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#winged lion
kaijujungle · 2 days
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food chain
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cinnaminis · 1 day
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has this been done yet?
manga edits by @lucky-fy
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radiyostatic · 2 days
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anyone who has read the dunmeshi manga and didnt splooge a little reading the scenes where the lion/goat eats human desires is a FREAK im so intrigued by anyone who is able to read that as nonsexual
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rhinestonesox · 1 day
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this happened i think
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dailythistle · 8 hours
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Today’s Thistle is: Hanging w/ his kity :)
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an1muuarts · 2 days
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is laion the ship name for laios x winged lion
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gorbwashere · 11 hours
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I'm seeing a lack of fanservice for the winged lion
Guess I'll have to do everything myself...
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cryptiicism · 20 hours
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labru, the winged lion, and ✨ trauma ✨
picking back up from last week's episode of me being cryptic, lets go!!
so, why do i find labru interesting and why does the winged lion matter?
first, let's go WAY back, back to the beginning when kabru was a kid. growing up he was ostracized because of his eye color, and he specifically notes that he must've been a monster.
jumping forward, who loves monsters? who breathes, eats, and thrives off of the knowledge of monsters because it is his second nature? laios touden, a man who would tell you everything there is to know on monsters because he finds them interesting. he loves them.
that, is why labru works so well, because for kabru to love laios... he has to love himself.
but first, he has to go off the deep end because he's kabru and that's what he does. why though? because growing up and being hated for standing out, only to find someone who loves the very thing you see yourself as. something that you have deemed unlovable is revolting, and like the situation you grew up in you choose fear over any attempt to understand.
but that's why kabru is different, because unlike monsters he has the ability to change his nature. so he does, just... not before the winged lion gets his hands on laios.
however before we delve deeper into the dungeon's clutches , let's look at how labru views themselves.
kabru -> " i'm a monster dressed in a persons clothes. "
laios -> " i'm a person dressed in monster clothes. "
obviously, they are both outsiders, just as their fellow party members are so why does it matter?
think back, just as laios loves monsters there is a man who knows people inside and out literally. that is kabru of utaya, who analyzes people like it's a sport going out of style.
that, is why labru again, works so well because like how kabru views himself as a monster to a degree. laios craves to be shed of his skin because his monster clothes fit all alright, but they itch... it's not quite right, because they were given to him just so people could have a reason to say " look it's a monster!! "
but it's just autism , and leading into that ... laios obviously has depression as shown when he gets grabbed by the spirits , having suicidal ideation because he thinks it'd been better if he had died in falin's place . so for kabru to be so fascinated by people , it's like rubbing ointment on laios' itching skin because he feels seen .
he feels like a person when kabru expresses that he finds laios interesting and engages with him , and it helps ease those out of place feelings when they make each other feel seen .
too bad something else sees laios too , and laios stares back into that void because while his itch is temporarily soothed , it comes back .
that's how trauma works , it can be eased but it's still there . like an insatiable hunger , and that's why laios is the subject of the winged lion's interest . Laios' desire is to be that of monstrous nature , as long as his nest is protected and he is full , all is fine .
The lion says as much, however that's just it turning laios' mental health problems into a reality. the desire to be a monster stims from being a outsider as a kid, and plus they're just cool- but it comes from never having a place in society, and detaching hence why laios doesn't care for anyone besides those he dubs as close.
but after the demon is defeated, that's when we really see kabru and laios grow close, because at that point they both realize. They understand and see each other, " I felt like like something I wasn't and I wanted to be loved. " so..
they love monsters, they love humans, and they finally have a home where they are loved back.
@sicklyworm hope you enjoy !!
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maniaeofmadness · 2 days
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Dungeon meshi manga spoilers below
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LAIOS WHAT ARE YOU DOING TO HIM?
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stupidneko · 14 hours
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So adorable, sweet baby, my child 😭😭😭
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neon-ufo · 8 days
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King Laios
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sugar-grigri · 2 months
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To be a meal is the privilege of the living
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Close up on our gourmets ‼️
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ambrosiagourmet · 2 months
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I've been thinking about Laios' succubus lately. Mulling it over a bit.
Because I've seen these pages brought up a fair bit, but almost entirely in the context of shipping (on all sides, really). And I really want to understand what they are doing for the story beyond that.
When I went back to reread the scene and section, a few things caught my interest: the way Laios responds to both forms of his succubus, the themes of the volume the chapter is found in, and the other events of the chapter itself.
So let's dive into those three things, and what I think they say about the succubus scene's purpose.
Laios is never fully frozen by the succubus
So. If you compare Marcille and Chilchuck's reactions...
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to Laios':
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There is a difference. Sure, the basics may look the same once it turns into Scylla Marcille, but even then, it functions differently.
Chilchuck and Marcille are completely frozen once they catch sight of their succubus. Izutsumi, as well, isn't able to look away, and completely freezes up once her 'mom' starts talking to her. As Chilchuck describes, "just looking at them makes you unable to move."
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And yet, Scylla Marcille has to actively convince Laios to comply. He even looks away from her at one point!
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Laios accepts this succubus, but he is never actually helpless to it in the same way. Taken in? Convinced? Sure, at least enough to let things happen that he probably should question more than he does. But magically compelled? Not really. Not the same way as everyone else is. So that's interesting. But let's move on for now.
2. Volume 9 is all about drive and desire
I don't often look at chapters within the context of the volume they are included in, but I think there's some really fun things to be found with that perspective in mind.
For one, volume 9 starts with an exploration of what desire brought Laios to the dungeon:
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And ends with a question of what desire brought Laios to the dungeon:
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It's also very concerned in general with questions of why people do what they do. Why they are in the dungeon, why they are with the people they are with, why they stay, what they fight for.
In addition to Laios, we see it with Marcille...
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Izutsumi
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Kabru
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and Mithrun
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Hell, we even get it for the demon!
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It's certainly not the only volume concerned with desires and motives, but it is particularly focused on these ideas.
The succubus scene fits quite well into the ongoing question about desires, especially Laios' desires. It is even placed at an interesting spot within the volume. The volume is six chapters long, and the scene takes place at the start of the 4th chapter. It's almost smack-dab in the middle.
With all this in mind, it is interesting that, with both versions of the succubus Marcille, it's not totally clear which parts of her Laios is rejecting.
The first version of Marcille looks human, but Laios attacks when he identifies her as a monster. The second Marcille looks like a monster, but he seems to believe that she is the real (human)(ish) person that he knows. So is he rejecting the monster at first, and then accepting the person? Or is he rejecting humanity and only interested in the monstrous?
Something to consider as we look at the next point...
3. the rest of the chapter is a seduction, too
This is one of those things that might not be apparent on a first reading, but is crystal clear on a revisit. We see the succubus try and charm Laios over 7 pages, and then see the Winged Lion do the same thing for the next 19.
Much like the succubus, it offers the mingling of monsters and humans. Much like the succubus, it offers belonging.
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(and this is the point where I absolutely must also link this post by fumifooms on the succubus, which has some great ideas on how the scene is informed by Laios' trauma and desire for acceptance!!!)
But, back to the point. The Winged Lion wants to feed on Laios just as much as the succubus did, and it uses similar strategies to try and make that happen. Though this chapter isn't really the turning point for the next Lord of the Dungeon (it is Marcille who will, eventually, become the Lion's next victim), it certainly behaves like it is.
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Laios is convinced. The succubus gets its meal. By the end of the volume, the reader begins to understand how concerning his desires are. Together, it is all very good at building up that sense of dread and pending disaster, as we see exactly how and why Laios might just fall into the Lion's open arms and bring about the end of the world.
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So that's the three things I noticed. But there's still something I want to touch on by looking at the way these observations overlap, and what they reveal, together.
As I said, by the end of the volume, you can feel the tension growing. Just as Kabru and Mithrun do, you look back for an answer to the questions that have been built, chapter by chapter: why is Laios here? Where will his loyalties fall? This chapter, and scene, seem to prove the inevitable truth: he will choose the monster, of course. He will choose the seductive, easy power of the Winged Lion.
But the details of what actually happens tell different story: one in which the Lion is wrong.
First, as a reminder - even in Scylla Marcille mode, the succubus never fully entrances Laios. It convinces him, but it doesn't have him completely under its thrall.
Similarly, in the dream, the Lion does convince Laios to embrace the world he is offering. But even within that dream, Laios continues to ask questions that will be vital to him later. It is because of those questions that Laios comes to a new understanding about Thistle.
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And it's this realization that he cites later as part of his reason for refusing the Lion's offer.
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He is thinking through things the entire time, just like he continues to question the succubus even after it turns into Scylla Marcille.
Laios also expresses an interesting reason for why he wants to see the future of this world. He's not just invested because it would mean people liking what he likes, or him getting to spend time with monsters. The thought that comes immediately before his acceptance is about what he wants for monsters and people.
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I don't think it's a coincidence that this statement - "we're living beings that share the same world, but all we can do is keep killing each other" - can apply to the various humans races just as much as it does to humans and monsters. The thing he is thinking about here isn't just a matter of his personal daydreams. It's an idea that underpins every conflict in the story.
Laios caring about how people as well as monsters in this manner is something that the Lion gets wrong every time. Even at the end, he still frames Laios' desires entirely around hating people and loving monsters.
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The Lion has heard him express an opinion about the future of the world! It happened right there in the dream, right in front of him! He just didn't take it seriously, and didn't view it through any lens other than "Laios likes monsters more".
He's convinced that he understands how to get to Laios. Maybe the Lion can't truly see everything, or maybe his vision into everyone's deepest desires has made it hard for him to realize how much choice still matters. That people can, and do, choose which desires to act on, and how to act on them.
Whatever the case, he's wrong about Laios, and the story shows us this over and over again.
After all, look at how the succubus interaction plays out:
A monster uses Marcille to appeal to Laios...
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He realizes that something about the situation is wrong, and rejects her.
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It changes strategies, and makes new offer: to turn him into a monster.
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It also assures him that his friends are, or will be, taken care of.
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He accepts. Or rather, allows the monster to have its way with him.
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But Laios is not as helpless as he initially appears, and what the Lion thinks is a successful seduction also contains the seed of an idea that will allow Laios to later resist him.
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We even get to see Izutsumi playing a similar role in both instances, as the one person fully able to take action in the face to the illusion.
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The story lays out what is going happen, and then explicitly tells us that the demon and the succubus are thematically related.
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The chapter performs a great sleight of hand here - everything about it seems to indicate that Laios is doomed give in to the option to have his deepest desires realized. But if you look closer, it also contains the evidence that he won't. There's a lot more going on for him.
Yes, he still falls for obvious tricks. He is still extremely into monsters, and he still doesn't feel like he fits in with other people. He may, deep down, crave to surrender to the monstrous - to let it absorb him. But he questions more than he seems to. He considers more than people realize. He cares so much more than anyone gives him credit for.
And I think this is part of why we see the succubus called back to so many times, especially with the wolf head addition to his Monster Form, which he specifically added due to his encounter with the Scylla Marcille.
This all stays with Laios. It doesn't just foreshadow the path of the story, it is fundamental to how and why he walks that path. It's not about him choosing monsters, and it's not about him choosing people. It's about how he considers both, and cares about both.
And it's about the forces that think they already know his answer. Mithrun and Kabru. The Winged Lion. The succubus.
It's about how they are wrong.
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hopsof · 4 months
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Various dungeon meshi sketches bc i love this series
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burnpyygmalion · 5 months
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dungeon lord
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gin-no-g · 3 months
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this one is 'autism'
dungeon meshi text posts 10/?
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