#(thanks for reading this! I appreciate it)

[sparkleofstardust]

in light of the recent news that Iranian President Ebrahim Raisi has been found dead after a helicopter crash you might be wondering 'who the hell is this guy and why are so many people celebrating his death??' and i'm here to answer that!

to fully understand what's going on we need to look into Iran's history: when the Iranian revolution in 1979 happened the authoritarian king who was ruling at that time was overthrown, but the ensuing power vacuum lead to the islamic regime seizing power and establishing Iran as an islamic republic

the following years were incredibly cruel to the Iranian people; thousands of people (especially minorities) have been protesting against the strict islamic regime leading to many being jailed, tortured and executed.

and this is where Raisi played a big part: in 1988 he was part of a committee that ordered the execution of thousands of political prisoners who were protesting the islamic regime, earning himself the title of "the butcher of tehran"

do not be fooled by what the state media wants you to believe, the Iranian people are celebrating his death. he was a cruel mass murderer who has destroyed the lives of thousands of people, his death should be used as a time to mourn for all the suffering he has caused, and bring new attention to the political prisoners still being held in Iranian prisions today

because sadly the fight is far from over. many of you have probably heard of the murder of Mahsa Jina Amini back in 2022, causing a new wave of nationwide protests and establishing the "woman, life, freedom" movement. the regime has gotten increasingly cruel in their treatment of the Iranian people, especially women, but the people of Iran are not deterred and keep fighting for a free Iran.

if you want to know how you can help, please keep talking about us. the one thing the regime hates is international attention, and in the past it has been proven that international pressure has stopped the regime from executing various political prisoners. people like Toomaj Salehi are under imminent threat of execution and spreading their names could save their lives. so whether you share social media posts or talk to your family and friends about what is happening in Iran, anything helps 🙏🏼

jin, jiyan, azadi ✌🏼

[chiscribbs]

Grown Apart AU - Musical Style ✨

What is This Feeling from Wicked pretty perfectly encapsulates GA Donnie and Leo's first impressions of each other, so the musical nerd within me couldn't resist doing this (lol).

Context within the plot: After saving Mikey's life (by total coincidence), Donnie manages to infiltrate the Hamato residence as a spy, planning to capture the oozesquitos and hand them over to Big Mama, thus gaining her favor. Leo, however, sees through his act easily and has been keeping an eye on him since he arrived. Due to circumstances outside of their control - i.e. Splinter's decision - the two of them are forced to share a room with each other, which neither party is particularly thrilled about.

----------------

I just found out that, apparently, Grown Apart has made into the @tmntaucompetition preliminaries!!!! ASDFGHJKJH;!! Thank you to anyone who sent in a nomination! I guess we can officially call this "propaganda" now, so look forward to seeing much more in the very near future!

[poorly-drawn-mdzs]

Danse Macabre

[Commission]

[rosemarytrash]

this is so needlessly chaotic but so is act 4 so really if you think about it i'm imbibing the spirit of it all into a lot of gaussian blurring

[katsu28]

home is wherever you are

pairing: charles leclerc x reader

summary: secretly falling in love with your best friend is tough. secretly falling in love with your best friend who also happens to be your roommate is even less than ideal. the solution? move out! (hint: it isn’t a very good one.) (5k)

warnings: angst with a happy ending, a smidge of google translated french lol

a/n: CHARLES LECLERC!!! CHARLES LECLERC!!!!LECLERC!!! LECLERAUGHCOUGHCOUGH

“I still cannot believe you’re abandoning me.” 

Charles shoved another box of your things into the boot of your car rather huffily, as if to reiterate just how unhappy he was. 

“I’m not abandoning you, I’m moving out of your apartment.” You sighed, rolling your eyes playfully at him. You passed him the last box off the ground, wiping your hands off on your shorts before propping them on your hips. 

“That is quite literally the same thing.” He mirrored your stance in total seriousness, frown unwavering. “And it’s not my apartment, it’s yours now too. Your home.” 

You’d been living with Charles for a while now, having been suddenly evicted from your own place three, almost four years ago. With nowhere else to go, you’d turned to your best friend, and Charles had welcomed you with open arms, giving you a home when you’d needed it most. 

There were many good things about living with Charles—he liked to cook (which boded well with you, seeing as you were no master chef yourself. Except for when he’d gone through a questionable phase of combining cuisines that did not go well together.), he was respectful of set boundaries and agreed upon rules. You had the same taste in shows and movies, which made for little fighting when it came to deciding on what to watch. 

But most notably, he loved to play the piano. It was a hobby he’d picked up during long days spent staying at home, and he was good at it too. An electronic keyboard when he’d first started out, just to see if it was something he was serious about, but as he zoomed through the basics with ease, he’d splurged on a gorgeous white piano that stood proudly in the living room. 

Soon enough, it wasn’t unusual for the apartment to be full of music, beautiful songs of Charles’ own composing. 

He played whenever he had the feeling. Whenever he had something on his mind, whenever he was bored, anything, he’d spend hours at the piano, playing, playing, playing. Some might’ve called it annoying, but not you. You found it rather soothing. 

It had very quickly become a habit of yours to fall asleep listening to Charles play. Something about it seemed to always relax you just enough to the point where you could pretty much fall asleep anywhere if he was at the bench. 

Your favorite spot was on the sofa with a big blanket, watching him get lost in the notes until you drifted off. More often than not, you could rarely get a good night’s sleep without Charles’ accompaniment—your very own version of white noise. 

But truth be told, this past year of living together with Charles had been trickier than the first couple. You couldn’t pinpoint the exact moment things began to change, but something had definitely shifted between you. 

You’d been trying to write it off just the two of you being very close, but you’d been dancing on the line of close friends and more than friends for a long time. Falling asleep together cuddled on the sofa, lingering touches whilst you were in the same room and in passing, hugs that lasted a little too long to be considered normal. 

The more your feelings for Charles grew, the more worried you became. Worried about what, you weren’t exactly sure. All you knew was you didn’t want to lose the longest and best friendship you’d ever had because you went and fell in love.

“I know. But I think it’s well past time I get out of your hair and try being on my own for once.” You said softly, stepping in to fold yourself into Charles’ arms. 

Most of that was true. You did feel like you needed to live by yourself for a chance, to see what it was like to be fully independent in your adult life. You’d moved in with Charles when you were twenty two, and you were twenty five now. It was time for you to venture out on your own. 

But the uncertainty of falling in love with your best friend was definitely also a contributing factor. 

He made a displeased sound at your words, but tucked you under his chin nonetheless. “I don’t want you to get out of my hair. My hair likes it with you here.” 

“I live fifteen minutes away, Cha. I’m not moving across the country. You and your hair can come over anytime.” You scoffed, giving him a gentle poke in the ribs. “And I’ll come over here all the time too, you know that.” 

“Fine, fine. I don’t know what I am supposed to do with your empty room now, but I’ll figure it out. Maybe I will take up scrapbooking. Knitting. Needlepoint, maybe. Turn it into a craft room.” 

“Maybe you can turn it into a music room. Move the keyboard in there, your piano.” 

“Ah, bien entendu, my piano. How will you ever fall asleep without my sweet, sweet melodies?” 

“I think I will manage just fine.” You chuckled. 

Charles held you at arms’ length, dark brows furrowing as he scowled. “What I’m hearing is you don’t love me anymore.” 

Oh, if only he knew. 

You smiled instead, patting his cheek good-naturedly. “Come on, you drama queen. I want to move in before the sun goes down.” 

Charles went full protection mode the second all your belongings had made it safely inside the apartment, intently checking every lock, window, door hinge, cabinet—not an inch of the apartment went uninspected by him. When he seemed fairly satisfied with his safety checks, he returned to where you were unpacking kitchen items over by the oven.

“Everything up to your standards?” You asked, pulling out a stack of plates wrapped in brown paper. Charles shuffled over, easing them out of your hands and unwrapping them to help put them up in the cabinet. “No one is going to break in through my window tonight?”

“Don’t even joke about that.” He grumbled, chucking the balled up paper at you gently. “Everything I checked is fine. You will be safe here.” 

Food was simple when it came time for dinner—takeout on the floor of your living room, because you hadn’t had the time to go shopping for a coffee table yet. Or a dining room table. Or even chairs, really. All you had were some pillows and an overturned cardboard box to put the food on. 

Charles had insisted on helping you furnish the whole place before you moved in but you’d declined, saying that you wanted to get a feel for the place before filling it with everything. The last time it would be this empty would be the day you moved out. 

He seemed a little quiet the rest of the night, but you didn’t press it until after dinner, whilst he was helping you with the washing up. Well, helping was a strong word. 

“You’ve been drying that plate for ages now.” You observed, tilting your head at him thoughtfully. Charles inhaled sharply, shaking his head like he’d been snapped out of a stupor. He glanced down at the completely dry plate, then back up at you blankly. “What’re you thinking about?” 

“You’re really going to be gone.”

“You say that like I told you I’ve only got days to live. I won’t be gone, Cha. I’ll be around.” You chuckled, flicking dish soap bubbles in his direction. Charles responded by flinging his towel at you, cracking a smile. You liked it when he smiled, hated it when he frowned. He was still unfairly attractive, but it wasn’t Charles’ scowl that made you fall in love with him. 

“We can spend the day together anytime, you can come over whenever you want, and if it makes you feel any better, I will give you your very own key.” 

That seemed to put him a little more in higher spirits. 

 “What will you ever do without me?” He wondered out loud, feigning a thoughtful expression. 

“Probably clean up a lot less. Be able to take a shower without running out of hot water halfway through. Oh! Have a bottle of shampoo last more than a month because someone—not naming names, of course, won’t use it because they’ve run out of theirs. Not have to fight for—” 

“Alright, alright, I get it!” Charles huffed, grabbing you by the shoulders and promptly shoving your face into his chest to stop you from talking. 

You grinned against the softness of his hoodie. “Shall I go on?” 

“No, no you shouldn’t.” His hold on you loosened, but you stayed right where you were, wrapping your arms around his torso. “Just admit it. You’ll miss me.” 

“I will miss you.” You said softly, pressing your cheek into the crook of his neck. If there was something Charles was unbelievably good at (besides literally anything he’d ever tried), it was giving the best hugs. Something about them made you feel safe, like nothing and nobody could ever hurt you as long as you were in his arms. 

“You already know how much I’m going to miss having you around.” 

“Yeah, I am pretty great.” 

A laugh rumbled through his chest. “You are.” 

“You’ve been the best roommate I could’ve asked for. Thank you for everything.” Your words were muffled between the two of you, and you were glad for it, because he didn’t seem to notice the waver in your tone. But he did squeeze you a little tighter, so maybe he did hear you. “I love you, Cha.” 

Charles’ voice seemed to waver just a bit too. “I love you too.” 

“Okay, okay, you really need to leave. Go before I change my mind and make you stay.” You blurted, pushing him away playfully. It was better than letting him see you get emotional. 

“Is that a promise?” 

“No, it’s a threat. Go home. I will see you soon.” You gave his hand one last squeeze, nodding reassuringly to rid him of the crease between his brows. “Don’t worry about me. Go, get some rest.” 

It was only then that he seemed satisfied enough to leave, but even then, he cast another backwards glance towards you on his way down the hall, as if he was waiting for you to beckon him back. You just smiled as best you could. 

You’d get over it. You had to. There was still a lot you needed to get done before you called it a night. 

It wasn’t until you were getting ready to go to bed that you started to feel lonely. You and Charles had your respective bedtime routines, but they always intertwined. 

You never liked being the one to turn off all the lights in the apartment because the switch was at the end of the hallway opposite from your bedrooms, so he knew to do it because you hated running back through the darkness after flipping the switch. 

He always filled a glass with water for late night sipping, but never remembered to actually bring it to his room until he was already in bed, so you always grabbed it for him so he wouldn’t have to make the trek back out the kitchen.  

The bathroom counter was where you’d find each other the most, terrible jokes and funny stories told muffled through toothpaste bubbles, even though you could’ve just waited until you were finished to tell each other. You’d flick water at him as you washed your face because he took up too much space at the sink, he’d turn off the tap in retaliation, things like that. 

Sometimes Charles would stay up later playing video games with his friends, or take some extra time to practice piano, so you wouldn’t get to do your well oiled machine routine, but he’d always take the extra second to pop into your room to say goodnight when he heard you bustling around, even if he was in the middle of something. 

The times you fell asleep on the sofa to Charles’ playing the piano, he’d camp out at the other end of the sofa for the night, or at the very least made sure you were covered with a blanket if he went to sleep in his own room. 

It was something you’d grown accustomed to over the years, oftentimes the well-needed end to a not so great day. Charles never failed to put a smile on your face, even with something as small and mundane as a bedtime routine. 

But there was none of that as you ran through your routine this time. 

You didn’t hear him shuffling around over in the other room, the muffled sounds of his shouts as he played his games, and most of all, you didn’t hear him and his piano. 

Because there was no Charles. Of course there wasn’t. You were in this new place that you hadn’t had quite nearly enough of a chance to get used to yet, alone, and it was finally settling in. 

Suddenly moving out and away from him seemed like the worst decision in the world. 

You knew it was only the first night. You had to give yourself a chance to reacclimate, and that would take time. So you inhaled a deep breath, trying to get as comfy as you could for a long, probably sleepless night ahead. 

It was nearing four in the morning when you finally decided to give up and call Charles. Part of you thought he might not even pick up the phone, because he was probably asleep. Any sane person would be sleeping right now. 

Much to your surprise, he answered on the second ring. 

“Why are you awake?” You asked, maybe a bit harshly. 

“Um, you are the one who called me? Why are you awake?” He replied, groggy voice still teasing. His accent always grew thicker when he was sleepy. You thought it was adorable. “You cannot sleep, can you?” 

“...No.” Your voice grew smaller. You felt embarrassed at the fact that you couldn’t even make it one full night without Charles around. “I just…I wanted to hear your voice, I guess. I miss you already, Cha.” 

Charles fell silent for a few moments, the only sound on his side of the line being his gentle exhales. “I miss you too. Do you want me to come over? I can stay the night, if you want.” 

“No. No, you don’t need to do that.” You said softly. “Can you just talk to me?” 

This was also something that had become somewhat of a ritual when either of you couldn’t sleep. 

You’d tiptoe into each other’s rooms quiet as a mouse, slipping into bed beside the other. Charles always stirred when he felt the bed dip under your weight, half asleep but still reaching out to pull you against his chest like it was second nature. On the occasions when he came into your room, you’d feel him tuck himself close to you, nosing against any part of you he could find with a content sigh. 

There was no rhyme or reason to the things you’d talk about in those moments, but eventually, somehow, you’d both end up asleep, usually fairly quickly. Maybe it was the extra added comfort of each other that helped, you could never tell. 

It wasn’t unusual to wake up a jumble of limbs tangled together, and neither of you ever addressed it either. Just went on with your business as usual, never talking about it because it was just something you did. To help each other sleep, of course. 

Another thing that really blurred the line between friends and more. 

Charles hummed a noncommittal sound, soft and fond like he always was around you. “I’ll do you one better. How about I play some music for you?” 

“Yes, please. Thank you.” You sighed, relieved. He knew what you needed without you even having to ask. 

You heard him get up, footsteps padding along until there was a thud and some shuffling coming from Charles’ side. A few warm up scales in and you were already feeling a little less anxious, letting yourself get comfortable. 

“Any requests from the audience?” 

“Been working on anything new?” You yawned, nuzzling a little deeper back into your pillow. 

“I have, actually. It’s still—fuck, how do you say it…a work in progress?”

“Anything you play is perfect.”

“You flatter me.” He snorted. “Alright, here goes nothing.”  

He began to play. You knew jack shit about music, so there wasn’t much you could think of to describe how it sounded, but you could describe how it felt. You could almost feel the emotion pouring from his playing, even through the scratchy quality of the speaker. 

It felt like something you’d hear in the background of a movie montage, lilting and delicate and warm notes swirling together to create a bright melody, and you couldn’t help but let your mind wander. 

Memories of good times with Charles flashed through your head—all the long days and even longer nights you’d spent together because you thrived in each other’s company, cooking together, binging Netflix shows until you both passed out on the sofa. 

Hushed laughing during dinners at fancy restaurants that Charles could get into by flashing his name, soft conversations accompanied with expensive food and even more expensive wine. 

Day trips up the coast with the top down on the car, pushing the speed limit just to feel an ounce of the freedom that it could give you. Walking through Monte Carlo on late night gelato runs, switching flavors because you both enjoyed each other’s choice more than your own. 

Most of all, you thought of the love you felt for Charles, ever since you’d first met him. You’d never been one to believe in the concept of soulmates, but fuck, it was so easy to think of him as yours. Never had you felt as much for someone as you did for him. 

God, why were you even thinking of those things? 

It would never happen. Any love that Charles had for you would be strictly platonic, limited to however much one could love their best friend. 

Surely he’d drawn inspiration from something else when he’d composed the beautiful piece. You weren’t sure if you wanted to know. 

Soon enough, you’d drifted off like you always did when Charles played, coincidentally right before he came to a lingering stop. 

Had you been awake, you would’ve heard him say that the beautiful piece had been inspired by you. Instead you were fast asleep, still none the wiser to anything. Maybe it was a good thing. You might not have believed it if you’d heard him. 

-------

Charles was on your doorstep first thing in the morning, coffee and pastries in hand when you opened the door for him. 

“Hello, good morning, your savior is here. And with breakfast!” He chirped, coming to just enough of a halt for you to slide an arm around his shoulders in a hug and grab one of the drinks out of the tray before he swept past you.

Bright morning sunlight poured into the open area, washing the whole place aglow. A warm breeze floated in through the ajar window, rattling the shutters only slightly, and you could hear the all too familiar sounds of the city in the morning coming from the streets below. It was a gorgeous picture of peace; one of the apartment’s many fun quirks that convinced you to go for it in the first place. 

The only thing that might’ve rivaled the beauty of the moment was Charles standing at the window, leaning against the sill drinking his coffee while the breeze ruffled his hair. His back was to you as he checked out the view, but even the mere image of him here was nice. 

You sipped your own coffee, smiling to yourself when you realized Charles remembered exactly how you took it. You didn’t even need to look inside the bag to know they were your favorite pastries from the bakery down the street from your former apartment that both you and Charles loved. He was always thoughtful like that. Things like remembering your favorite foods and drinks, and going out of his way to get them as a little pick-me-up. 

It seemed wrong to ruin the moment, but you felt like you had to say something. 

“I’m sorry for waking you up last night.” You sighed, taking a cross-legged seat on a pillow. 

Charles turned away from the window, shaking his head quickly. He took a seat on the floor next to you, long legs stretching out towards your crossed ones to nudge a sneaker against your socked foot. “There’s nothing to be sorry about, I’m glad you called me.” 

“Right, but it’s kind of pathetic, isn’t it? First time on my own and I didn’t even last a whole night.” 

“Not pathetic.” He insisted, entirely firm in his words. He set his cup down as if it could strengthen his point. “It is a change, definitely. You can’t expect yourself to get used to such a big change immediately. It takes time, you know.” 

You messed with the lid of your cup, picking at the plastic with a scowl. “I know. But I can’t always come running to you whenever I need help. It’s not fair to you to have to keep rescuing me every time I need saving.” 

“Okay…” He trailed off, stretching out the last syllable in confusion. “I feel this is about something more than just last night. We can talk about it, if you would like?”

“I don’t know what it is.” You huffed. “I thought I was ready to be on my own, but maybe I’m not. Maybe I don’t know I’m doing and I’ll never figure it out, and—” 

“Whoa, whoa, slow down. Where is this all coming from?” 

“I don’t know,” You repeated, bordering on a whine. “But what I do know is that I can’t always keep relying on you for everything. It’s not good for me, or for you.” 

“You know, you could always just move back home if you’re truly not ready to do things on your own.” Charles offered, taking a casual sip of his own drink.

Home. He said it so casually, like home was with him instead of this new place you’d chosen to make yours. In a way, Charles was your home. Safety, comfort, love—all the things that made something home, you felt with him. 

That was the problem. You didn’t feel right relying on him for all those things, not without him being aware of how you actually felt about him. It seemed like too much of a burden to put on a friend, even one as perfect as Charles. 

His eyes met yours over the rim and he shrugged. “I still don’t know why you were so insistent on moving out in the first place.” 

You sighed, again. There weren’t many ways you could make yourself any clearer. Other than telling Charles one of the real reasons why you had to leave, which again, was more of a last resort (hopefully not at all) type of thing. “It was time—” 

“It was time for you to venture out on your own, yes, I know. But it doesn’t seem to be working out so well right now, does it not?” The last sentence seemed to slip out of Charles’ mouth before he knew what he was saying, because his mouth snapped shut right afterward. “I’m—I’m sorry, I didn’t mean for it to come out like that. I don’t want to argue.” 

But what had been done was done, what had been said was out there for you to know. Your coffee suddenly left a bitter taste in your mouth, and the traffic from outside became glaringly loud. The once peaceful atmosphere had been shattered now that you knew Charles’ true thoughts on it all. 

You stood up, letting your feet take you across the room from him. “No. Tell me more, Charles. Tell me how you really feel.” 

His nose wrinkled at the use of his full name. You never called him Charles unless you were upset with him, which wasn’t that often. Even hearing it come out of your own mouth seemed foreign. 

That seemed to change his reaction, because he stood too instead, doubling down on his words. “Okay. Yes, that is how I feel about you leaving. You barely even talked to me about it, and the next thing I knew, you were packing all your things into boxes! I didn’t understand where this—this sudden desire to leave came from. I still don’t.”

“You don’t have to understand it. It’s already done.” 

“Did I—did I do something wrong?”

You almost faltered. Almost.

“Did you ever think maybe me wanting to leave had nothing to do with you?” 

“Honestly? No. It feels like it has everything to do with me. It feels like you moved out because you didn’t want to be around me anymore!” Charles exclaimed. “And I have kept my mouth shut, I’ve been trying to be supportive of your decision, but I think I have a right to know. Am I why you wanted to leave so badly?” 

“That’s…part of it.” You admitted. Charles froze, brows flying up towards his hairline. “But not because of anything you did. Not because of the reason you’re thinking of.” 

“I don’t really see any other explanation. And I am sorry, but that is a shit excuse. I would’ve thought that you of all people would tell me the truth.” He didn’t sound angry, just disappointed and a little hurt. Somehow that felt worse. You’d rather him be mad at you than hurt by you. 

“I didn’t want to move out.” You said firmly. 

“Then why did you?” 

“I had to! I—I couldn’t live there anymore.” 

“But why?” He sounded desperate, begging for you to clue him in to any reason, anything at all that would help him understand. And god, as scared as you were of changing things by telling Charles how you really felt about him, you were infinitely more scared of losing him for good if you didn’t. 

“Because I’m fucking in love with you, Charles!” You blurted, finally. “I couldn’t live with you any longer, keeping this huge secret all the time, because it truly made me feel like I was about to explode. I just couldn’t do it anymore—pretend like everything was alright when every time I looked at you, all I could think about was how I felt about you! How much I felt for you.” Your voice rose with every word, emotion lacing your tone. 

You could feel the tears burning your eyes, threatening to fall no matter how much you willed them not to. “I just thought, maybe if we lived apart, if we didn’t see each other all the time, maybe those feelings would go away.” 

Charles blinked at you slowly. He scrubbed a hand over his cheek, across his mouth, letting it disappear into the neckline of his hoodie as he continued the motion near his jaw. Still, he said nothing. You weren’t sure if it was a good sign or a bad one, but still you continued. 

“So no, it wasn’t because of anything you did. Or maybe it was, for making it so fucking easy to fall in love with you. I don’t know. I’m sorry if I made you feel like you couldn’t say anything to me, but I’m not sorry for making the decision on my own. It was for the best.”

There it was, out there in the open at last. It felt like a proverbial weight lifted off your shoulders, but at the same time like a thousand rocks sinking to the bottom of your stomach, because he wasn’t saying anything. Maybe this was it. Maybe this was how you’d fuck up the best friendship you’d ever had. 

Charles was silent for the longest time before he replied, and when he did, his voice was quieter than you’d ever heard it before. It felt unnerving. “You could’ve just told me.” 

“Told you?” You had to fight the urge to let out a bitter, watery laugh. “Telling your best friend you’ve fallen in love with him isn’t just something you mention at the bathroom sink one night.” 

“It is, if he feels the same way about you.” 

A coldness crept down your neck, shooting through your veins like you’d just had a bucket of ice cold water dumped over your head. 

“No you’re not—you don't...you can't.” You whispered, disbelieving.

Charles’ brows furrowed in confusion. “What, do you want me to prove it?” 

You couldn’t give him an answer even if you wanted to. You weren’t sure if you could trust yourself to say a damn word, just in case this was all a dream and you'd wake up any second, still alone, still without him there.

He must’ve taken your silence as a yes to his question, because he crossed the room in three strides, took your face in firm hands, and he kissed you. 

Despite your utter shock, you managed to kiss him back clumsily, fingers curling into his hoodie tightly. Charles kissed you like he was afraid to let you go, like you’d slip through his fingers if he wasn’t careful enough.

A guiding hand curled around the back of your neck, angling your head so he could deepen the kiss, but only for a few seconds before he broke away, panting. His forehead stayed pressed against yours, soulful green eyes boring into your own in total seriousness.

“Do you believe me now?” 

“Maybe.” You breathed, letting your nose bump against his gently. This was not a dream. Charles was real and here and one hell of a kisser (just as you suspected).

“I am in love with you.” He murmured, stroking his thumb over your cheek fondly. “I have been for a long time. And I never thought you would feel the same way.” 

“I love you, Cha.” You were suddenly brought back to last night, when you’d uttered the same words to him. Only this time, they had a whole different meaning to them. 

This time, you knew Charles loved you in the same way you loved him.

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[biblically-accurate-dca]

day 16: object head !

[chio-chan2artbox]

Just imagined Heinz going on and on about whatever, until Perry be like: “shut up Heinz” and then kiss him.

He succeeded xD

[tanblaque]

OFF Valley, Zacharie Headcanons:

• Owns a shop called Le Zacharie! (Canon)

• Is a pretty chill person to be with, aside from Pablo, he gives you advises and tips.

• When his shop is closed on Friday, he frequents the beach

• He takes care of the town cats, Pablo and Valerie

• He loves money and can be self-absorbed and tactical for it

• He may not admit it, but he's still bummed after The Batter distanced himself from him and Sugar.

• Is Sugar's confidant and cares very much for her

• Can be REALLY flirty

Bonus angry Zacharie doodle.

[thatbuddie]

"eddie isn't queer/gay," you say. "he is straight in canon, so him being gay is just a head canon. it's ok for others to think of him as straight because that's what he is."

let's ignore for a second the fact that eddie has never ever ever ever not even once, said in canon that he is a heterosexual very straight guy. seriously!!! he has never once said it!!! if i am "assuming" he's gay then you are also "assuming" he is straight even though he has never once said it!!

how do you think we got bi buck as canon? like i am serious right now, answer the question. how do you think we go bi buck canon? evan buckley was never conceived to be a bisexual man at the beginning of 911. the reason we have evan buckley as a canonically bisexual character today is because us, queer fans of 911, interpreted him and headcanoned him as bisexual. i would go even further and say that it was us, BUDDIE FANS, who interpreted him and headcanoned him as bi. even before the writers were explicitly writing him as bisexual. we read his actions and his story and his identity and said: "this is a bi character!" and the writers looked back and realized that it made sense! and so they started writing him explicitly and canonically as bi.

was it wrong of us to headcanon a character as bisexual then? like for all intents and purposes we were reading a "straight" character as bi. were we doing something wrong? how come you are not complaining/chastising us/shaming us for how we took evan buckley, an otherwise straight character, and saw him as bi? is it because it now serves a purpose to you that he is bi?

also, taking characters that aren't confirmed queer and reading them as queer is what the queer community, and specifically the queer fandom community, has been doing for DECADES. look up the history of queer coding, i am begging you. it has been through the means of queer coding and the perseverance of people that are engaged in it that actual queer representation in media has increased. and let me tell you right now, eddie diaz is, undoubtedly and undeniably, one of the most queer coded characters there is. whether you think this queer coding is conscious by the writers or not. eddie diaz is queer coded.

and i want everyone who says things like "eddie diaz is not a queer character. he is straight in canon. it's wrong to assume a character is queer without the character saying so" to know that this is exactly what straight and homophobic people say. you are using the SAME rhetoric that has been used to shame queer fans for decades for seeing themselves and their experiences in fictional characters of all types. in fact, us, queer fans (and again BUDDIE FANS), were told so many times by straight fans that we were wrong for reading buck as bisexual. and where are we now? where did reading buck as bi take us? oh yeah, to having bi buck in canon.

so please just stop with the "eddie isn't queer in canon" comments. if you don't want to interpret eddie as queer then that is your prerogative. i will be judging why that is, for sure, but it is your right. but be honest about it. it has nothing to do with whether or not he is straight (which hasn't been said) or queer coded (which he so obviously is seeing as so many of us can very easily read him as queer). it's a personal preference and you're not engaging with canon better because of it.

[wannaeatramyeon]

Goo Kim x Reader: Suspicious

G/N. So so stupid.

Your boyfriend is indulging in suspicious behaviour.

More and more, you catch him smiling sweetly at his phone, chuckling. At times you think you might have heard a squeal. He's always staring into it late at night, first thing in the morning, hiding his screen away from you.

Which usually would put you on edge if he was anyone else. Leave your imagination running wild, cause your insecurities to rise to the surface.

But you know Goo. He would have no problem kicking you out of his bed, his apartment, his life if he didn't want this anymore.

Except this isn't that. He's still as clingy as ever, still a mischievous menace. A brat, feral and needy, showing his own brand of affection and fondness.

You're almost certain that if you asked, he would shave his head for you. His precious blonde locks. That's how much he loves you.

However. The behaviour is peculiar, odd. You don't know what to think.

.

.

He's engrossed in his phone even more than usual this evening.

He didn't hear you come through the door, pad through the apartment, sneak up over his shoulder, almost breathing into his ear, eyes briefly scanning over his screen until-

"What's this?"

Goo yelps. Jerks away violently and with such force his glasses clatter onto the floor.

"Shit!" You hear him mutter under his breath as he tries to discreetly click his screen off and bend down for his glasses.

You're pretty certain you saw what you think you did.

…Really? Is this what he's been hiding from you?

Tentatively, because it's obvious this guy is touchy as hell about this, you ask, "Is that-"

"Nope!" He snaps, a very uncharacteristic blush blooming over his cheeks.

"Goo," You grin, eyes crinkling. "Are you embarrassed?"

He puts his glasses back on, adjusting them as he peers over haughtily at you, regaining some of his composure. "No cupcake, I don't get embarrassed."

You put your hand on your hips, raising an eyebrow. "Sure. That's why you've been sneaking around with your phone."

"I have not been sneaking."

"Sneaking."

"I-"

"Sneak. Ing." You emphasize each syllable, then ready your fingers at his forehead. "I may have thought you were up to no good." With that, you give Goo a light flick that he grossly overreacts to and screeches.

"So what?" he rubs his forehead with a pout, "I'm always up to no good."

That's true. You admit it with a sigh.

He pulls his phone out of his pocket, clicks it back on sheepishly. "They just... They love each other."

"I know." You tread carefully, not sure which of his manic moods he's rapidly approaching.

"And they both die in the manga." You swear you see Goo's lip wobble, "I just want them to be happy."

Ok, that was definitely his voice cracking you heard there as he shows you his browser, tabs upon tabs of fanfiction open-

Really, goddamn. That is a lot of fanfiction. Although you understand the grip of a hyperfixation all too well.

Maybe you should have seen this coming. You know Goo loves his manga and anime, and you know he loves this particular one. You just didn't know how much. You didn’t realise he indulges in fandom activities.

But-

Did he not realise you loved it too? The amount of fanfiction you gorge on? That there was no need to hide this from you? You wouldn’t have ever made him feel ashamed of this.

"Hey,” You give him an encouraging smile and a nudge, “Did you read the college AU one? Where they're both-"

"PROFESSORS AND MARRIED!" Goo interjects, eyes widening in realisation. 

"Cupcake!" He purrs, any embarrassment or hesitation a thing of the past. The distant past. He throws his arm around you. Ecstatic at finding new common ground, starts to ramble and talk about his favourite fics, his least favourite. The tropes he loves, the tropes he hates. Mouth running a mile a minute.

When he finally pauses to take a breath, he smooches you on the cheek. Reading between the lines, as a way of apology for his suspicious behaviour.

And continues, until you interrupt him and tell him that your favourite ship is actually these other characters and-

"Ugh. Tasteless." Goo scoffs, removing his arm from you and stepping away as if your terrible taste will infect him.

[grimme-and-specs]

You know I had to do it to 'em too

Bonus:

EDIT, 2024-4-5:

If this gets to 213 notes before 4-13 I will personally redraw this earlier than planned.

[hauntedandmurdered]

The sexiest touch in movie history and no, nothing's ever gonna change my mind.

[azzayofchaos]

You said you wanted art requests, how about tango trying to bake something?? :D

Not me getting busy and then procrastinating this for a month and a half. O_O

oops.

Here’s the guy! I think he’s probably a good cook, and at least a decent baker, he’s been alive for far too long to have not figured it out. Unfortunately he’s partial to Nether food which doesn’t always sit well with his non-nether companions.

Probably not the image either of us would have thought of but it was interesting to draw at any rate. He’s making a ghast-jelly soufflés or something!

Some thoughts about food and the Nether? (You didn’t think you could escape my world building, did you?)

This particular dish I image to be a fluffy soufflé or mousse-like texture. It’s a relatively sweet dish, a rarity it the nether, though it could easily be modified for a more savory flavor.

The list of ingratiates might look something like this:

- The luminescent, warped-vine fruits that grow at high altitudes in the temperate zone. They are much smaller and more fragile than shroomlights, and are a rare source of sugar in the Neth. Most nether plants are savory, umami, or sour/biter,

— The viscous ichor from a ghast’s innards that whips up much like egg whites (there are eggs produced by some nether species but not ones well suited for this process)

— Aromatic herbs and spices that can be found in various biomes are a good addition especially when combined with the fruit juice to make a sauce. The specifics would vary from recipe to recipe, but the benefit of the dish is that it can easily be made with ingredients that don’t contain capsaicin which is present in many nether plants. (this dessert is considered one of the most palatable for overworlders as long as you can get past the use of ghast ichors.)

— some fat source, generally a hoglin lard or oil from stems.

— Salt! Readily available. It can often be found in large mineral deposits or salt flats in the rime zone or wastes.

Additionally, adding other ingredients can alter the sort of dish.

— The texture can be made more cake-like for example with the use of spore-flour, and hoglin or nut-based milks.

— Things like cacao, sugars, and fruit are coveted goods that the Neath has historically traded with the overworld for.

— I thought it would be interesting if there was a certain type of heat-resistant but heat-sensitive plant that curls/uncurls based on refined temperatures. It could be used as a thermometer!

[poorly-drawn-mdzs]

My rendition of @tempo-takoyaki's DTIYS!

Congrats on the milestones! And to everyone else, please go check out their 'Drawing TGCF (except I haven't read the books)' series!

[daisyswift3]

A Summary of the 🎃 Messages--The Overarching Story

So I just realized sth abt the 🎃 messages while listening to ttpd—they’re in chronological order!! I am going to try to give a summary of these messages and explain why I believe this. This album has made 99% of her songs, mvs, metaphors, and symbols make perfect sense. There were always some things like getaway car, cruel summer, and the palm trees in rep era that I could never quite figure out but now it's all crystal clear. It's like ttpd is the last piece of the puzzle needed to make everything fall right into place and to see the whole messy complicated story. One thing I want you to take note of as you read this summary is how incredibly consistent Taylor is w her use of metaphors and symbols. This makes solving the puzzle that is her music more like solving a cypher that you can know you solved correctly bc all the symbols will fit together perfectly just like a secret code. Once you understand what one symbol represents you now know what it means every time you see it. Every word or phrase she uses is intentional and there's not a single easter egg that's out of place. You'll notice in ttpd there are several words and phrases that are repeated bc she wants us to know that certain songs are related. 🎃 anon said there would be many connections and foretellings in the messages that we could find if we held them to the light in the coming unfoldings, and boy they were not wrong. So w/out further ado let's get into it (just a warning though this will be pretty lengthy so grab your favorite drink, some snacks, and get comfy).

1st message: The first one starts right before rep era when her rep started going down and she started feuding w her record label. These are the obstacles she didn’t see coming that made her slam on the (getaway bike) brakes (which were cut so she had to use her foot to slow down) and not come out. The "heel damaged" could be a reference to Achilles' heel since this was a weak spot she didn't see or it could be a reference to Jesus' heel being bruised in the 1st ever biblical prophecy (see this post for more on that). This was her first big pivot and change of plans. Many ppl have theorized that TS6 was originally going to be a different album--perhaps lover/daylight--but kimye and BMR got in the way of that. This would explain why she wears an outfit w palm trees on it while cutting the wings off her TS6 jet. She spray paints "reputation" on it which seems to indicate it was a haphazard last minute change of plans (x). Plus the endgame mv has palm trees and shows Miami, Florida (which I think is related to Florida!!! but I'll have to get to that another time) connecting it to "Island breeze and lights down low, no one has to know...In the middle of the night in my dreams I know I'm gonna be with you so I take my time." Miami is the paradise where her endgame happens. This all seems to indicate she was ready for "daylight" or "paradise" during rep era but had to pivot.

The Prophecy: “Hand on the throttle, thought I caught lightning in a bottle, Oh but it’s gone again"

2nd message: This is abt the lover rollout that started in spring of 2019 -> "The time draws near, springtime sunshine causing small drips and fractures." The ice castle likely represents the lover house (her music empire, past eras, and closet) since she burns it down w a match just like she does in the eras tour visuals and midnights -> "You strike a match and blow the smoke toward the structure that shelters and protects you. Suddenly, you hear a crack, a crunch, a whoosh. There is a sudden give beneath you, and you tumble through the broken, melting hole in your palace." The ivy reference (spring breaks loose, the time is near) just solidifies my theory that ivy is a song abt an eventual kaylor reunion that will happen before she burns all the files and deserts all her past lives (eras).

Lover era was her second big pivot. I believe she knew there was a very good chance Scott B would sell her masters all the way back in rep era hence why she says "I'm always waiting for you just to cut to the bone, devils roll the dice" (see this post for more on that). "However, in this suddenness you find yourself still somehow underprepared, kicking yourself for the time you squandered by wallowing in the seeming endlessness of your predicament" -> Her being unprepared to come out along w the mastersheist is what caused her to miss her 2nd opportunity to come out. She was so caught off guard that it made her indecisive. And so she played it safe and stayed in the closet -> "Our coming of age has come and gone, suddenly this summer it's clear I never had the courage of my convictions as long as danger is near." Remember how I said Taylor is very consistent w her use of metaphors? Well I made a post a while back explaining how folkmore represents the seasons bc summer = daylight and winter = closeting and folkmore was Taylor trying to come to terms w her 2nd failed coming out hence the grey and beige ("I'm just a paperweight in shades of greige"); so that means the ice castle = winter = closeting and springtime sunshine = almost daylight = almost being out of the closet (and spring was also the time when the lover rollout started so it has a more literal 2nd meaning to it as well).

The Albatross: "So I crossed my thoughtless heart spread my wings like a parachute, I'm the albatross, I swept in at the rescue." [I think there's a good chance this song is abt Scoots so it makes sense the parachute metaphor, which relates to her masters and failed coming out, would be used in this song]

The Bolter: "By all accounts, she almost drowned when she was 6 in frigid water...It feels like the time she fell through the ice then came out alive." ['Long story short I survived']

3rd message: This is abt the mastersheist (diamond heist) during the summer of 2019. It parallels the I Can See You mv exactly (see this post). In hindsight it now makes perfect sense why 1989 tv didn't have any mvs--bc the Fortnight mv is a direct continuation of the ICSY mv! Before the Fortnight mv, the ICSY mv was the most recent one. She didn't want anything between those 2 mvs so that it was obvious they were directly related. Her losing her masters and her 2nd opportunity at daylight is what drove her to insanity and caused her to end up in the asylum -> "I find the artifacts, cried over a hat...I trace the evidence" // "And so I enter into evidence my tarnished coat of arms, etc" | "Is it okay? Is it you? Or have they come to take me away?"

"Mere feet away from the light of freedom...Your getaway bike begins to leave without you, sparks flying as the tires try and fail to slow down for you. You have frozen in this moment of indecision" // "It was the great escape, the prison break, the light of freedom on my face...he was runnin' after us, I was screamin', 'Go, go, go!'" -> There are 2 getaway car mentions in this message which emphasizes its importance. This is likely for a few reasons: 1) To explain what the song getaway car was actually abt--her feud w BMR, not the beards 2) To show that message 1 and 3 are related; the getaway bike is mentioned in both since both are abt her masters 3) To show that the lover era pivot was actually just history repeating itself; this is what Cassandra and the Prophecy are abt.

Cassandra (notice the piano melody from mad woman): “So they set my life in flames, I regret to say do you believe me now? ['If I'm on fire, you'll be made of ashes too']…They knew, they knew, they knew the whole time that I was onto somethin', [She knew there was a good chance her masters would be sold as shown in cruel summer] The family, the pure greed, the Christian chorus line" ['Now he sits on his thrown in his palace of bones praying to his greed']

Fortnight: "I was supposed to be sent away But they forgot to come and get me I was a functioning alcoholic 'Til nobody noticed my new aesthetic [Her fans didn't notice the shift from rainbows and pastels to black mourning clothes during the lover era] All of this to say I hope you're okay But you're the reason [The you in the song is Taylor; she's the reason she decided to stay in the closet] And no one here's to blame But what about your quiet treason?" [Taylor's indecisiveness is what led her to not come out the 2nd time]

loml (This is from Karlie's pov): "Mr. Steal Your Girl, then make her cry...You shit-talked me under the table talking rings [Paper Rings] and talking cradles, [Lover mv] I wish I could un-recall how we almost had it all, [They were so close to daylight]...It was legendary, It was momentary ['I touch you (daylight/sunshine) for only a fortnight']...Our field of dreams engulfed in fire" ['So they set my life in flames']

Florida!!!: "Little did you know your home's really only a town you're just a guest in, ['I touch you (daylight/sunshine) for only a fortnight'; 'And so a touch that was my birthright became foreign'] So you work your life away just to pay for a timeshare down in Destin" [Taylor did all this masterminding and planning just to end up still stuck in the closet and bearding and only being able to see her lover in stolen private moments]

Fresh Out the Slammer: "Another [cruel] summer, taking cover, rolling thunder, he don't understand me"

The Bolter: "But it always ends up with a town car speeding" [getaway car]

Peter: "Forgive me Peter, my lost fearless leader, in closets like cedar preserved from when we were just kids, Is it something I did?" [Peter is herself; 'I'd be a fearless leader' and the fearless album; 'closets' is obvious]

How Did It End?: "We were blind to unforeseen circumstances, We learned the right steps to different dances, and fell victim to interlopers' glances, Lost the game of chance, what are the chances?...It's happening again" [This is the 2nd time she's lost the opportunity to come out]

I Can Do It With a Broken Heart: "I'm so obsessed with him but he avoids me like the plague" [They're in love w each other but can't be together in public; 'Break my soul in 2 looking for you but you're right here']

Down Bad: "For a moment [a fortnight] I knew cosmic love, now I'm down bad crying at the gym...'Fuck it if I can't have him I might just die it would make no difference'" ['You (Taylor) told Lucy you'd kill yourself if I (Karlie) ever leave']

5th message: Out of all the messages this is the one I'm the most uncertain abt. But I think it is possibly about JA leaving before his contract was up. "You are in a kitchen. Not your kitchen, of course. Your kitchen is soft and cozy and sacred. THIS kitchen is hard and cold and purely functional" -> This is not the sacred kitchen from Cornelia Street that she shares w her lover, this is a PR stunting kitchen that's a false imitation of the real domestic bliss she has. A few yrs ago kaylors were talking abt how Karlie has a kitchen that she only uses for PR/social media purposes so pumpkin anon could've been trying to remind us of that. These 3 messages from flag 🏴󠁧󠁢󠁥󠁮󠁧󠁿 anon make me think the breakup happened sooner than planned.

The July 29 message wasn’t meant to be posted until Oct 8 since it was hinting at the Toe breakup happening 5 months later in mid March, 2023.

The Nov 23 message mentions a “shift of footing” which we all agreed meant Toe 🦶 was over. The Dec 5 message w “the need to flex is sometimes necessary” directly following the Toe breakup message is what really makes me think it wasn’t planned. They had to pivot/flex but “other milestones are resolute” meaning the endgame is still the same—K and T will still reunite and both will be out of the closet at a certain time. Plus there’s the “…” at the end of the Nov 23 message which also indicates the Dec 5 one is a direct continuation of that message.

To add more credibility to this theory, RFI and SIG also have ellipses. RFI always seemed like it was supposed to be a direct continuation of SIG bc SIG sets up the “chess game” w her and her lover doing magic and pulling the wool over everyone's eyes, and RFI is when this chess game officially begins, "baby let the games begin."

Some other kaylors said they thought “the need to flex” meant that she wanted to give anti hero more time on the charts so she was flexing or showing off. But I think it makes more sense for it to be related to London Boy himself and not having him as a beard since that’s the whole purpose of having the 🏴󠁧󠁢󠁥󠁮󠁧󠁿 flag. I could be wrong though.

So Long, London: “Pulled him in tighter each time he was drifting away…Holding tight to your quiet resentment…Every breath feels like rarest air when you’re not sure if he wants to be there” [This may mean that JA kept trying to break free from the contract and Taylor kept trying to convince him to stay but it didn’t work]. "My spine split from carrying us up the hill, Wet through my clothes, weary bones caught the chill" ['They are bowing out, leaving you with double the workload, now half burnt and smoking. Their duties weren’t finished, and yet there is nothing you can do to make them stay. Shaken by this loss, chaos descends upon the team. Most roll up their sleeves to work harder']. "And my friends said it isn't right to be scared, every day of a love affair" [There were several blind items talking abt how JA was hooking up w men in a very unsubtle way; this could be what the 'cheating husband' mentions in ttpd are abt]. “Two graves, one gun” [Makes me think of a smoking gun which could be what the 'smell of smoke' in the message was alluding to. Maybe JA threatened to reveal her secrets if she didn't let him go and he had the smoking gun evidence to do so which was the recipe card. 'This time is different. Because you know this person actually has the means to share the secret menu, and that they have enough proof to make the waiting guests believe them.' -> I mean if anyone could convince the general public it would be the man who was supposed to be her boyfriend for 6 yrs]. “And you say I abandoned the ship but I was going down w it, my white knuckle dying grip” ['But you have never been one to lay your armor down. When you fail, you fail gloriously. When you go, you go kicking and screaming']. "I didn't opt in to be your odd man out" [She didn't want to be his beard just like he didn't want to be hers; and odd man out is a game that's played w 3 ppl where the odd man is the loser who's eliminated bc he didn't have a match]. "I founded the club she's heard great things about" [The Tortured Man Club -> The Tortured Poets Department that she's chairman of]

7th message: This message is all abt the domestic bliss she has away from the public eye. She has worked so hard to make sure her secrets are safe by building a tall impenetrable fence. However, she chooses to intentionally blow a dandelion full of secrets--perhaps ttpd is the dandelion w all the songs being the florets or secrets. There is one floret in particular that she’s worried abt—my guess is it’s Robin since it’s so damning if you know what to look for. Plus the song Robin parallels this message perfectly and evokes the same imagery. And to add even more credibility to this theory, the lyric vid for Robin has dandelion florets in the background. See these posts: (x)(x)(x)(x)(x)(x). "You are walking through your yard. It's one of your favorite places, all sprawling garden rows" -> Betty's garden; "your wife waters flowers," etc. "There are daisies - so many daisies - in every shade of your rainbow"--I don't think I even need to explain this. "Your lover and your fresh baked buns are safe. (The buns, of course, are in the oven turning golden as you speak. It's an old family recipe, jotted lovingly on a recipe card.)" -> The recipe card is perhaps a picture or some other sort of smoking gun evidence of Taylor's family and it connects the 5th and 7th messages together. And the meaning of "buns in the oven" is pretty obvious. "Golden" refers to Karlie.

Robin: "Higher and higher, wilder and lighter" [This may be a double entendre--not only is she encouraging this child to bounce higher on his trampoline or swing higher, she is also encouraging the dandelion floret (the song Robin) to fly higher and go out into the world after she blows on it]

The Albatross: "Wild winds are death to the candle...One bad seed kills the garden" [This may be connected to the dandelion metaphor and I believe there are many layers to these lyrics; wild winds can carry the dandelion seeds into other ppl's yards; if Taylor's secret gets out this can destroy the domestic bliss she has i.e. kill her metaphorical garden or candle; 'love's a fragile little flame it can burn out']

I Hate It Here: "I hate it here so I will go to secret gardens in my mind people need a key to get to, the only one is mine" [There is only one way to get into this garden since a tall impenetrable fence surrounds it; there are other layers in these lyrics as well like the escapism aspect of it]

But Daddy I Love Him: "I'm having his baby, no I'm not but you should see your faces" [Bc it's Karlie that had the babies]

8th message: This entire message parallels the Bolter. I believe this is abt Taylor finally choosing her lover over her reputation and choosing to intentionally destroy it in order to meet her lover down at the bottom like 🌋 anon mentioned. This may be the purpose of the whole Ratty debacle—to tarnish her image (by jumping into shark infested waters) so that when kaylor are together in public again her fans won’t be able to hate on KK w/out being hypocrites bc Taylor has already done all the things she knows they’ll accuse KK of, like being connected to someone who’s quite problematic. I believe this takes place from May 2023-now since this is when MH and her started “dating.” The use of all lowercase in the 🌋 messages may be a reference to the reputation album title to indicate that this is going to be a repeat of rep era but this time the damage to her rep will be intentional. I find it very interesting that the Feb 20th 🌋 message is the only one that has a word capitalized and the word that's capitalized is "Gold." This is in contrast to "fools gold" which is not capitalized or colored.

The self-loathing is palpable in Taylor's music (x) and it is displayed heavily in this message as well. I think it's possible the "enemy" is actually just Taylor herself or her public persona to be more exact. She is her own worst enemy; the Anti Hero mv illustrates this. She's the one that spreads the dandelions in message 7 which is what the enemy does in this message; she's the bear, and in the Bolter she (real Taylor) tames the bear (Taylor the brand). I believe TSMWEL could possibly be abt herself as well. I mean TSMWEL literally has "TS" in the track title. The clean version of the Bolter has the line "Then she'll call him a bore" which parallels TSMWEL, "You said normal girls were boring." It's as if real Taylor is doing an UNO reverse on Taylor the brand by treating her public persona the same way she treated real Taylor for years. This is very reminiscent of the Archer, "I've been the archer I've been the prey." I think TSMWEL, while it is abt herself, is simultaneously abt Scott B. And the reason for this relates back to what I said abt the 2nd and 3rd 🎃 messages--she blames both Scott AND herself for her failed coming out. The mastersheist threw her for a loop, yes, but she could've still come out anyway were it not for her indecisiveness. And I haven't have time to fully analyze MBOBHFT yet but I think it's similar where it can either be read from Karlie's perspective to Taylor after the 2019 failed coming out or from Taylor's perspective to Scott B/the industry.

The Bolter: "But as she was leaving, it felt like breathing, ['When I was drowning that's when I could finally breathe'] All her fuckin' lives flashed before her eyes...He [the 'enemy'] was a cad, wanted her bad just like any good trophy hunter and she liked the way it tastes taming a bear, making him care watching him jump then pulling him under" [This connects to the 10th message: 'You limp over uneven ground, smiling at the pain of the shark bite with each excruciating step - replaying the satisfying splash as you finally chose her over the world. As you grabbed the enemy and dove into the infested waters']

loml: "The coward claimed he was a lion" ['You’re a selfish asshole. So much of your fear is your own. You wince at your cowardice like it is a gaping wound. You so often find yourself unable to meet your own eyes. You scramble into shadows like a black cat. Scared, even, of being scared...You are a coward, but you are not a fool']

I Hate It Here: "I was a debutant in another life but now I seem to be scared to go outside" [In another life she already came out but in this one she's too scared to even leave her house let alone come out]

The Tortured Poets Department (This is from Karlie's pov): "You're in self-sabotage mode throwing spikes down on the road"

9th message: This message is abt her finishing her 11th album, the last chapter of her 11 part story, and then sending it out into the world like a message in a bottle (the Manuscript). So I'm assuming this would take place on April 19, 2024, the release date of ttpd. "You are sitting on a beach, cold and windswept. The sea is dark and angry before you." -> This may be the same beach and sea from the folkmore era. "The sun sets in muted colors." -> Describing the sunset colors as muted is quite interesting since sunsets typically have very vivid colors; this makes me think it's related to the eras tour visuals during the transition from august to illicit affairs (which I explained the meaning of in this post), and the folkmore color palette was mainly muted colors. "You finish scrawling on the parchment. Your pen dries up as you reach the end of a story in 11 parts." // "Feeling like the very last drops of an ink pen," "my veins of pitch black ink." She is sick of having to dilute her truth through metaphors and allegories which is why she is a tortured poet -> "Take me to the lakes where all the poets went to die." Plus there's the "parchment" which she mentioned many times during her eras tour speeches which relates it to the folkmore era (x)(x)(x). "And now it is just a matter of time. The dripping of candle wax. The ticking of a clock." -> (x).

I recommend reading this post which explains how the Manuscript, ATW short film, message in a bottle, the story of us, and 4th, 9th, and 10th 🎃 messages are related. Many ppl pointed out that the Manuscript lyric vid looks like a movie script, and she's been referencing films and books a lot recently which makes me think there's a good chance she's going to release a film and book abt her coming out story. The 9th message and the lyrics in the Manuscript make it clear that Taylor's discography as a whole IS the manuscript i.e. it's the author's (Taylor's) draft of her story that is getting ready to be published. In academia, a manuscript is a draft of your research that you send in to be peer reviewed and if it's accepted it then becomes a published academic article.

The Manuscript: "And the years passed like scenes of a show, the professor said to write what you know, [She's equating her life to a story w the different eras being different scenes or chapters] The only thing that's left is the manuscript, one last souvenir from my trip to your shores, [message in a bottle; 'It may wash up on a sunny beach in Florida, or a rocky shore in the northwest'] Now and then I reread the manuscript but the story isn't mine anymore" ['Once you blow a dandelion, you never get it back. It isn’t yours anymore']

The Bolter: "But she's got the best stories"

10th message: This is a direct continuation of the 8th message and takes place right before she comes out of the closet (the wooden door in the woods). So this would take place after her rep has already been destroyed which I don’t think we’ve gotten to yet. My guess is that things will start ramping up in the next few months. She may start being papped w all her previous beards looking happy w them or sth similar which is all she’d need to do to show that the relationships were all fake and she’s been lying this whole time. This may be the “chaos” that 🫚 anon was referring to (see this post). This lines up with the blood moon glitch vinyl, representing chaos and disruption, being the 2nd quarter of the yr according to the midnights clock (4-6 or April-June, 2024). Plus many ppl think BDILH is abt MH--and Taylor meant for this to happen bc this album is full of red herrings--and in that song she says "He (MH) was chaos" so this might be a hint that the bearding shenanigans are gonna ramp up. Of course things are already plenty chaotic now w everyone thinking ttpd is abt 3 different men, one of which is pretty problematic, so perhaps this is all ginger was referring to. Taylor calling herself "the Bolter" has 2 meanings: 1) She is a coward who often runs away from danger 2) The 2nd more positive interpretation is that she knows "when it's time to go." I think it's very telling that ITTG is the last track on the deluxe edition of evermore and comes right after RWYLM, a song abt being stuck in the closet after the 2019 failed coming out. She's saying that she's not going to stay there forever(more).

The Bolter: "But none of it is changing that the chariot is waiting, ['The story of 2 princesses. No place for a prince'; the Cinderella metaphor (x)] Hearts are hers for the breaking, There's escape in escaping...Ended with the slam of a [closet] door but she's got the best stories, You can be sure that as she was leaving it felt like freedom" [The 6/21/2020 ♠️ riddle spells out 'They Are Free']

11th message: This message takes place after midnight at 3am on Nov 1 after she’s gone through the wooden door. In this post I explain how 3am connects to the witching hr or devil's hr. The fact that this takes place right after Halloween is quite significant since it is a day dedicated to remembering the dead, and death and ghosts are a big theme in ttpd. This symbolizes how after Taylor kills her old self (by dragging her into shark infested waters), she will resurrect as a new version of herself and leave the past behind her. And in doing these things, she will finally be able to go back to her figurative home, her cabin, that she was exiled from. -> "I think I've seen this film before so I'm leaving out the side door," "And I was catching my breath, floors of a cabin creaking under my step...I had a feeling so peculiar this pain wouldn't be for evermore." "The flame🕯️ finally🕯️flickers🌬️OUT" -> The match that started the "goddamn blaze in the dark" is no longer needed now that the lover house (her closet) has burned down, so the flame flickers out. This metaphor shows up in Peter as well, "But the woman who sits by the window has turned out the light," where the light dying represents the woman losing hope that a coming out will happen. Notice in this message from present anon that "Goodbye" has a capital letter G which I believe links it to "Gold" in the volcano message that was mentioned earlier. This may indicate that Karlie is the woman/neighbor holding the light and waiting for Taylor's return home. The Dec 26th 🌋 message is likely from Karlie's pov in this case.

Fresh Out the Slammer: "Now pretty baby I'm runnin back home to you, Fresh out the slammer I know who my first call will be to...But it's gonna be alright I did my time...Get the matches, toss the ashes off the ledge, [the burning of the lover house] As I said in my letters [the anon messages this corner of the internet has been receiving? Could also just represent her songs] now that I know better I will never lose my baby again...Swirled you into all of my poems ['My mind turns your life into folklore (literally and figuratively)']...To the house where you still wait up and that porch light [jack-o-lantern] gleams" [see this post abt the porch]

The Alchemy (This is from Karlie's pov): "What if I told you I'm back?...I haven't come around in so long, but I'm coming back so strong, ['But I come back stronger than a 90's trend'] Cause the sign on your heart said it's still reserved for me"

imgonnagetyouback: "Push the reset button we're becoming something new...Even if it's handcuffed I'm leaving here with you, Bygones will be bygone eras fading into gray, We broke all the pieces but still want to play the game...I'm gonna get you back"

[thoughtfulchaos773]

Season 3 -Surrealism and its psychoanalysis of Carmy Berzatto

Stick with me here if you like. I'm here to talk about how this season it dove into a psychoanalysis and surrealist style cinema on Carmy and his sexual urges. @currymanganese @caiusmarciuscoriolanus & @vacationship discussed in another thread the surrealism of this season with its close shots and quick cuts as well as leaning into faint storytelling and a focus on moving images. Surrealist Cinema connects with Sigmund Freud's principles in creating this film style.

Surrealist films are connected to Sigmund Freud's ideas about dreams and the unconscious mind. These filmmakers used strange, unexpected scenes and bizarre images to depict what’s going on deep in our minds, creating movies that feel like crazy, vivid dreams. The Surrealists ran with this idea in their art to capture pure thoughts from the unconscious mind.

Freud's ideas are super handy for understanding Surrealist art. Early on, Freud figured out that dreams are like visual poems, using metaphors to show our unconscious thoughts and desires. But our minds censor these dreams, turning the original thoughts into metaphors through something called displacement and condensation.

The filming this season prioritized mood over storytelling, which is another interesting aspect. It also featured a surrealistic style of non-linear moving images like in Episode 3x01 Tomorrow- non linear in Carmy's unconscious stream of thought. This symbolism also shown through the displacement of scenes and images.

What is Displacement?

Freud thought Displacement was the important part of dream work, and surrealist felt this way with film. It swaps out objects or concepts with symbols to hide the real meaning. Surrealist filmmakers committed to this act of symbolism. Symbolism is a figure of speech of a character's actions, words, and events that has a deeper meaning.

One example of symbolism from Freud defines that knives often symbolize male genitalia and boxes symbolize female genitalia in dreams.

What are the odds of a parallel between knives and boxes, and it's only Carmy and Sydney being frustrated by the tasks of cutting and breaking down boxes?

It's the symbolism of sexual frustration between them.

Textbook Sublimation

Another Freud concept is sublimation - this is defined as redirecting sexual desire into socially acceptable behaviors or new aims that are still related to the sexual impulse. (AKA Carmy wants a star, not just to beat Chef David- but what carmy truly wants sexually is to please Sydney)

Remember what Richie said about Carmy as he shouts at him and then Carmy looks at Sydney?

Let's definite what textbook sublimation is:

My theory is that Richie told Carmy that he sees him for who he really is. He knows Carmy and knows that he never wanted Claire in the first place. Richie is aware of the tension between Sydney and Carmy, and Carmy's been repressing it all along. Richie is very observant; look at how he observes the tension between Carmy and Sydney.

Bonus: Look how Carmy stares at Sydney- he could care less about the Faks in this moment. He's feeling bad for giving her a headache but he wants to fight some more.

Remember, we theorize here that season 3 breaks into the fourth wall. At that moment, Richie is talking to the audience, giving us a rundown of why Carmy avoids and creates a prison in his mind. We didn't get a clear answer because we were inside Carmy's mind throughout the season. He was experiencing confusion, repression of his urges, and an inability to feel the pain he was going through. Another thing is that he could not accept any joy or love in his life.

I believe the decision to create a surrealist-style season is great because it complements Carmy's avant-garde food style, through which he communicates his artistic thoughts and feelings.

Through the image, we see that Carmy is in a dreamlike state, gazing at the dish he created unconsciously, which matches Sydney's scarf. This hits at the core truth of his desires that he does not want to address. Sydney is the real fun, joy, and amusement that can happen, but he's been sabotaging and repressing since day one, even with the choice of dating Claire. Carmy is more addicted to adrenaline, stress, chaos, and guilt.

I believe the bear in his dream symbolizes the Carmy's unconscious and repressed feelings - desires, guilt, and longing. These emotions overwhelm him as he returns home and processes his grief. The phrase "let it rip" carries multiple meanings, but in this case, I interpret it as a call for him to embrace his emotions and be true to himself.

Thank you for reading.