'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.
I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.
About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'
-Casey Plett, Consciousness
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I really need people to understand that if you think a video or other online content is stupid, clickbait-y or for any other reason should not be watched, the best way to boycott it is to click away and never mention it again. Don't leave a comment, don't dislike it, don't give it any kind of engagement. Tell your friends about it if you need to get it off your chest but don't send them a link. Any engagement is good engagement for the algorithm so the best thing you can do is act indifferent.
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If you've done something horrific and want to apologize, you might want to avoid stating you are now a martyr. Kind of negates the apology by showing you aren't actually sorry for harming people, you're just sorry that others in your in group are mad at you for it.
It's also important to realize that no one owes you forgiveness for your actions. You have to do the work--understand why what you did was wrong, get help to deal why you behaved the way you did, and work to be a better person in the future.
None of it is easy, and you will likely have to deal with a whole lot of returned ugliness because of your actions. Are those people in the right to be just as ugly and awful as you, probably not. But they're just as human as you and reacting from a place of pain and trauma. Hopefully, they too will learn that lashing out is not the best action and that it creates a vicious cycle of ugliness. But painting yourself as the victim when you were the initial bad actor...looks really awful and strongly invalidates your apology.
Grace is one of the hardest things to offer when one is hurt and upset. Asking for it when your apology comes across as insincere and self serving...is not the greatest idea.
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As promised, Death on the Ice Field
Nothing I say here will be new since the themes have been tackled plenty of times in fanfic (which I am so thankful for), but it’s still fun regardless.
I feel like I usually have to put the disclaimer that this is a HitsuHina blog, because I think I will always have more to say about them.
Like Death on the Ice Field for example. It frustrates me the anime didn’t show Momo’s part here, because I’ve always believed that she was as crucial to Rangiku and Granny in setting up Toshiro on the path of a shinigami and meeting Hyourinmaru.
The way I see it, Momo was the spark, the impetus, Rangiku showed the way, while Granny allowed him to go. The special chapter, in my view, was all about awakenings or an awareness of change. It was Momo leaving which reminded Toshiro about things changing. It’s an allegory of sorts about growing up. I don’t think it’s a coincidence that perhaps this chapter also showed the start of his awareness of his budding feelings towards her (I mean there will always be naysayers and live and let live, but even without the relationship chart, I don’t think you’d blush at your sister or sister-figure no matter how close she was).
Another thing is how when he says Momo and Granny were the only ones never to be afraid of him, he says next that that’s why he likes Granny, but he doesn’t say the same of Momo. I’ve always thought Kubo excelled in his use of negative space, but that also applies to the dialogue-variant in that he seriously leaves a lot of things unsaid and interactions unexplored (Isshin reuniting with Rangiku and Toshiro, Kirio with Hiyori). It leaves a lot of room for interpretation and makes things fun for fans. Personally, I always read it as him being unsure of his feelings for Momo now, again something brought to his awareness with her leaving, a characteristic tsundere response if you could say.
He measures time by the number of years she entered the academy, and while she still smiles brightly at him - the same smile she graced him with five years ago - she no longer faces back (to Toshiro, Jurinan, take your pick) when saying goodbye the way she did the first time she left. And unlike five years ago where Toshiro just scowls and says she shouldn’t bother visiting anymore, this time he no longer keeps the pretense up, he waves back, though a bit limply because Momo doesn’t even see it, only facing forward, sure in her goal. (Be careful what you wish for and all that.)
So when Grandma says at the end that Toshiro didn’t want to make her lonely, it brings to mind what she said while scolding Toshiro that he shouldn’t say what he said because doesn’t Momo leaving make him feel lonely? He doesn’t deny it either, only pretends that everything is ok and that she’ll be back soon anyway. It’s also no coincidence, I think, that Granny wanted to talk to him right after Momo visited again. In other words, he didn’t want to make Granny lonely the same way Momo leaving made him feel lonely. But that theme of loneliness also applies to Hyourinmaru. Both sword and master would always feel lonely if Toshiro never discovered his name. And if you take Bleach Track 8 as canon (which I do because I love that Drama CD), there’s something to be said about Toshiro discovering Hyourinmaru’s name out of a desire to protect Momo, and Momo being the first to discover him discovering his shikai and subsequently calling him ‘Hitsugaya-kun’ without any prompting this time. In a way, it was a mark of growing up for Toshiro. That’s why there’s plenty of underlying themes between Hyourinmaru and Hinamori in relation to Toshiro that I love to see explored, which @rays-of-fire-and-ice does wonderfully in their fic! That theme of loneliness was also present in Momo during the Soul Society arc (and truthfully for a lot of characters) when she must have felt so isolated because of everything going on around her.
Laying it all out like this, you can really see the parallels with how Toshiro wakes up to both Momo and Rangiku, and how the line “I hear a voice” gets repeated for both Momo and his Granny. I don’t know how intentional Kubo really is with references to mythology, but it’s a fun coincidence to liken the three of them to the fates - Momo as the Maiden, Rangiku as the Mother, and Grandma as the crone - all pivotal to Toshiro’s path.
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People do know they don't have to buy a Stanley, right? Or whatever the fuck is the current bottle people want. You got your bottle for free in an event in 2015? All the power to you, but if having a cup that matches their outfit makes someone happy, why the fuck do you care????? Are you paying for their bottle? No, you're not. The bottle will still be produced. What's the ethical problem here??? If having a blue cup, and a pink cup, and a cup that makes me look like a koala keeps me going, then it's a necessary purchase. You're not the one spending money on it so why do you care?????????
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