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paradoxsoar · 1 year

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english & romanji lyrics below cut

(Yuuri) Tweeting the words (Zera/Yuuri) “Let me hear your thoughts as they are” (Zera) That’s what was suggested It’s not like that, it’s fine

(Tamaki) Why, why, why, why, why (Kiru) Sick, sick, sick, sick, why

(Renge) It doesn’t matter how deep I cut I can’t even die (Kamite) Too much time on my hands, useless thoughts fill my head Living is unthinkable

(Nier) I know, I know Because We’re all the same, after all.

(Tamaki) Bathing, bathroom, and eating Even breathing (Yuuri) It’s all exhausting My

(Nier/Yuuri/Zera/Renge) Brain is burnt out In a state of disintegration Internal overdose Up until now, I should have been happy

(Kamite/Tamaki/Kiru) But now Quickly, quickly, quickly, I want to disappear Always, always, always want to die Everything is monochrome

(Nier) Life is a pain in the ass

(Yuuri) Standing outside the yellow line (Kamite) Girls, line up single file (Renge) Holding hands, on three!

(Tamaki) On the platform, on top of the building (Kiru) In the bathroom, in the love hotel (Zera) In the car, in the ocean (Nier) Both obsession and grudges

(Renge) Which one would be the least troublesome?

(Nier/Yuuri/Zera/Kamite) My brain has always been infected Emotional breakdown Declaring “SOS” Up until now, I should have been happy

(Tamaki/Renge/Kiru) But now Everything, everything, everything is so unpleasant I want to quit it all Charisma, help me (Kamite) Life is such a pain in the ass

(Everyone) Zero, Five, Seven, Zero, Zero, Six, Four, Five, Five, Six (Suicide prevention line) x3

(Tamaki) I don’t want to die, I don’t want to live Tightening the noose and hoping the morning doesn’t come (Kiru) But, Why, why, why do I wake up I’m so depressed like this All I want is to disappear

(Nier/Yuuri/Zera/Renge) I’m sure my brain is destroyed Emotional breakdown “A manic depressive roller-coaster” I wish the brakes would stop

(Kamite/Tamaki/Kiru) But, Sometimes, sometimes, sometimes I want to live But I also, also, also want to die Are we selfish?

(Zera) Life is a pain in the ass

(Yuuri) Aoi tori ni naguri kakeba (Yuuri / Zera) "Anata no omoi o sonomama kikasete” (Zera) Go teian sarete Sonna n janakute kekkō nandesu

(Tamaki) Nande nande nande nande nande (Kiru) Yande yande yande yande nande (Renge) Dore dake fukaku kittatte Daitai wa shinenai koto mo (Kamite) Himada to yokei na koto shika Kangae tsukanai ikimono datte

(Nier) Shitteru shitteru Datte Minna issho minna issho datte (Tamaki) O furo mo toire gohan mo Iki o suru koto sae mo (Yuuri) Zenbu ni tsukaremashita Watashi

(Nier/Yuuri/Zera/Renge) Zutto nōnai dansen Jōtai hōkai Tainai overdose Sakki made wa waraeteita hazunanoni

(Kamite/Tamaki/Kiru) Mō Sugu ni sugu ni sugu ni kietai tte Itsumo itsumo itsumo shinitai tte Monokuro ni narukara

(Nier) Ikiru no wa mendōkusaina

(Yuuri) Kīroi sen sotogawa tatte (Kamite) Onnanoko ichi retsu narande (Renge) Te o tsunaidara isse no se

(Tamaki) Hōmu mo biru no ue mo (Kiru) Yokushitsu rabuhoteru mo (Zera) Shachū mo umi no naka mo (Nier) Shūnen mo onnen mo

(Renge) Dorenara meiwaku kakenaito？

(Nier/Yuri/Zera/Kamite) Zutto nōnai kansen Kanjō hōkai Sengen “SOS” Sakki made wa waraeteita hazunanoni

(Tamaki/Renge/Kiru) Mō Zenbu zenbu zenbu fuyukai tte Nanimo kamo o subete yametai tte Tasukete yo karisuma

(Kamite) Ikiru no wa mendōkusaina

(Everyone) Zero, go, nana, zero, zero, roku, yon, go, go, roku (Inochi no denwa) x3

(Tamaki) Shinitai n janai ikitakunaino Kubiwa tsuketa mama asa ga konakereba to (Kiru) Demo Nande nande nande me ga samete Konna konna konna kanashikutte Kietaku naru no ka

(Nier/Yuuri/Zera/Renge) Kitto nōnai zenkai Kanjō hōkai “Jetto soūtsu kōsutā” Burēki ga kowarete shimaeba yoinoni

(Kamite/Tamaki/Kiru) Demo Tama ni tama ni tama ni ikitai tte Yappa yappa yappa shinitai tte Watashitachi wagamama?

(Zera) Ikiru no wa mendōkusaina

#translation may not be 100% accurate but i tried my hardest!#translations #audio #自殺願書 #マーキュロ #suicide application #mercuro #jpop #jrock #alt idol #chika idol #menhera #メンヘラ

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gonagaiworld · 1 year

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L'anime televisivo Yuzuki-san Chi no Yon-Kyōdai rivela gli artisti delle sigle e la visual key principale flumpool esegue la sigla iniziale "Naite Iinda", Aoi Kubo esegue la sigla finale "Sasakure". Info:--> https://www.gonagaiworld.com/lanime-televisivo-yuzuki-san-chi-no-yon-kyodai-rivela-gli-artisti-delle-sigle-e-la-visual-key-principale/?feed_id=397550&_unique_id=64f6c9fd95cbb #Anime #IquattrofratelliYuzuki #Shuka #YouthStoryofaFamily #YuzukisanChinoYonKyōdai

#Anime #News #IquattrofratelliYuzuki #Shuka #YouthStoryofaFamily #YuzukisanChinoYonKyōdai

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lofikids · 4 years

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aoi and mika + yon + colt for funsies :) pls i wanna laugh

please send me a ship and I will tell you : aoka + yoi + aolt edition

AOI & MIKA

who’s the cuddler: aoi. mika has literal panic attacks when she tries to hug people FDKGFDGKFHFGHGF so that will take some building up.

who makes the bed: mika, that’d be the same for all of these. shes literally such a clean freak and everything needs to be in order. if aoi made the bed, mika would still go up after and remake it to make sure its perfect.

who wakes up first: mika, she doesn’t sleep in late.

who has the weird taste in music: they both vibe to that weirdcore shit that makes you feel like you’re on another realm of existence together so i’d say they’re both on a similar level.

who is more protective: i’d say mika because its literally programmed into her to protect the ones she loves but then again i feel like aoi would literally kill a man for even looking mikas way. probably not even for that. aoi would just kill a man.

who sings in the shower: mika, so loud. so so loud.

who cries during movies: mika but then she says “NO IM NOT YOU’RE CRYING” so automatically aoi is now the one crying.

who spends the most while out shopping: they’re probably both as bad as each other.

who kisses more roughly: mika!!!

who is more dominate: MMMMMMMMMMMMMMM aoi. DJISOFKDGFLDJG. they’re a nice mix but mika gives in often. and in everyday life mike probably follows aoi’s lead a lot

their song: freak by lana del rey. DSJIOOFKLGFGLFGFLG

AOI & YON

who’s the cuddler: yon. she really fucking hates cuddles one day & then the next you literally can’t pull her off of you. and those happen often, so enjoy your koala. though yon is unhappy at the fact its aoi she’s having to hug, but it will do.

who makes the bed: neither of them. they literally sleep on the floor, on separate sides of the house.

who wakes up first: yon, i dont even think she does sleep. shes too busy thinking about how to become the next god.

who has the weird taste in music: yon forces aoi to listen to her music which is mainly just edm, pretty much all yon listens to anyways. aoi probably finds it weird. yon enjoys it though.

who is more protective: yon saw someone ask aoi to dance once and she didn’t like that so she used her powers to curse that person. simply out of free will. and it awakened something in her and that was because of aoi. i decided this now. yon.

who sings in the shower: neither, its just dead silence and they do it together and stare at each other.

who cries during movies: neither...... i don’t think yon knows what crying is.

who spends the most while out shopping: YON DOESNT SPEND MONEY SHE JUST ROBS AND IM SURE AOI IS THE SAME.

who kisses more roughly: yon, because she isn’t too sure on how to actually kiss good, so its just a hot ass rough mess always.

who is more dominate: aoi.

their song: let her dance by the bobby fuller four.... its just weird and fun.

AOI & COLT

who’s the cuddler: colt. he likes to feel safe and not having a whole bunch of physical contact through his life hes now relying on that affection to keep him going, hence a lot of back hugs and warm embraces at random times that would make a person sad from how much emotion is in it.

who makes the bed: colt, hes gotten used to doing it overtime and will just want to make things easier for aoi, especially if shes seeming particularly gone with the... how would u say it.... drugs? that day

who wakes up first: aoi. colt will sleep for 15 hours straight and he is a heavy ass sleeper aswell so he just will not wake up....

who has the weird taste in music: aoi probably. but colt listens to g-easy un ironically so i think he takes the cake, even from an ooc view point.

who is more protective: colt. hes the arm around the waist, give others dirty looks when they’re together kind of boyfriend. he also likes to rest his hand on the back of her neck, a trick he picked up from levi. and even tap his fingers over it, normally outside to show that shes with him and nobody would be getting near her. the liverpool slang comes out if anyone does though.

who sings in the shower: aoi gets dragged in and colt tries to sing to her. she probably isnt a fan.

who cries during movies: colt, he cries at everything. the smallest thing in a movie and he has to take a step away and come back. hes just a big baby.

who spends the most while out shopping: aoi, colt is having a nervous breakdown trying to keep up with the spends and maybe slow her down a little bit with alternative options. but fails.

who kisses more roughly: colt! hes not known to be soft about it.

who is more dominate: colt. he likes to control what he can, whenever he can. which isnt the best but trauma will do that to u.... JDFKLSGFD

their song: glue by bicep

#arieteis #fuck here we go...#. aoi & colt #. aoi & mika #. aoi & yon #. asks #colts one fully giving me a breakdown is so funny

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harudokuro-traducciones · 4 years

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Love・evol (Español)

Intérprete: Mikaze Ai (CV. Aoi Shouta)

Álbum: Idol Song Mikaze Ai

Fecha de lanzamiento: 10 marzo 2021

ラヴ・エボル Love・evol Amor・evolucionado

Love... Love, Evol. Love, Evol.　ラヴ・エボル＝？ Love... Love, Evol. Love, Evol. Rabu・eboru ikooru? Amor… Amor, evolucionado. Amor, evolucionado. El amor・evolucionado ¿a qué es igual?

Oh, Love... Love, Evol. Love, Evol.　ラヴ・エボル(カオティック) Oh, Love... Love, Evol. Love, Evol. Rabu・eboru (kaotikku) Oh, amor… Amor, evolucionado. Amor, evolucionado. Amor・evolucionado (es caótico)

「システム起動、視界は良好」なんて “Shisutemu kidou, shikai wa ryoukou” nante Frases como “sistema en marcha, visibilidad satisfactoria”

何世代前のAI？古くない？？ Nan sedai mae no AI? Furukunai?? ¿De hace cuantas generaciones de AI* son? ¿No son viejas?

アイドルもヴァーチャルな世代 Aidoru mo vaacharu na sedai Los idols también tienen una generación virtual

感情すら初期段階フェーズ Kanjou sura shoki dankai feezu Aunque sus emociones están en fase inicial

サイン、コサイン、タンジェントなんてさ Sain, kosain, tanjento nante sa Cosas como el seno, coseno y tangente

(そ・の・じ・て・んで間違い) (So・no・ji・te・n de machigai) (En ese momento・son・un・e・rror)

感じる方向落第点 Kanjiru houkou rakudaiten Siento que se dirigen a un punto de falla

(ど・ど・ど・ど・どうしてでしょう？) (Do・do・do・do・doushite deshou?) (¿Po・po・po・po・por qué será?)

微分・積分なんてCPUにお任せあれな時代に Bibun・sekibun nante CPU ni omakase are na jidai ni En una era en la que el cálculo diferencial e integral se le deja a las computadoras,

人間として大事なこと Ningen toshite daiji na koto Las cosas que son importantes para nosotros como seres humanos

ねぇ？もっとあるような気がしない？ Nee? Motto aru youna ki ga shinai? ¿Oye? ¿No sientes que hay algo más que eso?

ドーパミン(Hey！)エンドルフィン(Hey！)オキシトシン(Hey！) Doopamin (Hey!) Endorufin (Hey!) Okushitoshin (Hey!) La dopamina*, (¡Hey!) La endorfina* (¡Hey!) Y la oxitocina* (¡Hey!)

トキメキを Tokimeki o Hacen latir mi corazón

ヘッドショット超えた衝撃の(Kiss×2) Heddo shotto koeta shougeki no (Kiss×2) Una historia que es similar a un beso (beso×2)

キスみたいなヒストリー(Love×3) Kisu mitai na hisutorii (Love×3) Es mucho más impactante que un disparo en la cabeza (amor×3)

数値化出来ない体験談(Kiss×2) Suuchika dekinai taikendan (Kiss×2) Nuestras experiencias no pueden cuantificarse (beso×2)

積み上げてゆこうよ(Love×2ラヴ・エボル) Tsumi ageteyukou yo (Love×2 rabu・eboru) Pero vamos a adquirir más (amor×2 amor・evolucionado)

ゼロ・イチの乱数が世界の全てじゃなくて Zero・ichi no ransuu ga sekai no subete janakute Los números aleatorios del cero al uno no son todo en el mundo

(Love×2ラヴ・エボル) (Love×2 rabu・eboru) (Amor×2 amor・evolucionado)

追求しよう「愛×進化=」答えはなに？ Tsuikyuu shiyou “ai kakeru shinka ikooru” kotae wa nani? Vamos a buscar cuál es la respuesta de “amor por evolución igual a”

3.141592… San ten ichi yon ichi go kyu ni... 3.141592...

(ロ・ク・ゴー・サン・永遠Shock) (Ro・ku・goo・san・eien Shock) (653* es impactante que sea eterno)

円周率は無限大 Enshuu ritsu wa mugendai Pi es un número infinito

(わ・わ・わ・わ・割り切れないの) (Wa・wa・wa・wa・warikirenai no) (No・no・no・no・no es divisible)

まるで恋みたい？そんな未解明ある素晴らしい星で Maru de koi mitai? Sonna mikaimei aru subarashii hoshi de ¿Es como el amor? Hay algo así de inexplicable y con una estrella maravillosa

ルールだスペックだなんて Ruuru da supekku da nante Usando cosas como reglas o especificaciones,

人生が��いてるよ？ Jinsei ga naiteru yo? ¿No harían llorar a la vida?

セロトニン(Hey！)アドレナリン(Hey！)全乗せで(Hey！) Serotonin (Hey!) Adorenarin (Hey!) Zennose de (Hey!) Poniendo toda (¡Hey!) La serotonina* (¡Hey!) Y la adrenalina (¡Hey!)

ドキドキを Doki doki o Mi corazón late con fuerza

ねえキミとボクの運命を(Kiss×2) Nee kimi to boku no unmei o (Kiss×2) Oye, ¿nuestro destino puede medirse (beso×2)

メジャーで測れるの？(Love×3) Mejaa de hakareru no? (Love×3) Con una cinta métrica? (Amor×3)

完全論破で言い切って？(Kiss×2) Kanzen ronpa de iikitte? (Kiss×2) ¿Puedo decirlo con total seguridad? (Beso×2)

抱き締めた手の中(Love×2ラヴ・エボル) Dakishimeta te no naka (Love×2 rabu・eboru) Eso se encuentra en las manos que abrazo (amor×2 amor・evolucionado)

こんなボクもまだ知らない未来の虹の向こうを Konna boku mo mada shiranai mirai no niji no mukou o Más allá del arcoiris del futuro que aún no conozco,

(Love×2ラヴ・エボル) (Love×2 rabu・eboru) (Amor×2 amor・evolucionado)

一緒に見よう「愛×進化=」答えの果て Issho ni miyou “ai kakeru shinka igooru” kotae no hate Veamos juntos el final de la respuesta de “amor por evolución igual a”

(L・O・V・E・E・V・O・L) (A・mor・e・vo・lu・cio・na・do)

心にLogin☆リセットもコンティニューもなくていいの Kokoro ni Login☆risetto mo kontinyuu mo nakute ii no Iniciaste sesión en mi corazón☆ así que ya no necesitas reiniciar o continuar

ボクが隣で夢へと連れてく役なんだしね Boku ga tonari de yume e to tsureteku yaku nanda shi ne Mi rol es estar a tu lado y llevarte hacia tu sueño

いっちゃおう(Hey！)やっちゃおう(Hey！)飛び込もう(Hey！) Icchaou (Hey!) Yacchaou (Hey!) Tobikomou (Hey!) Vamos, (¡Hey!) Hagámoslo (¡Hey!) Y saltemos a ello con todas nuestras fuerzas

ワクワクに Waku waku ni Es muy emocionante

…ハートが「きゅんレベル」かも … Haato ga “kyun reberu” kamo … Mi corazón quizá está llegando a un “nuevo nivel de emoción”

ヘッドショット超えた衝撃の(Kiss×2) Heddo shotto kotaeta shougeki no (Kiss×2) Una historia que es similar a un beso (beso×2)

キスみたいなヒストリー(Love×3) Kisu mitai na hisutorii (Love×3) Es mucho más impactante que un disparo en la cabeza (amor×3)

数値化出来ない体験談(Kiss×2) Suuchika dekinai taikendan (Kiss×2) Nuestras experiencias no pueden cuantificarse (beso×2)

積み上げてゆこうよ(Love×2ラヴ・エボル) Tsumi ageteyukou yo (Love×2rabu・eboru) Pero vamos a adquirir más (amor×2 amor・evolucionado)

ゼロ・イチの乱数が世界の全てじゃなくて Zero・ichi no ransuu ga sekai no subete janakute Los números aleatorios del cero al uno no son todo en el mundo

(Love×2ラヴ・エボル) (Love×2 rabu・eboru) (Amor×2 amor・evolucionado)

追求しよう「愛×進化=」答えはなに？ Tsuikyuu shiyou “ai kakeru shinka ikooru” kotae wa nani? Vamos a buscar cuál es la respuesta de “amor por evolución igual a”

探しに行こう Sagashi ni ikou Vamos a encontrarla

Oh, Love... Love, Evol. Love, Evol.　ラヴ・エボル(好きだよ) Oh, Love... Love, Evol. Love, Evol. Rabu・eboru (suki dayo) Oh, amor… Amor, evolucionado. Amor, evolucionado. Amor・evolucionado (te amo)

Notas:

*AI son las siglas de Artificial Intelligence (inteligencia artificial).

*La dopamina es la sustancia química que participa en múltiples funciones cerebrales siendo una de las principales el mediar el placer en el cerebro.

*La endorfina es una sustancia sintetizada por el cerebro que, entre otras cosas, alivian el dolor como sólo pueden hacerlo la morfina, la heroína y la codeína pero sin los efectos secundarios que acarrean.

*La oxitocina es una hormona esencial en una variedad de procesos fisiológicos y también nos da la oportunidad de reconocer las emociones de los otros y responder afectivamente. Es llamada la hormona del amor.

*La serotonina es un neurotransmisor relacionado con el control de las emociones y el estado de ánimo, aunque cumple también otro tipo de funciones. Es conocida como la hormona de la felicidad.

Si te gusta mi trabajo, considera apoyarme en ko-fi nwn

Apoya comprando el original

#utapri #uta no prince sama #Quartet Night

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knyenthusiast · 5 years

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So great that I found your blog. Can I request a scenario for Giyuu taking care of his s/o. He accidentally hurt her during a fight. He feels extremely guilty and want to make up for it. But she is quite naughty so she try to tease him which leads to st smutty =))

Yes you certainly can and I shall provide you,

Oof I wanted to make this fluff but if you want some smut then 🤡 alright bb I’ll provide you with some

Giyuu x sick! S/o

[slight nsfw]*or maybe not🗿

You had gotten sick after immense training with giyuu, he really went full out on you, because he was scared you couldn’t protect yourself if you were to go in battles so he knew he had to do so,

So now here you are lying hopelessly in a room, with an injured arm and a body with a very hot temperature, and don’t forget a guilty panicked giyuu, trying to help you to heal,

He knew he shouldn’t have given you too intense training but he had to, here he was with shinobu asking for help on how to heal you, so you would be ok

“Is there a medicine to heal her overnight ?” The black haired male ask, “no” shinobu said as she gave him a grin, she was truly enjoying the moment,

“Do I give her this weird chemicals in bottles that are in your room?” Giyuu, stupidly asked, “sure, go ahead” shinobu said,

Giyuu wanted to rush to your room but till he heard shinobu unfinished sentence, “well if you wanted to poison her than give her that bottle” shinobu said with a big grin, laughing,

giyuu got very irritated because he was desperate to heal you at this point. He had little information on how to heal someone, and was heavily inexperienced, so he needed as much help as possible, but seeing shinobu with her playful actions, he clearly knew she wasn’t much help either, so he left the room empty handed with no idea on how to heal you quickly,

Till an idea popped to his head, yes, his brain has started to work, nothing heals anyone better than taking a hot bath!, ‘why have I not thought of this sooner’ giyuu thought, as he ran with his very smart idea to start a hot bath water, and he knew he should’ve done this rather than spending an hour or so to convince shinobu to help him,

After he had finished his step one of his master plan to heal s/o, he came to your room to see your helpless state in the butterfly estate of course , which made him very guilty to see you in this state with your slightly broken arm,

“Are you able to walk?” He asked calmly, but he was in full blown panic, inside, “I-I don’t think so” you said weakly,

“Alright I’m gonna take you to a hot warm bath right now, please be ready” giyuu said trying his best to help you,. “A-are you sure this is ok?-

you were cut off because of your state of shock when he had suddenly picked you up, to take you to the bathroom, he totally was not joking when he said you were going to take a hot bath N O W

“G-giyuu, are you sure this is ok-“ you said trembling and holding his Haori for dear life with your weak hands,

“Nothing heals better than a hot bath” giyuu said with an awkward smile, he was indeed panicking,

He told you to open your clothes so you can bath, but you were indeed to weak to even stand or open a damn button, so he had no choice, but to help you open your clothes,

He closed his eyes shut for dear God sake, he was blushing intensely, he was so scared to even touch you, but you both had managed to open your clothes and wrapped you in a towel,

“I’m gonna bath with you, since you’re too weak to do things” giyuu said in his usual monotone voice, he didn’t think this through dammIt,

He was indeed stupid for telling you to go and bath, whose gonna soap you? And clean you up so now you both are in this very awkward position, in the bathroom, slightly naked, with just a towel covering the both of you,

You two were in the bath, opposite ways, your back touching each other, because giyuu said it’s ‘dangerous’ if he saw you in the bath face to face, his eyes was wrapped with cloth, because he didn’t even trust himself and his little buddy *insert Lenny face*

“Uhm, giyuu, did aoi tell you to do this?” You asked the boy, a bit confused on why he had suddenly asked you to bath with him, you didn’t really know his motives at this point, he was unpredictable,

“No, I just thought this might heal you up” he said straightforwardly, which when he noticed he had said that, he wanted to punch himself, a lot,

‘He is really pure’ you thought, as you smiled to yourself,,

It had been about half of an hour, with you and giyuu just randomly talking till he cut off and said “should I cleanse you now ?”

By hearing this your face had heated up, this was the part where you were very worried about, this was gonna be very awkward .

You had now sitted yourself. With a lowkey blind giyuu, panicking inside,

‘This was a very dumb idea’ he thought as he had panicked,

He started off from the least perverted place possible which was your back, but you all know it’s gonna get more dirty as we proceed 🗿

His manly ass hands were gentle on your back so he didn’t hurt you or made you even more uncomfortable,

As he had now finished cleansing of your back he was now confused on what to do next,

“Am I supposed to start cleansing your leg now?” Giyuu asked, “should we just finish now” he added, because he was now in full blown panick and his friend was NOT, cooperating with him right now,

He was now in front of you, having a debate with himself on where to start till you said something,

You thought it would be funny to tease him because of his harsh ass training today, “you know what else would heal me quickly?” You asked innocently

Giyuu looked at you, well not really looked at you, because he was wearing a cloth to cover his eyes but looked at the direction on where your voice was,

“What are you up to” he said, paniCkIng,

You had enough energy to go up to him, and started a hot kissing session between him and you,

He had no objections about your actions apparently since his friend isn’t cooperating today

You leaned to deepened the kiss between you and him and your hand teasingly rubbed his friend as a bit of a revenge, damn that thing was hard, he squeeked because of the shock, but try and deepened the kiss aswell

Your toungues had a bit of war but you should never underestimate this noob because he won this little battle,

but kisses don’t last forever and you both had to part ways, and breathed

It wasn’t the first time you had dominated him, since we all know he is kind of pure and also inexperienced in these kinds of things but today he wanted a change and that HE should be the dominant one today

He continued and started to lick your ear, ‘WoW isn’t it getting hot in this damn bathroom’ you said with enough energy,,, *insert Lenny face*

“You’re not going anywhere,” he said with his monotone voice, as he gently pinned you down, his cloth was now gone and he can see everything clearly,

It was silence for a moment till he continued to examine you from nook to cranny kissing from your lips to your collarbone, while leaving hickeys along the way as he firstly licked your sensitive skin and started to bite it gently but got harder as he went further down, and proceeds to kiss further to your breast area,

He was now on your cleavage kissing it gently but quickly moved to your nipples, it was kind of the first time he had fondled your breast, even tho this was not the first time you had done it with him,

He fondled them gently with one hand while Licking the other with his tongue and you suddenly felt a slight pain on your breast

“H-hey d-don’t bite” you said blushing,

“S-sorry, they just look pleasing”

His other hand had snuck its way to your thigh, stroking it gently, while getting even near to your woman friend, it was now stroking, near your entrance, making yon even wet as he slightly tormented you because his finger was now unpredictable on when that thing was gonna get into your entrance,,,*im not sure if that’s torment but idk what kind of person who wouldn’t just go straight fingering and has to tease you while stroking somewhere near your opening,, that’s just cruel’

He was enjoying every single bit of this, as his tongue kept on swirling on your nipple and his other hand gently squeezed the other,

And just when you thought it was fine, his finger had went in to your entrance, pounding it a bit gently but sure the pleasure was great, it wasn’t just some regular ass fingering, he kept going in and out to make it feel even nicer, today was all about you,,,

He was now at two(2) fingers in your entrance, pounding it even harder as time had passed, and getting harder at biting that nipple of yours

His friend was surely impatient and also wanting some of the action and was very hard at this point,

“Would you like to continue in the room?” Giyuu stopped and asked

“Sure”

He had covered you both in a towel and went to the room to continue the unfinished business

I’m not sure on how to wright smut but mmm this took me way too long but I hoped you like it??? I’m still searching for ways to wright it better so uhmmm???? Someone halp

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meme-trash-queen · 5 years

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anime, book, and movie recommendations for everyone’s coronation

Hi, I thought that this would be a good time since everyone is off from school or quarantined I would make a list of some good books and anime and movies to help bide the time until everything is good again. also, I know animal crossing just came out so people will be playing that but I know some people can’t afford the game or even want to play it so.

movies: next-gen (Netflix film), birdbox(Netflix film), coco, love Simon, bohemian rhapsody, venom, spiderman-into the spider-verse, jack, and the cuckoo clock heart, spirited away, howl’s moving castle, Ponyo, summer wars, the girl who leaped through time, princess Mononoke, my neighbor Totoro, the secret world of Arrietty, kiki’s delivery service, Coraline, the nightmare before Christmas, corpse bride, sleepy hollow (live-action with Jhonny Depp), Frankenweenie, 9, James and the giant peach, Kubo and the two strings, paranorman, monster house, the how to train your dragon trilogy, Atlantis the lost empire, meet the Robinsons, chicken little, hardcore henry, the gallows, the mist, I am legend, chappie, the hunger games trilogy, hitchhikers guide to the galaxy, the village, heathers, Godzilla (2014), kong: skull island, 10 Cloverfield lane, hairspray, Jumanji, Jumanji: Welcome to the jungle, ghostbusters (2018 and the original movies), san andreas, astro boy, the road to el darodo (animeted movie), zathura, leap!, gaurdian brothers, the book of life, pom poko, the greatest showman, detective pikachu, Klaus (netflix film), preditor (2018 and the original), clover field, 10-cloverfield lane, shutter island, aladdin (live action), my hero academia: 2 heros, my hero academia: hero’s rising, promare, venom, the garden of words, akira, and battleship

those are only a handful of movies I have to recommend. some can be found on Netflix or Hulu but if anyone wants to know where to watch some of the others then send a message and let me know and I will help out. now from the anime. most of the anime I am recommending is mainstream but not all of them and most can be found on Netflix and Hulu. This is because I cannot afford other means to watch anime and the last time I watched anime on kiss anime my computer got a virus. also, a lot of the anime that I get recommended is mainstream. My cousin watches as well so I tend to watch with them a lot. I try and watch other anime as well but just because someone considers an anime mainstream doesn't mean it is bad.

anime: kill la kill, children of the whales, Durarara!!, sword art online (the Japanese version), Gurren Lagann, Jojo's bizarre adventure, haikyu!!, blue exorcist, full metal alchemist brotherhood, cells at work, death note, Ouran highschool host club, the disastrous life of Saiki k., one punch man, black butler, aggretsuko, neon genesis Evangelion, devilman crybaby, anohana, beastars, carol and Tuesday, rilakkuma and Kaoru (I know this isn’t anime), the devil is a part-timer, amagi brilliant park, black butler: book of circus, blue exorcist Kyoto saga, danganronpa: the animation, demon slayer, Durarara!!x2, fire force, future diary, high school of the dead, school live, love live, monster Musume, my hero academia, the promised neverland, sailor moon, sailor moon crystal, seraph of the end, terror in resonance, tiger and bunny, double decker Doug and Kirill, Tokyo Ghoul, Tokyo magnitude 8.0, another, and yona of the dawn, robihachi

once again these are only a handful and most can be found on either hulu or netflix. now for the books, I will split the books into two categories. manga and novels. so here they are.

books: milk and honey by rupi khar, go ask Alice by anonymous, my neighbor Totoro by tagiro Kubo, will Grayson, Will Grayson by david leviathan and jhon green, jays journal by anonymous, letting ana go by anonymous, lucy in the sky by anonymous, red scarf girl by Ji-li Jiang, 13 reasons why by jay asher, the hunger games trilogy, everything, everything by Nicola Yoon, the sun and her flowers by rupi khar, the mist by Stephan king, stop pretending by Sonya sones, the princess saves herself in this one by Amanda Lovelace, the witch doesn’t burn in this one by Amanda Lovelace, life as we knew it by Susan peffer, Simon vs the Homosapien Agenda by Becky albertalli, Kafka on the Shore by Haruki marukami, carry on by Rainbow Rowell, howl’s moving castle by Diana Wynne Jones, October sky by homer hickem jr, the book of david by anonymous, paper towns by jhon green, me, earl, and the dying girl by Jesse Andrews, the help by Kathryn Stockett, stranger than fanfiction by chris colfer, bird box by josh malerman, a long way down by jason Reynolds, 1Q84 by haruki marukami, wayward son by rainbow rowell, good omens by terry pratchet and niel gaiman, breaking baily by anonomous, deep and dark and dangerous by mary downing Hahn, wait till helen comes by mary downing hahn, scary stories to tell in the dark the complete collection by alvin schwartz, and the hunger games trilogy by susan collins

manga: another by kakito and akani, 5 centemeters per-second by makoto shinkai and yukiko seike, orange by ichigo takano, doubt by yoshiki tonogai, limit by keika suenobou, tokyo undead by tsukasa saimura, the flowers of evil by shuzo oshimi, shiver by junji ito, fragments of horror by junji ito, tohyo game by g.o., chiro, and tatsushiko, junji ito’s cat diary: yon and mo bt junji ito, disilving classroom by junji ito, magical girl apocalypse by kentaro sato, gyo. by Junji ito, Uzumaki by Junji ito, Tomi by Junji ito, ibitsu by kazuto okada, Shibuya goldfish by Aoi hiroumi, orange future by Ichigo Takano, Frankenstein by Junji ito, smashed by Junji ito, the princess and the dressmaker by Jen wang (this is a graphic novel but this post is already really long so here it is), the bride was a boy by chii, the garden of words by Makoto Shinkai, strawberry panic by Sakurako kimino, go for it Nakamura by syundei, judge by tonogai Yoshiko, I hear the sunspot by Yuki fumino, I hear the sunspot theory of happiness by Yuki fumino, I married my parents just to shut my parents up by Kodama Naoko, I want to eat your pancreas by yoru sumino and idumi Kirihara, no longer human by Junji ito (original story by Osama dazai), and dark metro by Tokyo calen and yoshiken

these are all of my recommendations for a fun coronacation. also, please take all of the necessary safety and sanitary precautions and stay safe. while I do support a lot of things that normal Christians don’t I am one and am praying for everyone’s safety. even if you don’t believe in God that is ok. I respect your beliefs and you have every right to not believe. No matter what I am keeping everyone in my thoughts and prayers. please stay safe and clean everyone.

p.s. keep the carona memes coming!

#carona #its carona time #carona virus #anime #manga #books #book recomendation #movie recommendation #movies #manga recommendation #anime recommendation

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zapthecactus · 5 years

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Ultimate Japanese – Lesson 3

Hatsuon

Vowel Clusters

When two identical vowels [aa, ii, ee, uu, oo] are together, they are held for twice as long as normal.

Examples:

kado [corner] vs. kaado [card]

chizu [map] vs. chiizu [cheese]

su [nest] vs. suu [number]

beru [bell] vs. beeru [veil]

hoshi [star] vs. hooshi [service]

Whereas, if there are two different vowels together, they are each pronounced for the same length of time.

Examples:

ue [top, up, above]

akai [red]

aoi [blue]

baiu [rainy season]

koe [voice]

Ei is an exception and is often pronounced as ee.

keiko [practice]

eiga [movie]

Bunpoo to yoohoo

Numbers

0 zero, rei

1 ichi 一

2 ni　二

3 san　三

4 yon, shi　四

5 go　五

6 roku　六

7 nana, shichi　七

8 hachi　八

9 ku, kyuu　九

10 juu　十

For 11 - 19, simply add the corresponding number behind 10.

11 juuichi [10 + 1]

12 juuni [10 + 2]

For tens, multiply it by 10.

20 nijuu [2*10] 二十

100 hyaku　百

200 nihyaku [2*100]　二百

1000 sen, issen 千

2000 nisen [2*1000]　二千

The Japanese currency is pronounced as en, rather than yen [¥].

ichien [1¥]

juuen [10¥]

hyakuen [100¥]

hyakuen desu. [It is 100¥.]

kore wa sen’en desu. [This is 1000¥.]

kore wa niseen’en desu ka. [Is this 2000¥?]

Nouns plus copula in the past affirmative

Desu ➡️ deshita

watashi wa kutsu wa tatta nisen’en deshita. [My shoes were only 2000¥.]

kasa wa sen’en deshita. [The umbrella was 1000¥.]

Desu [present affirmative] vs. ja arimasen [present negative] vs. deshita [past affirmative]

watashi wa gakusei desu. [I am a student.]

watashi wa gakuesi ja arimasen. [I’m not a student.]

watashi wa gakusei deshita. [I was a student.]

I-Adjectives

There are two types of adjectives: i- and na-.

takai [expensive]

yasui [inexpensive]

ii or yoi [good, nice, fine, okay]

warui [bad]

The final i in an i-adj. is proceded by a, i, u, o, but never e. They also change based on tense and if their affirmative or negative.

ii desu [it is good]

ookii desu [it is big]

warui desu [it is bad]

chiisai desu [it is small]

takai desu [it is expensive]

akarui desu [it is bright]

yasui desu [it is inexpensive]

kurai desu [it is dark]

shimadaya no kutsu wa yasui desu. [Shimadaya’s shoe are inexpensive]

Sometimes you can add n between the adj. and desu to mean “the fact is that...” or “indeed”.

yasui n desu [(the fact is that) it is inexpensive]

hanabishi no kutsu wa taki n desu [(indeed) Hanabishi’s shoes are expensive.]

Question Words

Nani [what] - followed by o, as nani is the direct object.

nani o shimashoo ka [what should we do?]

nani o tabemasu ka [what will you eat?]

udon o tabemasu [I will eat noodles.]

nani o kaimashoo ka [what should we buy?]

pan to jamu o kaimashoo [let’s buy bread and jam]

Doko [where] - followed by e, de, no.

doko e ikimashoo ka [where should we go?]

hanabishi e ikimashoo [let’s go to hanabishi]

ashita doko de asagohan to hirugohan o tabemasu ka [where will you have breakfast and lunch tomorrow?]

uchi de tabemasu [I will eat at home]

doko no mise desu ka [which store is it?]

shinjuku no mise desu [it is a store in shinjuku]

Dono [which, out of 3+ choices] – used before the noun.

dono sakana o tabemashoo ka [which fish should we eat?]

maguro o tabemashoo [let’s eat tuna]

dono hana o kaimashoo ka [which flowers should we buy?]

bara o kaimashoo [let’s buy roses]

dono depaato de (kaimashita ka) [at which department store?]

Dono no – indicates location

doko no deppato de [at which department store?]

Particles

Yo – implies giving new information [you know, certainly]

shimadaya no kutsu wa yasui desu yo [Shimadaya’s shoes are certainly inexpensive]

suzuki-san wa depaato e ikimashita yo [Ms. Suzuki went to the department store, you know?]

tatta sen’en deshita yo [it was only 1000¥, you know]

Kedo [but]

watashi no ketsu wa tatta nisen’en deshita kedo kookyuuhin desu [My shoes were only 2000¥, but they are high-quality merchandise]

hanabishi no kutsu wa takai desu kedo yoofuku wa yasui desu [shoes are hanabishi are expensive, but their apparel is inexpensive]

suzuki-san wa dekakemasu kedo watashi wa dekakemasen [Ms. Suzuki is going out, but I am not]

Demo [but] – a conjugation used at the beginning of a sentence.

maguro wa yasui desu kedo unagi wa takai desu [the tuna is inexpensive, but the eel is expensive]

VS. maguru wa yasui desu. demo unagi wa takai desu [the tuna is inexpensive. however, the eel is expensive]

Deletion of the direct object

doko de kutsu o kaimasu ka [where are you going to buy shoes?]

shimadaya de kaimasu [i am going to buy (them) at shimadaya]

kinoo booshi o kaimashita [i bought a hat yesterday]

watashi mo kaimashita yo [i bought (one), too]

Tango to hyoogen

mise [store]

depaato [department store]

kutsu [shoes]

booshi [hat, cap]

pan [bread]

jamu [jam]

sakana [fish]

maguro [tuna]

unagi [eel]

hana [flower]

bara [rose]

asagohan [breakfast]

hirugohan [lunch]

yoofuku [clothes]

kookyuuhin [quality goods]

shimasu [to do]

dekakemasu [to go out]

ii, yoi [good, nice, fine, okay]

warui [bad]

takai [expensive]

yasui [inexpensive]

ookii [big]

chiisai [ small]

akarui [bright]

kurai [dark]

tatta [only]

totemo [very]

tokidoki [sometimes]

demo [but]

tokoro de [by the way]

itsi ka [sometime, someday]

nani [what]

doki [where]

dono [which]

#ultimate japanese #self study #japanese with jordan #lesson 3

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tangledwirearchive · 4 years

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lofikids

‍❛ ‍ ‍ ‍ ‍ i am unsure how something can look painful, when pain is meant to be something that we feel. ‍ ‍ ‍ ‍ ❜ ‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍

yon wore a subtle sheet of amusement upon darkened optics & this only increased as she met the opposites gaze.‍ merely inches from aoi’s face, her words earn a low grumble from the dames as an innocent facade dances over dial, a manufactured pout taking center stage. although her vessel was deemed empty, the remains that rested inside yon we’re alive & kicking. that wasn’t her. the human disposition that was forced so willingly upon her had taken over her initial outlook, switching her morals, whether this was a subconscious thing anymore, it was hard to tell. ‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍

the shit eating grin that the opposing female wore, yonnie wasn’t at all able to comprehend the emotions or motive behind it, something she was by this point a master at doing. as crimson trickles down her right side, there’s not a single falter in her hardened expression - built through years of torment & sorrow, at least to you and i. to yonnie, her life wasn’t even considered her own so why stress or feel ANYTHING in those regards. sometimes, she wanted to feel it, she wanted to experience something genuine & conscious ... just once. but life is cruel, it’s a dark and horrible place for a being with no means of belonging there. built solely on the foundation of another, why allow herself to feel the pain of a sharp sting caused by one with real emotions ? that just wasn’t deserved. on either end of things. ‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍

digits dance up toward the growing wound on her arm, strands of jet black flow as the wind whistles through them, introducing the two to an almost unsettling sound of silence. you’d expect cries, plee’s, just a response. but plump tiers remain together, her piercing gaze remaining on the female as cerebrum further induces itself to the torment of figuring out what & who aoi was. what she was made of, why her aura reeked a stench that drove yon to even question her sense of being in the first place. a creature of want, the dames desires those around her - inviting them to her dance of death. however, it seems right now, this statement has been flipped on its head, leaving her in an unfamiliar & confusing position. ‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍

the only time yon felt truly human was with her other half. his cold, worrisome, frantic personality left a negative mark on her and she loved it. she loved feeling these things. the pain, the heartbreak, the disappointment. being an illusion of our reality, this moulding that came from hurt was nothing but a bliss to yonnie. nobody has made her feel anything like that until now, her demeanour, the glass stained in dame’s crimson that lay broken at her feet, the threatening tranquility... it was familiar to her in the best of ways. her expression remained the same, still. unforgiving. after all, pain IS meant to be something we feel, not see. ‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍

❛ will you do it again ? ❜‍ ‍ ‍ ‍‍ ‍ ‍ ‍‍ ‍ ‍

yon's answer confuses her. no, it does more than that. it ticks her off. she can no longer recall why she'd injured her in the first place, what had compelled her to break her dainty pink mirror and use a shard to mar the other's skin. for fun? maybe. but since when did she find such things fun? a splash of red is on aoi's cheek, it contrasts nicely with the pale pink of her hair, the softness of her glossed lips. for a moment she only watches silently, taking in the other's expression and actions with bated breaths, a much too wide grin on her face. the moment yon speaks, however, the smile drops.

how annoying. she doesn't get it, does she? no she doesn't get it. only we understand. only we do.

the grin is replaced by a pout, one well manufactured and practiced. she knew she was cute, used it to her advantage many times no matter the reason. sex? drugs? alcohol? food? she could get it without the use of money, though she had no real shortage of that either. where did she get all her money from? she can't remember. it doesn't matter, anyway, not when yon sits hurt before her, seemingly not upset and not at all reacting the way aoi hoped for. so boring. this wasn't fun.

"even so, you can judge how painful something is just by looking. if i were to remove, say, the entire appendage from your body rather than just leave a gash, don't you think it'd hurt?" her voice is oddly serious, a direct opposition to how she usually spoke, especially to how she'd posed the original question. it's dropped an octave or two too, no longer saccharine in tone, but rather dull, maybe ominous. the world isn't bathed in any sort of light this time. boring. melancholic. she hated the grey of the city, but the plain white of her walls was beginning to drive her mad. eggshell white, the worst color. she'd take sky blue to it later, perhaps, when the creatures in the corner stopped talking to her. when did they get there? she thought she'd taken care of them? oh well. later. we'll sort them out later.

yon speaks again. in response she clucks her tongue, crouches down beside yon again and cups both her cheeks in her hands, lids fluttering half shut as she does so, her lips curling into a small smile. she gently runs her thumbs across the soft skin, mouth falling open ever so slightly as if she's going to kiss her, but of course she doesn't. only hovers there, invitingly, but it is not her intention to be kind. not to this thing.

"again?" she questions, sugary tone back, eyes sparkling. "again? again?" she giggles then, then pushes yon away, frowning. aoi rises then steps on the shard of glass and crushes it beneath the toe of her boot. she searches for her reflection in it, only sees bits and pieces of pink and smiles. she looks down upon the other female, takes in her bleeding arm, the jet black hair. oh this just wouldn't do. she was making a mess of her plush white carpet. oh no, how will she ever get the blood out? oh this is just awful. so awful, right?

"no, i want to watch." she places her hands on her cheeks then, excited, fingers covering her eyes for just a moment before she peeks out of them, as if she's watching something she shouldn't be. she bounces in place, once, twice, then points to the glass discarded by the girl, the hand in question painted red. "shouldn't be too hard for a freak like you, right? this is so fun! so funny! this is just the best! the rabbit would be so pleased!"

oh yes, the rabbit. where had he wandered off too? how sad. she misses him dearly.

#//r.#//r:yon.#lofikids

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kimonobeat · 7 years

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Maison book girl Lyrics: karma

English translation and romanization below the cut.

ENGLISH

Didn’t even realize the summer rains were different from the rains that fell that day. The view from up on top of the bridge, my regrets were all smoke sins.

The two of us walked down the street at night, leaving only our sorrow behind What face do you see yourself making in her wilted eyes? I’m the one who scratched your cheek I cover my eyes. I’ll be reminded of it until the end of time I paint over it in white and make it pretty again Are foolish words all it takes to control you? You want to erase it all at twilight? You don’t want to look at that view anymore? Will we always be this warped?

My 4 AM gloom lights up my narrow wrists Forgive me for everything I’ve done, but only when I’m dreaming Who are you, who had their feelings hurt? I cover my eyes, brilliantly destroying everything The tiny mistakes I’ve made And the blue curtains in that room I’m crying red, like sweet bite marks

Only foolish words forgive all

ROMAJI

natsu no ame, ano hi to wa chigau ame, sore ni kidzukezu ni. hashi no ue mita keshiki, koukai wa kemuri no tsumi dake.

yomichi wo futari aruita kanashimi dake ga nokotte kareta ano ko no hitomi ni utsuru no wa donna kao sono hoho ni kizu wo tsuketa boku dake ga me wo fusagi, eien ni omoidasu dake shiro-iro de nuritsubusu utsukushisa wo tadasu oroka na kotoba dake de shihai shite yuku no? yuugure ni, keshitai no? sono keshiki, mou mitakunai no? yugande’ru boku-tachi wa itsumademo kawaranai no kana?

gozen yon-ji no yuuutsu ga hosoi tekubi wo terashite yume no naka dake de ii no nanimokamo yurushite yo kimi wa dare, kizutsuketa no wa, dare nano mimi wo toji, azayaka ni kowashite yuku no chiisana ayamachi toka ano heya no aoi ka-ten amai kamikizu no you akaku naite’ru no

oroka na kotoba dake ga subete yurushite’ku

#maison book girl #mbg image #translation

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niijimq-blog · 7 years

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hey ! i’m yon !! this is sort of an intro :)

i probably could’ve done this yesterday but i’m insanely talented at getting sidetracked. i’ll start by introducing myself ig !! i’m yon or yongseok, n i’m 19, i live in the est timezone!! i’m pretty chill so i 100% recommend stopping by my dms just to talk !! we don’t have to plot but,,, i love plotting to so, ayo~

moving on, i’m not as important as my character. his name is aoi, he’s a guard and he’s from sendai, japan. here are his stats !! n i’ll give u some lil bullet points too.

he was born in sendai to kento and kanako niijima !! he’s the baby of the family, the second and youngest son.

he and his brother weren’t super close, there was 4 years between them and hiroki had a bit of a superiority complex because of it? hiroki also took after his father a lot more whereas aoi took after his mom.

speaking of !! his mom was a pretty accomplished pianist and raised aoi the same way !! he also trained in fencing as he grew up and really loved it.

his father, by comparison, was a police officer.

he was really set on becoming an orchestra pianist n stuff, he loves music and the discipline required to win competitions was a staple in his life, idk if that made sense. it shaped his restraint now? he has a lot of restraint he just refuses to abide by it.

he did okay in school (his best class was mandarin because he had a really bamf teacher who bc his like, honorary mom after the events mentioned later) but he wasn’t really a fan of classes. his brother was far more academic and that put another ridge between them because of being compared often by their father.

his life got kinda screwed up in 2011, when he was 14 !! which is what lead to him becoming a guard.

there was a huge earthquake/tsunami in sendai, in which both his brother and mother passed away? at the time his father and him had been in abroad in china.

after that, without the conflict of his wife’s parenting, kento kind of forcibly switched up aoi’s life to make him more like his brother and more of the son he wanted. both of them were grieving obviously so it wasn’t a great environment.

he enrolled in martial arts and his piano dreams were put on the back-burner as he was pressured to study a lot harder n put more focus on following his dad’s expectations.

tho !! he didn’t become a police officer, instead he chose to be further trained to become a bodyguard for those blue blooded mofos !!

thas kinda it ig

i’ll think of more when i actually write the bio lmao.

come plot or stuff !! i don’t bite, i just send lots of emojis !!

#hshqooc #intro post !!!!!!!#hi #hello !!

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b3crew · 4 years

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With Boston cautiously reopening, King Baby Duck takes a look at the new Scooby-Doo! film, discovering just how faithful it is in its new 3D realm. Listeners pays tribute to rock's greatest heroic, but is the end result diluted? Plus, our host looks at the movie Uncut Gems, and sees a very under-appreciated performance pulled out of Adam Sandler.

PLAYLIST (with album/single links):

The Tuesday - Swingin' (from the album The Tuesday)

BABYMETAL - Starlight (from the album METAL GALAXY)

Lazaris Pit - Cloudsculpting (from the album Coniphers)

Satellite Young - New World Banzai (digital single)

Nayutan Hoshibito (feat. Hatsune Miku) - Alien Alien (from the Hatsune Miku Project DIVA MEGA39's 10 Anniversary Collection)

Fucked Up (feat. Jennifer Castle and J Mascis) - Came Down Wrong (from the album Dose Your Dreams)

TEXACO LEATHER MAN - Jason Bill (from the album DUKE)

Eir Aoi - Rasen Sekai (from the album FRAGMENT)

Wolfhounds - Can't See The Light (from the album Electric Music) [in stores July 3rd]

Otoboke Beaver - Suki Suki Darling (from the compilation album Okoshiyasu!! Otoboke Beaver)

Luv-Enders - On Your Radio (from the album Explosion!)

X - Strange Life (from the album ALPHABETLAND)

Crossfaith - Truth of Insanity (from the SPECIES EP)

Opening theme: "The S.S. Shitstorm" by the_Stampede (from the album A Marvel of Idiocy)

For more information on the Cultural Exchange Initiative, visit their official website, Instagram, and Facebook!

The Boston Bastard Brigade kindly encourages you to support these artists, and buy their songs/album. You can find the majority of these releases on CDJapan.co.jp, YesAsia, Amazon.com, Apple Music, the bands' official websites & Bandcamps, and your local record stores.

Promotional consideration for tracks three and nine made by Shameless Promotion PR. Special thanks to Mike Rogers for contributing tracks one, seven, and eleven!

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pierrelauret · 6 years

Text

« Our Huff and Puff Journey »

Writer

Our Huff and Puff Journey de MATSUI Daigo : Forever Young

Projeté lors de la septième édition du Festival International de la Roche-sur-Yon, Our Huff And Puff Journey de MATSUI Daigo est le premier film du réalisateur a être diffusé dans l’Hexagone. Sélectionné dans la catégorie « Trajectoires » – segment du festival s’adressant en priorité à un public adolescent composé de longs-métrages traitant de cette période de transition – le film s’avère être une véritable ode à la jeunesse et à la génération Y au travers de l’histoire de quatre amies de lycée, qui se lancent dans un road trip de huit cents kilomètres à vélo pour rejoindre Tokyo depuis Fukuoka. Le but de ce road trip, peu banal pour quatre jeunes filles de 17 ans, est de pouvoir assister au dernier concert de la tournée d’un groupe de rock, CreepHyp.

Our Huff And Puff Journey : Sur les routes du seishun eiga

Quatrième long métrage au compteur pour le japonais MATSUI Daigo, ancien metteur en scène pour le théâtre et réalisateur de clips pour le groupe de musique CreepHyp – dont il est question dans le film -, Our Huff And Puff Journey s’inscrit dans la continuité de ses précédentes réalisations qui traitaient, elles aussi, de thématiques proches des milieux étudiants ou lycéens, à l’image de Wonderful World End et de Daily Lives Of High School Boys.

Avec Our Huff And Puff Journey, MATSUI Daigo compose un véritable seishun eiga (trad. litt. cinéma de jeunesse), un genre cinématographique portant sur les différents excès et problèmes de la jeunesse et ayant tendance à traiter le sujet de manière sensationnelle (sexe, violence, etc..). Mais il adopte ici un ton plus léger et poétique, et n’hésite pas à faire appel à un autre genre cinématographique, plus international cette fois-ci, le road movie.

De plus, le réalisateur s’attaque à l’icône de la jeune lycéenne, qui possède une forte symbolique dans l’art japonais et représente bien souvent une forme de liberté insouciante. À l’instar de l’inoubliable Yōko dans Love Exposure interprétée par MITSUSHIMA Hikari, il va sans dire que les réalisateurs font souvent appel à de jeunes actrices très charismatiques pour interpréter ces rôles de lycéennes. Ainsi, le choix de MATSUI Daigo de caster des actrices non-professionnelles pour trois des rôles principaux – INOUE Sonoko, ŌZEKI Reika et MAYAMA Saku – pouvait surprendre dans un premier temps. Cependant, le choix s’avère judicieux tant les jeunes filles crèvent l’écran et semblent bien plus expérimentées que les acteurs principaux avec qui elles évoluent.

Our Huff And Puff Journey marque aussi le retour pour MATSUI Daigo à une histoire plus « traditionnelle », après avoir proposé avec Wonderful World End l’adaptation en long-métrage de deux clips vidéos de l’anti-idol, ŌMORI Seiko. En une heure et demie, le film impressionne par le réalisme dont il fait preuve en retraçant de manière crédible les différents états d’âme par lesquels de jeunes lycéennes en road-trip peuvent passer. MATSUI Daigo rappelle au spectateur de cette manière que l’adolescence est une période déterminante, basée sur des objectifs sur le court terme, durant laquelle l’amour, les rêves et les passions restent portés par l’innocence de l’enfance.

Internet, réseaux sociaux et postmodernisme

Cependant, il ne suffit pas de parler de jeunesse pour qu’un film puisse embrasser aussi efficacement l’essence même de cette période charnière qu’est l’adolescence. Avec une trentaine d’année encore fraîche, le réalisateur montre qu’il connaît son sujet et que ses années folles ne sont pas si éloignées de ce qu’il est aujourd’hui. En phase avec la société dans laquelle il vit, MATSUI Daigo arrive à accorder une place importante aux réseaux sociaux dans son film et montrer l’importance qu’ils occupent dans la vie de la génération Y. Au-delà des réseaux sociaux, ce sont les nouvelles technologies en général qui rythment la vie de cette génération à l’instar de l’émouvante séquence de réconciliation entre les jeunes filles composée intégralement de dialogues par textos.

Cette place accordée aux nouvelles technologies et aux réseaux sociaux se remarque aussi par la réalisation adoptée par le réalisateur. Déjà coutumier de cet exercice de style avec l’utilisation de webcams dans Wonderful World End, MATSUI Daigo compose la majeure partie de son film de plans capturés à l’aide des portables des jeunes filles ou d’un petit caméscope qu’elles transportent avec elles. Avec l’utilisation de ces plans atypiques, le réalisateur instaure dans son film une esthétique oscillant entre le documentaire et la vidéo de vacances. Plus qu’un simple outil de réalisation, les portables et le caméscope deviennent quasiment le cinquième membre de ce voyage. Véritable point de vue subjectif, cet autre participant au road trip est sujet aux différents aléas du voyage qui risquent de limiter sa perception, comme lorsque les jeunes filles oublient de retirer le cache du caméscope ou d’appuyer sur le bouton REC. Outre ces plans, le réalisateur jongle avec des séquences plus traditionnelles, cinématographiquement parlant, offrant un visuel plus léché qui se distingue par son format d’image ainsi que par des couleurs plus travaillées. Ce second point de vue, plus omniscient, permet à MATSUI Daigo de capturer avec poésie et légèreté les moments de grâce des jeunes filles.

Si l’utilisation de ces deux procédés de captation a été l’un des principaux arguments de description de Our Huff And Puff Journey, c’est pourtant avec son propos simple et touchant que le film devient réellement intéressant. Traitée, bien souvent à tort, comme « bonne à rien », la génération Y est aujourd’hui au centre de nombreux débats sur la direction que la société humaine prend. Si dans l’Hexagone, les téléfilms télévisuels regorgent de mépris et de visions grossières de cette génération, de l’autre côté du globe, les seishun eiga adoptent plus aisément un point de vue plus objectif.

Sans émettre un quelconque jugement de valeur, MATSUI Daigo décrit avec justesse une génération perdue dans une société post-moderne où les rêves et les sentiments prennent le pas sur la raison et semblent les seuls à avoir encore du sens, et où Internet, les réseaux sociaux et autres nouvelles technologies constituent une échappatoire venant nourrir la vie réelle de ces jeunes. De plus, si d’un côté le réalisateur dépeint les désillusions constantes auxquelles se confrontent la jeunesse, leur manque d’objectifs concret sur le long terme et leur incapacité à rentrer dans les codes de leur société, de l’autre il semble porter en lui un espoir aveugle dans cette génération où l’innocence ne semble jamais se tarir.

Malgré un passage au Festival International de la Roche-sur-Yon, le touchant périple de ces quatre jeunes filles ne sera probablement plus jamais disponible dans en France et le seul espoir de revoir une réalisation de MATSUI Daigo sur les écrans français réside actuellement par une potentielle diffusion de Japanese Girls Never Die qui tourne actuellement en festival, notamment avec un passage fin octobre au Tokyo International Film Festival. En plus de marquer le retour de l’excellente AOI Yū en tant que personnage principal après sept ans de seconds rôles, ce cinquième long-métrage traite sous la forme de critique anarchique du sexisme au Japon, au travers du portrait d’une jeune femme disparue.

Ainsi Japanese Girls Never Die semble confirmer ce qu’Our Huff And Puff Journey démontrait d’ores et déjà, MATSUI Daigo est un cinéaste à la mise en scène intelligente qui n’a pas fini de surprendre son public en apportant une nouvelle vision de la jeunesse et s’annonce comme l’un des jeunes réalisateurs du cinéma japonais contemporain à suivre impérativement, aux côtés notamment de SAKAMOTO Ayumi, suzkikenta ou encore IGARASHI Kōhei.

Our Huff And Puff Journey est en somme un seishun eiga qui s’avère être parmi les longs-métrages les plus touchant et doux qui puissent se faire dans ce genre cinématographique, sans pour autant le révolutionner. Si les plus insensibles ou les plus médisants à l’égard de cette génération Y risquent de trouver les quatre jeunes filles immatures et incapables de se confronter à la société, nombreux seront ceux qui, de l’autre côté, connaîtront un sentiment de bonheur mélancolique les invitant à tout plaquer pour, eux aussi, vivre leurs rêves, aussi futiles qu’ils soient.

vimeo

Critique publiée dans le webzine Journal du Japon.

#articles

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