work well as a theme for a tv show. I've been meaning to do a 30 second edit of it just for my own amusement, maybe I'll do that soon. El Ten Eleven are a duo where one guy plays drums and one guys plays a double necked guitar/bass and looping pedals and somehow against all the odds of that description they manage to make emotional, driving instrumental music of very deep feeling, like this song which is one of my all time favourites.

Dusty Flourescent/Wooden Shelves - Talkdemonic: This is sort of a companion Living On Credit Blues, and Talkdemonic are similarly an instrumental duo with good drums. This entire album from 2005 is highly recommended, it's a sort of halfway between the post rock of the time and a kind of acoustic hiphop instrumentals that ends up sounding very rustic and homemade, like a soudtrack for a winter cabin.

Turnstile Blues - Autolux: This is a perfect song, built around a perfect beat. Every part just fits perfectly.

Fort Greene Park - Battles: The new Battles album is finally out and I absolutely love it. I cannot think of another band that has shed members in the same way as Battles; originally a quartet on their first album, then a trio for their second and third and now down to a duo for their fourth album - and somehow still performing material from their first album live. The paring down has seemingly only servers to focus them and the new album sounds fresh but still distinctively Battles, with no sense of anything lost or missing. This song is my standout so far, and the guitar line in particular is so good and interesting to me because I don’t think I’ve ever heard Ian Williams play something so distinctly guitar-y in his whole career. This is a straight up pentatonic riff with bends and everything. Filtered through his usual chopped and looped oddness it feels like he’s almost gone all the back around the guitar continuum and is this close to just doing power chords next album. And I’ll support him!

Diane Young - Vampire Weekend: I've listened to this song a lot in my life and I only looked up the lyrics the other day to find out that the opening line is 'you torched a SAAB like a pile of leaves' which I somehow never noticed. What a power phrase. There's also this very good quote from Ezra about it: "I had this feeling that the world doesn’t want a song called ‘Dying Young’,“ says Koenig, "it just sounded so heavy and self-serious, whereas ‘Diane Young’ sounded like a nice person’s name.”" and he was right to do it. This song is 100 times better because he’s saying Diane Young than it would be if he was saying ‘Dying Young’. That’s a songwriting tip for you.

Monster Mash - Bootsy Collins & Buckethead: Hey did you hear Bootsy Collins and Buckethead did a cover of the monster mash? Thank god for freaks.

The Dark Sentencer - Coheed And Cambria: There's not that many bands that I absolutely loved as a teenager that I've completely abandoned. I've moved on from a lot but I'll still keep up with them if they have a new album or something. Coheed And Cambria are one that I've almost completely turned my back on. They've had 3 apparently pretty patchy albums since I stopped listening after Year Of The Black Rainbow, which was extremely bad and really taught me what people mean when they say an album is 'overproduced'. On a whim I decided to see what they're up to now and listened to their album from last year and guess what: it rocks. It's got everything you'd expect from them: big riffs, bad and confusing lyrics, his weird high voice, overwrought and overlong songwriting, cheesy muscleman solos. Everything about this band is sort of cheesy and embarrassing and takes itself way too seriously, but I'm discovering slowly that that's what's so good about it. The weird pulp sci-fi story and mindset that underpins this whole band is ridiculous and overwrought and as a result it gives the music a reason to exist the way it does. It’s so big and dumb because the story it serves is so big and dumb. It feels exactly like reading Perry Rhodan or some increidibly long and dense but not especially good series like that, it’s pulp music and that’s what I love about it.

Romance In A (6 Hands) - Sergei Rachmaninoff: Piano works for 4 hands (where two guys sit next to each other on the same piano) have always seemed to tend towards the realm of the gimmick or party trick, and works for 6 hands (where three guys do it) even more so - but this Rachmaninoff piece is just beautiful and I can’t believe I haven’t heard of it before this month. It doesn’t overload everyone with a million things to do, it just builds this very wide harmonic bed for the simple melody to swim in - then the way the melody transfers over to the middle register is just magical before the tension of the final section takes over and builds.

Love's Theme - The Love Unlimited Orchestra: I’m so glad I got to learn about the Love Unlimited Orchestra this month. Aside from having one of the best names in music, they were Barry White’s backing band and had their own solo instrumental records too. Here’s a fun aside: Kenny G was a member when he was 17 and still in high school. This is a genre of music that has seemed to totally disappear into the realm of parody and farce only which is sort of a shame because it is unironically very beautiful and dense in its own way.

Dancing In The Moonlight - Liza Minelli: Can you believe I thought Dancing In The Moonlight by Toploader was an original until the other day when my girlfriend played this Liza Minelli version that predates it by several decades? This also isn’t the original! It was written by a band named King Harvest in 1972, with this version AND a version by Young Generation both coming out in 73 and a whole bunch of others in between (including a Baha Men version in 94) before Toploader finally had a proper hit with it in 2000. Truly the world works in mysterious ways. This version is the finest I think, it just goes and goes, frenetically unwinding at a breakneck pace before opening up into a flute solo of all things and then winding up again even and finishing in a kick line breakdown. Absolutely no limits.

Girls - Royal Headache: The sheer amount of power and melody that this song manages to pack into a minute and a half is incredible, and I don’t think I’ve ever heard a more instantly relatable opening lyric than “Girl! Think they’re to fine for me! Oh girls! And I’m inclined to agree!”

Pov Piti - Matana Roberts: In anticipation of Matana Roberts new volume of her Coin Coin album series that just came out I relistened through the three previous albums and they are even more powerful than I remembered. This song serves as a pretty good mission statement for the whole project, and the heartrending tortured screams that open it set the tone for the rest of it. Matana Roberts sings the injustices of slavery into being, and her sing-song delivery highlights the trauma - her indifferent delivery mirroring the indifference of the world at large. The way she rattles off this story like she’s gone over it a million times and grown numb to the facts only accentuates the pain in the telling, a pain that rises to the surface in the screams of her instrument and herself.  

Kingdoms (G) - Sunn 0))): This new Sun 0))) album is one of my favourites they’ve ever done because it’s so straightforward and back to basics. Every song is just ten minutes of straight up no-nonsense, big, rich, drone. They even put the notes in the track names so you can drone along if you like.

listen here

[nothingunrealistic]

oof hey i hope i'm not bothering you, and i asked jury this already (and deffo got a good answer but i need all the info i can get because i am crushingly insecure)- do you have any tips on characterizing/writing the deh characters? i struggle with it immensely and I have no idea why, and you're one of my favorite writers for this fandom. so. no pressure to respond i was just curious!

sure! the only characters i write regularly/feel confident in writing are evan, jared, and alana, so those are the characters i’ll talk about the most, but i’ll try to say something for all of them. also this will feature a good number of quotes from writers’ notes (here) and interviews because those are the main sources i draw on for characterization after, you know, actual canon

evan

Smart, sincere, and cripplinglyself-conscious, Evan prefers to hover in the background, asupporting player in his own life, too afraid to step forward into thespotlight and risk ridicule or, what might be worse, no one noticinghim at all.

this description captures a lot of the things i think are key about evan, but one big thing it’s missing is that he’s kind of an asshole. he usually has good intentions, and he tries to be inoffensive and considerate and Nice, but he sucks at that because it’s just not how he naturally is. he’s bitter and angry about a lot of things - his lack of friends, jared (ostensibly) not caring about him or taking him seriously, heidi rarely being present, and perhaps most of all, his own perception of himself as “broken” and a burden, which he genuinely believes that heidi agrees with and that everyone else would if they knew what he was truly like. he’s frequently sarcastic and occasionally pedantic (see: “president” “co-president” and “it’s sula” “what did i say?” “sulu”). but these are things he doesn’t like about himself, which is why he tries to be either Nice or invisible, especially when he feels uncomfortable. the times when he’s most comfortable acting like himself are, in my opinion, when he’s just with jared, who in turn finds it most fun to spend time with evan when he’s not putting up a front.

major pet peeves in fic: being written as a ~delicate anxious bean uwu~ or anything along those lines; dialogue with stuttering that doesn’t resemble his actual speech patterns at all; making a big deal out of him using profanity; portraying his relationship with jared as evan just letting himself get pushed around until someone (usually connor) comes in to bravely show evan that He Doesn’t Deserve That

jared

Droll and sarcastic,Jared claims to be forced by his parents to hang out with familyfriend Evan, for whom he ostensibly has nothing but disdain.Jared covers his own obvious insecurities with a well-practicedbraggadocio and a know-it-all arrogance.

I think this is the playlist that Jared puts on in the morning on the first day of school to pump himself up for the day… Ultimately he’s terrified of going back to school, but he’s trying to psych himself up. … Every one of these songs is a JAM. No ballads here. And they’re all slightly sarcastic or tongue-in-cheek songs about unrequited love. Jared can relate to that. [x]

Jared Kleinman is too cool for the music of the times. He is proudly a walking 90’s movie… but he doesn’t mind sneaking a little of his parents Manischewitz and listening to a dusty Bette Midler record. [x]

(there are like a dozen interviews with will roland that i could cite here but that’s practically a post unto itself)

the best way i can sum up all the major points of jared’s characterization is that there’s always a reason for the things he says. he doesn’t make harsh remarks to be deliberately cruel or mean; he’s either pointing out an uncomfortable but important truth, or he’s aiming to make a joke and inadvertently crossing the line. when he does make jokes, it’s often another way of delivering the truth, an attempt to get people to laugh and thereby validate that he’s clever/funny/worthy, or an effort to deflect something that makes him uncomfortable or scared. redirection, derision, and showing off are some of his major defensive tactics; he doesn’t do self-deprecation out loud, but he is, as will has said, repressed and self-hating. he and evan are similarly asshole-ish, but where evan tries to hide it, jared tries to hide behind it.

he wants people to be impressed by him in general, but he really wants evan in particular to think well of him and be his friend and openly care about him - the problem is that jared can’t bring himself to openly care about evan, because that entails emotional honesty & vulnerability that he’s just not prepared to deal with. hence their interaction on the first day of school, and then jared agreeing to help evan more and more with his increasingly complex lie despite claiming not to care. (the key word in that first quote is “ostensibly.”) when he is actually is at ease (which is pretty rare, at least in canon), he’s a bit of a drama queen, which evan may pretend to be annoyed by but quietly enjoys.

major pet peeves in fic: being written as straight and/or homophobic and/or leaping to make jokes about how evan and connor are Clearly Doing It immediately after finding out that they’re becoming friends (as if he isn’t utterly convinced that evan is 100% straight); making excessive/forced references and jokes to modern pop culture/memes (everything he shouts out in any form of canon is at least ten years old and usually decades old, and that doesn’t happen often anyway); relentlessly treating evan like shit/being incredibly domineering in their friendship; constant bickering with connor; calling evan “hansen” all the time when he only ever addresses him as “evan” (or, like, “dude” or “bro” or “son”) and even only does THAT when he’s especially emotional or letting his guard down; just generally giving him dialogue that in no way resembles his actual, very distinctive speech patterns

(i have. a lot of thoughts and feelings about jared)

alana

Alana is an incredibly genuineperson. Everything she does comes from a place of deephonesty and tremendous feeling. All of the characters inthis musical put up masks of sorts. For Alana, it’s a façadeof cheerfulness. She is always ready with a smile, a note ofencouragement. This hides the loneliness underneath. 

often prone to melodrama, high school senior Alana has few friends but lacks the self-awareness to understand why; beneath her extroverted demeanor, Alana is in fact haunted by a terrible and abiding loneliness; tired of always being an outsider, Alana seizes the death of a classmate as an opportunity finally to find a sense of belonging. [x]

Study break! … Alana spend a lot of time in the books. This playlist allows her to either kick back, have a lip sync battle, or a jam session. … We have classic up beats like ‘Uptown Funk’ by Bruno Mars cause she loves to dance and be silly. She’s also a romantic. Girl reads Jane Austen, so a nice healthy batch of love songs to daydream to. She’s also a feminist! So naturally Beyoncé has the perfect perfect pump up jams for the feminist in us all.

alana has Big Feelings, and they drive all her actions. she wants to achieve great things and succeed in life, yes, but more importantly, she wants to help people and make the world a better place. when she commits to a course of action, it’s because she truly believes that it’s the right or most beneficial thing to do in the end, even if the means themselves are questionable. much like jared, she struggles with vulnerability and connection with other people, and often tries to form connections with other people by making herself seem more impressive, but unlike jared, she also tries to build up and support other people, rather than tearing them down. she’s also committed to supporting Truth in a general sense, and struggles when this comes into conflict with Doing The Right Thing. this is especially obvious after good for you, when she resigns herself to continuing the fundraiser even though she’s certain it’s based on a lie.

all of this makes alana seem incredibly serious, but that’s not the entire picture. she strives to be upbeat and optimistic, and even when she’s not trying, she loves to have fun! she likes to be silly and tell jokes and laugh at other people’s jokes and daydream about finding a great romance! she thought “fuck finn” was the height of comedy! she’s not a killjoy!

i also hold with kristolyn lloyd’s theory that alana was very close with her grandmother and struggled with feeling unable/not allowed to openly grieve her death, or to express any kind of loneliness or other strong negative emotion. however, i do not hold with kristolyn’s theory that alana had a crush on connor, because alana is a lesbian.

major pet peeves in fic: being written as pedantic and joyless; overly formal dialogue (she’s perfectly capable of using colloquialisms and slang) in which she is never sarcastic, ever (she absolutely can be when she’s frustrated) 

zoe

a sensitive, sophisticated high school junior; cool without realizing it, Zoe could care less about the status games and popularity rites of high school; funny and bright, she has grown up in the long shadow cast by her volatile older brother, Connor, tyrannized along with the rest of her family by his out-of-control behavior; few rooms are as familiar to her as the inside of a family therapist’s office; Zoe compensates for her brother’s darkness by striving to be warm, nice to everyone, the kind of person who goes out of her way to learn the names of the kids who sit by themselves at lunch; she feels a terrible ambivalence over her brother’s death, finding it difficult to forgive him for all he did, and at the same time forgive that part of herself that feels nothing but relief in the fact that he’s gone.

this sums up just about everything i could say, but i will add: the disembodied voice calling zoe a “stuck-up bitch” during ywbf reprise is NOT a voice you’re supposed to agree with.

major pet peeves: anything that states/suggest that zoe is a bitch; those connor/evan fix-it fics with background zoe/alana where the premise of zoe and alana’s relationship is “they’ve actually been best friends this whole time!!” even though this contradicts canon on multiple levels

connor

An angry, disaffectedloner, Connor has been a troubled kid for as long as anyone canremember, an enigma and a source of endless consternation to hislong-suffering parents and sister.

i honestly don’t have much to say about connor, because i don’t think about him very often, but i will say that:

- if your portrayal of him can be described as “edgy,” you’re probably doing something wrong. he’s just as awkward and anxious as evan, it just manifests very differently

- him addressing evan as “hansen” all the time is admittedly much more plausible than jared doing it, but still just as annoying

heidi

Overworkedand stretched too thin, Heidi loves her son fiercely, but fears theyhave begun to grow apart. She is prepared to do anything to repairthe damage.

heidi’s torn between trying to connect with evan and trying to provide a better life for him, because for her, achieving the latter currently requires spending too many hours away from home to really achieve the former. that’s why she’s so upset and demands to know what’s going on in evan’s life when he seems to be acting out of character and doing things she doesn’t expect him to do - she feels she’s being left out of the loop. much like alana, she strives for optimism, trying to find the bright side of any situation. and, as steven levenson pointed out in the annotated script (regarding the line about fabulous tips that evan’s stepmother may or may not have made from cocktail waitressing), she doesn’t have a fully developed sense of healthy boundaries, which is an interesting nuance that tends to get lost in fics that flatten her out into a generic Cool Mom. she’s trying to raise a teenager while not wanting to fully grow up herself.

cynthia

To Evan, she seems to be the perfect mother, nurturing, available,and willing to talk about anything. To her own children, it’s a bitmore complicated.

evan idealizes all the murphys, and cynthia is no exception. she tries her hardest to be a good and accessible mother, but she’s deeply dissatisfied with being just a mother. she works to support and empathize with connor, and to remember him positively after his death, but she frequently neglects and minimizes zoe and her problems in the process.  

larry

Though often tense and taciturn, Larry shows a different face tothe world, representing for Evan the dad he always wished for:strong, confident, and, more than anything, reliable, someone to becounted on.

is larry going to call his children slurs or disown them/kick them out of the house for being lgbt? no. is he going to research How To Interact With Your LGBT Child and drive connor and zoe to the local pride parade? also no. the once-popular (and possibly still popular?) characterization of him as a demon straight from the ninth circle of hell is just as inaccurate as evan’s perception of him as the World’s Greatest Dad.

i hope this helps! and thank you for asking - i really enjoyed answering this, and i’d be happy to expand on most of these points if you want.

[i-am-a-blue-dragon]

If I'm doing all the music asks, so are you. I CHALLENGE THEE.

It has been a calendar year since you sent me this.  SORRY.  You know I’ve been busy.  @groovyaviator also asked me Daft Punk, Fall Out Boy, and Led Zeppelin.  Let’s do this.

- Alabama Shakes: Favorite female lead? Aurora.

- Arctic Monkeys: Favorite male lead? Chris Martin.

- Ben Howard: An album that reminds you of your favorite season? Aurora’s All My Demons Greeting Me as a Friend, because it reminds me of when of that moment in late October when you realize winter is on its way.  But I’m also a fan of our weather right now, so for that I would assign Coldplay’s Mylo Xyloto.  And I’ve also come to favor the weather around my birthday midsummer, and for that I’d assign The Golden Age by Woodkid.

- Bon Iver: An album you could listen to on repeat for years? Coldplay’s X&Y. Regina Spektor’s Far, as well as What We Saw from the Cheap Seats.  alt-J’s entire discography. The How to Train Your Dragon soundtrack by John Powell.  The soundtrack to Jane Eyre by Dario Marianelli.  The Golden Age by Woodkid.

- Bastille: A song that brings back bad memories? Already Over by Red.  Sweater Weather by The Neighbourhood.  The Ballad of John Hurt by alt-J, but the memory is more bittersweet than bad.  Yes by Coldplay, tied closely with Two Birds by Regina Spektor.

- The Beatles: An artist you think is overrated? Ed Sheeran.

- Coldplay: A band you used to love but never listen to anymore? Coldplay, right now!  I still love them very much but I’ve been listening to a lot of other stuff.  Also, Linkin Park, Chevelle, Breaking Benjamin, Evanescence… I went through a phase.

- Daft Punk: Favorite instrumental (no vocals) song? The Heart Asks Pleasure First by Michael Nyman.  It also is my favorite song, but specifically the composer’s cut version.

- Dawes: A genre of music you absolutely cannot stand? I really have a hard time with country.  I’m sorry, Becca.

- Electric Light Orchestra: Favorite song to help you cheer up? I have a 75 song playlist of these, my dude.  Rasputin by Boney M. reminds me of a ridiculous time in high school and never fails to make me smile, but most of the time my go-to is Everything’s Not Lost by Coldplay.

- Elliot Smith: Favorite song to listen to when you’re sad? I tend not to listen to a lot of music when I’m sad… but maybe the cover of Where Is My Mind by Bandit.

- Evanesence: Ever done drugs and listened to music? Lol no.

- Fun.: Put your music on shuffle and list the first three. Whatever happens, I blame Spotify: 1) Dust by Hans Zimmer (Interstellar soundtrack), 2) The Kill Ring by John Powell (How to Train Your Dragon soundtrack), 3) Daddy Issues by The Neighbourhood.  I only can recall listening to the middle one because I have a habit of saving albums to listen to later.

- Fall Out Boy: First album you fell in love with? Vocal: Linkin Park’s Meteora. Instrumental: John Williams’s soundtrack for Harry Potter and the Prisoner of Azkaban.

- Green Day: A song that makes you feel rebellious? Boss Ass Bitch by PTAF!

- George Ezra: A song that reminds you of a past lover? I don’t really have any of those, but you can refer to the bad memory response because it’s basically the same list.

- Genesis: A band that your parents always played when you were little? The Rolling Stones, because if it’s parents plural my dad is the automatic DJ and he plays classic rock exclusively.

- Hozier: Favorite brand new artist? How new is new?  Brand new to me right now are Tom Odell and Glass Animals but both have been at it since 2012.

- Iron & Wine?: What song would you want to be played at your wedding?“ Sleeping At Last did a cover of The Proclaimer’s I’m Gonna Be (500 Miles) that I absolutely fucking love.  But I would rather do an upbeat surprise choreographed dance number for my first dance because I don’t know how I feel about sharing an intimate moment with my new spouse in front of all those people.

- Imagine Dragons: What song would you want played at your funeral? At the beginning?  Talk by Coldplay.  At the end, The Heart Asks Pleasure First by Michael Nyman.

- Jack Johnson: A song you heard in a movie and fell in love with? Hans Zimmer’s song Time off of the Inception soundtrack.

- Joy Division: Your least favorite album by your favorite band? Ghost Stories by Coldplay because it’s sad and boring.  Probably also their newest album but I’ve refused to sit through all of it so I don’t know.

- The Killers: Name your top three songs of all time. So many repeating answers tonight! The Heart Asks Pleasure First by Michael Nyman; Talk by Coldplay; Aurora’s cover of Nature Boy.

- Linkin Park: Suggest a band you think I might like. @beccathevampyreslayer I think you’d really enjoy How to be a Human Being by Glass Animals because it’s equal parts dark and upbeat. @groovyaviator, listen to The Golden Age by Woodkid.  Becca can tell you that I’ve loved that album for years because the artist is also a director and intentionally writes his music to make listeners feel like the hero of a film.

- Led Zeppelin: Favorite album art? HOW DARE YOU MAKE ME CHOOSE.  The Golden Age by Woodkid.  Literally any art featured on an album or EP for Sleeping At Last.  The Resistance by Muse.  Any artwork featured in EPs or albums by Fleet Foxes.  Light & Gold by Eric Whitacre (if one is looking to buy a print for me I’d go with this one).  Parachutes by Coldplay.  The Lateness Of The Hour by Alex Clare.  Anything used by Foster The People.

- Muse: Craziest music video you’ve ever seen? Nothing will ever beat the Turn Down For What music video.

- Mumford & Sons: Favorite cover version of a song you love? Any iteration of Nature Boy by Nat King Cole but especially Aurora’s version.  The same can probably also be said for The Sound of Silence by Simon & Garfunkel, but nothing beats the original.

- The National: A song you sing in the shower? (I Won’t Say) I’m in Love from Hercules!

- Nathaniel Rateliff: A song that never fails to make you emotional? Laughing With by Regina Spektor has like a 50% chance of making me cry, as does Coming Back Around off the How to Train Your Dragon soundtrack.

- One Direction: Backstreet Boys or NSYNC? I liked both!  I think when I was younger I favored NSYNC, but boy bands aren’t really my mode of choice for experiencing ‘90s nostalgia.

- Pink Floyd: You can go back in time to see any band you want. Who would it be? Coldplay when they were touring for X&Y.  Stravinsky’s Firebird Suite as its debut.

- Queen: You can meet any band member, living or dead, and hang out with them for 24 hours. Who would it be? Eric Whitacre, who I have met before but definitely didn’t hang out with.  He’s a hero of mine because he kind of walked into his hometown university, picked up music super late, and went on to redefine classical music.  He was driven by passion, and his lack of early training really shows in the innovation in his work - the man draws PICTURES of his music before even trying to write down notes.  And he collaborates with all manner of interesting people, pulling source material from really unconventional places.  I’ve been contemplating a major change in life paths for the last year or so and it’s always very heartening to see someone do the same, and especially by sheer force of will.

- Radiohead: Favorite concert you’ve ever been to (or a band you want to see live). I saw Aurora live in November and she changed my life.  Marina and the Diamonds was incredible and so was her opening act, Christine and the Queens, who I also love.  Regina Spektor was so good live too.  And seeing Ke$ha last fall was just a lot of fun.  I regret not going to see Coldplay a lot sooner because I’d love to see them in general but I don’t like most of their newest music and I’d really rather hear stuff from Mylo Xyloto and earlier.

- Rihanna: A musician you respect, even if you might not like their music? I don’t really listen to Demi Lovato but I have mad respect for everything she advocates for.

- Roo Panes: Favorite acoustic version of a song? Aurora’s acoustic version of Murder Song (5, 4, 3, 2, 1).  It’s haunting.

- Simon & Garfunkel: Favorite album movie? (Ex. Yellow Submarine, The Wall, Help!, The Graduate) Kill me later but I don’t think I have ever seen one in its entirety.  I think I watched Help! with Becca, though.

- Skrillex: What’s the strangest song you have on your iPod right now? Rasputin by Boney M. and Chaccaron Maccaron by El Mundo.

- Tame Impala: A band none of your friends listen to? Aurora, Christine and the Queens, Tom Odell.  Becca introduced me to the last one but she doesn’t listen to his discography actively.

- Taylor Swift: Name that one artist that literally makes you so angry you’re willing to throw the damn radio right out the window to make it stop. I’ll never be over the travesty of Robin Thicke.  One of my favorite members of being a community advisor was our end of the year celebratory dinner, when the DJ started this song and the whole room stopped dancing and stared and him and I called over, “Please just change the song.”  Rape culture is bad, kids.

- U2: A song or album that somehow got onto your iPod but you have no idea where it came from??? Weird. Probably some random movie soundtrack.

- The Vaccines: What are your favorite lyrics? Quote them for me. Do they mean something special to you? “Are you lost or incomplete? Do you feel like a puzzle, you can’t your missing piece?” “Are you what you want to be?” “Is this the life you’ve been waiting for?” “Good is better than perfect, scrub ‘til your fingers are bleeding.  And I’m crying for things that I tell others to do without crying.” “I want to love you but I don’t know how.” “Are you getting stronger or is time shifting weight?” “Potentially lovely, perpetually human, suspended and open…” “You can’t pin me down!”  You might sense a theme here.  I think I do.

- Vampire Weekend: A band or artist you follow on Twitter? No Twitter for me, but if I did it’d be Eric Whitacre because his fans send him good music memes and he shares the best of them.

- Vance Joy: An artist where you can never tell what the hell they’re singing? Chevelle and George Ezra.

- Weezer: Favorite old school band? Simon & Garfunkel.

- The xx: A genre/band you’ve been getting into that you never thought you would enjoy? Synthpop.

[fuck-you-upmusicbracket]

The Ballad of Jane Doe (Ride the Cyclone)

Oh no soul, and no name/And no story, what a shame/Cruel existence was only a sham/Oh Saint Peter, let me in/You must know where I've been/Won't you tell me at last who I am?

And I'm askin' why/Lord If this is how I die Lord/Why be left with no family and no friends?/I've got no celebration/Just this consolation/Time eats all his children in the end

"The song is about a ghost who has no memory of who she was before she died. She laments her lack of memory and how it prevents her from moving on. Personally it’s the vocal range of the song that gets me really fucked up cuz it’s insane"

"You're dead and you don't even know who you are! No one can identify your body! Would they even let you into heaven if you don't exist? At least your voice sound incredibly haunting and you can sing while being turned upside down! Hello this is Rod Sterling. Wouldn't that be fucked up or what?"

"Jane Doe died via decapitation (all the characters in Ride the Cyclone die from the same accident, by the way). Because of this, no one could idenitify her body and so she doesn't know who she is in death. This song about her frustration about not knowing who she is, and wondering if she even has a soul or will be let into heaven because of this. The more higher-pitched singing she does is meant to mimic her screams when she died. This song gets the other characters to stop treating her like a creepy monster (or try to stop, anyway). It also convinces them to all vote for her, which lets her be reincarnated and live a full life. As with Talia, I would recommend watching the live performance for this one, it's pretty cool!"

The Monster Underneath Your Bed (Madame Macabre)

You don't have to fear the dead/You'vе tamed the monster undеrneath your bed/You don't have to fear the night 'cause/I'll be watching you 'til morning light

"Ok so its mostly personal reasons but some of it is stuff other people may relate to. Wasnt sure if personal relevant songs are what you are looking for. The less personal stuff is that its a song about a monster comforting the kid it haunts. Banger concept, right in the feelings. Its a lullaby specifically intended for kids. The more personal stuff is that im plural (multiple people existing within one body, see morethanone.info for a nice FAQ). I and another who lives in this body are both coming at this song from different perspectives and it makes the song very personally meaningful and very emotional. I would consider any song thats very emotional to be a 'fuck you up' song. This other person and I's relationship is very much like this song. He often takes the body to handle things that are hard for me, the way I do for him. Contextually, I have chronic nightmares and he will protect me from them if I ask, and this can easily fit into the lyrics. He also assumes a nonhuman shape in the 'minds eye'."

Ballard of Jane Doe submitted by @thereareeyesinsidethetrees + others

[grimelords]

I’m all caught up and presenting my August playlist just in time for September to end! Disco! Italo-pop! 90s gangsta rap! 3 hours worth of music for everyone!

Good To Me - THP: The most surefire way I’ve found to track down a great song you’ve never heard before is to look up every single sample on the Duck Sauce album. It has quite literally not failed me yet. This song is great, and being so used to the sped up sample in Goody Two Shoes this song sounds like the expanded chopped and screwed version to me which is even better.

Who Do You Love - THP: The other thing about THP is they’re extremely hard to search on Spotify because it thinks you’re trying to type ‘The’ and suggests 'The Beatles’ which is helpful.

Beleriand - The Middle East: I started rereading The Lord Of The Rings this month, and even got so deep in it that I started reading the Silmarillion for the first time and I suddenly remembered the time The Middle East wrote a song about Melkor and Angband and all that. Maybe the best Lord Of The Rings song I’ve heard almost exclusively for the drum work in the intro before it really settles into its Tolkein vibe.

Dead - San Fermin: I love this song but god I wish it were louder and more out of control. The sax sounds great but every other part isn’t nearly as turned up to 11 as it should be. The problem is that everyone in this band is such a professional they don’t know how to play like the maniacs this song deserves!

Tuesday Fresh Cuts - Bree Tranter: I’ve been looking up what all the members of The Middle East have done since they broke up and the best thing I’ve found is Rohin Jones writing music for a Dulux Paint commercial after the verse in Ninth Avenue Reverie about the guy who sniffs paint every night and dreams about being dead. Anyway as far as I can tell Bree Tranter is the one that’s had the most consistent and normal output since they broke up. This song is very much an ultimate night driving type song, except the lyrics are really not great but you can ignore that for how great it sounds, especially near the end when it really gets into a meditative state.

Ted, Just Admit It - Jane’s Addiction: Continuing my Jane’s Addiction phase, I really love this song. This is such a great brooding piece of music before it finally explodes into the declaration that sex is violent. Kind of a shame that it’s a serial killer song because he’s right about everything. Sex IS violent, the tv DO got them images, etc.

Fire Back About Your New Baby’s Sex - Don Caballero: I think this is probably Don Caballero’s most popular song, and with good reason. It’s among the most straightforward of their backward-ass songs and gives you a good grounding in how to understand the total chaos that is everything else they’ve done.

Ballad Of Circling Vultures - Pageninetynine: The entire last half of this song, when it slows down, is one of the best things I’ve ever heard. It feels like the entire mix begins to close in around you as it gets darker and darker before a door slams and you wake up somewhere else entirely.

You’ve Never Been Alone - Andrea Balency: I was watching this live video of Mount Kimbie https://www.youtube.com/watch?v=N6co64HYurg and they’ve got like a full band now! They’ve been slowly expanding from a duo and I suppose it makes sense because their last album really sounded like a band playing in a room rather than two guys on computers. Anyway it turns out the woman in their band is Andrea Balency and this song of hers is very beautiful and you can see exactly why they asked her to join.

The Conspiracy Of Seeds - 65daysofstatic: I was going through Circle Takes The Square’s performance credits on discogs (very cool hobby) and found out they’re credited on this 65dos song and was shocked that I didn’t know that already. It feels like they pretty much split the song down the middle and did half each, which is great!

Spanish Sahara (Deadboy remix) - Foals: This song isn’t on Australian spotify as far as I can tell, so if you’re in the UK I think you can listen to this. Otherwise it’s on youtube for everyone here https://www.youtube.com/watch?v=Lk24ujPN4Lo This is probably one of my favourite pieces of music ever, it’s such a beautiful remix even though it’s not particularly far from the original. It just does the work of focusing the vibe down to a laser point. I love how mechanical every part of it is contrasting against the dreamy vocals and organ, until it almost feels overloaded with hats and clicks in the highest points before it focuses down again and introduces the bassline alone. Then the last section! The stabbing insistence of the synth driving the whole thing to a fever pitch.

T69 Collapse - Aphex Twin: I’ve never been huge on Aphex Twin because all his songs sound like you pressed the demo button on a keyboard and then turned the tempo way up but I really like this one, almost exclusively for the bassline the comes in in the second half after the big space-out breakdown. It’s groovy! It’s the most I’ve ever liked the evil man!

Kansas City Star - Kasey Musgraves: The Kasey Musgraves album everyone was going wild for didn’t really do much for me but this cover is so fantastic, the slight melody change she’s done to the chorus is such an improvement and really makes it soar. Also google is good because right now the 25th image result for 'kacey musgraves’ is a deviantart pic where someone’s photoshopped her to be extremely obese called Kollosal Katy. Not really related to the song but I thought it was worth mentioning.

Pyramids - Frank Ocean: A big group of friends and I went to karaoke a couple of weeks ago and the version of Pyramids they had didn’t even have the second half! If I can’t subject everyone to ten full minutes of me doing it badly then what’s the DAMN point?

Aqua - Eurythmics: I heard this song on NTS and was instantly in love with the lyrics. Don’t touch me, don’t talk to me, throw me in the water, watch me drown! It’s that simple!

gonk steady one - Autechre: I went and saw Autechre when they were here a few months ago and I’m still thinking about it because it was like a multiplayer dream. They insisted on total darkness and everyone just kind of stood still or sat down for the whole show in the dark while an endless wave of sound from another dimension washed over us all. Then eventually the music stopped and the lights came on and I never actually saw Autechre the whole time I was there. I’m still working my way through their fucking 8 hour long new album but this is an early highlight. I don’t know how to explain this but it sounds good. It sounds like music by and for aliens that we can listen to and understand a small part of.

Poor Kakarookee - Venetian Snares: I was listening to this song and thinking the other day there’s a certain subset of Venetian Snares songs that sound like that bit from Parks and Rec where Adam Scott is like 'could a depressed person do THIS?’ and is holding up his deformed little stop motion figure from the deformed little stop motion movie he’s making. This is absolutely one of those songs. It’s a great song but it’s one of those songs.

Future People - Alabama Shakes: For a long time the only Alabama Shakes song I’d heard was Don’t Wanna Fight because it was just so good I figured there was no need to go further, which it turns out was extremely wrong because this whole album is completely killer. I just can’t believe her voice. The album version is great but the live version really shows it off https://www.youtube.com/watch?v=JbR999N5MiALa 

Mia Mania - Giani Morandi: I rewatched all of Harvey Birdman a couple of weeks ago and finally looked up what the song is in this clip https://www.youtube.com/watch?v=1xkhqce43mA because it gets stuck in my head all the time, and the only version I could find is this one with vocals which sounds even better!

Capriccio - Gianni Morandi: Then I dug deeper and started looking up the rest of this guy’s songs and totally loved it. There’s nothing better than digging around and finding what you think is some obscure artists before looking them up and finding out they’re incredibly famous and like the Italian Neil Diamond.

Parli Sempre Tu - Gianni Morandi: This is my favourite of his just for the insane pitch shifted vocal at the start, what an insane piece of sound for 1964! I’m desperate to know how they made it.

Forgotten Children - Mouse On The Keys: I suddenly remembered Mouse On The Keys the other day and thank god. They’re an instrumental band that’s two pianists and a drummer that looks like its jazz because of the instrumentation but is really more like post-hardcore in execution.

Can’t Get Right - Ghost-Note: I normally don’t go in much for this sort of drum clinic type music for musicians only but the central groove in this is just so good. It feels like two completely different songs playing at the same time, except if that sounded good. I found it because the bass genius Mono Neon played on it, watch the video and see if you can tell which one is named Mono Neon https://www.youtube.com/watch?v=PVw1b4gVYrU Also one of the guys seems to be playing a vibraphone that is a midi controller which I have never seen before in my life.

Shoot Myself - Venetian Snares: Venetian Snares has such a great melodic sense and it feels kind of underappreciated just because of how much his percussion is at the forefront of every critical appraisal. In songs like this where the drums are more restrained you can really feel the melody and harmony shine through, the layers of cascading synth lines piling up louder and louder before returning to the jazzy organ near the end is just such a beautiful moment.

Bad Boy - Den Harrow: This song sounds like an 11 year old wrote the lyrics and I absolutely love it. The best and most sexy lyrics: “Some dress Valentino, others wear t-shirts to show what a shapely bust they’ve got.”

Summertime - Barney Kessel: Barney Kessel the jazz guitarist that I only found out about this month did a bossa nova album when bossa nova was the biggest thing in the world and it’s so so good. He also does some very interesting playing on it that’s a lot closer to surf rock and rock n roll than anything else I’ve heard of his. This is also a good example of that thing when Stereo sound was brand new where every single instrument is panned hard left or right which is a treat in headphones.

Slice Of Heaven - Dave Dobbyn: It’s kind of a shame that this song never really gets better than the intro but when the intro is this good it’s fine. I remember this song from when I was a kid because it’s on the soundtrack to New Zealand’s first ever feature length animated film, Footrot Flats which I watched a lot.

Sailin Da South - ESG + DJ Screw: The hardest part about putting any one song from 3 N Tha Morning Part Two on a playlist is they’re not designed for that and it sounds awful and cruel to cut them off like that. So really instead of listening to this song listen to the whole album and turn purple.

Right Action - Franz Ferdinand: I think Franz Ferdinand deserve better than the sort of one hit wonder status they’ve got, because they’ve got a lot of great songs and this is one of them, and probably the danciest summary of the Noble Eightfold Path I’ve ever heard.

The Thing That Should Not Be - Metallica: I have done zero research but to me the 80s feels like the decade when HP Lovecraft and the Cthulu mythos really hit the mainstream. Dungeons and Dragons and all that. Anyway apparently Cliff Burton was a huge Lovecraft fan and they would all read his stories in the tour van which is a funny thing to imagine. Metallica have five or six Lovecraftian songs and the bulk of them were written after Cliff Burton died which is sort of touching in a way. Paying tribute to your friend by invoking the nameless horror that sleeps in R'lyeh.

Waters Of Nazareth x We Are Your Friends x Phantom - Justice: Justice’s new album is so good because it’s sort of halfway between a remix album, a live album and a Best Of. It’s essentially a studio live album, or maybe just a live recording straight from the soundboard with no crowd noise. Either way it’s great and leads to incredible three way mashups of their best songs like this one.

Mr Ice Cream Man (feat. Silkk The Shocker) - Master P: I was thinking about how you don’t really hear about Master P these days, but according to the first result when you google 'richest rappers’ he’s doing fine with a net worth of $227 million, which is more than Eminem. So good for him. Even if his music hasn’t really lasted I’m sure his many, many business dealings will leave him in good stead for the rest of his life. I’m just going to copy and paste some phrases from his wiki article here because it’s truly ridiculous: “He has since parlayed his $10,000 initial seed capital investment into a $250 million business empire spanning a wide variety of industries” “As a businessman, Miller was known for his frugality and keeping business expenses down and profit margins high” “He has since invested the millions of dollars he made from his No Limit record company into a travel agency, a Foot Locker retail outlet, real estate, stocks, film, music, and television production, toy making, a phone sex company, clothing, telecommunications, a jewellery line, auto accessories, book and magazine publishing, car rims, fast food franchises, and gas stations.” “Miller also has his own line of beverages, called "Make ‘Em Say Ughh!” energy drinks" “first rapper to establish a cable television network.”

The Party Don’t Stop - Mia X: Anyway via Master P I found Mia X, who sings the hook on Mr Ice Cream Man, and her album is actually good as fuck for an 80 minute No Limit album, mostly because it’s so packed with guests (it feels like everyone else on No Limit is on here, including guys with great names like Mo B. Dick and Kane & Abel, but also Mystikal and Salt N Pepa are here!) that you never get tired of the flow, and the production is nicely varied too.

Shut Up - Stormzy: This is like Stormzy’s biggest song and I’m dumb as fuck because I haven’t heard it until now when I was listening to Functions On The Low and found out he used it as the beat for this song. What an absolute thrill to see this perfect beat back in the limelight thanks to the man bringing grime back to the limelight!

All N’s - Mia X: I wanna talk about the beat on this Mia X song because it’s incredible front to back. (Lyrically this song is fucking great, especially the chorus) but the vocal synth bass sound is just amazing, and the hook melody is the damn 'there’s a place in France where the naked ladies dance’ melody. Every part of it’s insane.

Milk - Kings Of Leon: I got into a real groove this month and learned how to play this whole Kings Of Leon album on guitar for some reason. So now I’ve got that knowledge. But I forgot just how incredible this song is. It’s a testament to how if the music is good enough and the performance is good enough the lyrics can be absolutely anything. By the time he says “she’ll loan you her toothbrush, she’ll bartend your party” I’m already crying.​

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