#21 films

[mienar]

close-ups of a commission i did a while back! 🌱

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[zanephillips]

MILES TELLER and SKYLAR ASTIN 21 & Over (2013)

[jimimn]

jimin knows what he’s doing and hobi is excited about it (cr. @jung-koook)

[tabbi-mysteries]

Episodes 1-900 of Mouri Ran's Wardrobe!

+Films 1-21 & OVAs 1-11 & Lupin TV Special & Magic Files & Lupin Movie & multiple TV Specials & Magic Kaito 1412 appearances

(Better quality images under the cut)

Next update is here! At 900 episodes into the series I have cataloged 860 outfits!

Let me know your favourites / least favourites in the tags / comments

[crystal-mouse]

@gayfour

[spacejams]

in the source link, you’ll find #117 gifs of devyn nekoda, an actress born in 2000, from sneakerella (2022). devyn is japanese & white so please cast her accordingly. all of these gifs are 268x150p and were made by me, from scratch. you can edit these into gif icons if you provide credit, via link, to the original post. please like or reblog the post if you’ve found it helpful! cw: n/a note: please read my rules before you use.

[silverwoodwork]

Imagine an Android 21 Barbie, though…

Honestly can’t believe I didn’t think of this sooner

[angelsanarchy]

Alkaline: Euronymous x Y/N Series CH 21

Tagging: @ophelialaufey@madamemaximoff06@forever-not-gonna-sink@ajmiila02@liquidsmoothdomme@shady-the-simp @auggiethecreator @tempt-ress @blacksoul-27

Oystein had stopped putting in orders for a few weeks. He figured after what Y/n went through seeing the photo of Pelle, it would be best to give her a bit of a break. If he got a craving, he didn't mind just stepping in and grabbing it. The few times he went in though, he hadn't seen Y/n in the back or even sitting in the office. When he resumes putting in his orders, some guy ends up dropping his order off.

"Did Y/n finally decide to stop bringing you lunch?" Faust asked confused.

"Honestly, I have no idea. I haven't seen her in a few weeks. He tried again the next day and it was still another person and not Y/n. Eventually he walked into the shop and saw Hammeed standing at the register.

"Your regular Mr. Oystein?" He asked and he gave a nod.

"Hey did Y/n quit?" Oystein could see a saddened look on Hammeed's face.

"Oh no, she asked for some time off. She works very hard. She wasn't doing well. I do apologize she hasn't been able to deliver your orders. Has there been a problem with the deliveries?" He asked

"No no they've been great. Don't worry about it. I was just curious." Oystein took his food back to the store and locked himself in his office. He debating on doing another drive by but after her neighbor had spotted him last time, he didn't want to make it worse.

Instead, he called the grocery store she also worked at.

"Hi I was looking to place an order but wanted to know if Y/n was available to deliver it? She delivers for my parents usually." Oystein asked sitting back in his chair.

"Oh Y/n is on bereavement leave for another week. We can try and find someone else to make a delivery but you might have to just pick up your order." The woman on the line explained.

Oystein hung up the phone and chewed on his lip. Bereavement leave might someone had died. The only person he knew was sick was her mom but she was mentally sick, not on the verge of death sick. He sat for hours trying to decide what to do. He finally searched for a phone book and was able to find the number that matched the address he had written on a small ripped piece of paper he kept in his wallet. He dialed the number and waited nervously for someone to answer.

"Hello?" It was a woman but not Y/n.

"Um...hi I was calling for Y/n...to offer my condolences." Oystein sat up hoping this wouldn't backfire on him.

"Oh I'm sorry sweetheart but she's sitting in Shiva right now. Would you like me to take a message?" The woman asked quietly.

"I um...I'm a friend and I was just worried about her. I heard she was on bereavement leave and I got worried...how is she doing?" Oystein asked cautiously.

"Honestly she's not doing well. She really thought her little brother was getting better. She had spent a lot of time with him working through his issues but his soul was just too broken to bare another day here. It didn't help that she found his body." Oystein closed his eyes tightly hearing what the woman was saying. Y/n's little brother must have killed himself. He wasn't expecting that at all. He remembers her mentioning her brother had issues like Pelle but he never considered that he was so closely related.

"Shiva is over in another few days and she said she would be going back to work soon. Do you work with her?" The woman asked and Oystein swallowed the lump in his throat.

"No I'm just a friend. Can you tell her that Oystein is here if she needs anything, anything at all." He said tearing the photo of Pelle off the wall.

"I will let her know Oystein. Thank you for calling and the condolences." The woman hung up the phone and Oystein took his glasses off, pinching the bridge of his nose. This is not what he was expecting. Everything felt so upside down. He should have known why Y/n was so hurt by his actions when it came to Pelle's death. He came off as a heartless and callous and she was desperately trying to keep her brother here. He felt like the biggest piece of shit on the planet.

He picked up the phone and dialed his home number. He waited to hear his mother's voice.

"Mom, I need your help. Y/n's brother died and I need to know what to send for condolences." Oystein stayed on the phone with his mother for over an hour in search of food delivery, flower delivery and any sort of funeral plans that his family could send an arrangement to. He asked his mom about what Shiva was and she explained that is a period of mourning after the funeral for the family to heal. She explained it was a very personal time for the family's healing journey and that it would be best for him to stay clear of her for now.

He also talked to her about Pelle and how things have happened between the two of them and while she wasn't thrilled to hear how he exploited the death of his friend, she explained to him that she knows how painful it was for him to lose Pelle. Oystein cried on the phone with his mother for the first time since he was a child.

He knew he had to get his shit together for his own sake. He needed to get back to the roots of what brought him to where he was today and stop letting stupid shit overshadow it all.

[ivyf0x]

in my search for every available piece of media rebecca ferguson has ever been in, i found another short film from early on in her career! its called "flyga, inte dala" (2009) and from what i could gather (since i dont speak swedish and there are never subtitles on these things) it was a 16-minute monologue from a woman who's trapped herself in a small room with a bed and a ton of little possessions that shes attached herself to and can't leave. i really liked the way it was shot (3 panels in the center of a black screen), i could feel her mental state and emotion clearly even without understanding a single word she said

ALSO i found two different versions - the one i watched and took screenshots of was on vimeo, but there was another one on youtube that had much more vivid colors and a different setup for the panels

anyway here are a few of my favorite shots

[steve-needs-a-hug]

Christopher Nolan presents...

[zanephillips]

Miles Teller and Skylar Astin 21 & Over (2013)

[jimimn]

everything he does is very cute 😔 (cr. namuspromised)

[difeisheng]

sometimes xiaoge looks so terrifyingly young and i am, for lack of a better term, in emotional shambles about it

[discountrosaluxemburg]

Barbie (2023) appreciators >>

[miawallace]

Oppenheimer (2023)

[filmnoirfoundation]

NOIR CITY 21

Celebrating its 21st year, NOIR CITY, the largest annual film noir festival in the world, returns to Oakland's Grand Lake Theatre, January 19-28, 2024. FNF president Eddie Muller will present a dozen double bills pairing an English language noir with a similarly themed foreign language film—24 films over 10 days. Whatever the country of origin, there are heists, prison breaks, missing persons, cultural alienation, love triangles, and lots of plain old-fashioned murder.

Muller says this edition "has been tailored to satisfy those folks who love noir filled with the colorful vernacular slang so essential to American and British noir—as well as adventurous viewers intrigued by seeing a familiar story—typically a crime committed for passion or profit—play out in cultures with different values, mores, and styles." Through his programming of NOIR CITY festivals around the nation and his hosting of the popular Noir Alley franchise on Turner Classic Movies, Muller aims to move audiences past the idea that film noir is a strictly American genre.

Joining him this year, as co-programmer and co-host, is acclaimed film scholar Imogen Sara Smith, a familiar commentator on The Criterion Channel streaming service. "Attending NOIR CITY in the Bay Area has been a highlight of my year for over a decade," says Smith, "and I'm thrilled to be joining Eddie as co-host this year. I'm especially excited that the program we've put together will introduce audiences to some rare international titles, alongside Hollywood classics. It's going to be a stellar festival."

Kicking off the collection of rarities is the FNF's most recent restoration — 1952's Argentine film Never Open That Door (No abras nunca esa puerta) — based on two short stories by American master of suspense fiction, Cornell Woolrich. The picture was preserved by the Film Noir Foundation in 2013 and has now been completely restored by the FNF through UCLA Film & Television Archive, thanks in part to a grant from the Golden Globe Foundation (formerly HFPA). Fernando Martín Peña, Argentina's pre-eminent cinephile, will be on hand to introduce the film with Eddie Muller.

Included on the 2024 schedule are English-language rarities such as Black Tuesday (1954), Plunder Road (1957), Across the Bridge (1957), and Strongroom (1962). Little-seen international titles include The Human Beast (France, 1938), Aimless Bullet (South Korea, 1960), Bitter Rice (Italy, 1949), Four Against the World (Mexico, 1950), Zero Focus (Japan, 1961), and Smog (1962), a forgotten surrealist masterpiece by Italian director Franco Rossi freshly restored by UCLA Film & Television Archive. Explore the full line up, buy tickets for individual double features and Passports (All-Access Passes) at the festival website.

GO TO NOIR CITY