#2018 ag worlds

[batsplat]

Oh im obses whit your blog like you are such a great historian on vale and love the way you analys stuff admire the way of writing all of your toughs in such a corent way 🩷🩷🐹

this is so nice, thank you!! okay so this ask was initially sent in response to this post about how marc knew what a dick valentino was to his rivals and appreciated/wished to emulate that side of him, in particular in the context of copying the jerez pass. and... well, there is one more follow-up post to that I did want to make. it didn't really work within that post because it's pretty speculative, but I think it's fun! here goes

so you know argentina 2018, right, big drama, reconciliation over, bla bla (I promise this is going in a more fun direction, stick with me here). there's a bit of marc's post-race media scrum that I am a wee bit obsessed with. or well, two specific lines, one in english (0:00) and one in spanish (1:02) - I've included the full responses for context, but in this post I'm really only interested in those two lines

in english:

But he was in the past also 25 years old, and will remember, everybody.

and in spanish:

He has also been 25 years old and, well, I hope that people also remember.

... 25 years old, did you say?

okay, look, fair warning. the rest of this post is going to be reading too much into what was probably an off-handed comment - even if, I'd just like to point out, it is something he felt the need to say twice. but let's just have some fun here, and read too much into it. as a treat

so obviously the most generic way to read this is him saying 'well valentino used to be really aggressive on-track too, so people shouldn't be criticising me more than they did him'. thing is, I wouldn't say there was that much of a noticeable decline in how aggressive valentino was being, and 2017 did still feature some major scraps where valentino very much got his elbows out (cf assen and phillip island, I included a bit more detail on this in the marc race rec post). sure, valentino did increasingly have his reservations about some of the behaviour of younger riders, so maybe he was less aggressive now relative to the field... but I just don't feel like that's quite what this line is implying. it's also not about valentino making 'mistakes' in general, because there would have been no reason to refer back to past-valentino in that regard... the 25 year old version of valentino was considerably more error-free than the 39 year old

so then, my theory is that it's about valentino's controversies! that's what people "will remember", right - it's not the general style of riding, not just innocent mistakes, it's the times when valentino caused a bit of a stir on and off the race track. now, again, you could go the generic route here and say 'ah well maybe marc is just thinking of all the mess valentino got himself involved in when he was younger, from getting into a fist fight with max biaggi at age 22 to pissing off casey stoner through his aggressive riding at laguna at age 29'. but let's say for a moment that marc was thinking a bit more specifically than that... after all, if we're just talking about valentino controversies in general, surely marc should be able to think of a rather more recent example where valentino, like marc at argentina 2018, caused another rider to crash and was subsequently penalised for his riding? of course, marc probably didn't want to bring up that particular controversy - but it's still interesting he feels the need to refer back to a younger version of valentino at all, the fact that this crossed his mind in the first place to make him bring it up unprompted while making his case. so maybe when marc, who is after all a known valentino rossi fan, refers twice to what valentino was like at "25 years old"... he is in fact thinking of what valentino was like when he was 25 years old. and in what year would that be? well, here's the thing. it would be 2004

readers of the sete post can probably guess where I'm going with this, but let's just take a moment to review what specific on-track incidents marc could be thinking of here. let's give him a little bit of extra leeway in terms of the age, even though I trust marc to be more on top of the exact age gap than valentino was in times past. let's throw in one year either way, so 2003 to 2005, and draw up a list of any particularly controversial races valentino was involved in. here's what I've got:

assen 2004 - valentino executed a hard overtake for the win on the last lap on sete gibernau. he's not in complete control and almost loses the front at the next corner, which would have taken them both out

qatar 2004 - after his team rubber up his grid slot the night before, valentino gets slapped with a back-of-the-grid penalty. he ends up crashing out of the race and burns his relationship with sete in the aftermath

jerez 2005 - at a time when their relationship is already very chilly, valentino and sete engage in another duel. valentino executes a block pass with contact at the final corner and is booed by the crowd

motegi 2005 - the first chance to seal that year's title, and one valentino would very much have liked to take to spite honda. an unwise overtaking attempt on melandri leaves both on the ground

so, my guess is that neither assen nor motegi were really big enough controversies to fit the bill, though maybe they stuck in marc's mind as instances of 'reckless riding' that he includes in a more generic internal understanding of young valentino rossi. we do of course know for a fact that marc was more than aware of what happened at jerez 2005, not least because he, you know, directly copied that move twelve years later (again, link to the relevant post). like marc in argentina 2018, valentino barged into a rival in rather controversial fashion, and obviously it also made the relationship between him and said rival deteriorate still further. sure, you can't really argue the move was 'as bad' as argentina 2018, but as far as I'm concerned it has the same general vibe

you know what else has the same general vibe? here's a race description for you:

a 25 year old rider is sent to the back of the grid for a reason they consider unfair

they proceed to deliver a phenomenal performance even by their lofty standards, quickly working their way up to a position that seemed unattainable to them

they barge a rival out of the way in their impatience, reaching back to apologise for the move

the race ends poorly for them and they fail to score any points

afterwards, their relationship with a rival is ruined as a result of the events of the race, and the whole thing remains a lingering controversy for years to come

one race that fits this description is, of course, argentina 2018. the other is qatar 2004. there's obviously plenty of details that are significantly different - valentino's move on barros is less egregious and far less controversial, and his race ends in the gravel rather than with a post-race time penalty. still, that start of valentino's? the impatience? the post-race fury? the repercussions this race had? come on, look at the race footage I included in the qatar post and tell me there's not a little bit of a shadow of that qatar fury to the argentina recklessness

this is a point I snuck into the marc race recs post, where I included this excerpt from a post-argentina 2018 write-up:

phillip island 2003, hm? as it happens, in the qatar post, I did include a bit of the autobiography that compares those two specific races:

so, phillip island 2003: a performance that made everyone wonder just how much valentino had left in reserve to draw on whenever he needed it. what valentino is saying here is that this performance wasn't a result of him holding back in all the other races that year - this was speed that was accessible to him only in that moment because he was so angry. so yes, maybe it's a valid question to wonder what would have happened at phillip island 2003 if it hadn't just been the ghost of his bike that had to pick its way through the stragglers. then again, valentino says it's not just rage that does the trick for him - it's controlled rage... which is all well and good, except when you lose control

and see also:

that's what argentina 2018 is all about, isn't it? it's a performance that's rooted in impatience, in restlessness, in frustration - where marc tuns his "rage into pure speed", as valentino would put it, in a hubristic dismissal of the rest of the field. ideally, the two of them channel those emotions to spur themselves on to special, signature performances... but sometimes, it gets the better of them. it got the better of marc that day in argentina and cost him the tentative peace with valentino. at qatar, it could have cost valentino the title

(also shades of this in jerez 2020 - an error sets the stage for some extraordinary pace before it all goes wrong) (catalunya 2003 is a fun more compact nephew to that race without the unhappy ending)

now, look, am I saying that marc was really referring back to qatar 2004 specifically, a race that had happened fourteen years earlier, when making an off-hand remark in a post-race media scrum as he tried to do some damage control in the wake of one of the most controversial races of his career? well, no. he could have been! but it's unlikely. maybe he's shit at maths and was actually thinking about laguna 2008 after all. still, I would like to once again point out that he felt the need to mention valentino's behaviour at age twenty five not once but twice. he's telling us that he wants people to remember what valentino was like at that age, and in the most literal sense I am doing what he's asking for. surely it's worth at least noting that there just happens to be a race where valentino was at that exact age and his temper overcame his rationality, leading to him making a costly error... surely it's worth acknowledging this...

even if marc wasn't actually obliquely referring back to that race or indeed any of the races I mentioned above, of course the parallels between valentino's foibles and marc's are in any case interesting. it speaks to how they get those special performances out of themselves, the similarities in how they operate in that regard... but of course also in how they both sometimes stray rather close to the limit, how they repeatedly flirt with crossing the line. a stubbornness and a hubris and a rage that can sometimes lead to disaster for the both of them. and another thing - who knows if marc was thinking about qatar 2004, but he must have been thinking about something. that's the point of that jerez post, right... marc is valentino's successor in so many ways, he has fashioned himself in valentino's image - and he keenly grasps and remains aware of all the different aspects of that legacy. he's the most accomplished of valentino's students and he felt strongly that what he did in that race in argentina was in some way comparable to what valentino himself had been doing at his age, part of the same tradition even. yes, to some extent marc is obviously accusing valentino of hypocrisy here: how can you judge me when you were once young and foolish too? his tone isn't exactly filled with remorse either, is it, he's pretty feisty in that media scrum! still, there's something more to it... something almost poetic to the whole thing, wouldn't you say? valentino had just accused marc of ruining the sport - and in response marc wants people to remember that they are just the same

[getting-messi]

Messi really went from this

To this💃🏾🤩🙏🏾

[icewindandboringhorror]

Lineup of all of the characters that appear long enough to need a visual representation of them in the game lol

[derpinette]

i have a weird relationship with weight because i hated eating more than anything the moment i was ready for solids ( i hate chewing with my entire life always have & will ) which made me underweight for most of my life ( to this day ) & during late primary-middle school this made me actively suicidal because i felt like something was wrong with my sex because i just was not developing whatsoever prompting me to have a years long phase of trying to gain weight in any way i could ( #EPICFAIL by the way ) & i was already insecure but i felt seriously so unforgivably ugly after bullying not just at school but by adults of my entourage. but then i did in my late 15s which prompted the pendulum to swing in the other direction & suddenly i FREAKED OUT & thought well being skinny is pretty much all i have & know myself to be & clearly it is not going to last forever so i Better preserve it i was delusional about how skinny i thought i was actually i look stumpy & weird i have to prove myself. But now i am normal again kind of

[lilidawnonthemoon]

6 years ago today Red Velvet released Bad Boy/ The Perfect Red Velvet- the 2nd album repackage ❤️‍🔥

[evilhorse]

It’s New Year’s Eve! We can celebrate.

[gregmarriage]

succ/brba crossover, where jesse and greg meet because greg goes to score drugs for kendall. then, he starts going to score pot for himself, bc jesse is nicer than a lot of other dealers, even if greg thinks he’s weird, and vice versa, but also, he’s a relaxing change of pace from the roys, and feels more akin to his old life, when he wants to go outside of himself and all the stress of his job and current life. he never has any idea what jesse gets up to, and neither does jesse of greg. one day, jesse disappears… and greg has to find a new dealer, and starts to forget about the weird fucking guy he used to smoke pot with sometimes.

[nabesthetics]

hello anon who I’m 95% sure is just that one teen who recently deadass made a Lucio hate blog in 2023

Thanks for invalidating whatever repetitive arguments you tried to make later by making this opening

Anyway, good luck, it seems like Lucio lives rent-free in your head despite you not enjoying him. Must be tough being this angry all the time. I suggest jorunaling.

[bumpscosity]

and just as the clock struck 12:17 the morning of september 1st i finished my gravity falls rewatch bawling my eyes out.

[txttletale]

Saw a tweet that said something around:

"cannot emphasize enough how horrid chatgpt is, y'all. it's depleting our global power & water supply, stopping us from thinking or writing critically, plagiarizing human artists. today's students are worried they won't have jobs because of AI tools. this isn't a world we deserve"

I've seen some of your AI posts and they seem nuanced, but how would you respond do this? Cause it seems fairly-on point and like the crux of most worries. Sorry if this is a troublesome ask, just trying to learn so any input would be appreciated.

i would simply respond that almost none of that is true.

'depleting the global power and water supply'

something i've seen making the roudns on tumblr is that chatgpt queries use 3 watt-hours per query. wow, that sounds like a lot, especially with all the articles emphasizing that this is ten times as much as google search. let's check some other very common power uses:

running a microwave for ten minutes is 133 watt-hours

gaming on your ps5 for an hour is 200 watt-hours

watching an hour of netflix is 800 watt-hours

and those are just domestic consumer electricty uses!

a single streetlight's typical operation 1.2 kilowatt-hours a day (or 1200 watt-hours)

a digital billboard being on for an hour is 4.7 kilowatt-hours (or 4700 watt-hours)

i think i've proved my point, so let's move on to the bigger picture: there are estimates that AI is going to cause datacenters to double or even triple in power consumption in the next year or two! damn that sounds scary. hey, how significant as a percentage of global power consumption are datecenters?

1-1.5%.

ah. well. nevertheless!

what about that water? yeah, datacenters use a lot of water for cooling. 1.7 billion gallons (microsoft's usage figure for 2021) is a lot of water! of course, when you look at those huge and scary numbers, there's some important context missing. it's not like that water is shipped to venus: some of it is evaporated and the rest is generally recycled in cooling towers. also, not all of the water used is potable--some datacenters cool themselves with filtered wastewater.

most importantly, this number is for all data centers. there's no good way to separate the 'AI' out for that, except to make educated guesses based on power consumption and percentage changes. that water figure isn't all attributable to AI, plenty of it is necessary to simply run regular web servers.

but sure, just taking that number in isolation, i think we can all broadly agree that it's bad that, for example, people are being asked to reduce their household water usage while google waltzes in and takes billions of gallons from those same public reservoirs.

but again, let's put this in perspective: in 2017, coca cola used 289 billion liters of water--that's 7 billion gallons! bayer (formerly monsanto) in 2018 used 124 million cubic meters--that's 32 billion gallons!

so, like. yeah, AI uses electricity, and water, to do a bunch of stuff that is basically silly and frivolous, and that is broadly speaking, as someone who likes living on a planet that is less than 30% on fire, bad. but if you look at the overall numbers involved it is a miniscule drop in the ocean! it is a functional irrelevance! it is not in any way 'depleting' anything!

'stopping us from thinking or writing critically'

this is the same old reactionary canard we hear over and over again in different forms. when was this mythic golden age when everyone was thinking and writing critically? surely we have all heard these same complaints about tiktok, about phones, about the internet itself? if we had been around a few hundred years earlier, we could have heard that "The free access which many young people have to romances, novels, and plays has poisoned the mind and corrupted the morals of many a promising youth."

it is a reactionary narrative of societal degeneration with no basis in anything. yes, it is very funny that laywers have lost the bar for trusting chatgpt to cite cases for them. but if you think that chatgpt somehow prevented them from thinking critically about its output, you're accusing the tail of wagging the dog.

nobody who says shit like "oh wow chatgpt can write every novel and movie now. yiou can just ask chatgpt to give you opinions and ideas and then use them its so great" was, like, sitting in the symposium debating the nature of the sublime before chatgpt released. there is no 'decay', there is no 'decline'. you should be suspicious of those narratives wherever you see them, especially if you are inclined to agree!

plagiarizing human artists

nah. i've been over this ad infinitum--nothing 'AI art' does could be considered plagiarism without a definition so preposterously expansive that it would curtail huge swathes of human creative expression.

AI art models do not contain or reproduce any images. the result of them being trained on images is a very very complex statistical model that contains a lot of large-scale statistical data about all those images put together (and no data about any of those individual images).

to draw a very tortured comparison, imagine you had a great idea for how to make the next Great American Painting. you loaded up a big file of every norman rockwell painting, and you made a gigantic excel spreadsheet. in this spreadsheet you noticed how regularly elements recurred: in each cell you would have something like "naturalistic lighting" or "sexually unawakened farmers" and the % of times it appears in his paintings. from this, you then drew links between these cells--what % of paintings containing sexually unawakened farmers also contained naturalistic lighting? what % also contained a white guy?

then, if you told someone else with moderately competent skill at painting to use your excel spreadsheet to generate a Great American Painting, you would likely end up with something that is recognizably similar to a Norman Rockwell painting: but any charge of 'plagiarism' would be absolutely fucking absurd!

this is a gross oversimplification, of course, but it is much closer to how AI art works than the 'collage machine' description most people who are all het up about plagiarism talk about--and if it were a collage machine, it would still not be plagiarising because collages aren't plagiarism.

(for a better and smarter explanation of the process from soneone who actually understands it check out this great twitter thread by @reachartwork)

today's students are worried they won't have jobs because of AI tools

i mean, this is true! AI tools are definitely going to destroy livelihoods. they will increase productivty for skilled writers and artists who learn to use them, which will immiserate those jobs--they will outright replace a lot of artists and writers for whom quality is not actually important to the work they do (this has already essentially happened to the SEO slop website industry and is in the process of happening to stock images).

jobs in, for example, product support are being cut for chatgpt. and that sucks for everyone involved. but this isn't some unique evil of chatgpt or machine learning, this is just the effect that technological innovation has on industries under capitalism!

there are plenty of innovations that wiped out other job sectors overnight. the camera was disastrous for portrait artists. the spinning jenny was famously disastrous for the hand-textile workers from which the luddites drew their ranks. retail work was hit hard by self-checkout machines. this is the shape of every single innovation that can increase productivity, as marx explains in wage labour and capital:

“The greater division of labour enables one labourer to accomplish the work of five, 10, or 20 labourers; it therefore increases competition among the labourers fivefold, tenfold, or twentyfold. The labourers compete not only by selling themselves one cheaper than the other, but also by one doing the work of five, 10, or 20; and they are forced to compete in this manner by the division of labour, which is introduced and steadily improved by capital. Furthermore, to the same degree in which the division of labour increases, is the labour simplified. The special skill of the labourer becomes worthless. He becomes transformed into a simple monotonous force of production, with neither physical nor mental elasticity. His work becomes accessible to all; therefore competitors press upon him from all sides. Moreover, it must be remembered that the more simple, the more easily learned the work is, so much the less is its cost to production, the expense of its acquisition, and so much the lower must the wages sink – for, like the price of any other commodity, they are determined by the cost of production. Therefore, in the same manner in which labour becomes more unsatisfactory, more repulsive, do competition increase and wages decrease”

this is the process by which every technological advancement is used to increase the domination of the owning class over the working class. not due to some inherent flaw or malice of the technology itself, but due to the material realtions of production.

so again the overarching point is that none of this is uniquely symptomatic of AI art or whatever ever most recent technological innovation. it is symptomatic of capitalism. we remember the luddites primarily for failing and not accomplishing anything of meaning.

if you think it's bad that this new technology is being used with no consideration for the planet, for social good, for the flourishing of human beings, then i agree with you! but then your problem shouldn't be with the technology--it should be with the economic system under which its use is controlled and dictated by the bourgeoisie.

[sapper-in-the-wire]

Liberals wincing at the brutality of Hamas’ attack is even more smoothbrain when you consider that the Gaza Strip is objectively the worst concentration camp in the world.

It’s the 2nd most densely populated area in the entire world, 95% of water isn’t safe, they are only given 4 hours of electricity (imagine this with the population density and Mediterranean heat), medicine and basic foodstuffs like juice are embargoed. The average age in Gaza is 19 - the old and weak die quickly as their health care system cannot get supplies and doesn’t have stable electricity. More than half of youths under 18 expressed that they have no real desire to live and contemplate suicide regularly. 45% unemployment. Children get blown up playing soccer on the beach by advanced warships. It’s probably the most surveilled and spied upon place in the world. It’s a tiny strip of land 25 miles wide that is regularly subjected to bombing.

In 2018 mass peaceful demonstrations were organized, thousands and thousands of Palestinians marched along the border wall. Israel shot 2,000 of them with live ammunition, but only killed around 200 because they deliberately aim at legs to place even more strain on the depleted medical infrastructure and make an invalid that can’t contribute as well. 36,000 Palestinians were injured peacefully protesting.

Every year the IDF invades Al-Asqa mosque, gasses the worshippers and cracks heads open, and then they leave because there’s no point aside from violent harassment. And then there’s the constant news from other occupied areas of Palestinians being evicted, homes being bulldozed, the survivors fined and harassed. Palestinian olive trees, generational in their age, bulldozed by the occupiers.

Shooting civilians wantonly might be morally dubious in a situation like Hawaii, some place where an occupation makes you disadvantaged and a second class citizen. But Gaza is just flat out a death camp. Of course the commandos went berserk with rage, of course they brought bodies back to parade in the streets - everyone has been dehumanized for their entire lives. Treat people like animals and they might just act like animals once they get their hands on you.

[opencommunion]

recommended resources on Lebanese resistance and its context

this has been in my drafts for a long time bc I wanted to find more audio resources but in light of recent events I'm posting as is, and will add more later. pdfs for texts without links can be found on libgen ⭐ = start with these 📺 = video resource 🎧 = audio resource Hizballah ⭐ Lara Deeb, "Hizballah and Its Civilian Constituencies," in The War on Lebanon: A Reader, eds. Nubar Hovsepian and Rashid Khalidi (2007)

⭐🎧 Electronic Intifada Podcast with Rania Khalek, "Why Hizballah would deal Israel a deadly blow" (2024)

⭐🎧 Electronic Intifada Podcast with Amal Saad, "How Hizballah Aims to Deter Israel" (2024)

📺 Rania Khalek, Interview with Hezbollah's Second-in-Command Sheikh Naim Qassem (2023)

🎧 Rania Khalek and Julia Kassem, "The Hybrid War on Lebanon is All About Weakening Hezbollah" (2022)

Hassan Nasrallah, "Voice of Hezbollah: The Statements of Sayyed Hassan Nasrallah," ed. Nicholas Noe (2007)

Judith Harik, "Hizballah's Public and Social Services and Iran," in Distant Relations: Iran and Lebanon in the last 500 years (2006) Sarah Marusek, Faith and Resistance: The Politics of Love and War in Lebanon (2018)

Abed T. Kanaaneh, Understanding Hezbollah: The Hegemony of Resistance (2021)

Karim Makdisi, "The Oct. 8 War: Lebanon's Southern Front" (2024) Political theory ⭐ Ussama Makdisi, "Understanding Sectarianism," in The War on Lebanon: A Reader, eds. Nubar Hovsepian and Rashid Khalidi (2007)

⭐ Rula Juri Abisaab and Malek Abisaab, The Shi'ites of Lebanon: Modernism, Communism, and Hizbullah's Islamists (2014)

Ilham Khuri-Makdisi, The Eastern Mediterranean and the Making of Global Radicalism, 1860-1914 (2010) Tareq Y. Ismael and Jacqueline S. Ismael, The Communist Movement in Syria and Lebanon (1998) 2006 war ⭐ Gilbert Achcar and Michel Warschawski, The 33-Day War: Israel's War on Hezbollah in Lebanon and Its Consequences (2007)

The Electronic Intifada with Dahr Jamail, "The world just sat by" (2006)

The Electronic Intifada with Bilal El-Amine, "Lebanon in Context" (2006) The War on Lebanon: A Reader, eds. Nubar Hovsepian and Rashid Khalidi (2007)

Civil war and 1982 invasion ⭐📺 Up to the South, dir. Jayce Salloum and Walid Ra'ad (1993)

⭐📺 Wild Flowers: Women of South Lebanon, dir. Mai Masri and Jean Khalil Chamoun (1987)

⭐ Souha Bechara, Resistance: My Life for Lebanon (2003)

Jean Said Makdisi, Beirut Fragments: A War Memoir (1990)

Bayan Nuwayhed al-Hout, Sabra and Shatila, September 1982 (2004) Ottoman era Charles Al-Hayek, "How, then, did you try to rebel?"

Lebanon Unsettled, "Lebanon's Popular Uprisings"

Axel Havemann, "The Impact of Peasant Resistance on Nineteenth Century Mount Lebanon," in Peasants and Politics in the Modern Middle East (1991) Ussama Makdisi, The Culture of Sectarianism: Community, History, and Violence in Nineteenth-Century Ottoman Lebanon (2000)

Peter Hill, "How Global was the Age of Revolutions? The Case of Mount Lebanon, 1821" (2020) Mark Farha, "From Anti-imperial Dissent to National Consent: the First World War and the Formation of a Trans-sectarian National Consciousness in Lebanon" (2015) French mandate era ⭐ Kais Firro, Inventing Lebanon: Nationalism and the State Under the Mandate (2002) Sana Tannoury-Karam, "Founding the Lebanese Left: From Colonial Rule to Independence" (2021) Idir Ouahes, Syria and Lebanon Under the French Mandate: Cultural Imperialism and the Workings of Empire (2018)

Malek Abisaab, Militant Women of a Fragile Nation (2009) Misc ⭐📺 Leila and the Wolves, dir. Heiny Srour and Sabah Jabbour (1984)

⭐ Fawwaz Traboulsi, A History of Modern Lebanon (2007)

Karim Makdisi, "Lebanon's October 2019 Uprising" (2021)

[savage-kult-of-gorthaur]

ON THIS DAY, MARCH 15th -- PLAYING LIVE AT ARENA, VIENNA!

PIC INFO: On this day in FU MANCHU gig/show/concert history -- Spotlight on a Marvel Comics/Tiki-themed gig poster for the Fu, live at Vienna, Austria, on March 15, 2018. Poster art by Michael Hackner.

Source: www.michaelhacker.at/fu-manchu-arena-vienna-2018.

[evilhorse]

Amazing Adventures #19

[ratgrinders]

Never Stop Blowing Up Favorite Movies

Wendell Morris

Weird Science - 1985 science fantasy/teen comedy. "Nerdy social outcast students Gary Wallace and Wyatt Donnelly are humiliated by senior jocks Ian and Max for swooning over their cheerleader girlfriends. Humiliated and disappointed at their direction in life and wanting more, Gary is inspired by the 1931 classic Frankenstein to create a virtual woman using Wyatt's computer, infusing her with everything they can conceive to make the perfect dream woman."

The Fast and the Furious - "A media franchise centered on a series of action films that are largely concerned with street racing, heists, spies, and family."

Real Genius - 1985 science fiction/comedy. "Chris Knight, a genius in his senior year, is paired with a new student on campus, Mitch Taylor, to work on a chemical laser, only to learn it will be used for dangerous purposes."

Liv Skyler

Empire Records - 1995 coming-of-age comedy/drama. "The film follows a group of record store employees over the course of one exceptional day. The employees try to stop the store from being sold to a large chain, and learn about each other along the way."

Scarface - 1983 crime drama, and a remake of the 1932 film of the same name. "It tells the story of Cuban refugee Tony Montana, who arrives penniless in Miami during the Mariel boatlift and becomes a powerful drug lord." Additionally, "Less than two months before the film's release, Scarface was given an X rating by the MPAA for "excessive and cumulative violence and for language".

Clueless - 1995 coming-of-age teen comedy. "Considered to be one of the best teen films of all time...The plot centers on a beautiful, popular, and rich high school student who befriends a new student and decides to give her a makeover while playing matchmaker for her teachers and examining her own existence".

Usha Rao

The Horse in Motion - Published in 1878, a sequential series of 6 cabinet cards depicting the movement of a horse. Regarded as "the world's first bit of cinema", and the first film ever created.

Dr. Jekyll and Mr. Hyde - 1931 horror film. "An adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, the 1886 Robert Louis Stevenson tale of a man who takes a potion which turns him from a mild-mannered man of science into a homicidal maniac."

102 Not Out - 2018 Indian Hindi-language comedy drama. "Dattatraya Vakharia is a lively 102-year-old who lives his life to the maximum and takes everything in a jovial way for his heart is that of a 26-year-old youngster regardless of his age. His 75-year-old son, Babulal Vakharia, is his exact opposite for he believes that he is now too old and fragile to enjoy life and lives a routine life."

Russell Feeld

American Gigolo - 1980 neo-noir crime drama. "A high-priced male escort who becomes romantically involved with a prominent politician's wife, while simultaneously becoming the prime suspect in a murder case."

La Femme Nikita - 1990 French-language action thriller. "[Nikita] is a criminal who is convicted and sentenced to life imprisonment for murdering policemen during an armed pharmacy robbery. Her government handlers fake her death and recruit her as a professional assassin. After intense training, she starts a career as a killer, where she struggles to balance her work with her personal life."

Waking Life - 2001 animated film. "The film explores a wide range of philosophical issues, including the nature of reality, dreams and lucid dreams, consciousness, the meaning of life, free will, and existentialism. It is centered on a young man who wanders through a succession of dreamlike realities wherein he encounters a series of people who engage in insightful philosophical discussions."

Andy 'Dang' Litefoot

Suburbia - 1983 coming-of-age drama thriller. Follows "a group of suburban youths who run away from home and adopt a punk lifestyle by squatting in abandoned suburban tract homes."

Goldfinger - 1964 spy film and the third installment in the James Bond series. "The film's plot has Bond investigating gold smuggling by gold magnate Auric Goldfinger and eventually uncovering Goldfinger's plans to contaminate the United States Bullion Depository at Fort Knox."

Fire in the Sky - 1993 biographical science fiction mystery. "It is based on Travis Walton's book The Walton Experience, which describes an extraterrestrial abduction"

Paula Donvalson

Muriel's Wedding - 1994 Australian comedy-drama. "The film focuses on the socially awkward Muriel whose ambition is to have a glamorous wedding and improve her personal life by moving from her dead-end hometown, the fictional Porpoise Spit, to Sydney."

The Long Kiss Goodnight - 1996 action thriller. "The story follows an amnesiac schoolteacher who sets out to recover her identity with the help of a private detective when they discover a dark conspiracy."

Under the Tuscan Sun - 2003 romantic comedy-drama. "Based on Frances Mayes' 1996 memoir of the same name, the film is about a recently divorced writer who buys a villa in Tuscany on a whim, hoping it will lead to a change in her life."

[madeline-kahn]

@PSCENTRAL EVENT 27: SCENERY

A Filmic Tour of Hatfield House: the Marble Hall

The Favourite (2018) dir. Yorgos Lanthimos Shakespeare in Love (1998) dir. John Madden Enola Holmes (2020) dir. Henry Bradbeer Bridgerton (2020 - ) The Flash (2023) dir. Andy Muschietti Get Him to the Greek (2010) dir. Nicholas Stoller All The Money in the World (2017) dir. Ridley Scott Batman (1989) dir. Tim Burton Spider-Man: Far From Home (2019) dir. Jon Watts Orlando (1992) dir. Sally Potter Elizabeth: The Golden Age (2007) dir. Shekhar Kapur Pride and Prejudice and Zombies (2016) dir. Burr Steers Rebecca (2020) dir. Ben Wheatley