#2017 Spring Collection

[untethered-days]

[stylestream]

Hailee Steinfeld | Jason Wu Collection Spring 2017 gown | Critics’ Choice Awards | 2017

[clothedandstill]

Hamda Al Fahim Couture Spring 2017

[disarmluna]

[superdorkcat]

Upcoming Magical Girl Projects

Magical girl fans are finally eating good after years of starvation. So good, in fact, that I decided to make a list of magical girl projects in development. This is a continually updating list - all series that have since been released can be found here.

Puella Magi Madoka Magica the Movie - Walpurgisnacht Rising - The fourth PMMM movie, which will pick up where Rebellion's massive cliffhanger left off. While originally slated for late 2024, it has since been delayed to 2025.

Maebashi Witches - A TV original production by Sunrise, Maebashi Witches is a coming of age story focused on a quintet of high schoolers who are approached by a strange and mysterious frog named Keroppe, who recruits them to become the titular group. Now working in a magical flower shop, the girls use the "Witchverse" pocket dimension to grant people's wishes with the power of song and dance. Has the same writer as Bocchi the Rock (Erika Yoshida) and is premiering April 6, 2025.

Princession Orchestra - A TV original coming in spring 2025, Princession Orchestra is based on a concept by Akifumi Kaneko, one of Symphogear's co-creators. The land of Alicepia's peace is destroyed when monsters called Jammerwocks attack, prompting a trio of young girls to step up the plate to protect the realm.

Winx Club - The western magical girl classic is getting a CGI reboot. While comments by Iginio Straffi imply that certain characters who were introduced later in the original series (such as Roxy and Nabu) will appear earlier, no specific plot details have been revealed so far. The series is coming to Netflix late 2025.

New Panty & Stocking with Garterbelt - Panty & Stocking is getting a second season after over a decade that's coming out sometime in 2025. A teaser trailer confirmed the OG voice cast's return and announced the production staff, but plot details are still unclear.

Magilumiere Magical Girls Inc. season two - Magilumiere is getting a second season, which was announced after the broadcast of season one's finale. No other details have been revealed.

Petitcure ~Precure Fairies~ - A Precure spinoff focusing on the franchise's various mascots is coming. It's a series of dialogue-less shorts that will be released weekly on YouTube starting on April 3.

Untitled Symphogear movie - A new Symphogear movie was announced in late 2023. However, no further details have been revealed.

Hua Xianzi: Zhi Mofa Xiang Dui Lun - A co-production between Tencent Video and Toei Animation's Shanghai branch, this anime is being billed as a "remake" of Lunlun the Flower Fairy. The heroine is Rumi, an apprentice at a homemade perfume studio who awakens as a Flower Child due to the power of a family heirloom. She's tasked with collecting and purifying the Rainbow Flower's scattered petals, only to clash with another Flower Child along the way and discover the surprising past of her feline mentor/sidekick.

Maho no Shimai Lulutto Lily - Studio Pierrot, which has made a variety of magical girl anime from TV originals like Creamy Mami to adaptations such as Tokyo Mew Mew, has announced that they're creating a new TV original magical girl anime. No specific plot details have been disclosed, but the caption for the teaser image ("I want you to sing once more...") implies that it'll be a magical idol anime. In March, the title was revealed, with the rough (and unofficial) romanization being Magical Sisters Lulutto Lily. The only revealed characters are a duo of cat mascots, Uguisu and Azuki.

Lolirock season three - After Lolirock's second season ended with a cliffhanger all the way back in 2017, it seemed like the story would never get a proper conclusion. However, the series's creator and director, Jean-Louis Vandestoc, announced on his Instagram in 2023 that creative meetings for a third season have begun.

Magic Knight Rayearth revival - TMS Entertainment is making a new Magic Knight Rayearth anime in honor of the franchise's 30th anniversary. Unfortunately, it's currently unknown what the format will be.

Cute High Earth Defense Club Haikara! - Hot on the heels of the franchise's 10th anniversary movie, Cute High Earth Defense Club is getting a new anime series. Besides Shinji Takamatsu directing the series like he did with the movie and the first three seasons, no concrete details have been revealed.

Magical Girl Lyrical Nanoha EXCEEDS Gun Blaze Vengeance - A new installment in the seminal Magical Girl Lyrical Nanoha franchise, this will be a new TV anime to celebrate the series's 20th anniversary. No other details are confirmed, but it will presumably be connected to the upcoming EXCEEDS manga that will begin in 2025.

Cardcaptor Sakura: Clear Card season two - The sequel to the magical girl classic is getting a second season that will adapt the rest of the manga.

Magical Girl holoWitches - A multimedia project starring six VTubers as fictionalized versions of themselves who work as both streamers and magical girls who save people when they get trapped in the magical Holocas World. There was a four minute extended trailer in May 2024, but the anime's proper premiere date is unknown.

New Ojamajo Doremi thing - As part of the celebrations for the franchise's 25th anniversary, Toei Animation released two new music videos for the series' 1st OP and 4th ED with the promise that a new project will be made if the videos reach a combined 5 million views. This goal has since been met. Due to the girls being adults in the videos, the new project will presumably be an adaptation of the Ojamajo Doremi 16-20's sequel series of light novels.

[fatehbaz]

hi! i hope this is alright to ask but i was wondering if you had any reading recommendations about invasive species and their management/control/rhetoric. there just seems to be a lot to it. thank you!

Woah. Look at this post I was drafting literally two hours before you sent this, about the nationalist appropriation of rhetoric of "native vs. invasive" species in Hungarian land management:

Appropriate case study: (1) The tree was non-native and its introduction was facilitated by Austro-Hungarian imperial aristocracy and military, especially as fortification during wars in the eighteenth century. (2) It out-competed native trees and the government encouraged plantations of the species. (3) Because of its economic and political importance, the reactionary Hungarian parliament in 2014 officially named the tree "Hungaricum" (native/national heritage).

Yes, there is a lot. This is practically a whole discipline.

If you're looking for a collection, anthology, or singular book with multiple tangents, angles, or perspectives (rather than having to search through individual articles or journals), there are three collections I'm recommending below, but this also might be helpful:

Feral Atlas: The More-Than-Human Anthropocene, co-edited by Anna Tsing (she's probably the most high-profile scholar of this subject). Aside from containing a bunch of freely-available essays from about 100 authors on altered ecologies and rhetoric/imaginaries of environments in the Anthropocene, their big online portal just published the entire syllabus with a bunch of maps and graphics and free articles, in formats for non-academic reading groups, undergrad classes, and graduate seminars. If you go to Feral Atlas's homepage, you'll see a straightforward list of all of those authors.

---

The Ethics and Rhetoric of Invasion Ecology (Edited by Jame Stanescu and Kevin Cummings, 2016). Including chapters:

"Alien Ecology, Or, How to Make Ontological Pluralism" (James K. Stanescu)

"Guests, Pests, or Terr0rists? Speciesed Ethics and the Colonial Intelligibility of "Invasive" Others" (Rebekah Sinclair and Anna Pringle)

"Spectacles of Belonging: (Un)documenting Citizenship in a Multispecies World" (Banu Subramaniam)

---

Rethinking Invasion Ecologies from the Environmental Humanities (Edited by Jodi Frawley and Iain McCalman, 2014). Including chapters:

"Fragments for a Postcolonial Critique of the Anthropocene: Invasion Biology and Environmental Security" (Gilbert Caluya)

"Experiments in the Rangelands: white bodies and native invaders" (Cameron Muir)

"Prickly Pears and Martian Weeds: Ecological Invasion Narratives in the History and Fiction" (Christina Alt)

"Invasion ontologies: venom, visibility and the imagined histories of arthropods" (Peter Hobbins)

---

The Invasive Other special issue of Social Research, Vol. 84, No. 1, Spring 2017. Including articles:

"Introduction [to Social element]: The Dark Logic of Invasive Others" (Ann Laura Stoler)

"The Politics of Pests: Immigration and the Invasive Others" (Bridget Anderson)

"Invasive Others: Toward a Contaminated World" (Miriam Ticktin)

"Invasive Aliens: The Late-Modern Politics of Species Being" (Jean Comaroff)

"Introduction [to Ecologies element]: Invasive Ecologies" (Rafi Youatt)

"Invasive Others and Significant Others: Strange Kinship and Interspecies Ethics near the Korean Demilitarized Zone" (Eleana Kim)

---

For individual sources:

"The Aliens Have Landed! Reflections on the Rhetoric of Biological Invasion" (Banu Subramaniam, Meridians: Feminism, Race, Transnationalism 2:1, 2011)

"Loving the Native: Invasive Species and the Cultural Politics of Flourishing" (JR Cattelino, in The Routledge Companion to the Environmental Humanities, pp. 145-153, 2017).

"The Rhetoric of Invasive Species: Managing Belonging on a Novel Planet" (Alison Vogelaar, Revue francaise des sciences de l'information et de la communication 21, 2021).

"Invasion Blowback and Other Tales of the Anthropocene: An Afterword." (Anna Tsing. Anthropocenes - Human, Inhuman, Posthuman 4:1, 2023).

Troubling Species: Care and Belonging in a Relational World, a special issue of Transformations in Environment and Societycurated by the Multispecies Editing Collective, 2017.

"Uncharismatic Invasives" (JL Clark, Environmental Humanities 6:1, 2015).

"Involuntary Momentum: Affective Ecologies and the Sciences of Plant/Insect Encounters" (Hustak and Myers, Differences: A Journal of Feminist Cultural Studies 23:3, 2012).

"Patchy Anthropocene: Landscape Structure, Multispecies History, and the Retooling of Anthropology: An Introduction to Supplement 20" (Tsing, Mathews, and Burbandt, Current Anthropology, 2019).

Trespassing Natures: Species Migration and the Right to Space (Donnie Johnson Sackey, 2024)

Matters of Care: Speculative Ethics in More than Human Worlds (Puig de la Bellacasa, 2016)

Nestwork: New Material Rhetorics for Precarious Species (Jennifer Clary-Lemon)

"Requiem for a junk-bird: Violence, purity and the wild." (Hugo Reinert, Cultural Studies Review 25:1, 2019).

"Comparing Invasive Networks: Cultural and Political Biographies of Invasive Species" (Robbins, Geographical Review 94:2, 2004).

In the Shadow of the Palms: More-than-Human Becomings in West Papua (Sophie Chao, 2022)

"Timing Rice: An Inquiry into More-Than-Human Temporalities of the Anthropocene" (Elaine Gan, New Formations, 2018).

Interspecies Politics: Nature, Borders, States (Rafi Youatt, 2020)

"Interspecies Politics and the Global Rat: Ecology, Extermination, Experiment" (Rafi Youatt, Review of International Studies, 2020)

Critical Animal Geographies: Politics, intersections and hierarchies in a multispecies world (Edited by Kathryn Gillespie and Rosemary-Claire Collard, Routledge, 2015)

"Invasive Narratives and the Inverse of Slow Violence: Alien Species in Science and Society" (Lindstrom, West, Katzschner, Perez-Ramos, and Twidle. Environmental Humanities 7:1, 2016)

"Life Out Of Place: Revisiting Species Invasions. Introduction to the Special Issue" (Hanne Cottyn. Anthropocenes - Human, Inhuman, Posthuman 4:1, 2023).

---

It's been a "transdisciplinary" topic (especially in the past 15-ish years) in environmental humanities, ecocriticism, environmental studies, "science communication," anthropology, etc. (I think the humanities or interdisciplinary scholars handle the subject with more grace than ecology-as-a-field proper.) It shows up a lot in discussion of "the postcolonial," "ecopoetics," "Anthropocene," "multispecies ethnography," and "the posthuman"; Haraway was explicitly writing about rhetoric of invasive species in the 1990s.

A significant amount of posts on my blog from 2018-2022 are about invasive/alien/native labels. I summarized some of the discourses in my post about Colombian hippos. I especially talked a lot about the writing of Banu Subramaniam (rhetoric of ecological invasion, racialization of aliens); Rafi Youatt ("interspecies politics"); Anna Boswell (Aotearoa extinctions, "anamorphic ecology"); Sophie Chao ("post-plantation ecologies"); Elaine Gan ("Anthropocene temporalities" and industrial ruins); Hugo Reinert (species "purity" and extinctions); Puig de la Bellacasa ("speculative ethics in a multispecies world"); Ann Laura Stoler (of fame for her writing on "imperial debris" and ruination/haunting), Hugh Raffles, Nils Burbandt, Anna Tsing, and others. Lately in my own work I've been writing on borders/frontiers and media/colonial imaginaries of "pests/the exotic" and have been referencing Jeannie Shinozuka's Biotic Borders: Transpacific Plant and Insect Migration and the Rise of Anti-Asian Racism in America, 1890-1950.

Thanks for saying hi.

[supernovafics]

series masterlist | last part — next part

pairing: modern!college!steve harrington x fem!reader, bestfriend!eddie munson x fem!reader

word count: 2.9k words

warnings: explicit language, nothing else really?

summary: your life goes back to normal— how things were before you knew steve— and it’s fine (or at least that’s what you keep telling yourself)

CHAPTER SIXTEEN | ❝𝒇𝒓𝒂𝒈𝒎𝒆𝒏𝒕𝒔 𝒐𝒇 𝒕𝒊𝒎𝒆❞

Spring Semester 2017

“This is how villain origin stories are born,” Robin said with a loud sigh as she closed her laptop for the time being. “Apartment hunting. Why does this suck so much?”

“Because everything’s severely out of our price range,” You responded, looking up from your own laptop. “Also, there are barely any three-bedroom options.”

“And the ones that are available and in our budget are very shitty,” Vickie added and you nodded in agreement.

The three of you were sitting on the carpeted floor in your dorm room. Living together for the next school year had been jokingly and playfully talked about in the very early stages of your friendship with Robin, but then as the months passed, it settled into an idea that actually became serious; mainly because of how much sense it made. And then Robin introduced you to Vickie and another friendship, and roommate, was born. 

Eddie was also set as a fourth roommate for a bit, but then he told you that he and Chrissy decided to live together for junior year, so it became settled that it would only be you, Robin, and Vickie. Which sounded great, and you were already excited about it since you hated living alone, but the apartment-hunting part quickly proved to be a lot more of a nuisance than any of you had expected.

“Fuck it, let’s just do a four-bedroom, then,” Robin said, shrugging. “There are a bunch more options for those, anyway. Like, the one I showed you guys yesterday. That place was perfect.”

“Did I miss the moment when our fourth roommate magically appeared?” Vickie asked, a playful smile on her face. 

“We can easily find someone else in one of those, like, Facebook group things.”

“That’s honestly not a bad idea,” You responded, already going to pull up Facebook on your laptop. 

Robin smiled. “Thank you. I always have great ideas.”

Vickie gave her a look. “Do I need to mention the ‘donating blood to get concert ticket money’ idea you had a week ago?” 

“No, that’s okay. We don’t need to discuss that low point.” 

You were the one who showed them Talia’s posting on one of the “searching for roommates” groups. She seemed nice and interesting and both Robin and Vickie thought so too. The three of you put together a quick message— briefly introducing yourselves and that you were looking for a fourth roommate— and sent it.

“Okay, fourth roommate, check,” Robin said once you pressed send. “Now, we have to get the place that I showed you guys yesterday.”

You laughed a little. “Let’s wait until she actually says something, Rob.”  

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。

Spring Semester 2018

Initially, it felt equivalent to a family meeting. Well, more so what you imagined a family meeting would be like because the four of you never actually had to have one before. 

But then, it actually felt like you were giving some sort of speech or presentation because of the setup. Robin, Vickie, and Talia were on the couch and you were standing in front of the TV and explaining everything to them. 

You kept in most of the details— you and Steve agreeing to fake date, your feelings for Eddie being the reason behind it all, and how it was only meant to go until Spring Break. 

Aside from the fact that they all seemed shocked to learn that you had feelings for Eddie, their collective thought was that the entire relationship between you and Steve had seemed so real.

“We were just really good at faking,” Was your response to Vickie specifically saying how cute you two had looked together; especially during the one reality TV night where Steve came over and picked the show.

You remembered that night pretty well, but you didn’t remember any specific moments where you had felt as if you and he had to “play up” the relationship or lay the PDA on thick since Eddie wasn’t around that night, so you weren’t sure how that moment was considered a definingly cute one for the two of you. 

“Were you good at faking or was it not really fake?” Robin asked, giving you a certain look. 

“Definitely fake,” You didn’t hesitate to answer because you deliberately didn’t want to think about her question too deeply. “We’re not even really friends, and he just went on a date last night. Hence the Eddie punch.”

Eddie was still sleeping in your bed. When you got back from Steve’s place, you weren’t in the mood to wake him up or tell him to shift over and make room for you, so you spent the night on the couch. 

“Damn, it kinda sucks that we’re never gonna see him again. He was the only one that liked when I made the pumpkin cheesecake cookies,” Talia said.

Vickie laughed a bit. “The only reason we don’t like it is because that's clearly a Fall cookie, Tal, and it's Spring right now.” She then looked as if she thought of something. “Hey, but at least you won’t have to get stuck on a team with Eddie for game night anymore. We’re back to individual stuff or you being the referee.”

Talia smiled. “Thank you for reminding me.”

“Wait, that just made me remember something,” Robin started. “Guys, I need you to please hear me out on this one,” She paused for what seemed like dramatic effect. “I think it's time to bring back Monopoly.”

There was a collective groan that immediately filled the air upon hearing her suggestion. Monopoly was a near friendship-ending game for you all, and it was only meant to be played on the rarest of occasions; which actually meant never. 

You sat down on the small loveseat then, glad that the subject had been shifted and that your speech, mixed with a Q&A, was over. “Robin, why do you wanna ruin all of our friendships?”

She quickly shook her head. “Come on, it’s been months. We’re all much more mature and reasonable adults, and I doubt we’ll have any arguments like last time.” 

Before any of you could respond with any sort of rebuttal, your bedroom door opened and out walked a tired looking Eddie. 

“Somehow, I heard the mention of Monopoly and I’m here to immediately veto that suggestion.” 

Robin rolled her eyes at him. “Go back to sleep, Munson.”

The game night conversation continued, and from there, things were normal. And you didn’t mind the normalcy that your life settled back into over the next few days and then weeks— even though, at one point, the thought of it bothered you and you had missed a lot of the things that came along with fake dating Steve. Now you knew there was no point in missing any of it; in fact, it felt kind of dumb to. 

Your classes got more and more intense during the entire month of April, so there wasn’t that much time to think about Steve or wonder what he was up to. However, the moments you did think of him surprisingly hit hard. 

When you all ended up playing Monopoly at game night, after Robin’s many begs and pleads, you thought about Steve and how different things would’ve been if he was there. You imagined him as a pretty competitive Monopoly player, and felt almost certain that he would’ve either had the biggest rivalry with Robin or formed some sort of alliance with her; she was the one that actually ended up winning after an intense and exhausting seven hours of playing that night. You wished that he could’ve been there. 

And then there were the reminders of him that were left around— his t-shirt that you’d never gotten around to giving back to him, his sunglasses that you didn’t realize you’d stolen until you were finally finishing unpacking your stuff from the Mexico trip, and the bear that he got you for Valentine’s Day that you refused to ever get rid of, but you eventually stuffed Hartford away in your closet instead of leaving him on your desk to make things feel easier. 

Anytime one of those moments happened where you randomly thought about him, you immediately reminded yourself of the rule and simply buried yourself further in whatever school assignment you needed to focus on, or made abrupt plans with Eddie, Robin, Vickie, or Talia. 

It was late in the month when Talia wanted to set you up with a guy from one of her classes, who she claimed would be “perfect for you.” Initially, you were hesitant— more so leaning toward no than yes— but he had the Talia stamp of approval, so you let it happen. She gave him your number and there were a handful of text messages shared between you two that led to a museum date a week later. 

It wasn’t terrible. But, your heart wasn’t in it at all, and neither was your head most of the time. And by the end of it, more specifically as you were in the elevator headed back up to your apartment, you realized that you probably wouldn’t see him again. 

When you walked into the apartment, you spotted Talia in the kitchen and the entire apartment smelled amazing; which, of course, didn’t surprise you at all.

“Hey, what are you making?” You asked as you pulled off your jacket and hung it on one of the empty hooks next to the door. 

“I got bored, so I decided to do a quick roasted chicken. It’s in the oven now,” She said, shrugging as if that was entirely normal. It would never not amuse you how her boredom would always spur on elaborate meals. “So, how was the date?”

“It was fine. Good, actually,” You answered after the briefest moment of hesitation. “He was pretty cool and we had a lot in common and stuff. But, I don’t know… It just didn’t feel right, I guess. My head was in a different place a lot of the time. Thinking about other stuff.”

“About Steve?”

Hearing her say that, surprised you. “What? No. I haven’t talked to him in like a month.” 

She gave you a quick shrug. “That doesn’t mean that you can’t think about him.” 

“I guess that’s true, but I haven’t really thought about him,” You said. It was a small lie that you were okay with telling because you didn’t want to admit or even ponder what it meant that you did think about and were so easily reminded of him sometimes. 

“I’m kind of surprised that you two aren’t friends or something,” She told you as she went to grab something from the fridge. “I don’t think I could do a whole fake dating thing with someone and not, at least, be friends with them after it.”

You leaned back against the counter. “We came up with a bunch of rules when we started it, and that was one of them.”

“To not be friends after?”

“Not exactly that, but pretty much, yeah. The rule was to go our separate ways once the fake dating was done,” You shrugged. “Becoming friends was the last thing on both of our minds when we came up with that since we were basically strangers at the beginning of this. And when we were ending things, we both knew that it would be impossible to be friends after because of all of the lies that started this.” 

She looked at you then. “But we all know the truth now, though. So you two could be friends and none of us would question it.” 

Talia’s words made complete sense and they were something that you should’ve realized and thought about a lot earlier than this moment. You were quiet for what felt like forever because you didn’t know what to say in response. Your immediate reaction was to still say no, you couldn’t be friends with him, but if she followed up and asked why, you knew that you wouldn’t have an answer. 

When the oven started beeping, it felt like a very “saved by the bell” kind of moment. Talia pulled out the chicken from the oven and let the conversation shift from there. “You got back from your date just in time, by the way. You wanna try this?” 

“Of course, I’ll never turn down anything you make.”

You went to your room first to change out of your date outfit and put on some pajamas instead and then you joined Talia back in the kitchen. The chicken was quite literally perfect, which didn’t surprise you, and you retreated to your room for the night after you finished eating, while Talia put on a documentary that she had to watch for one of her psychology classes. 

As much as you tried to focus on anything else as you lay in your bed, you inadvertently spent the rest of the night thinking about Steve— it was too hard not to. 

You thought about every moment that you had been reminded of him over the past month— how it hadn’t felt like much at first, but when you thought about it all at once, it was a lot. You also thought about what Talia said and why you and he weren’t friends even though it was pretty obvious that you should be— what else could explain why you both had prolonged and dragged out the conversation in his car the night you two “broke up”? Neither of you had wanted to let the inevitable happen. 

All of this was about more than just following the rule to you. Of course, it was about more than just that. 

Deep down you knew exactly why you couldn’t listen to what Talia said— why you couldn’t text him, go to his place, or do anything else to lean into that short-lived friendship you two had that you actually had a feeling was still there— but right then you refused to admit it. 

Instead, you grabbed your phone and put on a random podcast just so you could use the noise to drown out your thoughts and force yourself to fall asleep.

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。

It wasn’t until a few days before finals that you thought about Steve again. It was kind of hard not to because you ran right into him— or more so tripped over him. 

The campus library during the week before finals week was probably one of the worst places to be, but you were in a last-second search for a book that you needed to do an essay on and you refused to buy it online because, for some reason, it was way too expensive.

Your eyes were trained solely on the spines of books as you searched for the one in particular when you tripped over something in the middle of the aisle. It wasn’t a full-on fall, just a very awkward stumble, but it somehow felt just as embarrassing. 

You let out an abrupt yelp in the middle of your stumble and heard a voice before you even got to see what caused you to trip. “Oh, fuck, I’m sorry.” 

You recognized Steve’s voice immediately and it sent a surprised jolt through you as you turned to look at him. He was leaned back against the long bookshelf with his legs stretched out and there was a textbook opened in his lap. He must’ve just been sleeping because you saw him rub his eyes and let out a quick yawn.

He looked up at you as he crossed his legs under him instead of having them stretched out in the aisle. He seemed as if he was surprised to see you too, but from the look on his face, you could tell that he saw it as a good surprise; you weren’t sure if you could say the same just yet. “Shit, now I feel worse knowing that I just did that to you.”

That got the smallest smile out of you. “Yes, you should feel a thousand times worse for almost ending my life.”

“I’m sorry.” 

“Why are you sleeping here?” You asked. Both of you were keeping your voices low because you were on one of the quieter floors of the library. 

He shook his head. “I’m not sleeping. I was taking a break from studying for a test and just resting my eyes for a second.” 

“So sleeping?”

“A very brief nap,” He corrected.

“Ah, okay, got it,” You nodded, words coming out completely sarcastic. “Sorry for interrupting your very brief nap then.”

“Sorry for almost killing you.”

“Thank you.”

You knew that you should’ve let the brief conversation end there. You should’ve looked away from him then and continued searching for the book you needed to find. But, you didn’t. 

Instead, after the briefest moment of lingering silence between you two, you sat down across from Steve. The book and the essay that you needed to work on became the farthest things from your mind for the time being.

You didn’t have the strongest grasp on what you were doing right then and why you were doing any of it, but you decided not to question it. Instead, you simply did what felt good in the moment. 

You leaned back against the bookshelf opposite Steve and crossed your legs as well. “Hi.” 

He gave you a questioning look at first— maybe he was also expecting the conversation to end in that previous spot; like it would’ve with any other two people who weren’t really friends that had just randomly bumped into each other. 

But then, he was smiling, a genuine Steve Harrington smile that felt really nice to see. “Hey.” 

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。

a/n: ….. i'm sorry for the cliffhanger !!!!

next part!

taglist (lmk if you want to be added or taken off<333); @eddiernunson , @loulouloueh , @the-aster , @blckburd , @totally-bogus-timelady , @yujyujj , @irhdifartzamfyaa , @mochminnie , @munsonssweets , @blckbrrybasket , @xprloki , @definitionwanderlust , @dwcode , @sun-fiower-seed , @keerysfolklore , @damon-loves-pie , @lodeddiperrodrick , @bisexual-and-intellectual , @munsonburn3r , @negomi123 , @khena , @facexthexsunshine , @seatbacksandtraytables , @suckerfordylansstuff

(if your user is crossed out it means i can’t tag you</3)

[slowandsweet]

Elie Saab Spring 2017 Haute Couture Collection

[najia-cooks]

[ID: One puffy circle of bread, and three which have been halved to show an internal pocket, on a striped blue and white kitchen towel. End ID]

خبز الكماج / Khubiz al-kmaj (Palestinian flatbread)

Khubiz al-kmaj is a thin flatbread with an internal pocket. It is commonly eaten with breakfast to scoop up dips such as hummus, used to eat stews, served alongside main dishes, and used to make sandwiches and to wrap falafel. "خُبْز," pronounced "khubz" or (in Levantine varieties of Arabic) "khubiz," comes from the root خ ب ز (kh-b-z), which also produces the word "خَبَزَ" "khabaza" (Levantine: "خَبَز" "khabaz"), "to bake."‎

This bread is eaten across the Levant and in Greece, with slight differences in terminology and style. It is variously called "خُبْز العَرَبِيّ" (khubz al-'arabiyy; Arabian bread), "خُبْز "البَلَدِيّ (khubz al-baladiyy; bread from my country), or (occasionally) "خُبْز البيتة" or "البيتا" (khubz al-bita), a borrowing from "pita." ("Pita" itself is perhaps from Greek "πίτα" "pita," or the modern Hebrew "פיתה.") The bread is referred to as "khubiz al-kmaj" in Palestine, from the Turkic "kömeç" / كُمَجْ‎ ("bread baked in ashes"). The collective term for the bread in general is كماج (kmāj); each individual piece of bread is referred to with the singulative "كماجة‎" (kmāja).

Today, kmaj is frequently made with white flour; some people add olive oil or milk powder to ensure a very soft dough. Leila el-Haddad writes that a more traditional method omits milk and uses whole white spring wheat, a whiteish wheat grain harvested in late spring and ground without removing the bran.

Since the late 20th century, many Palestinian households have used an electric cooker (طنجرة الكهرباء; ṭanjara al-kahrabā') to cook kmaj, placing one kmaja inside of the chamber and one on top and allowing both to bake at the same time. These aluminum and tin cookers, which were invented in Gaza and became popular there during the first intifada in the late 1980s, are designed to route electricity through a metal pipe or spiral wire on the underside of their lids, heating both the top and the inside of the cooker simultaneously.

The cookers' popularity can be attributed in part to a curfew that Israel imposed on Gazan refugee camps during the intifada, supposedly in an attempt to restrict the movements of resistance fighters. Refugees in the Jabalia camp in the north, for example, unable to afford home stoves, and without the necessary outdoor space to make familial clay ovens, would have to wait in line for hours every day to get bread from shared ovens, risking curfew violations; household electric cookers were far more convenient. The success of local industry and innovation in the form of Gazan-manufactured technology was also symbolically and strategically important during the first intifada, in which Palestinians employed strikes and boycotts (largely organized by women) of Israeli companies and goods as a strategy of resistance to occupation.

An electric cooker is still today considered a very important tool, as it spares families the need to purchase kmaj (the price of which was soaring compared to the cost of flour in the 2010s, and which was often of inferior quality compared to what could be made at home). They are frequently given as wedding or housewarming presents. Lack of access to electricity, though, imposes a limiting condition on the usage of these cookers, as Israel has for over a decade strangled the flow of power to Gaza: Abier Almasri wrote in 2017 that tasks such as cooking and laundry had to be rushed during the four or so hours a day when electricity was available. In this environment, electric cookers are useful in that they can prepare a lot of bread in a short period of time. Fathia Radwan said in 2022 that she would wake up early, after the nightly power outage, to prepare more than 100 loaves of bread at a time for her family of nine.

Today, the taxes that Israel levies on imports of raw materials into Gaza makes the cost of new electric cookers, which sometimes exceeds 120 shekels (37 USD), too expensive for some families to afford. The difficulty and expense of importing materials, and the impossibility of exporting goods to foreign markets with the advent of the 2007 siege, also limit the number of factories in Gaza that are able to manufacture these cooking pots. The aluminum industry, introduced to Gaza in the 1960s and once the basis of a manufacturing and economic renaissance in the region, deteriorated as a result of the siege, as factories were no longer able to export goods to the West Bank and were newly reliant on imports of raw materials from Egypt. Even parts to repair electric cookers are expensive, due to a tax levied on items judged by Israel to have a "dual," i.e. a possible civilian and military, use.

Still, repairman Iyad Faraj estimates that over half the homes in Gaza have and use an electric cooker, as maintaining, repairing, and operating one is cheaper than having a gas pipe installed (at 68 shekels, 20 USD) and purchasing gas. Electric pots thus stand in many homes as both a utilitarian item, and a symbol of Palestinian ingenuity and resistance to Israel's attempts at impoverishment and starvation.

Support Palestinian resistance by contributing to Palestine Action’s bail fund or to Palestine Legal’s defence fund, by attending court or making a sign to support the Elbit Eight, or by buying an e-sim for distribution in Gaza.

Ingredients:

500g (4 cups + 3 Tbsp) white whole wheat (spring) flour

1/2 Tbsp (5g) active dry yeast

1/2 Tbsp (6.25g) vegetarian granulated sugar

1/2 Tbsp (7.25g) kosher salt

About 2 1/4 cups (530mL) room-temperature water, divided

Olive oil

White whole wheat flour is flour that has a white color once ground, despite the fact that it includes both the bran and the germ of the wheatberry. It is milled from white spring wheat (so named because it is harvested in late spring).

You may instead mix white all-purpose flour and brown whole wheat flour in your desired proportion. Keep in mind that whole wheat flour will need more water and more kneading than white flour. If you’re using all white flour, you will need about 1 1/4 cup (300mL) water.

Instructions:

1. Mix flour, yeast, sugar, and salt in a large mixing bowl. Add water gradually until dry ingredients come together into a sticky dough.

2. Knead the dough on the countertop or in a wide, shallow bowl until smooth, about 5 minutes. (If using whole wheat or white whole wheat flour) continue incorporating water into the dough as you knead to maintain a tacky texture.

3. Fold the dough into a ball and return to the bowl, seam-side down. Pat the top of the dough with some olive oil, cover the bowl, and let rise for an hour.

4. Pinch the dough into about 8 balls of equal size (about 110g each). Cover and let rest for 10 minutes.

5. On a lightly floured surface, roll out each ball of dough into a circle about 1/4" (1/2cm) in thickness. Set dough circles on a surface prepared with parchment paper and cover closely with a kitchen towel or plastic wrap. Let rest and ferment for at least 1 and up to 10 hours.

An overnight rest is traditional in Palestine and will create a more complex flavor in the bread (see note below).

6. Remove each circle of dough from its resting place with a metal spatula and roll it out to a 1/4” thickness again. Preheat a baking stone or sheet in the top third of an oven at 500 °F (260 °C), and then cook breads in the oven for three minutes, until large bubbles have begun to form.

7. Flip bread over and cook for another 3 minutes on the other side, until golden brown and puffed up completely.

8. Wrap breads in a kitchen towel or tea towel and allow to steam for a few minutes while the others cook.

Notes

The climate where I live is dry enough that I have discovered a risk of my breads becoming crackers if I leave them out overnight. The dried-out flatbread does puff up in the oven, but the resulting product is not as nice and fluffy as it should be.

Through experimentation, I have found the best method of both preventing drying out and guaranteeing that the flatbreads will puff up during cooking the next day is:

1. Roll out the dough and place dough circles on a lightly oiled surface. Cover them closely with lightly oiled plastic wrap.

2. The next day, fold dough circles back into balls. Place seam-side down and roll out again on a lightly floured surface.

3. Bake as described above.

If you live in a humid environment, the first instructions given in the recipe above should work for you.

[untethered-days]

[acourtofthought]

It's genuinely quite frustrating when certain fans try to dismiss the importance and buildup elucien has had due to their recency bias. Like I'm sorry elucien has been a thing since book TWO, if you really have been paying attention - you know THEIR book is next. Let's put some respect on their names and have some self awareness when it comes to your own ship biases.

I just think it's so odd that, when Sarah first started talking about wanting to write books for the sisters someday and was then signed on for the books, when she said "I know who the first two books will be about but I'm leaving open the third and possibly want to write a book set in the past", the fandom would have collectively agreed that during the release of ACOWAR, the first two spin-off books would almost certainly be: Nesta and Elain (with Elain's endgame being either Lucien or Az). During the release of ACOFAS, I imagine the fandom would have collectively agreed the first two spin-offs were going to be Nesta's and Elains with the only discrepancy being in her love interest.

So that means from 2017 all the way up until 2021, it was not talked about that Az would feature in the second spin-off with another love interest who wasn't Elain. But suddenly, all those years of Sarah plotting and planning on who the first two spin-offs were going to be about no longer mattered with the addition of Gwyn's character. Suddenly, there being someone special for Lucien (said in a Q & A) wasn't as important as there first being someone special for Az. Suddenly Az wanting his own mate means more than Lucien going through it with his actual mate. Suddenly Elain's story and trauma can take a backseat because a new character also has trauma and that's more important right now.

I'm not saying Sarah can't or won't write Gwynriel next but the mentality of why some think Elucien can't be next baffles me. Years upon years of there being setup for Nesta's story and Elain's story and that's all undone by one new character. When it seemed clear she had no real direction for Az in ACOWAR or the novella but because she now does, it suddenly trumps all else. All the times she talked about Elain's book and the research she'd done and the seeds she planted early on and it no longer matters? She might wait to go on a journey with a specific couple as she's writing their book but she still has an overarching plot in mind and certain characters have been connected to that overarching plot more than others since way back when. So why when she only now decided to give Az a tie to certain (new) plotlines (time-travel / discovering who once had TT), with most of it being in a different series, does that mean that he is definitely next? That his newly introduced possible plots have jumped the line so that Elain's trauma can wait, Lucien's heritage can wait, Vassa being taken back by Koschei? She can suck it up for a bit right? The Spring Court people are fine to continue living in a court that's falling apart while being ruled by a severely depressed High Lord so long as Az can figure out why he's got his special dagger.

If Eluciens story can be pushed back, then why can't Az's?

It's not that Az's book can't be next, it's the thinking with such certainty that he's definitely next with no chance for anyone else and they mock Elucien's for being delusional thinking Elucien would actually make a lot of sense for being next.

Yes, he was heavily mentioned in SF and yes, Gwyn was too. But what exactly would Lucien be doing in Cassian's book? Why would Elain be in Nesta's book when Sarah wrote Nesta as avoiding her and not wanting to see her? The one time Elain did head to the HOW Cassian told Rhys maybe it was better for the sisters to stay away and it's not surprising, when Nesta tried to blame Elain for being the reason their father was killed that she chose to avoid her after that.

Do you think Gwyn would have had as much page time had Nesta told her she was to blame for her sisters death?

Sarah wrote Elain out of the story so that Nesta could heal because Nesta was never going to become her own person so long as she was constantly watching over Elain.

Using the lack of Elain and Lucien page time in a Nesta and Cassian book as proof of something is an odd viewpoint. Do you think we'll have many mentions of Az or Gwyn in their book if Elucien is next? Or Elain's name count being high up there if Gwynriel is next?

And again, if people think Elain and Lucien's story can be pushed back despite all the traction they had in ACOWAR then why can't Gwynriel also be put on pause?

I do think Gwynriel is still a possibility, but not because they'd be the logical choice based off years upon years of what all the books have set up and her comments on the order of the spin-offs. If they're next then to me it really is because Sarah decided to chuck her original (fairly clear) plan out the window, where the spin-offs were meant to deal with the politics of after the war, and go in a wild new direction. Where time travel is now the more relevant plot for the current ACOTAR series though it was never the focus for the 4 books prior and never mentioned in connection with Koschei or the Human Queens before (it still hasn't been mentioned in relation to them). I do think it will be the direction she takes ACOTAR characters at a future point (maybe in an actual ACOTAR spin-off series rather than it still falling under the "Feyre and Co. ACOTAR umbrella) but it doesn't make as much sense for us to explore that just yet.

[ashwwa]

Polaroid Love collection#02 Fluorite heels (sims4)

slider: 14 color｜no slider: 7 color｜decor: 5 color

will become public on 23.7.17

-Inspired by Marc Jacobs Spring 2017

Polaroid Love collection#02 Fluorite heels (blender)

2K PBR

[ewanmitchellcrumbs]

In honor of the Ewan's runway debut, which fashion brand do you think the Ewanverse characters be ambassador of and would do runway shows for? If you're familiar with different brands.

Oh I love this! Let’s fucking go (below a cut as I have included images)

Abraham - Tommy Hilfiger, specifically the autumn line of 2012

Aemond - there was so much choice for this, I was originally going to go with Versace, but settled on Mugler’s 2011 autumn collection, because well…yeah.

Billy Taylor - Ralph Lauren, autumn 2018

Billy Washington - Michael Kors, Spring 2007

Ettore - DSquared2 spring/summer 2025

Genyen - Dior autumn/winter 2023

Michael - Prada, autumn 2017

Osferth - Tom Ford, spring/sunmer 2019

Tom - Armani, autumn 2024

[fugengulsen]

Led Zeppelin - Immigrant Song (Live 1972) (Official Video)

Meaning Behind the Mythical Led Zeppelin Hit, “Immigrant Song” 

By Jacob Uitti-April 14, 2023

 If the battlefield had a theme song, it would be Led Zeppelin’s “Immigrant Song.” From the band’s 1970 album, Led Zeppelin III, the track has transcended the band and stands on its own as the howling, brooding, repetitious representation of mythical conflict.Appearing in movies like School of Rock and, of course, in the trailer for the 2017 superhero film, Thor: Ragnarok, the song is simply a part of pop culture.But where did it come from, exactly, what’s the meaning and what is Robert Plant singing about? Let’s dive in.

What is Norse Mythology?

It is a way of understanding the world through stories of gods. In Norse mythology, which Plant references in “Immigrant Song,” there is the thunder-god Thor and other beings you’ve likely vaguely heard of. There is also the concept of Valhalla, where the god Odin rules. Half of those who die in battle go to Valhalla. Of course, the belief system is much more complicated, but that’s the source text from which Plant gets his concepts for this 1970 hit.

Sings Plant, as if on a battleship preparing his fellow troops for war,

We come from the land of the ice and snow

From the midnight sun where the hot springs flow

The hammer of the gods

Will drive our ships to new lands

To fight the horde, sing and cry

Valhalla, I am coming

When Did the Band Write the Song?

In the summer of 1970, the band wrote the song while touring Iceland, Bath (England), and Germany.

The group’s string of shows began in Reykjavik, Iceland, of which Plant said in the 1994 book, Led Zeppelin, “We weren’t being pompous … We did come from the land of the ice and snow. We were guests of the Icelandic Government on a cultural mission. We were invited to play a concert in Reykjavik and the day before we arrived all the civil servants went on strike and the gig was going to be cancelled. The university prepared a concert hall for us and it was phenomenal. The response from the kids was remarkable and we had a great time. ‘Immigrant Song’ was about that trip and it was the opening track on the album that was intended to be incredibly different.”

In a way, of course, a rock band is at war, too. With their own inner fears, with the possibility the audience may boo. It’s metaphorical and artistic, but true.The band pl #ayed the song live for the first time during a show at the Bath Festival.

The Song, Itself

With bashing percussion, the song hinges on the repetitive guitar riff for Jimmy Page. It’s a heartbeat, a collective one. It belongs to the soldiers. It’s also their feet running over land, axes above their hands. Then Plant’s voice comes in like a war cry, a battalion of banshees.

Led Zeppelin all of a sudden becomes an army of Vikings. And we join them.

# Vikings  #  Immigrant Song  #  Led Zeppelin

[sgiandubh]

What happened with Barbour ?

Dear Barbour Anon,

My favorite kind of Anon, even if I know the question has recently been asked again and not in this corner. Never mind, I think it's time to talk about it, too.

I bought my first Barbour (entry-level, so olive) Bedale wax jacket 25 years ago, from their (long gone, now) shop on Boulevard Raspail, in Paris. It was a mandatory clothing item to own if you wanted to properly mingle with the law school crowd (it still is) and it ended up being one of my most prized possessions, possibly a part of me. I still have it somewhere, back home. Two more followed, along with a fetishist array of shirts, scarves, beanies and even one of those sturdy crossbody bags you can fit half a house in. So you can imagine my absolute thrill when I found out, very very late, that S had had a rather substantial collaboration with them, from 2016 and until 2019.

I am very bad with timelines, as you probably know and possibly even cackle about, but still: S was appointed as the company's first ever Global Brand Ambassador on July 16, 2016. His mission statement was very precisely defined by the brand and for some reason we'll analyze a bit later, this is important:

(Source, heh: https://www.astonbourne.co.uk/is-barbour-a-luxury-brand-unraveling-the-mystique-of-classic-outerwear/).

A shirt and vest signature collection followed in 2017 and 2018, with the contract being renewed. Advertisement was absolutely gorgeous and designed to shape a very positive image, both for S and the brand. Last autumn's SS Gin promo retained some of that irresistible aesthetic DNA and I discussed it at length.

See for yourself, Anon. The fandom endlessly discussed the first long clip (with the chocolate labrador), but I have no idea if these two have been seen, let alone debated. If they did, let that be my nostalgic mistake.

Spring/Summer 2018:

Fall 2018:

And then disaster stroke, with S's trip to Ha-wa-wee 1.0, in the spring of 2019. A short reel, featuring a rather agglomerated boat trip, was posted on socials. Unfortunately for S, it also featured an allegedly horrifying scene involving the 'traditional' bludgeoning to death of a tuna fish. Emotions ensued and as it often happens here, they spun out of control. Many people, including some of the most vocal S haters, tagged Barbour in their diatribes, filled with environmentalist indignation. They suggested this guy (who did not participate to the savagery and I would be even unsure he realized what was going on) was, by no reasonable means, a proper 'embodiment of the brand's identity, values and aspirations' (remember that mission statement?).

Tone deaf as ever in the midst of a serious PR crisis, S put friendship above anything else, and publicly praised the boat's owner, calling him 'the heart and soul of the island', if I remember well. I still would like to think he has no idea what the hell exactly happened. And then, when somebody finally (August 2019) asked Barbour on Insta about their collaboration with S, they got this politely dry, but clear answer:

"We don't have any plans for a collaboration with SH in the near future" means, in my book and to my understanding, "we are never going to work with this guy again". Truly, some people in here who dare to give morality lessons to others, should be proud of themselves: they did it knowingly and in a very organized way, using multiple sock accounts, to give the impression of a collective retching reflex. To cut the story short, the dread of any ad campaign on this planet.

The effort was genuine. The result of that collaboration was very good. Take, for example, this somewhat heartbreaking customer review by an American guy who has no idea who SRH is and who bought one of those jackets from a Barbour factory warehouse, in 2021, with a hefty rebate (70% off). Clearly something Barbour wanted to get rid of at all costs - what a pity and really what a SHAME on all those hypocrites who will never admit to a public assassination by the book:

This time, I am absolutely not sorry for the length, Anon. This is something that still makes me boil. Unfairness and cheap nastiness simply disgust me.

(Thank you, sweetheart, for the screenshot, always. You know who you are 😘😘😘).

[world-of-celebs]

Nicole Kidman attending the Michael Kors Collection Spring 2018 Runway Show at Spring Studios on September 13, 2017 in New York City.