#(even if they haven't said it yet)

[unbidden-yidden]

Here's the thing that really broke me about the goyische left's response to the Hamas massacre: once again, the uncritical, antisemitic double standard for Israel and Jews versus literally anyone else has now expanded to assume that Jews do not deserve human rights or have lost them by virtue of being Israeli.

Let's say, for a moment, that you have been radicalized to really believe that the Hamas attack on civilians was a liberatory action, perhaps unfortunate that it targeted unarmed civilians, but what else were they supposed to do? Besides, Israel has visited similar and worse attacks on Palestine for years, so turnabout is fair play, especially in service of the struggle of liberation of a brutally oppressed group. [To be clear: I take issue with this and find it morally repugnant. But for the moment, let's accept arguendo this belief as a baseline.]

Do you really include rape, torture, killing children at all but especially in front of their parents, or killing parents in front of their children and taking hostages of the survivors, beheading infants, trapping and burning families hidden together alive, stripping and parading hostages naked through the street, mutilating and displaying the bodies of the dead proudly and celebrating their deaths, and doing all of this on a holy day where Jewish people the world over are supposed to be celebrating the end of the holiday season and the beginning of a new cycle of Torah learning. On a day that people will be resting, with their families, unarmed and in their holy spaces, and are explicitly commanded to be happy.

.......amongst the "unfortunate-but-necessary violent struggle?"

Like even if you believe in your heart of hearts that all Israelis should die or at least are acceptable casualties in the struggle, do you really believe that there is any excuse for the above atrocities? If you do, I need you to ask yourself some things:

Do you think there is any justification for the manner and cruelty of the deaths?

Do you really think that there is anything a person could do in order to deserve any of these actions as a sentence?

Was the cruel nature of this, designed to inflict the greatest amount of trauma on the survivors and the Jewish people at large, actually necessary to accomplishing the goal of liberation?

Would you accept any of these actions being done to any other group?

If you are a white American, do you think you personally deserve this yourself for everything the United States has done to the native population (never mind anyone else)?

Do you think that civilians can be held 100% accountable for their government's actions? Is that a standard you yourself would like to be judged by?

If context is important, how is the last 2000 years of brutal antisemitism from virtually every part of the world not also relevant context? How is the Holocaust not relevant? The Farhud?

Do you think refugees fleeing genocide should be able to live wherever they can and that other countries and peoples have a duty to step up and take them in? If so, would you call refugees of genocide colonists and settlers?

Do you think that children should have to answer for the crimes of adults? That it is ever okay to kill them in cold blood?

Do you think that non-combatant deaths should ever be celebrated?

Theoretically, if the only way Hamas could accomplish its goal (which we will assume arguendo is Palestinian liberation, despite the mounds of evidence against that) is to kill whatever Israelis they could get their hands on, don't you think that a valid liberation force would just kill people as efficiently as possible rather than take the time to brutalize and humiliate them first? Wouldn't that be the more morally understandable thing to do?

Do you think it's ever okay to mock or talk down to people grieving their dead, no matter who they were, especially if they were random citizens rather than, say, high-profile politicians?

These questions to me are unanswerable and the fact that they are even in question at all unjustifiable. The left has either actively participated in this or remained silent in the face of it. And too many friends who I thought were allies have failed to reach out to even ask if we're okay, let alone made even the weakest of condemnations of the brutality my people have experienced this week.

This tells me that you think my humanity, as a Jew, is conditional. That my right not to experience war crimes is up for debate.

How am I supposed to trust you ever again? Feel safe in your presence? Collaborate with you on other issues? Why should I?

For the people who are posting about the situation yet failed to condemn the torture and brutality against my people, please know that I will likely never fully believe you that you are for restorative justice, against the death penalty, against cruel and unusual punishment, against sexual violence, for children's rights and against the murder of children, against terrorism, against civilian casualties, for the rights and protection of refugees, for freedom of movement, support indigenous groups, and certainly certainly anyone claiming to be against antisemitism. There will forever and always be an asterisk next to your statements in favor of universal human rights which reads: *except Jews.

[uhbasicallyjustmilex]

♡ handwriting analysis: alex turner and miles kane ♡

as promised, here is the analysis my wonderful friend (who used to work as a professional handwriting analyst) did of miles and alex's handwriting! a couple of important points to read before you dive in:

my friend analysed these blind - to avoid bias, she always makes a point of never knowing whose handwriting it is she's looking at, so she had no idea that these samples were from alex and miles while analysing them (not that it'd have made much difference if she had, she can't even name one am song lol)

she stressed that her analysis should NOT be taken as fact - it's just one person's interpretation of the material, and handwriting analysis is ultimately always subjective

the two analyses below are based on notes i took while she was talking and is pretty much verbatim - none of the wording is my own and i have changed as little as possible in typing it up

she noted that it was harder to provide a full and accurate analysis just working with photos of handwriting, as you can't see things like pressure on the page etc. she also stressed that context is significant when it comes to interpreting someone's writing, and it's important to bear in mind that how someone writes in one context, e.g. signing autographs or writing something for the general public could show quite different characteristics to how someone writes in another context, e.g. personal letters to someone they're close to. in an ideal world she'd have access to samples from a different range of contexts to provide the most detailed and accurate analysis. in other words, this analysis is quite rough

alex's handwriting:

(samples taken from roughly 2011 - 2018)

block capitals suggest this is someone who don't want to show themselves, makes it hard for people to reach them

someone interested in thoughts and ideas, would engage with these in a way that's intelligent and very original

a lot of emotional and social inconsistency, suggests someone pulled in different directions. they might show very different sides of themselves with different people and probably have complex and/or conflicted feelings about identity

very creative, someone who'd make interesting and unusual connections about the world around them

highly intuitive but also lacking harmony from an emotional perspective. lots of internal emotional conflict and changeability

someone who fluctuates a lot socially as well as emotionally - might go from being quite sociable to withdrawing completely. ultimately struggles to reach out socially and holds back a lot, but there might be certain situations or people they feel particularly at ease with where this is different

really hard to read, don't give much of themselves away

thoughtful and enquiring, interested in ideas

someone who feels things very strongly

signature:

implies someone hiding themselves or presenting as someone they're not. they want to look confident and exciting, but they're actually much less confident that they'd like to appear. lets their creative and artistic tendencies hide them and take centre stage.

miles's handwriting:

(samples taken from roughly 2022 - 2023)

a little sharp, could suggest humorous wit and/or being critical (either of self or of others)

ambitious and incisive, intelligent and enquiring mind

fearful or wary about opening up and reaching out to people, emotional inconsistency. potentially quite restrained - looks like someone used to hiding a lot of hiding of emotions

has an enquiring mind but isn't particularly interested in abstract thought, more grounded in reality and social/emotional things

someone with strong feelings, they get held in and confused. could be warm and open on a surface level, but looks like they'd be reserved about their innermost feelings

could be sharp tongued to avoid dealing with their own feelings

lower zone suggests someone who might not be completely comfortable in their own body and/or sexuality, or have a complex relationship with these things

someone with a tendency towards strong feelings and devotion/worship (could be religious, or could just be to do with the way they relate to people or ideas)

signature:

someone who wants to look more confident they feel. sense of changeability and flashes of insecurity, but ultimately suggests strength of character, not someone who's a pushover. they know what they want and what matters to them.

interesting extra notes:

the wonderful @ballad-of-what-could-have-been managed to find this sample of alex's handwriting not in capitals from when he was much younger (from what i can see, it looks like it was early fwn era):

so i showed this to my friend too (after her analysis of alex's usual writing) and noted that it was probably done when he was a lot younger. she said that all her points from the original analysis still stood, and that despite the fact this writing isn't capitalised it was actually still very hard to read and definitely someone not comfortable with showing themselves. she also said that it was more emotionally conflicted and uncertain than the later sample of their handwriting. the phrase "emotionally all over the place" was used, and she noted a greater sense of inconsistency with identity. overall though she said the earlier sample confirms that this is someone with a high level of intuition and originality, and she said they're someone she'd be fascinated to have a conversation with!

thank you for reading! if you have any questions, please feel free to comment/drop me an ask and i can always pick my friend's brain again the next time i see her!

[thanes-krios]

What it is about kind male video game companions that male gamers absolutely HATE?

I've seen it happen with Dragon Age's Alistair, Mass Effect's Kaidan, and even lowkey KOTOR's Carth Onasi (emphasis on kind, not necessarily nice, cause dude had a bit of an attitude in the beginnning). Now I'm seeing it with Gale of Waterdeep from Baldur's Gate 3.

Men hate him! Admittedly, many women seem to also hate Gale (Though from what I'm observing, it seems to be because his romance is bugged in a way that doesn't recognize when you've rejected him, so to many it comes off as not taking no for an answer -- but that's the fault of the game, not the character). The other reason I'm seeing from women is that he supposedly doesn't respect boundaries, citing his relationship with Mystra, but... were yall listening to him at all?

1. This goddess took interest in him as a *child* prodigy, became his mentor, and then his lover??? That's sus as hell.

2. It's not like he and Mystra had personal boundaries set specifically for their relationship, and he decided to cross them, it was that Mystra has general magical limitations for magic users in general, and Gale thought he would be an exception because she treated him as special, and because his reasons for pushing his magical limitations were to restore a part of her she'd lost. I've also seen people say he downplays that as a simple mistake made in his youth, but from the actual conversation with him, it's very clear he regrets that so?? I don't get it. (maybe I'm misremembering or missing more of the story, I'm only at the beginning of Act 2)

But this post is a reaction-rant to seeing too many male creators on tiktok hate on Gale so badly it's becoming obnoxious. And their reasons are so weak, yet fuel hatred so strong. They just find him so annoying, and I guess to each their own, but I don't get why, and I don't get why men always seem to find those kinds of emotionally available, kind for the sake of being kind, male characters annoying.

[solidwater05]

Obsessed with Joel telling everyone that they made a mistake by voting him. Not because they were wrong, but because they finally gave him a reason to kill. He's been barely holding back.

He's so violent but so scared of doing harm. He's not supposed to do that here! That would be very bad! But there's nothing he wants more than seeing the world burn to ashes even if he burns with it.

[twig-tea]

screencap stolen from linked post by @burnsuncomet ; I was going to reply to your post but then I just kept writing and I didn't want to fully derail so I made this separate post instead!

I've skimmed the tag now and I'm going to need more people to be as obsessed with this mostly-unsmoked-cigarette-in-the-cake shot as I am. Mork quit smoking because the smell bothered Day, and we've since seen how much emphasis Day puts on scent so we know it really did matter to him. And when Mork was in an emotionally vulnerable moment after playing matchmaker for the man he's in love with to get together with someone else, he asks for a cigarette in a moment of weakness. But this shot shows us that he mostly resisted, and went for a walk instead, and it was the thought of Day's happiness (the birthday party and his relationship with August, as represented by this birthday cake slice) that helped him suppress his craving even as it drove him to emotional distress in the first place. Even while Day was worrying about him regressing, Mork was thinking about Day and doing what he thought was best for Day's happiness. Day didn't actually need to find Mork to help him stop smoking.

Plus just like, it's a cigarette put out in a cake slice. Rendering both unconsumable. Nobody will want to eat that cake now, and that cigarette cannot be relit. I can't stop thinking about it. It's fantastic. It's such a tiny and non-disruptive tantrum while simultaneously being an act of care. The ash tray is right there, but Mork said no, I'm ruining both of these things at once, because I can't have anything I want and I don't want anyone else to have them either and I'm mad that they will but I won't stand in their way so I'm taking it out on this symbol instead [because it's the merging of two symbols: what August did for Day (throwing the surprise party; performative) and what Mork did for day (quitting smoking; truly meeting Day's needs/wants)].

And as a visual bonus, it kind of looks like a candle, except it's a cigarette AND the wrong way round! Like the world's saddest and most disturbed birthday celebration.

And of course because Day is blind, he wouldn't be able to see it, and so he wouldn't know that Mork had signalled that he didn't actually smoke much of the cigarette.

OB.SESSED.

[spielzeugkaiser]

hi, first off i really love your art. the h/c and warmth really hit me where i live and your illustration style is fantastic. lately i've been obsessed with the post where an unwell milek thinks geralt will leave him behind. was that an ingrained insecurity, assuming his super-witcher dad wouldn't have time for a sickly human kid?

[MASTERPOST] - Ahh, thank you for the ask! Yes, this scene.. I actually saw this a bit differently! It's not about Milek fearing Geralt will leave him behind, he actually wants him to. They need to find his Pa!! I think he often feels like a burden; Jaskier knows this, but Geralt isn't aware of this yet. Milek just wants to pull his weight, especially with Jaskier. A little sneak peak to their struggles regarding this:

Meanwhile Jaskier continues to struggle with his omega status.

[seventh-fantasy]

li xiangyi, yin, and femininity

we all know that li xiangyi is a character of fractured identities. and li lianhua is an unreliable narrator to his own story. these make him not the most straightforward character to study. but I've believed in treating li lianhua as a part of li xiangyi, rather than separates. and there must be a common thread that ties all of him together. thus, I offer what I have found to be the most useful lens to use to view him as a cohesive whole, regardless as li xiangyi, li lianhua, or any other identity he may reinvent into: his 阴 yin qualities. (yin of yinyang)

this framework suggested by the drama's text itself has helped clarify to me his strengths, weaknesses, motivations, and struggles. by identifying this constant, too, makes it so much easier talking about what has changed in him.

[to the, hopefully growing, boli lhl hivemind @markiafc @ananeiah]

-

there are some notes on the concept of yinyang and chinese conceptualisation of gender I have to preface with.

[disclaimer: of course, I'm not even trying to cover a tip of what experts have extensively studied and debated in a depth it deserves. all I'm doing is try to parse the broad, fundamental ideas that are needed to explain my blorbos through my own spotty brain filter. so there bound to be nuances I've overlooked or some degree of my own interpretation. pretentious but needs to be done.]

阴 yin and 阳 yang are concepts characterised by passiveness, darkness, gentleness, femininity etc, and proactivity, light, toughness, masculinity etc respectively. a very key and handy concept to have in mind is their relationship to each other - which I'll not attempt at explaining better than literal scholars have:

Yin and yang exist only in relation to one another internally as the way warmth-coldness only exist relative to one another. Furthermore, when using yin-yang as an organizational schema, achieving balancing harmony is always the goal, not domination nor subordination of one to the other. [x]

while yin and yang can be symbols of femininity and masculinity, it doesn't mean all female are yin and all male are yang. it's certainly not a strict 1-to-1 equation. the concept of gender in chinese context is more social than biological. this suggests room for fluidity, and shaping of identities, often through social rituals as one journeys through life. it also means that there can be femininity in the masculine, and vice versa - in fact, that's only healthy because you need a good balance of the two worlds. no one part is better than the other. if you think of the two components as relative to each other, they are always interacting and affecting each other, rather than being strict and inert binaries. simply put, it needs to be kept in mind that there are greater nuances in applying yin and yang to the definitions of gender, and to avoid at all cost a simplification of this framework into a binary.

sure, the show has implied that lxy's powers and energy are yin-coded. but femininity is only one of the multiple attributes of yin. so how are we extending lxy's yin to femininity specifically? it's in the text that substantiates and qualifies lxy as feminine. dead women being used as proxies to his character. being literally dressed as a woman in order to put himself into their shoes and feel what they've felt. adopting a name that happens to be very, very feminine - 莲花 lianhua (lit. lotus flower) (it must be caveated that chinese names are NOT gendered. but there are just some names that are more feminine than others.) him coming to lead a life revolving around traditionally feminine, domestic things as li lianhua. him having interactions with the women around him like he's in his own element - no pressure and tension at all, unlike with all the other men.

as such, I'm more willing to use yin and femininity interchangeably in discussing lxy (while it's not necessarily applicable to every point that will be mentioned albeit there being some degree of implied association). and it's for the sake of elucidating what I feel is an intention or very plausible reading of the canon text in parsing feminine experiences in lxy's character. and thus, his queerness.

one last note is that taoism is going be mentioned quite a bit as well because of how much it as a philosophy honours the yin quality. its key tenets include valuing passiveness and inaction as a form of action, and submitting to the nature of things. and we will see how those come up in lxy's life too. (though I'm not gonna attempt to deep dive into it here beyond broad strokes of it.)

-

a huge part of li xiangyi's yin actually manifests in him being a passive person. this applies not just to li lianhua, but also li xiangyi. I know. ok wait hear me out. the idea of yinyang is after all components that can change and are relational to each other: thus, there were points in li xiangyi's life when he was less passive than other points, but they ultimately don't match up to the degree of aggression displayed by other men around him. so relative to their display of proactivity and aggression, he can be considered as passive. the best example is that of shan gudao proposing to launch an offensive on jinyuan alliance, while lxy - as much as he was arrogant about it - was standing his ground on not taking action in favour of peace.

it has already showed up in his childhood as well. he wasn't a particularly competitive child: 从来都没有谁要和你争 nobody has ever thought of competing with you over anything, he told sgd as he recalled of their times growing up. it was in fact sgd who was desperate to control and override lxy's presence. baby lxy did not hesitate at all over giving up on winning in favour of protecting his only rare few close relationships left in the world (given how hard-earned relationships are when they're non-familial !!!!). as much as I resent the one-dimensional writing of sgd, he has served as a very strong marker to highlight on lxy's yin.

-

I've harped on it several times before but this is the time I finally get to explain it proper: my own theory is that li xiangyi became an unparalleled swordsmaster because of his yin/feminine quality, not in spite of it. an interesting point that had been out in the open unclaimed until it was brought up in our friend group is that, li xiangyi does not actually fit anybody's conventional image of a 武林盟主 wulin mengzhu (ie. ruler of wulin). it would most likely have been some burly, muscular, ultra-masculine dude. even if they don't look like the demonic monk, it should be someone more like di feisheng. but. it's li xiangyi, the boyish, delicate-looking kid, who came to the top. (no wonder people - mostly men - love or love to bully hate him like weak men hate powerful women??)

"why didn't they cast someone who looks more like a wulin mengzhu (read: traditionally manly)?" no, no that's precisely the point. nobody said wulin mengzhu have to look manly. and also who is to define the manliness required to be in a place of authority? (or in my other meta, we would ask, who is to define anybody gets to have the authority over anyone else at all?)

by taoist ideal, gentleness is the most refined form of strength. li xiangyi has been haunting and distracting me in my chinese calligraphy practices lately because I'm thinking about how this must be the closest to what it felt like lxy becoming the best swordsman in jianghu. (so pretentiously brainrotten of me, I know, BUT IT'S REAL and I'm suffering.) mastering a chinese art is essentially about mastering a delicate balance between force and gentleness; being able to draw force from softness 柔中带刚 and an ability to maintain this balance. a beginner will instinctively hold a brush for the first time with brute, unrefined force. some fairly reputable contemporary calligraphers, according to my teacher, can be seen as being either too soft or too forceful - but are still able to pass off as good enough. it's then, the master of masters who will have the sophistication of a firm yet flexible control of the brush with the appropriate use of gentleness/laxness that produces a harmony of strokes. this idea extends to any other sort of chinese craft or practice including traditional chinese medicine, and I believe, swordsmanship too. I'm taking a fucking leap of faith here to say this because I practise NO sort of (chinese) martial arts, I must caveat. (someone who does may want to say something...) but theoretically that should be how it works.

it is not for no rhyme or reason, or *handwaves* that lxy emerged to the top AND is almost undefeatable. among a competitive, forceful (ie. yang) wulin, li xiangyi stood out with a power and energy defined by yin (ie. gentleness and stability) that led him to create his signature 扬州慢 yangzhouman. it is characterised by 慢 slowness (my calligraphy teacher says to us all the time to take it slow), and also described by dfs as 中正绵长 - which I would best describe by painting a picture of a steady and stable stream. these precisely speak of the essence of a mastery of gentleness as strength to me.

conversely, dfs's way in mastering power is very largely premised on taking action because he literally had no other choice in the environment he grew up in. both of them develop in opposite ways. it was the case of gentleness for lxy clearly because he grew up in a safe, nurturing environment that had allowed him to be slow and steady at his own pace, drawing on his natural gifts.

-

now top of the wulin world at 17, li xiangyi founds sigu sect. li xiangyi, the boy before becoming menzhu and li xiangyi the leader of sigu sect are not the same.

how then did a (relatively) passive boy like lxy end up founding sigu sect. this lxy is the one who was fostered into competition - though not in an abusive, twisted way. in fact he was raised in a rather taoist way by his shifu: to be honest with yourself and respect your opponent. so he honoured whatever powers he had been bestowed with by nature. he gives into it. even so, at another level, I just have a sense that shifu and shiniang's competitive marital spat had an insidious effect on the boys...though the detrimental effect was more on sgd than lxy. baby lxy feels like a sweet-natured kid who was just in his own zone, you know - some (aka sgd) would say, too much of him even, to have not realised what was wrong at all with his shixiong for years.

that's not all of course. I've always gotten the vibes that his attitude behind forming sigu sect felt more like, this is what all the good men of jianghu do and I will have to do it now especially that I'm the best. it didn't feel particularly personal to me, but rather what would have been expected of him by the social climate of wulin jianghu (eg. lxy saying to 光耀师门 bring honour to his teacher). it's definitely not an expectation from his shifu, who explicitly told him that he was never expected to become a noble figure of any sort, but just to be alive and contented. as concluded by the man himself as li lianhua: "有些人入了江湖是为了立心，而有的人入江湖为的是立命。我却不知道自己真正想要的是什么。some people enter jianghu for the cultivation of the mind, others for a cultivation of a meaningful life. but I never knew what I truly wanted." he was ultimately, unwittingly a passive player in his own story of becoming the great sigu sect leader.

(at this point, as a side note, I do wonder if there were any other similar sects or alliances that function the same as sigu sect that came before it. because I'm damn well sure there must be something, as likely as there must have been generations of wulin legends who came before lxy. but of course, this is not what the story is concerned with at all and I'm ok with that.)

it's crucial to point out that, even despite this being the phase of his yang in the display of taking action and enacting firmness, lxy had still done sigu sect with the sole purpose and manner of upkeeping peace and order (in the way of the pro-universal love, anti-aggression mohist 侠 xia leader of the people). he's still very characterised by yin in my books, especially when vis-à-vis to sgd.

a li xiangyi full of himself and made himself too useful to the people was only bound for a great asteroidal fall, in the concept of 物极必反 - or in taoist lexicon 反者道之动 (ie. anything that has reached its limit will only start developing in the opposite direction). if you think you're above all, you can only go down.

this manifests during the next time he took action - and it was one so forceful that it overpowered even his opponent, dfs who ended up being the passive, receiving party in this case - was in initiating the battle at donghai 10 years ago... and gee oh boy. it didn't end well - for both of them, but even more so for lxy. (dfs was like 'tis but a scratch (shrugs)' as compared to him being ripped off his tendons by jiao liqiao like nezha did to the dragon prince. truth is he had to go into a 10-year healing retreat served by his entourage. :p) ok, I digress.

xiao zijin was quick to attribute sigu sect's fall to lxy's arrogance - in turn setting the stage for lxy's 10 years of self-hatred and the framing of lxy as a villain? irresponsible figure? by jianghu. (god forbid girls do anything! ok for legal reasons, this a joke.) lxy lost his mind in ways I believe he never had in his life there and then upon seeing his shixiong dead. so, you could say he led the jianghu world to ruins out of love (using this term loosely). but it feels inaccurate to say it's due to arrogance. he did not do that out of self-importance or ego, especially when the revenge for sgd was a collective decision made by sigu sect as we know from the flashback. so when llh pinned all fault on himself for being arrogant in the past, it is with caution to take his words because that's the unreliable narrator in him speaking.

-

anyway, it's precisely li xiangyi that is capable of bouncing back from such a fatal crisis, equipped with his yin and a mastery that gave him the power of flexibility.

it's extremely vital to re-establish that literally the only thing that was keeping li xiangyi alive, physically, as li lianhua is yangzhouman. (monk wuliao literally said that to lxy even though he did facilitate in saving him.) it's the yangzhouman that was drawn from lxy's mastery of yin. without yangzhouman, li xiangyi would not even have the chance to become li lianhua and undergo any needed process of transformation. without li xiangyi, there would have been no yangzhouman. no li xiangyi, no li lianhua, get it?

the point is not to deny the change li xiangyi wants to make and has made. but to acknowledge that change isn't about complete erasure and destruction. something from you survives. something in you had kept you alive to have you come so far, regardless of all the bad bits that you want to denounce of. you've always been worth it.

bringing back the thing about his new name: the distinction must be made that he did not pick it because it was feminine but it just so happened a feminine name had resonated with him. (read: he didn't necessarily identify as a woman but identified with femininity. at least within the parameters of canon text.)

he also made an interesting choice to retain his surname for someone who was desperate to sever ties from his past. hmm. or maybe he wasn't that desperate? when li lianhua says li xiangyi is dead, I believe it meant that li xiangyi the sigumen menzhu is dead rather than li xiangyi as an entirety. li lianhua is a returning to the path lxy could have gone if he did not establish sigu sect, the path that shifu wanted him to take. when he walked to the doors of sigu sect in the aftermath, nothing was actually stopping him from going back (people were still around and alive, instead of all dead people, you know)... except for himself. taking that action would have been too much for him. so he went with the flow of life giving him a chance at rebirth and walked away. there, inaction as a form of action.

zhan yunfei and qiao wanmian have said to li lianhua, oh that doesn't sound like li xiangyi at all. but has it been considered that, maybe it was sigu sect's lxy who wasn't the real lxy? sigu sect lxy was one big performance of the values of masculinity and heteronormativity that llh had came to an awareness of, and eventually struggle with again and resist against in the final year of his life. there had only been some glimpses of his true nature allowed (validated by fang duobing talking about lxy at his altar).

imho, most flashbacks of lxy during that period felt impersonal and more like a template of a hero expected to marry his girl at 18. going through all the motions and steps of a normative life even before he was old enough to grasp and explore his own identity and what it meant in the world. no wonder he denounced so much of what he had done as lxy including liking girls. walking away then also meant a walk away from those duties and expectations. li lianhua is li xiangyi liberated from masculine duties and heteronormative performance.

in doing that, he had the opportunity for the first time in his life to explore what he truly wanted, at least within the parameters of what he could afford to do at that point. he could go on to build a domestic, feminine life within the space of jianghu (as I've established here). it's a kind of feminine lifestyle that doesn't quite exist in mainstream society - being a woman there meant to stay put in a domestic space without much room to move socially. nor did it exist in wulin jianghu because even the women there like shi-guniang and jlq were expected to be masculine, aggressive, competitive. so building a mobile home in the space of jianghu is his way of defining the life he wants and can have. li lianhua is the extension of femininity in li xiangyi - and one that can be free.

it's also worth talking about in my opinion what is one of the most important and a favourite dihua moment: when dfs said to lxy that his greatest weakness was to like being a hero. and a swordsman should be without weaknesses. I'm forever wrapped up in how many layers this can be read in. was he mad at lxy for liking to be a hero or having weaknesses, or both? if the former, it was dfs criticising, based on lxy's public reputation, lxy's oversized illusions about being a hero - a figure of masculinity with an unrealistic sense to uphold noble goals eg. saving the world etc. that is actually perfectly logical coming from dfs, the straightforward, no-nonsense, morally neutral guy with no illusions about heroism (in this case, he feels more like a yin). but at the same time, we should understand that lxy's motivations behind the donghai battle are more personal than noble. if any, it was actually the opposite of noble - it was like he was acting out of the role of a caretaker of his family, and at a cost of the peace and order of jianghu he was set on guarding(!!) dfs also knew that lxy was there just for his shixiong. and so, dfs, who happens to be the epitome of yang, can be read as a symbol of masculinity disapproving of lxy for being sentimental and emotional; for having the "feminine" desires to simply want to defend his family (not saying those are exclusively feminine traits but they have been conventionally associated as feminine). I think both layers of reading are correct and should work together to contribute to the complexity of their characters. (we can see how it contributes to lxy and dfs being the perfect yinyang halves to each other, which I will come back to briefly touch on later.)

-

for 10 years he lived a life of seclusion and staying-in-his-own-lane a taoist would be proud of. he knew he was dying and has always been ok with dying, as he claimed. but did he want to die? to think of it, it was the opposite. because in those 10 years when he could have 100% just taken action to take his own life, he didn't. in fact, he lived on and took care of himself in the way shifu wanted him to. he had simply preferred letting nature run its course. if bicha didn't take him, he wasn't gonna do anything. but if he died one day very soon, he would be ok with it too. sure, he was maybe banking on a lead to sgd's whereabouts to appear during his last years alive but that clearly wasn't the only thing on his mind for NINE years because he didn't actively go out seeking for that either. this is basically him telling dfs that he would just lie in the sun and wait for the sweet release of death, if dfs were to force him to fight. not even the mortal threat from dfs was enough to move him into action of fighting back or killing himself.

time and again, lxy as llh was dragged into fdb's cases but not only that, he also maintained an impersonal distance with them. it's starkly different from the usual (wuxia) hero archetypes (for eg. fdb) who would be more impassioned and personally invested in the plight of the victims- or unlike most seemingly aloof protagonists who would somehow grow emotionally invested over time. one of the many things I love about llh is that he never tries a second time to persuade people out of their decisions he finds unwise (eg. him just wanting to move on in response to the girls in 女宅 insisting on staying behind with their slave master at first.) he will not interfere in other people's choices made in their own lives. it's not his business. he didn't even want to be there, to be honest.

however as the story progresses, more and more people - especially men, his past, and the leads to the truth came back to demand and taunt him into doing something. they vary from well-meaning people without any harm intended such as fdb intruding upon his private space completely uninvited and qwm wanting him back; to dfs merely seeking him as a mean to an end initially (eg. I only need him to live long enough to have one last fight); and finally, on the other end of the spectrum, outright aggressive and hostile people like sgd and xzj who wanted him to die. under all this pressure, he tried his best to deflect, but he does waver especially when it comes to matters concerning the people he cares about aka his obsession wish of 10 years of looking for sgd's remains that had lied low until fdb entered his life, and then later on taking revenge for his shifu.

looking for sgd became his final bid at taking action. he was operating on a slim chance of getting some emotional closure from finding out his shixiong is dead for real, yes. what a good plan. but objectively unnecessary. or surprise! uhhh...finding out his beloved shixiong is actually alive and would strangle him for one corn chip? AND OH NO IT GOT WORSE- uncovering a devastating truth about his shifu's death that he could have totally gone on with life fine without knowing if he had continued not caring.

but it is sometimes just impossible not to care - it is only human to care. and he is human, not an icon in the image of a hero. so he took a chance, once more, and it killed him in unprecedented ways. it's donghai all over again. things in life don't go as planned. you fuck around and it fucks you back. finding out the truth behind his shifu's death and his family background from the past did nothing for him as li lianhua living in the present.

it's no wonder that this lxy decisively relinquishes the desire to take action in the end. he goes back to letting nature run its course. and this time, stands firmly to it despite everyone begging him otherwise. wangchuan flower could only give him a recovery (or survival?) rate of 30%. there's a 70% chance of failure and even in the 30% he was not sure what he was to become. in comparison, dfs took a 10% chance game of survival in a heartbeat, and it pushed him to new heights. that's how they differ: he thrives by taking risks and action while lxy the other way round. so, something like that has happened before and he wants none of it again.

-

he leaves lotus tower, only taking his horse and a sack - relinquishing almost every other material belonging he had - and sets off on a journey. before xzj interrupted...where to was he going?? I wonder. we don't know for sure, I think? and are we allowed to know? that makes the scene he had with xzj an understated inflection point in the very last part of his journey. yes, he was already on his way to...maybe die? but not necessarily. you don't have to travel distances with your belongings for that, right? or speak to dfs personally about not wanting to fight? (borrowing one of @ananeiah's takes.) regardless, he was definitely leaving behind jianghu - not only wulin jianghu (he already did that 10 years ago), but also the jianghu space he had carved out in the last 10 years.

what sparked the decision to jump off the cliff in him was dfs's words from the night of their wedding 10th donghai anniversary: 横扫天下容易，断相夷太剑不易 conquering the world is easy, breaking xiangyi sword is not. in the original context, dfs was talking about defeating lxy being harder than conquering the world. but when it came to this scene, it was to lxy about forsaking the very last worldly possessions he had after already giving up on lotus tower and hulijing (including releasing his horse), especially his only connection left to swordsman lxy.

perhaps it had dawned on him that, wanting things at all was bad for him. in the last 10 years, he lived a life of seclusion, wanting very little. but he had still wanted things. there were still things he couldn't let go of that had led him to this state. despite having lived on an identity inspired by a buddhist teaching for 10 years, maybe it was only at this point that he was finally the closest to reaching an understanding of it. (I wish I was knowledgeable enough right now to dive into the possible buddhist reading here but alas. I'll leave it to our resident expert @markiafc)

it doesn't quite matter in the end where he was going after all. what mattered was that he literally went where the water took him and we're not supposed to know where it ends. I'm not seeing this in a bad and pessimistic way though. I think the relief in all this is that he had tried his best to within his abilities. also it's a form of enlightenment in relinquishing a desire, an obsession, a need to take any more action in order to live well. thus his ending felt to me relatively tender, empowering, and kind - albeit bittersweet and heartaching - than other possible kinds of ending, in a story where it was very possible for him to have died under the knives of his opponents or bicha at any moment, outside of his control.

-

if you've come so far in this post, congratulations! but also a reveal is that... you're not immune to the dihua propaganda threaded throughout this post. :P

as mentioned, other men like sgd and xzj in lxy's life were incredibly hostile to him. their yang nature overwhelmingly powers his yin. but dfs is different. dfs is the yang counterpart that fits perfectly to his yin.

dfs's yang is one that contains yin, that mirrors lxy's balance of yang in yin. it was suggested in text they are yinyang-coded meant to complement each other, given that whenever wangchuan flower's yin vs yang properties were discussed, the two men were always spoken about in the same breath. more importantly, as with the above few analyses of dfs's words playing a big role in shaping of lxy's choices with multiple meanings - as well as their day-to-day interactions - we can see that they constantly play off each other.

dfs's yang energy has been used to help lxy prolong his life (though not saving him entirely), while lxy has used his yin energy to save dfs and subsequently helped him attain his breakthrough. dfs has also helped lxy in his breakthrough of yin but not in the same way as dfs's cultivation of his combative powers, and rather, it's for lxy an understanding of his own path to take in life - a cultivation of the mind (both times 10 years before and after). given how significant dfs is in the shaping of lxy's realisation of the yin path - alike his shifu has, it's no wonder that they were the only two people lxy had imagined in his last sword dance of a farewell to jianghu.

with each of them coming together to form the perfect yin-yang model, they're a harmony of yin and yang representing the cosmos. what I also love is that they didn't start out as a perfect fit, but only towards the end of the story was the harmonisation completed, which makes sense for two components that are always in a flux influencing each other. the fact that they were number 1 and 2 of wulin, and being the only ones capable of understanding each other in a level nobody else could... it all reinforces the cosmic sense of their relationship. they're the halves to a whole, fitting in a specific way nobody else can.

(I mean. technically this is going into the space of extrapolation based on a tangential interpretation of canon text, so do take it with a pinch of salt. but of course this pinch of salt can do wonders for a shipper's feast... :P and this certainly could have been a meta of its own expanding on dfs's side of the analysis, but this is it for now in this context.)

-

to think of it, li xiangyi has actually died more than that one time that turned him into li lianhua. first was a death of him as a nanyin royalty - I resent having to bring up nanyin like it should hold any weight to the narrative as far as I'm concerned, but the point being that he had a completely different (familial-based) life before that still stands. then he had a rebirth as li xiangyi, disciple and swordsman to his shifu and shiniang, and later died again when li xiangyi the sigu sect leader took over. lxy the sigu sect leader died at sea in the battle 10 years ago and came back as li lianhua. (just like nezha, died after battling at east sea and rebirthed from the lotus) li lianhua then dies by the end of the drama.

there can be a myriad of interpretations as to what exactly happened to him, including the possibility that he's still alive. regardless, we can agree that li lianhua as an identity has ran its course, and he had to evolve again. but into what form?

in the line of thought of yin and femininity, and how his transformation has been in an increasing degree of presentation of femininity - even way back when I was watching the show, I had the idea of him living socially as a woman post-li lianhua. I don't know what he would be realistically doing or what could be practical for him in such an identity. but conceptually it was sensible and compelling to me before diving deeper into the details. (I have more elaboration to do on this that I won't be talking about here publicly but it is in the same strain of idea as this other comparative meta I wrote.)

I think the next possible identity lxy can assume - alive in the material realm or not - is one that will be beyond a material being. a nameless entity. once you've gone through the phases of life - from not knowing to knowing, and perfecting knowledge, then to the surpassing of knowledge - you surpass all worldly existence, and become one with the cosmos.

I end this off with an excerpt from Tao Te Ching's Chapter 41 (I'm not pretending to have read the whole book ok but I couldn't resist including this):

明道若昧，进道若退，夷道若纇 [...] 道隐无名 The bright path seems dim; Going forward seems like retreat; The easy way seems hard [...] The Tao is hidden and without name. (x)

the character translated into "easy" is the same 夷 yi of li xiangyi's name. somehow this seems to encapsulate the journey of his life: one that seems blessed and smooth-sailing but ending up to be rocky and turbulent. but at the end of the day, after all that he had been through, he will become hidden and without name.

[trensu]

Have an itty bitty tiny piece of stasis in darkness, just so you all have an idea of where the story is going after the godly reveal. and also have proof that i am, in fact, still toiling away at this (as well as hawkins halfway house.)

A week and a half later, Steve entered a town he’d never seen before. He wore simple traveling clothes and carried no weapons aside from a couple of carefully hidden knives. He’d left his armor and shield behind. His satchel held only the essentials one needed for travel and a single stone as large as his fist. The stone was wrapped in layers of cloth to keep it safe during the journey. 

I need you to find someone. 

He felt very bare but he hadn’t been given much of a choice. Speed was of the essence for his quest, and little no-name towns tended to be wary of strangers in plain clothes, even more so around strangers decked out for battle. Steve wasn’t sure this place could be called a town. It was so small it hadn’t been on any official map. It didn’t even have an inn. Hopefully, Steve wouldn’t be needing an inn once he found who he was looking for.

He’s too far from me to reach.

He asked around, laying on the charm generously. He explained he had been a friend of a friend and had been trusted to deliver something. Eventually, he was told where to go. The house he found far beyond the village’s boundary was small. It looked like it had once been well cared for but it was old and had fallen to disrepair. Steve took a deep breath and knocked on the door.

A sallow old man opened the door. He was bald but had some scruff on his face still. His shoulders, stooped from age, trembled. His eyes were bloodshot. He looked so tired.

He’s my very last worshiper in all the world.

“Wayne Munson?” Steve asked.

“Who wants to know?” The man’s voice was phlegmy and rough. He coughed into the crook of his elbow almost before he could finish speaking. 

“I’m Steve. Ser Steve Harrington, pledged to the Lord of Night.”

Wayne’s eyes widened. His grip on the open door weakened and slipped. Steve caught the door before it could hit Wayne.

“He sent me to you,” Steve explained. “May I come in?”

yep, that's it for now. i told you it was small. i'm not even gonna bother with a read-more here.

[carlyraejepsans]

i think i found my people

[samijey]

Sami and Jey at it again with the tags at WWELive Dublin (feat. a very relatable Kevin and some unexpected homophobia from Elton Prince of all people)

[posallys]

okay so i'm in the process of rereading pjo and i just got to botl and i want to talk about my girl annabeth. i feel like a good majority of the fandom mischaracterization of annabeth comes from botl, specifically because she was rude to rachel throughout the book, and then everyone just assumed that because she wasn't nice to rachel she must be a bitch inherently, on top of being this fucking emotionless shell of a person, which is wild to me because i don't know how her being rude to one (1) girl automatically discredits everything she's done in the past three books. i feel like it stems from a complete misunderstanding of why she was rude to rachel. let's make this clear: she wasn't rude to rachel because rachel was a potential love interest; she was rude to rachel because she was scared.

everyone she's ever loved has been taken from her in some way: her mom being absent because she's a goddess and not really wanting anything to do with annabeth; her feeling like her dad and stepmom didn't want her around (losing her real family); thalia, her found sister, sacrificing her life to save annabeth, and then leaving her again to join the hunters; luke betraying the camp, but more importantly betraying annabeth on a much deeper level because he was her only family. he promised her that he would be there for her, no matter what, and then he leaves her, just like everyone else. even grover left her, in a way, because he went out to search for pan and wasn't around. the only close person who hasn't left her at the point of botl? percy.

but she knows about the prophecy at that point, so she's spent the better part of three years resigning herself to the fact that her best friend is going to die when he turns sixteen and there's absolutely nothing she can do to stop that. she's spent the better part of three years trying not to fall in love with him because it would only hurt worse when the time comes. if i had to bet on it, the reason she was thinking about joining the hunters in ttc is because if she isn't around him (and also can't because she's a hunter), she won't become more attached to him than she already is. if she separated herself from him, it would hurt less. except here's the thing: by that point, she couldn't make herself do that. she couldn't make herself willingly give up percy yet, because it might not have been him. if i had to guess, when thalia came back, annabeth stopped worrying about percy dying---just for a little while---because she thought that thalia was going to be the child of the prophecy after all. so when thalia became a hunter, she was mentally prepared to lose thalia again. but that means that every fear she had about percy being the prophecy kid before thalia came back to life resurfaced full force, and now suddenly annabeth has a year and a half left with him when she thought that she might have longer. so despite the thought of her joining the hunters to prevent herself from getting too attached, she hadn't metnally come to the point where she was ready to give up the small hope that he would live.

which bring us now to botl. like i said, i'm just now rereading the book (and i'm only on chapter 1 but i started thinking about annabeth and here i am). annabeth is mean to rachel because she's terrified of losing percy too soon. sure, at this point she knows the prophecy is his, she knows come next summer she probably won't have him anymore---but that's just it: next summer. she's preparing herself to lose him in a year, not immediately. so when someone comes along that presents a way for her to lose percy, of course she gets scared, and she gets defensive about it. it's not even the fact that rachel was a potential love interest, it's more so the fact that rachel was a mortal, and not part of their world. if percy was with rachel, there's a good chance he'd try to leave the magical world behind, and, more importantly, leave annabeth behind, which she wasn't ready for yet.

hell, that's exactly what ended up happening in the beginning of tlo! annabeth wasn't upset because he was spending time with rachel, she was upset because he was spending time in the mortal world rather than her world and, in her mind because of all of her past experiences being abandoned, that translates to "percy is leaving her," and it was way earlier than she thought, and she wasn't ready. so what does she do? she tries to protect herself. she puts walls up and tries to act cold and distant because she's coming to terms with the fact that she's already lost him. she's already lost him.

and like, was she jealous of the fact that rachel was a love interest? probably, yeah. but i think it's also just important to know that there's something way deeper to it. annabeth isn't being a bitch for the sake of being a bitch, and she's not just jealous of rachel because she was a girl that liked percy. she was upset because he was getting further and further away right in front of her. he was leaving way quicker than she was prepared for, so a lot of the stuff she said to rachel came from a place of fear of losing percy, and anger at rachel for trying to pull him into the mortal world, effectively leaving her behind and adding another person to the list of people she loves that have left her.

[caffeccino]

Cool armored cores... I've always always used reverse joint legs, but Rusty's fake reverse legs are even better... I just love how they look zipping around with their little boosters and chicken legs 🥺

and also one romantic moment 🥰 H-hey Rusty~

[forcebookish]

it's not lost on me that top shoves mew against a wall and tries to kiss him but when mew stops him he backs off in the same episode that boston shoves top against a wall and gropes him but doesn't stop when top tells him to stop

seems to be lost on a lot of other people though😒

[shima-draws]

My doctor: Hey yeah that's not normal I don't think it's an issue with your hip

Me: Oh?

My doctor: It's an issue with your spine

Me: OH

[herbirdglitter]

see I don't think we talk about this moment enough

[landinrris]

Snippet following Silverstone 2023 from the current pr fic wip!

Carlos calls Lando on Monday when he’s back in Maranello, if only to hear his voice. Collapsed into the sofa, fresh from the shower after his run.

Lando answers on the third ring, a warm, “Hey,” reaching Carlos’ ears.

It’s the single sweetest syllable Carlos has heard in the last forty-eight hours.

“Hey. I didn’t tell you yesterday, but congrats on the podium. You deserved it. You looked so good up there.”

Lando hums, an evident smile in his voice despite how hard he’s trying to fight it. “Thanks. It was pretty cool, not to rub it in.”

“It’s quite the view. I remember from last year.”

“Maybe next year I’ll be up on that top spot.”

“Maybe I’ll join you.” It’s quite the thought, one that has Carlos feeling more wistful than he was prepared for. They’re overdue a podium together— yet to fulfill their 1-2 wish from back at McLaren.

“You promise?” Lando asks.

It’s Carlos’ turn to hum, letting the conversation fall into a lull. He scratches at a spot on his neck he’d nicked while shaving and mentally curses when his fingernail catches against it.

“What are you doing right now?” Lando asks. Carlos would tease him about the suggestive nature of his question if he felt like they were at a place where they could.

As it is, Carlos feels like he’s walking across shards of glass.

“Just got in from a run and showered— in Maranello for now. What about you?”

“Spending a couple of days with my family before going back to Monaco. It’s nice to kind of just decompress for a bit. Log off social media.”

“Stay off the algorithm,” Carlos adds.

Lando sighs. “Suppose I should apologize for the last few weeks. My head’s not been great, and I’m trying to deal with it.”

“Lando, you don’t have to apologize.”

“No, I do because Max has already told me off about it. I’ve just been avoiding you without telling you why, and that’s not fair to either of us. I just kept thinking about what you said about the European leg and how she was just gonna be around all the time, and it's made me sick to my stomach. Fuck, it makes me sick just saying it again. But I don’t want this to ruin us.”

“Shit…” is all Carlos can say. He’s had a sneaking suspicion, but to hear it confirmed is something else. “I should’ve been more demanding about her not coming golfing.”

“It’s not just the golfing, Carlos—”

“No, but I should’ve been more demanding. I should have said I wasn’t going and done something else with you. This has already taken so much.” Carlos knew it was doing damage, but now it's different.

Their promises to each other are coming unraveled in real time despite how much they try.

“What are you doing this week?” Lando asks, an edge of hope palpable in his voice. “I could come to you or you could come to me, and we could kind of just reset? More than Canada. Just exist a few days and forget about the world.”

The proposition sounds like one of the best ideas Carlos has ever heard. He can practically picture Lando in his bed, sitting on the kitchen counter, pressed up against the glass door in the shower.

He thinks about Monaco back in May and the utter bliss those handful of days were when it was just them. They shut the rest of the world out. It would be so easy to say yes now. It would be so easy to buy Lando’s plane ticket for him with a couple button clicks.

Carlos’ brain slams on the brakes.

“I don’t think this week will be good. I think the plan is to let everything settle before the summer break. Either of us being spotted where the other lives will only raise Caco and Guzman’s hackles.” Getting them to agree to let him have this break in the first place was a lot. The last thing he wants to do is laugh in their faces and tempt them into something.

“Yeah, sure. That’s fine.” Lando’s tone is clipped— the opposite of fine, Carlos knows.

“Lando,” Carlos begs. “We can do things together on Facetime maybe. We can make dinner together tonight? Maybe watch something together even though you will fall asleep halfway through. It’s not that I don’t miss you, cariño. It’s that I am trying to finish this as quickly as possible.”

Lando sighs. “I know. I think I’d really like to do those things. I’ll be back in Monaco tomorrow night. We can cook dinner then?”

Something inside Carlos settles. “Yeah, that sounds good. I will figure us out a recipe. I can keep talking for now though if you are okay to.”

“I know I’ve been avoiding you, but I could still talk to you forever, you know.”

Carlos smiles to himself. “That’s good because so can I.”

They stay on the phone with each other for another hour and a half until Lando’s father evidently tells him dinner is ready. Carlos is morose to eventually let him go— he'd much rather choose to stay on the phone and talk about everything and nothing.

Carlos wants to hear more about the stack of old sketchbooks Lando found in the desk drawer in his room full of sticker designs. He wants to hear more about how when this is all over, Lando wants to bring Carlos home as his boyfriend and show him around.

Likewise, Carlos wants to keep telling Lando about the neighbors in his building and the people around town. He wants to talk about what color he should paint the living room because it’s too yellow as-is. He’s been spending more time there and has discovered he hates it.

Lando tells Carlos he’ll help paint it.

When they do hang up, Carlos feels better than he has in a while. It feels like something has shifted between them the tiniest bit. Not good or bad, but just different. It’s like they’ve taken a step back for a moment to something safer, and Carlos is oddly grateful for it even if he still wishes with every fiber of his being that he could have Lando here with him.

The next few days only reinforce the shift. Like taking a hit off an inhaler, suddenly Carlos feels like he can breathe again.

Sure, making dinner in parallel with each other feels silly, especially when Lando can’t get the peel off the garlic clove and he refuses to smash it with the knife because the instructions stated he has to slice the clove, and he can’t slice it if it’s crushed. If they were together, Carlos could help. Now, he just groans.

He feels less silly when they’re both lying in their respective beds the next night, the only light coming from each of their bedside lamps. Lando looks swamped in his hoodie, the hood pulled up and pushing some of his hair down onto his forehead.

“I want to kiss you so bad it makes my chest hurt,” Carlos murmurs. It feels like he’s shouting.

Lando gives him a sleepy smile. “I want to kiss you until my lips are so bruised it hurts. And then I want to keep going.”

“I want your name to be the first one I say when I wake up and the last one I say when I go to bed.”

“I want everyone to look at you and know I’m your other half.”

“I think the grid already does if I am being honest.”

“But I mean everyone. I want some random fan to think: Carlos Sainz? Oh yeah, he’s Lando Norris’.”

Just the idea sends a shiver up Carlos’ spine.

They go back and forth for an embarrassingly long time. Carlos doesn’t wish Lando was there any less. He wants to trace the dimples in Lando’s cheeks and on his chin. He wants to kiss each and every freckle and mole and memorize the pattern of color in Lando’s eyes.

Lando falls asleep on the call, his bedside lamp still on. If Carlos was there, he could turn it off for him. Instead, he just watches Lando sleep until his own eyes grow too heavy to keep open.