#3 failed attempts at posting and some rewriting later here it is

[deonideatta]

@ohcoolnice @whyyoudo I couldn't get the concept of han seok and junwoo being two different people out of my head so on this vincenzo-less sunday I give you a loose rewrite of canon where jun woo is the third jang brother and han seok's twin!

They were born jang han seok and jang han sol, and han seok is the older twin. They were separated when they were very young, because of han seok and an incident which ended up with han sol in the hospital. It was supposed to be temporary, but one of the house staff took pity on the poor child and smuggled him away. His name was changed to jun woo and they didn't find him again until both him and han seok were adults

They grew up very differently, han seok under the jang family, tormenting han seo and becoming the unhinged, solitary figure we all know and hate, and jun woo in an adopted family somewhere across the country into the dorky, sweet intern we knew for a bit and loved

Both of them somehow ended up spending time in america, though neither knew and they never met. Han seok because his father sent him there and jun woo because he got a scholarship to go to university there

Very few people now know about han seok himself, much less his twin brother. Before han seok's chairman takeover, most people think han seo is the only jang child

Jun woo knows he has a twin brother, but he doesnt know who he is. He can't remember his name or his face, or those of his real family. When he receives an offer for a job at wusang, he takes it as a learning opportunity and accepts

The only one who has all the cards is han seok, and so when he hears that jun woo has become an intern at wusang he decides its time to play them

So he spends people to observe and record jun woo, and after things start heating up and chayenzo declares war on babel, he kidnaps and threatens him, and tells him that he has to let him cosplay as him so that he can scope out the increasing threat

This is not how jun woo had ever thought meeting his long lost twin brother would go. He tries to put up a fight, but han seok hits him in the stomach with the hockey stick he's wielding like some kind of ancient weapon so hard that he spits out blood, and that takes the fight out of him

Han seok crouches down in front of jun woo and stares him in the eye, and it's like looking into a mirror except his reflection is staring at him with chillingly blank eyes.

It's the same for han seok, except his reflection looks back with open terror. The feeling it gives him is unpleasant and han seok doesn't like seeing weakness like that on a face that could pass for his own. But if he wants to get what he wants, he can't harm his twin too much just yet

Visually they're identical, so han seok passes perfectly for jun woo. He doesn't get all his mannerisms right at first, but with practice basically no one can tell the difference unless they look hard enough to notice that han seok's eyes are always empty even when he's copying jun woo's biggest grin.

A part of han seok feels a flash of jealousy at the fact that his twin has had a pleasant and fulfilling life while he's had to live neglected in the shadows for so long, so he takes extra satisfaction in the way jun woo's face falls when he appears in front of him for the first time dressed in his work attire, indistinguishable from jun woo on the average week day, backpack and all.

To spite him even further, han seok mimics his cheery, enthusiastic way of speaking, smiling so widely that it's mocking, and embraces the glee that jun woo's downtrodden expression gives him

He does hate having to curl his hair to copy jun woo's usual hairstyle though

At this point han seo finds out he has a second older brother, because han seok wants him to be able to continue to act normal and not freak out if he sees him cosplaying as jun woo

This brother is identical to his other one but actually really nice to him and it's both incredible and completely terrifying. It takes han seo a while to warm up to jun woo because he looks so much like han seok, as well as for fear of han seok's reaction, but he gets there

Whenever they meet (usually bc of han seok) the two bond over their shared fear and hatred of han seok. There's twice the himbo power. Incredible

Jun woo had had no idea that he had a younger (half) brother, and his heart goes out to him for having to live under han seok's abuse for so long

So he makes an effort to get to know han seo when han seok isn't around to yell at them. Han seo appreciates this a lot, because jun woo is like han seok on his incredibly rare good days except much better and all the time

Being a veteran at Handling Han SeokTM, he gives jun woo tips on how to get on han seok's good side and avoid getting things thrown at you

Jun woo tells han seo that one day when they get free of han seok they should take a trip to disneyland. Han seo, who has never been to an amusement park before, makes him promise it

Han seok's babel boss reveal presentation goes more or less the same way, except it's also a twin reveal and choi myung hee and mr han have to deal with the fact that not only is their intern the babel chairman's twin brother, but they have also been switching places regularly

Meanwhile cha young, who is out there living her best anti big pharma life, thinks jun woo is acting weird. Some days he's super bubbly, almost too bubbly, and on other days he's more subdued, seemingly a bit on edge.

Biggest red flag comes when she, him and vincenzo eat spicy food together

The spicy food tolerance gene missed han seok altogether and endowed han seo and jun woo with its power

So though he doesn't protest when cha young orders the extremely spicy dish jun woo usually gets for him, han seok struggles to finish the food almost as much as vincenzo does

Cha young thinks that's really sus, but she keeps her questions to herself because there's really no explanation for it unless jun woo was replaced by a government clone or aliens. Or his secret identical twin. Hah, imagine

She files the thought away for later and they continue to dig into the man behind han seo and babel. They find out about han seok, but there's no remaining information about jun woo in the files because the jang family thought losing him was supremely embarrassing so they tried to make sure no one knew

Meanwhile han seok is super happy he's gained another protective shield. If babel gets into trouble he can force han seo to go to jail for him, and if he ever gets personally exposed he can make jun woo take the fall for him. Genius

For that purpose he makes sure no one except the babel quartet know about him and jun woo being twins

He finds that it's interesting living as jun woo though, people interact with him in a way they never do when he's han seok. Jun woo's neighbours say hello to him when he goes by, and the lady in the local convenience store makes small talk with him and asks how his new job is going. And cha young is an incredibly unusual person, han seok finds that he has some level of attraction to her, and enjoys her company

While han seo is a puppet, jun woo is a mask, a protective measure and a means to explore the world, and han seok mentally pats himself on the back for having such useful brothers

But he has to stop spending time pretending to be jun woo for now bc he knows his identity is at risk of being discovered by jipuragi squad as they hunt down the person who exposed vincenzo as a mafia member

So when vincenzo does find out that han seok is allegedly jun woo, and tells cha young, it actually isn't han seok she's sitting with when she receives the news

Naturally she doesn't know this, and she feels supremely betrayed

And when vincenzo breaks into 'han seok's' house, it's actually jun woo's house. Jun woo, who was not expecting the mafia to break into his house, is understandably scared. The kneeling gun scene goes down, except there is no bravado on jun woo's part and he's genuinely terrified

Vincenzo is arrested as planned, and jun woo meets cha young in the police station as she goes to help vincenzo

She's furious, and jun woo honestly denies that it was him who killed her father and the babel victims, unable to expose that it was han seok because he's scared of the consequences and because it sounds like such a ridiculous excuse

Poor guy gets the double slap intended for his twin brother

When han seok hears about it he laughs a lot. Jun woo is understandably angry about his reaction, but he is forced to seethe in silence

Nevertheless han seok decides to go into hiding (and forces jun woo to do the same somewhere else, hiring guards to make sure he doesn't leave) because even if chayenzo think jun woo is the babel chairman, they still have the same face

Unfortunately for han seok this means that vincenzo's spy squad see him going into his own safe house, and he gets to be the victim of the drugged water

After a few more near death scares courtesy of the local mafia man, choi myung hee suggests he reveal himself as chairman so he doesn't die at the hands of vincenzo unknown and like a loser. And so he does

At the expense of jun woo, whose identity has more or less been stolen now, and who is now indefinitely confined to the family property han seok had him hide in

The war begins all out, and jipuragi squad works hard at removing han seok's support circle, starting with daechang daily, then the anti-union activities

Han seo watches all this unfold and starts to wonder how he can get his better older brother free while taking down the other one

The answer comes to him when he sees chayenzo cover han seok with pigs blood. They're the only people who seemed to consistently be able to one up han seok, and he has only heard good things about cha young from jun woo, not to mention the fact that surely even han seok can't defeat a mafia member in the long run

So he asks mr han to help him meet vincenzo, and he tells him he has twin older brothers and asks for his help in betraying the bad one and saving the good one

Vincenzo thinks he's messing with him, and turns down han seo's request to be on the same side

But then jipuragi squad opens the guillotine file, and there below han seok's escapades in homicide and the details on han seo's suffering, is the shocking secret of the jang family, the existence of a 3rd jang brother, han seok's twin brother jang han sol

Cha young remembers how jun woo hadn't been able to eat spicy food that one time and suddenly everything makes sense

For his part vincenzo remembers what han seo had said and mentally kicks himself for thinking it was a lie

They puzzle over what this could mean and where han seok's twin brother could be now. Is the man who revealed himself as the babel chairman the real han seok? Are both of them evil? Is one being used by the other?

Cha young silently wonders which times jun woo had just been jun woo, and which times she had been eating lunch or joking with han seok the babel chairman and serial murderer

They decide they have to find the other jang twin in order to answer their questions

Problem is that he's been absent from work for the past 2 weeks, and when vincenzo breaks into his house, it looks like it hasn't been lived in for quite a while

The trail seems to lead nowhere, and they turn their attention back to tearing down babel, with the new knowledge sitting uncomfortably in the backs of their minds

And then han seo shows up at the jipuragi office in all his coffee wielding glory to plead his cooler older brother's case again

This time, to han seo's surprise, they listen to him patiently when he tells them about his older brothers. He makes sure to stress that the only one he wants to betray is han seok, and that jun woo has done nothing wrong

If the fact that they've read the part of the guillotine file that talked about what han seo had had to suffer under han seok makes it easier for them to believe him, he doesn't have to know that

The only way they can strike at han seok and simultaneously clear jun woo of suspicion is to reveal that they're twins

To do that they have to find jun woo. Han seo doesn't know where exactly he is, but he tells them that han seok would probably try and use jun woo as a shield should he ever be sent to jail

The guillotine file gives them what they need to force the prosecution to put han seok behind bars under fabricated charges. It wouldn't last long once actual investigation starts, but hopefully it will be enough

Han seok takes the bait, unknowingly, and shuttles jun woo off in his place. There's not much that irritates him as much as the thought of going to jail, and this is the perfect chance to test jun woo's loyalty. It also gives him a blind spot to operate, while his enemies think he's in jail. You can't dodge a hidden dagger and all that.

When the jipuragi squad watches the arrest of the babel chairman on the news, there's a nervous hunch to 'han seok's' shoulders, and the impassive smile he seems to be going for isn't quite right

Vincenzo and cha young go to visit him in jail

When they first see him, cha young immediately feels bad, despite herself. He looks like he hasn't slept well in ages, and his expression is far from his usual cheer, sober and sullen. This had better really be jun woo, she does not want to ever feel pity for jang han seok

It is jun woo, and he really hasn't slept well in ages, as reuniting with han seok and his violent tendencies has reawakened the memories from his childhood in the jang household that he had supressed, causing all kinds of nightmares

He doesn't look up as they enter and sit opposite him. Cha Young takes charge, and vincenzo lingers behind her, a solid and present support

When she speaks his head snaps up at the sound of her voice, before he seems to want to correct himself and looks away

When he looks at her again there are no traces of jun woo in his face, his expression haughty and unbothered

It's chillingly like the han seok they had sat across following the pig's blood incident, and cha young has to work hard to push down the flare of anger the expression causes

She decides not to beat around the bush. She presses the printed page of the jang han sol section of the guillotine file up against the glass, and watches as jun woo's eyes widen, the facade falling as quickly as he had donned it

Jun woo takes in the picture of the two identical little boys and has to squeeze his eyes shut at the wave of fear that hits him

In its wake is a small flare of hope. If they know he isn't han seok, maybe they can help him

Cha young watches as jun woo seems to deflate at the sight of the document, and now she's sure it isn't han seok, because she's never seen him allow himself to show any form of weakness

When jun woo looks up again, there is determination mixed in with the weariness in his eyes

A while later, cha young exhales shakily as they walk out, vincenzo's hand steady and comforting on her back. She's surprised at how relieved she is to know that the jun woo she had known had not been an elaborate set up, a con which had seen her at some of her lowest moments. Her heart goes out to jun woo, but there's an undeniable joy at the confirmation that her friend still exists, because it means he can be saved

The plan is simply to collect evidence of the fact that jun woo is not han seok. Best case scenario a video of them together, though a good photo will do as well. It would also work if they can somehow get footage of han seok out and about while jun woo is in jail

The first obvious course of action is to look for cctv footage. They hunt high and low through the cameras at babel, at wusang, and around han seok and jun woo's houses, but the searches are largely fruitless

With han seo's help, they locate the safehouses han seok likes to hide out in, and vincenzo sends men to snoop around each property. This ultimately pays off when, at the 3rd property, han seok is spotted standing by a window.

The second stage begins with Mr ahn's help, and they get a swat team to raid the house han seok is hiding out in.

Fully believing that everyone thinks you're in jail makes you sloppy, and han seok doesn't see it coming until the black vehicles are speeding down his driveway

He doesn't stop to take anything much, he grabs a hockey stick and he runs, wild and angry, out into the dark of the woods surrounding the house

Vincenzo watches him charge into the forest on the cctv footage retrieved from the house and smirks

The footage hits the news the next day. The headline is in large, bold letters, "Chairman Jang Han Seok spotted at holiday residence, despite prison sentence." The picture below the tagline serves as the final blow, side by side images of Han Seok sprinting away from the house, and an identical man sitting demurely in a jail cell.

As the story breaks, people begin to step forward, old employees of the jang household who had known and seen both han seok and han sol. There's nothing like good gossip to get people talking, and the shocking secret of the jang twins makes the rounds in record time

Jun woo's identity is rechecked, and he is set free

Cha young, vincenzo and han seo go to meet him when he gets out. Han seo tackles him in a hug, and cha young smacks him heartily on the back. Vincenzo doesn't react much but he does shoot jun woo a smile.

Han seok hasn't been seen in days, and jun woo is unbelievably happy to be himself again

It isn't over yet though, babel still needs to pay and han seok still needs to be found. Search parties comb through the woods around the house regularly, but there's still no sign of him. In the meantime, jipuragi prepares their final attack.

Han seo lets jun woo stay with him, and the house is fortified by multiple levels of guards

It's still mildly unsettling for han seo to have someone with han seok's face in his house, in his own safe space, but jun woo makes for a far better housemate than han seok ever was, and gradually he relaxes

For a few days, despite the tension of not knowing where your psychopath brother who probably really wants to kill you could be lurking, when there is a spare moment in the evening, han seo and jun woo catch up on years of lost brotherhood

Han seo tells him about his mother, and jun woo talks about his adopted family. Neither of them mention han seok, they skirt around his name like he doesn’t exist, like speaking their trauma aloud to someone who had been there too would make it too real to bear. Jun woo knows he had gotten the better end of the deal, he had been separated from han seok pretty early. Han seo had lost too many years of his life to their psychopath brother, and jun woo isn't sure he knows how to confront that, or how to comfort him. He hopes he can learn

Han seo wants to ask what exactly had happened to lead to jun woo being removed from the jang household and separated from han seok, but he doesnt dare. Maybe later, maybe when they aren't still worried about what han seok could do to them

Then the jipuragi squad files their lawsuit against babel. Han seok still hasn't been heard from, and they begin to wonder if he got lost in the woods. Maybe he fell of a cliff, or into a river

Either way, the trial goes spectacularly badly for babel, aided by the fact that vincenzo had threatened the unjust judge before the trial. The verdict is guilty, and it serves as a means to kick-start further investigation into previously dismissed babel trials

The day after the trial, han seok reappears

He was lost in the woods for a while, but he found his way out and laid low for a while plotting a way to get back at vincenzo and cha young for destroying his backup plans and destroying his family and company's reputation. He will also have to deal with his traitorous brothers.

It's a big blow, but it's not one he cannot recover from. All he has to do is get his revenge, terrify his brothers back into submission, and go back to his plans for his babel.

So he requests the kidnapping of cha young, and he gets his men to attack the guards at han seo's house and take her there, cornering his brothers. He strolls in when he gets word that everything is done, cocky and confident, twirling a gun between his fingers

He takes in the open fear on han seo's face, the frightened anger on jun woo's face, and the sneer on cha young's face, and he laughs. They are consistent to the very end, and he wouldn't have it any other way.

All that’s left is vincenzo, and a short while after a brief and taunt filled phone call he arrives, eyes wide and angry. Han seok does not waste time in pointing his gun at the mafia man. He stops where he is, still glaring at han seok, eyes darting regularly to cha young

Because he is never one to turn down some fun, in a bid to further anger vincenzo, han seok crouches down and points the gun to cha young's head. He watches at vincenzo's face twists with anger and worry, and he revels in it. Out of the corner of his eye he sees jun woo has moved in front of han seo, like he's protecting him, and han seok wants to laugh

He speaks to cha young in jun woo's voice to spite them both, mockingly sounding out his words in his twin's bright tone

But suddenly vincenzo drops to his knees to plead for cha young's life, and han seok grins in satisfaction. The satisfaction is shortlived, however, as something solid suddenly crashes into the back of his head

It dazes him enough that he lets go of cha young for a moment, and she takes the chance to headbutt him so hard that he drops the gun. Vincenzo pounces almost immediately, and aims a kick to han seok's head, knocking him out

The last thing he sees before everything fades to black is his spitting image standing a distance away, holding a dented art deco lamp.

When they are sure han seok has been knocked out for real, the relief that sweeps the room is palpable. Han seo slumps down and jun woo moves to check on him as vincenzo unties cha young

Jun woo moves to call the police, but vincenzo tells him not to. 

Instead, he makes a call of his own, and soon two men enter and carry out the still unconscious han seok. Jun woo wants to ask where they’re taking him, but there’s a dark glint in vincenzo’s eyes that makes him swallow the question.

None of them see han seok again until he’s on the news. His body is found in a river near the family property he had first run away from, and the consensus seems to be that he fell in and drowned while lost in the woods

The whole matter has vincenzo written all over it, but no one is going to ask about it

Han seo and jun woo hold a funeral for him because it would be suspicious if they didn’t, but they work hard to make it as underwhelming as possible. When han seo cant stop shaking (whether it’s in weariness, relief, or anger at any traces of grief, jun woo can’t tell, and honestly neither can han seo) as they stand in front of the portrait of their deceased brother, jun woo silently rests a hand on his back.

After that is over with, they take a break to have a small ‘han seok is gone’ party, and then they both throw themselves into work

Han seo takes charge of babel, firing all of han seok’s people and working hard at cleaning up the stain of corruption he’d left behind. He works hard to transform the company’s reputation, and begins the process of compensating all the people who had been wronged by them in some shape or form

Jun woo leaves wusang and starts his own law firm. Han seo makes the company his first customer, and jun woo tries hard to run his firm without any traces of what made lawyers at wusang such monsters

Cha young and him have a friendly law firm rivalry going, much to vincenzo’s amusement

When they aren’t working, jun woo and han seo hang out a lot. Jun woo is determined to replace han seo’s memories of a terrible older brother with better ones with a more pleasant older brother. Han seo still struggles sometimes with seeing han seok in jun woo, but he’s more than happy to overwrite han seok’s image in his mind with jun woo’s

A few months after everything is stable again, they do take that trip to disneyland. The picture they take outside the park is framed on both their desks.

The next year, vincenzo and cha young get married, and han seo and jun woo attend the wedding. They bring expensive gifts, and jun woo cries like it’s his own family getting married. Cha young rolls her eyes at him, but she’s pleased to have him there

It will take a while to move on fully from the damage han seok caused, but they are all working hard at it. Because now han seok is gone for good, and everything is fine.

bonus

The Incident that led to han sol becoming jun woo happened when he and han seok were 6 and han seok, having decided that they had to see who was the superior twin, challenged him to a fight to the death

It was traumatic to the point that jun woo repressed all the memories of his childhood with han seok

Han seo once called jun woo hyung when speaking to han seok, and han seok got really angry and threw a lamp at him

Before vincenzo finishes off han seok, cha young slaps him six times to make up for the two slaps she mistakenly gave jun woo

After everything blows over, jun woo takes han seo with him the next time he goes to visit his adopted family. They dote on him like he's their family too, and han seo feels more loved than he has since he lost his mother. He says so to jun woo, and from then on he takes him along whenever he visits them

Cha young, jun woo and han seo meet up sometimes to eat spicy food, both because they like it but also to spite han seok’s memory just that little bit more

Because han seok died before he could find out about vincenzo’s mother, she’s alive and well and vincenzo visits her regularly

[quibblesandscribbles]

Centaurworld Rewrite: A Serious Adventure AU - S1E1 Outline

I’m doing rewrite outlines, prepare for some AU. That being said, I still like several parts of Centaurworld a lot, namely Rider, Horse, Wammawink, and whatever the hell is going on with the Nowhere King, and hope there’s a second season to watch (which I will if Netflix doesn’t ruin our hopes and dreams).

Anyways, here’s like, a rewrite or whatever. I will probably post the outlines as I go, episode by episode. Will I get to them all? ADHD-willing, we’ll see. Also feel free to use these ideas/outlines? I don’t mind. 

Also assume there are songs in this even if I don’t specifically mention all of them. Also I guess this rewrite kinda chains the 1st and 2nd episodes together as a two parter? Maybe, idk.

Also I’ll preface this with this too: I ship Wammahorse, yes I SHIPSHIP it. Moving on.

Some headcanons before we start:

Warworld (*the world Rider and Horse are from) is a Low Fantasy Setting, there IS magic, but it comes in two variations, either very subtle low-powered but relatively uncommon, or Terrifyingly Powerful and so extremely rare to the point that it’s not very well known and “just myths” (usually for Big Baddies)

Ideas for Horse’s Degree of Sapience Prior to Worldhopping:

A: Horse was just a regular, non-magical horse, and their exposure to the Artifact and Centaurworld has essentially made them a Fully Uplifted Animal. - This is interesting, but ultimately a difficult idea to convey because it would require a lot more setup and wouldn’t exactly fit Horse’s characterization without some rework. This is an amazing idea, but I won’t be using it because it would slow things down too much.

B: Horse is a low-fantasy magic steed raised as warhorse/war asset, who is much smarter than your average animal steed/companion similar to a DND Ranger’s pets, or Mabari from Dragon Age, or a Ranger Horse from John Flanagan’s ‘Ranger’s Apprentice.’ The combined exposure to the Artifact and Centaurworld could account for her gaining speech and her body expressing limited physical adaptation to Centaurworld’s different physics (her body’s new extended range of motion for example) but of course I’ll be limiting this because having stakes make it more fun imho. This is my favorite, I’m using this.

Horse would’ve been considered a very valuable war asset (trained warhorses are like, historical ferraris, expensive as hell, i can only imagine what low-magical smart warhorses would be valued at), though still ultimately expendable for the war effort like anything else

Let Horse have horse behaviors (*can you tell I haven’t really left my horse phase behind lol)! Nipping and grooming behaviors as affection or warnings, ear positions to indicate mood, grazing to eat, laying down only when truly relaxed, sleeping standing up. COME ON.

Centaurworld is a High Fantasy world with an Absurdist bent but with darker undertones, similar to how Adventure Time is, with an extremely high saturation of magic, maybe you could even theorize that due to the Splitting of the Two Worlds that all the magic is being Dammed up in Centaurworld like a river or reservoir, this could be a future plot thread that could be picked up in a later season.

Basic Changes: 

Durpleton, Glendale, Ched and Zulius are supporting cast, not main

Durpleton is less stupid and more of a Kronk-expy: a little dim but ultimately kind/means well, has at least 1 life skill he’s good at buried in there though for the life of me I can’t think of one right now.

Glendale’s Narrative Framing: Glendale is amazing, but the kleptomania will be allotted ONE (or two) joke mentions but narratively isn’t treated like one after, somehow establish that her kleptomania is directly intertwined with her anxiety levels. Are there other denizens of the Valley that know the Herd? Are they mad at Glendale for stealing things? Does Wammawink have to constantly run interference to cover for Glendale? Probably.

Make Ched look like less of a pointless asshole: Have him show concern for his friends’ safety and his suspicion of outsiders, AKA Horse. If he’s going to be a jerk, at least let it serve a purpose.

Zulius can stay roughly the same - Zulius is great okay, just don’t tell me there’s backstory and then NOT TELL OR SHOW US ANY CLUES about what said backstory/history IS! (other than forcing us infer/project the headcanon[?] that him and Splendib might’ve been exes, from how they act around each other without any other context/visual/or confirming exposition we literally know nothing other than Splendib and him split/had a nasty falling out and Splendib took the glittercats and the career in the divorce.)

S1E1: Hello Rainbow Road

Opening scene in Warworld

If these episodes were allowed to be longer (shuddup it’s my AU), have the scene open with Horse sees Rider comes running out of some underground castle ruin catacombs and ominous roaring and clanging behind her as she deliberately sets off a dungeon booby trap (arrows or fire) she must’ve avoided while dungeon crawling earlier, and Horse runs towards her and circles at a canter and then Rider does a Running Mount (mounting a horse while the horse is in motion) and shoots an arrow at that flies offscreen

Smash cut to the DRAWBRIDGE door falling and Rider and Horse come galloping out while dodging some javelins and arrows and 1.5 seconds later 1-4 armored minotaurs (the lizardmen?) riding some coursers (swift horses or horselike creatures idk have fun) gallop behind in hot pursuit.

WARWORLD CHASE/FIGHT SCENE

Rider and Horse take out 2 of the pursuers on the run have Rider stay on horseback, dodge and make 1 pursuer shoot/javelin another 1 into a nasty-looking fall, and then Rider nails another 1 right through the helmet visor with an arrow. Have Rider throw a smoke bomb or something at the 2 remaining ones trying to catch up.

2 Enemies left but Horse is forced to skid to a stop as the suspension bridge approaches, then a tense moment forced to walk in order to escape safely across the suspension bridge which Rider cuts once they’re across. Maybe have 1 of the minotaur pursuers having been on the bridge somewhat behind them before Rider had to cut the line, sending the enemy hurtling down below. The remaining minotaur scout stares at them ominously from the other side before leaving.

Have Rider breath a sigh of relief

Smash cut to Horse and Rider traveling across a wartorn landscape, start Horse’s internal monologue narrative until they finally get to the hill and see the ruins of their village

Everything from this point to Horse getting transported to Centaurworld is the same as canon

Not Actually a DREAMVISION SEQUENCE: 

Shot/Animated from Horse’s 1st Person POV: Darkness, the sound of whooshing Horse falls, shimmering flash colors [if this were an actual show pls put a Epilepsy warning at the beginning of the ep], then a loud Splash as Horse falls into Dark Water. POV looks down and we see Horse’s front legs and a bottomless abyss below and a then flash of green and off-white from deep below, then look up to see blue light, see the swimming motions of Horse’s front legs and getting closer to the Blue Light

Horse wakes up, blinking, alone (no Durpleton)

Horse gets up looks around, doesn’t see Rider anywhere and starts makes Whinnying sounds (specifically, Whinnying is a social horse call, like specifically going, “Rider where are you!?” in IRL horse)

“And what are you supposed to be?” the “camera” wheels around to see Ched who has landed on Horse just within reach of her tail so Horse lets out a startled squeal (the Horse noise, not the human one) and does that thing where horses use their tails to swat away insects which sends Ched FLYING as Horse’s squealing morphs into her Talking/Yelling “what the heck is going on?!”

Horse does what panicked horses do, she runs

Horse stumbles into meeting Durpleton, who freaks her out more

Meeting kinda the same as canon but with less constant emphasis on reminding the audience that the writer’s can’t write comedy

Wammawink and Horse meet, Ched flies in and goes “hey that asshole kicked my a-I mean attacked me, but I totally beat ‘em.”

Horse tries to leave, discovers the Barrier, tries to get through, fails multiple times, but only 3-4 attempts shown with time passage show by the time of day changing, have Horse’ talking to herself a bit about how utterly weird the talking words thing is, that this is a “human” thing why is this HAPPENING she needs to get back

Waste less time on the visual gags of the Barrier repelling Horse, also get rid of the Tree Catapult scene because it doesn’t jive with Horse being a horse, why do they know how to make a catapult? Also because I hate how it basically shows us that Horse has no physical danger or chance of injury from being FLUNG around like Pokemon’s Team Rocket.

Have the rest of the centaur Herd come up to and talk to Horse while Horse is trying to get through the Barrier, and Horse talks about the outside and her world and doing things, squeeze in some convo about how there’s no (current) war in Centaurworld and how Horse thinks that that “freedom must be nice.” Anyways these conversations are what has Glendale, Zulius and Durpleton at least considering the ups of leaving.

Durpleton: Durpleton approaches Horse alone and asks about where she’s from, what’s home like, expositiony bits for Warworld and how much Horse needs to get herself and the Artifact back to Rider; Horse should say something offhand, like how she dreamed about exploring the world with Rider after the War seeing new things together, to which we’d cut to a shot of Durpleton looking thoughtful, before asking a completely unrelated question before Horse asks to be left alone. He doesn’t go originally, but gets distracted by something (butterfly?) and trots off.

Wammawink, Ched & Glendale: Atop a hill, Wammawink looks up to see stormclouds gathering off in the distance and comments that they’re going to be in for some rough weather, then goes over to offer Horse food, but gets distracted by some other Valley Denizens who are mad suspicious that Glendale is responsible for something of theirs that’s missing. Leaving Wammawink to go off and have to run interference leaving Glendale to approach Horse alone. Horse will learn that there’s no (current) war in Centaurworld but there was one historically, and Glendale will offhandedly mention that they’ve stolen everything from everyone in the Valley at least 4 times and with the unspoken implication of boredom. Ched will butt in and heckle Horse like, “could you leave any quieter?” and Horse sniping back, ears pinned back and animated horse stress behaviors. And Horse’s last failed attempt at passing the Barrier has them drop the Artifact, and we get a shot of Glendale spotting and eyes widening at seeing the Artifact unattended on the ground, then we get a smash cut of Glendale getting herded away by Ched.

Zulius: Goes over to ask about Horse’s avante garde accessories (her bridle, saddle & armor[barding]), makes comments on her style/aesthetic and asks where he could find some. Horse loses her patience, and says that she Needs to concentrate on getting back to someone they care a lot about and could you please just go away? 

Horse: (voiced as a rhetorical question) “Haven’t you ever wanted to go back to someone you loved before?”

Zulius gets a Look on his face, then he’d puff up, cover up the Armor Piercing Question’s effect on him with more bluster and then turn away as it gets later

Around sunset, Horse finally gives in to go ask Wammawink what’s up, and how can they leave.

Wammawink tries to feed them and convince them to stay, but Horse waves her off and moves away while muttering something about coming up with a plan

Speaking of plans, the Herd excluding Wammawink (& Ched) start talking about being bored, and mention Horse saying stuff about exploring the world (taken out of context, deliberately)

Wammawink, smelling the ugly head of discontent, sighs in defeat at not being able to recruit this new outcast in the Herd and approaches a grazing Horse and says she’ll help her through it with her magic(not admitting that the Barrier is her magic working in the first place because it’s not relevant right now okay) but then we get the “What’s magic?” bit from Horse and the rest of the Herd butts in with the Song. They wander off to go to bed afterwards, and Horse wants to go Now but Wammawink says that she’ll help Horse leave the Barrier but only in the morning because “you look tired”

Horse: “That doesn’t matter.” *awkward silence*

Wammawink, sadly: “Of course it does.” *Horse has already walked away*

The sun finishes setting as the wind blows the plants and through Wammawink’s fur (ominously) and she shivers, going back to the campfire

DREAM SEQUENCE: It’s dark, then we get a flashback dream of a younger Rider and Horse, idk a memory of something to showcase them either while in training or really show their Bond okay? End with them sitting around a campfire with other young soldiers and horses, someone is humming something (the first few bars of the Nowhere King’s Lullaby, no actual words yet). Then Dream!Rider turns to face Horse and asks, “how could you?”

Horse: “How could I what?”

Dream!Rider: “How could you leave me behind?” (The humming grows louder, there’s a lute being played, growing discordant)

Then Horse starts calling into the darkness/void, “I’m coming back for you, Rider! Just hang on, alright?!”

Rider: “Oh Horse, it’s already too late for me.”

“Rider!” Horse yells as they jolt awake, standing, because horses typically sleep standing up.

It’s dawn but the wind and stormy weather signs are picking up but not here yet, Wammawink walks Horse to the edge of the Valley barrier and tries to convince Horse to stay here where it’s safe, but Horse refuses to be deterred

Brief shot of Glendale hiding a bunch of things from her Tummy Hammerspace in order to simulate the feeling of stealing things again later, including the Artifact which falls on the ground

A shot of Durpleton seeing and picking up the Artifact and spotting Wammawink and Horse some distance away going toward the barrier’s edge

Wammawink hangs back on a hill, glowy hands and the magic wall flickers and disappears, and Horse immediately breaks into a gallop and disappears into the forest, Wammawink sighs and turns away

Indeterminate amount of time later, Wammawink recasts the Barrier, and Durpleton misses breakfast so Wammawink enlists Ched to help her look for him because Ched can fly

Cut to a shot of Horse dropping from a canter to a trot on the Rainbow Road, it’s grown darker and the stormclouds are in the sky. Distant thunder booms overhead, and a few scattered raindrops start to fall

“Heyyyy! You forgot your necklaceeee!” a shout from behind

Horse looks back and sees a running Durpleton holding the Artifact, and stops, he catches up to Horse and is gasping, “Wow, you run fast, hoooo, *deep breaths* you’re really *another gasp* athletic! Anyways you forgot your Necklace.”

Durpleton ties the broken string into a necklace around Horse’s neck and Horse thanks them and wishes them a safe journey back to the Valley, but as this happens the rain gradually falls harder. Then the sounds of the Rest of the Herd finally catching up happen, and Wammawink mother hens Durpleton and wants take everyone back home but then a loud BOOM of thunder and lightning overhead, and then it starts to Pour down rain, forcing Horse and co to find shelter until it lets up. Maybe have someone mention something about landslides being a possibility? Durpleton asks how they found them so fast, dim remember, then brief flashback.

FLASHBACK: Wammawink and co searching and calling out for Durpleton everywhere in the Valley, and realize that he must’ve followed Horse for some reason when Zulius FINALLY shows up and mentions that he remembers Durpleton saying he was gonna give Horse back her necklace. The recast Barrier is brought down and they leave the Valley to bring back their friend.

Back to the present where the group has taken shelter as the storm picks up more, and thunder booms overhead, Horse has some nervous horse body language going on, then we get to hear her mutter-singing or humming the “I never fear the drums of war” to calm herself down, but with more stanzas please, when asked she says it’s a battle hymn that Rider sang.

If Horse was humming, Wammawink could ask why she doesn’t sing, she’s sure that Horse has a lovely voice

Horse goes “I’m a horse, I don’t sing.”

Wammawink tries to be encouraging, Horse is resistant

Wammawink invites her to eat (AGAIN) but Horse still turns her (love and affection) down (AGAIN!) and says she’s fine with grazing and Glendale pipes in excitedly that they have decided that they want to travel with Horse (Ched pipes up that he didn’t agree to this) but pls help us convince Wammawink and Horse protests but someone points out to ask “do you even know where you’re going” and they have a point

Horse acknowledges this and relents, states some stuff about how she’s not going to slow down much however. Then Glendale, Zulius and Durpleton rejoice, Ched acts tsundere, but Wammawink looks nervous and wrings her hands together and relents that “they’ll go with Horse as far as the nearest Shaman” and Ched will go, “hey don’t you know he-” and Wammawink shushes him quickly with a gigglecake

Wammawink doubles down on the mother henning behavior

Horse doesn’t eat Wammawink’s gigglecakes but grazes by herself nearby, occasionally answering a question or two when engaged by the others (not Wammawink) and Wammawink mentions how the weather probably won’t let up for very long and they should take it slow and that Horse should bundle up

Horse disagrees but its bedtime and a bedtime song occurs in the backdrop as a restless Horse struggles to stay alert and awake but eventually falls asleep

VISION SEQUENCE: A shimmer of soft blue light, then shots of Rider ducking and weaving, her sword flashing as she tries to weave her way through a horde of enemy soldiers, blood spatters, then an enemy archer takes aim at a fleeing Rider, and Horse calls out a warning. 

Rider turns her head with a surprised look on her face suddenly just enough that the arrow buries itself into her shoulder instead the middle of her back and then she stumbles, one of her arms going limp, but everything goes dark before we can see if she fell

Everything goes dark and the din of war fades away, we get a shot of Horse’s hooves splashing and making ripples into dark water but the camera doesn’t follow her, we hear Horse’s cries for Rider fade, growing further and further away

Still dark, but in the silence we hear distant sound, drip, drip, drip, drip.

Then the episode ends and the credits roll.

[poohkeepsee]

I was going through my AO3 bookmarks, and I wanted to organize them a little bit. These are my Dean/Cas canon-ish fic recs.

season 5

canticles  by  2street2car Words: 10,311     Chapters: 1

“But you know something? If I couldn’t get you laid, at least I gave you a good first date.”feat: footsies at a Ruby Tuesday, stargazing, the recreation of an iconic "Dirty Dancing" scene (no, not that one—the other one), and practicing for When You're With A Girl.

FTBYAM MY BELOVED

post season 6

Someone Who's Feeling For Me  by  ellispark  Words: 45,876     Chapters: 1

Dean sees her for the first time in nearly six years in some no-name town in Idaho, and it's panic at first sight.

Lisa Braeden, the one woman Dean ever actually had a shot at a real life with, back from where he buried her in his mind. And her hand is on Cas's arm like it's no big deal, like it belongs there. Cas, Dean's dorky, sweet, badass, angelic best friend, and he's just standing there next to Lisa and not moving her hand away.

Dean feels the jealousy rising, and it's not directed where he expected it to be. Because it takes this exact moment for Dean to realize he's in love with his best friend. He's in love with his best friend, and Lisa is looking at Cas like he's the best thing since automatic rifles, and Dean is utterly fucked.

post bunker

Sun Can't Set Until Nine  by  LeverDrift Words: 67,939     Chapters: 16

Cas moves into the bunker as his powers start to fail. Dean doesn’t know if the arrangement is as permanent as he wants it to be. He's also not sure why he keeps dreaming about his friend. All he knows is that he wants Cas to stay. Overall warnings: canon-typical miscommunication & Dean having self-hatred issues.

Life Skills  by  ilovehowyouletmefall           Words: 26,052     Chapters: 3

After Metatron steals Castiel's grace, and Cas comes to live in the bunker, Dean spends a lot of time with him, sharing all of his favourite things. Dean can't help it if sharing things with Cas just makes everything better. Besides, it's Dean's job as Cas' friend to introduce him to the joys of human life. To teach him how to be human.  And if one of the experiences they end up sharing is sex with women, well... that's just part of Dean's job as Cas' friend too, right? The desire is triangulated, the rituals are intricate.

Sam Stole My Boyfriend  by  sobsicles    Words: 8,445     Chapters: 1

“Dude, you’ve been staring at me a lot lately, like even enough that Sam noticed. More than usual. So, like, what’s up?” Dean pauses, purses his lips and reconsiders. “What did I do?”

Cas knows that would be a perfect time to confess to Dean what exactly happened and what he was thinking. Maybe, Dean had some insight into the situation or even some kind of comfort to offer. But, the longer that he sat there, he realized that he could not tell Dean absolutely anything. So instead, for the first time, Cas fumbled.

“Um,” Cas mutters and abruptly stands. “Freckles?”

Dean blinked up at him as Cas pivoted and left the room. There was only one remaining option he had and unfortunately, it involved Sam.

Aching in the Absence of You  by  sobsicles Words: 95,090     Chapters: 10

Brittle and battle-worn, Cas looks at him over coffee one morning and says, "I need to go," and Dean instantly knows that he's not coming back.

He's not really sure how he knows it, but he does. It settles into the pit of his stomach, curling hot and tight like something he instinctively wants to tear out with his bare hands. He takes a breath, and it gets stuck in his throat, hitching there. It hurts, hurts, hurts when he finally exhales.

"Yeah," Dean says, "of course you do," and he nods jerkily as he looks down at his phone. He doesn't say goodbye. He doesn't look up from the screen when Cas gets up and leaves the room. He doesn't finish his coffee, or move for a long time.

By nightfall, Cas is gone.

'Communication'  by  JustAnotherSamlicker Words: 11,656

The same story told from two perspectives.

Dean bought a house and he and Cas fix it up.

Is Dean moving out? Is Cas moving in?

Should they just talk to each other already? (Yes they should)

Build a Home  by  domesticadventures Words: 20,102

After they save the world, Dean expects Cas to come back to the bunker with them.

He doesn't

season 10

The Most Important Thing  by  NorthernSparrow Words: 94,462     Chapters: 14

Jimmy Novak remembers nothing of the last six years. Reunited with his troubled daughter Claire, he's struggling to raise her on his own. The most important thing is to make Claire happy. But why does he keep having these dreams of wings, and of two men in a black car? (Canon-divergent from S10E11, when we first met Claire again and Dean was still struggling with the Mark of Cain. Takes places several months later).

season 12

Heroes for Ghosts  by  pantheon_of_discord Words: 42,922     Chapters: 7

Canon-divergent from 12.08

After Sam and Dean are arrested, Castiel is left alone and scrambling to find them. He knows they’re locked away in a government facility, and he’s still able to hear their prayers, but no matter how he tries Castiel can’t seem to track them. He chases leads and even attempts to hunt on his own, but Mary is AWOL, Crowley refuses to help, and Castiel’s options are running out.

Weeks pass, Castiel’s hope dwindles, and through it all Dean prays, keeping them connected. His voice is comforting, frustrating, and occasionally annoying, but in his solitude Castiel comes to cherish it. But then one day, without warning, Dean stops praying, and Castiel is forced to confront some uncomfortable truths about his feelings.

season 13

i want to do with you (what spring does with cherry trees)  by  sobsicles   Words: 74,173     Chapters: 8

Dean keeps going back.

When he arrives, it's always to blooming flowers and a windmill in the background, not too far from a brook, the sun painting the plains.

He likes it there. He likes to stand in front of the makeshift urn and check that it's still where he put it, switching out the flowers when they wilt. He likes to listen to the sound of birds chirping, insects singing, the faint sound of water trickling in the distance. He likes to turn his face up and feel the sun on his skin, wondering if Cas would do the same if he were here, somehow knowing that he would.

He likes to talk.

There's never a response, but Dean feels the breeze rustle through his hair and watches the flowers bob when bees come to them and stares as the windmill keeps turning, turning, turning. And he imagines that Cas is replying—the windmill is the tilted head, the bobbing flowers are a gentle smile, the breeze is whatever words Dean wants to hear at the time.

Sometimes, it's almost like he's there.

Trial and Tribulations of Raising a Nephilim  by  Sickandtiredofyou Words: 14,910   Chapters: 6

Dean has far too much on his plate, losing his mom, his best friend and now being a single parent to a newborn nephilim.

In which Jack is an actual newborn instead of a teenager.

post season 13

dumbassery, denial, doing (the three d's to the destination)  by  sobsicles           Words:     108,427     Chapters:     4

Freedom is just one adjustment after the next.

Cas hums again. "I think you already have. It's been months since everything settled. All that's left to do is...get used to it, and perhaps—" His voice stalls out, uncharacteristically, and his gaze roams Dean's face with intensity. When he speaks next, his tone is a little raw. "Perhaps what one does with peace is...whatever they want."

"What if I don't even know what that is?" Dean grumbles, arching an eyebrow in challenge. "'Cause I know damn well you don't just mean good food and a good bed and time in Baby, not simple wants like that. You mean—ya know, the big things, the wants we didn't get to have before."

"Yes," Cas agrees. "If you're not sure, figure it out."

"Easier said than done."

Reasons to read this:

Dean reads a story that ends like despair and his reaction is FUCK THAT

Cas wears Dean's hoodie

Jack is a toddler

The Jack and Claire sibling energy we deserve

Eileen being awesome and pulling pranks with Dean while Sam thinks she's an angel

Sam knows

YOUR HONOR THEY'RE IN LOVE

First Date  by  aeli_kindara Words: 8,968    Chapters: 1

“We should go on a date. You and me.”

Castiel wishes he could see Dean’s face. He wishes he had any idea what to say.

“I’m asking you out, Cas.”

Also known as the Dean Winchester makes the first move fic.

season 14

Broken Road  by  thegeminisage Words:     109,629     Chapters:     7

A 14.13 Lebanon rewrite. When Dean uses a wish-granting pearl to try and kill the archangel Michael before he can escape the cage in Dean's head, they instead wind up with a newly-resurrected John Winchester.

It's been more than a decade since John died, and a lot has changed: Mary is alive, Sam and Dean have what passes for a proper home in the Men of Letters Bunker, and they're living with angels. John doesn't know angels are real, he doesn't know about the fragile new relationship between Dean and Castiel, and most of all, he doesn't know that Dean said yes to Michael, or that Dean's plan to defeat Michael would send him to a fate worse than death.

Now Dean must contend with both his father asking questions he can't answer, and his loved ones learning about the darker truths of his childhood, all while constantly battling the archangel trapped inside him. But Dean coming to terms with his history may be the difference between this being the beginning of a journey—or the end.

post season 15

fools and pilgrims  by  lagaudiere Words: 31,904     Chapters: 2

Claire shows up at the bunker a day before Dean was planning to leave, with her hair cut short and a fresh tattoo on her left arm under a bandage. Chuck is dead, Jack has given up his godlike powers, and Cas is back from the Empty, which doesn't make it any easier for Dean to talk to him. Suddenly finding himself in a world without monsters, supernatural forces, or any need for hunters, Dean's solution is to go on a road trip. Claire tags along.

Dean-Claire mirror fic post Despair

what's missing is found (our souls can exhale now)  by  sobsicles Words: 27,403

It's not the first time Claire has ever gone missing. It is, however, the first time Kaia panics about it. Dean's dragged into the mess, but he soon finds that it's the best thing that could have happened to him.

canon(?) au  (Hunters and Men of Letters)

Dean Winchester's Secret (Angel) Boyfriend  by  reluctantabandon, Winter_of_our_Discontent Words: 11,191     Chapters: 1

Dean Winchester isn't exactly a team player. So when he starts mentioning a new Hunting partner, Ellen and Jo Harvelle aren't sure whether they should be worried or relieved.

But they're starting to get the feeling there's something important Dean's not telling them about Cas...

Shot Through The Heart  by  peanutbutterjelly-pie (Aleakim) Words: 11,191     Chapters: 1

Dean is a hunter.

Castiel is a Man of Letters.

And even though they have to work together on a regular basis, there is not much sympathy between them. Castiel thinks Dean too brash and reckless while Dean in return sees nothing more in the other man than a rude asshole with an obsessive love for books and a truly terrible fashion sense.

But fate clearly has a funny way of throwing those two together over and over again.

And somewhere along the way feelings change into something neither of them would have expected.

[grailfinders]

Fate and Phantasms #156

Today on Fate and Phantasms we’re making the clown prince of crime himself, the Archer of Shinjuku! Like the Caster of the Timeless Temple, a lot of pseudosingularity servants have their true names hidden. Personally I think it’s a dumb mechanic, but for the interests of keeping up appearances we’ll hide their names in the opening posts as well. That being said, it’s hard to go in-depth on a character and their abilities without revealing their identity, so expect spoilers below the cut.

Check out his build breakdown below the cut, or his character sheet over here!

Next up: Introducing the most problematic design since Literally Every Child Servant!

 James Moriarty is a Mastermind Rogue for perfection in deception, as well as a Divination Wizard because some things you just can’t plan for. But you can take credit after the fact, and you’ll look super smart for doing so!

Race and Background

Despite your reputation, you are a Human, giving you +1 Dexterity and Wisdom. You also get Sleight of Hand proficiency for better burgling, and the Keen Mind feat for +1 Intelligence and a bevvy of brain bonuses that will make your DM’s life harder.

You started your life as a professor, but tbh it’s a lot easier to just grab the Criminal background. It’s also a lot more useful, giving you Deception and Stealth proficiency.

Ability Scores

No surprise here, but your highest score is going to be Intelligence. Your best crimes are basically “I wonder what this would do”, you’re like the mathematics version of a mad scientist. Aside from that, your Charisma is also pretty good, manipulating others is your go-to method of crime. After that is Wisdom, because playing people only works as long as you know you’re not being played. Your Dexterity isn’t amazing, but we can fix that later with magical nonsense. Your Constitution is bad, but your Strength is worse. You’re an old man, andyou definitely feel like one.

Class Levels

1. Rogue 1: First level rogues get a ton of proficiencies, like Dexterity and Intelligence saves, Perception, Insight, Performance, and Persuasion. The first one lets you hunt a bit easier in the dark streets of Shinjuku, while the other three make your manipulations more magnificent. You also get Expertise in two skills, doubling your proficiency bonus in Deception and Persuasion.

You also learn Thieves’ Cant. It’s a language. More usefully, you can make a Sneak Attack once per turn by using a ranged or finesse weapon on a creature you either have advantage on or you have an ally next to. Right now this adds 1d6 to your attack damage, but it’ll grow as you level up.

As far as your weapon goes, a hand crossbow might be an understatement for your coffin, but you’re nothing if not practical.

2. Wizard 1: Going over to wizard right away gives you Arcane Recovery, letting you regain a little bit of magic over a short rest once per long rest.

To make that more useful, you also get Spells that you can cast and prepare with your Intelligence. Message will carry your schemes to your minion’s ears, Prestidigitation is simple sleight of hand tricks to wow yokels. True Strike actually kind of has a purpose since the advantage matters for your sneak attacks but not really because there’s like eight other ways to get a sneak attack that aren’t as bad. Cause Fear strikes at the heart of foes and allies alike. Mage Armor lets you wear a suit into combat like a nerd. Magic Missile gives you a plethora of magical bullets that can’t miss. Disguise Self gives you a magical disguise kit. Feather Fall lets you catch Guda and land without breaking a hip, and Unseen Servant lets you expand your criminal empire with a lackey of your very own!

3. Rogue 2: Last level was a lot. Let’s calm down a bit with a simple bit of roguery. Cunning Action lets you dash, disengage, or hide as a bonus action, freeing up your main action for attacks or spells.

4. Rogue 3: Third level rogues can pick their specialty, and as a Mastermind yours lies in manipulating others for your own gain. You’re a Master of Intrigue giving you proficiency with disguises and forgery. You can also mimic the accent of a creature you’ve heard for at least one minute, well enough to pass yourself off as a native

You’re also a Master of Tactics, letting you help as a bonus action and with a range of 30 feet.

On top of that, your Steady Aim makes True Strike useless, giving you advantage on one attack as a bonus action, plus you have to use up your movement.

5. Rogue 4: Use this Ability Score Improvement to bump up your Dexterity so you can actually shoot people. Also, while you only get one attack per turn, you can always flavor your sneak attack as a burst of gunfire. You’re certainly going to do enough damage to qualify as multiple shots.

6. Rogue 5: Fifth level rogues get an Uncanny Dodge as a reaction, halving the damage of an incoming attack. You fight berserkers in Armani, you’ll need it.

7. Rogue 6: Your second round of Expertise will double up on your Thieves’ Tools and Performance for extra manipulation and safe cracking.

8. Rogue 7: Evasion is a good skill. I don’t think I say that enough,but it is. It turns your failed dexterity saves into successes and your successes into no-sells. If your big plan is dropping a meteor on the world, you’d better be ready for the splash damage.

9. Wizard 2: Second level wizards get their specialty, and Divination wizards are the masters of planning. And from a player’s standpoint they make planning so much easier. You could meticulously plan your enemy’s downfall over the course of days or weeks, or you could just slap a 1 to their wisdom save with six seconds of preparation thanks to Portents. You get two d20s each day that you can use in place of a d20 roll near you. Ruin someone’s skill check, guarantee your critical hit, whatever.

You also get more magic! Alarm is our go-to for low magic builds, but it’s also super useful for traps You can also Comprehend Languages because you’re pretty well-learned.

10. Wizard 3: Third level wizards get second level spells, like Enhance Ability to make your disguises even more perfect and Magic Weapon to make your Noble Phantasm a bit more noble.

11. Rogue 8: Use this ASI to bump up your Dexterity for more gooder shooting.

12. Rogue 9: Your next bout of Mastermind goodies makes you an Insightful Manipulator, letting you spend 1 minute to observe a creature in two of four ways; their intelligence, wisdom, charisma, or class levels. You might also learn some backstory, which’ll make your DM’s life even harder! Or easier, depending on how you use it.

13. Rogue 10: Use this ASI to bring your Intelligence up for better spellcasting. Most of your spells don’t actually need your intelligence, but it also helps you show up Holmes, so it’s rewarding in its own right.

14. Rogue 11: You now have Reliable Talent, so every skill check you’re proficient in will always come up at least a 10 on the die. Yes, this does mean you’re scary good at making people do what you want.

15. Rogue 12: Another ASI! Bump your Dexterity up one more time for even gooderer shooting and AC.

16. Rogue 13: Thirteenth level masterminds are masters of Misdirection, using your reaction to shift an attack to another nearby creature instead of you. Let the brutes fight it out, you’ve got schemes to hatch!

17. Rogue 14: Your Blindsense lets you sense invisible creatures within 10 feet of you. That’s not a great range to work with a ranged weapon, but at least you’ll know when an assassin sneaks up on you.

18. Rogue 15: Your Slippery Mind gives you proficiency with Wisdom saves. That feature name sounds really weird though, it sounds like it should help with lying or something. Oh well.

19. Rogue 16: Use this last ASI to bump up your Charisma for slightly better manipulation.

20. Rogue 17: Your capstone level is also the level you get the last mastermind goodie! Your Soul of Deceit lets you rewrite any attempts to read your mind, matching your deception check versus the reader’s insight check. On top of that, magic will always say you’re telling the truth, no matter what you’re really saying.

Pros:

Soul of Deceit is super useful for you, as it basically makes it impossible to tell if you’re lying. Without magic, people have to be your deception check, and when they’re facing off against a roll with +15 and advantage they’re going to have a bad time. Basically, unless you’re going up against another rogue with expertise in insight, you’re pretty set. What’d’ya mean we already made one like that?

Portent is just really good. Especially for classes where every hit counts. That’s it, it’s just busted.

Beyond simply lying, you’re good at manipulating people, reading into their wants and needs, then stringing them along for your own gain. Insightful Manipulator lets you read people at a glance, and your Keen Mind means you’ll remember what you learned long after the people you learned it from forget you.

Cons:

You are super squishy, with exactly 100 HP at level 20. Try not to go over any waterfalls, it won’t end well for you.

Despite hitting hard enough to count as a barrage, you still technically get only one attack per turn. Missing your shot is a huge letdown, so just... don’t do that?

Your limited spell slots mean you need to be careful with how you use them. The guaranteed damage of Magic Missile is tempting, but you should probably pace yourself.

[shockapella-sweet]

Yay, after like four-and-a-bit dog years later, I have finally posted the first chapter of MK11 rewrite fic! :D

Per the summary: “When Shinnok was defeated by Earthrealm's forces, a new age in which peace could finally reign among the realms seemed like a certainty – or so Raiden wanted to believe. Instead, it sets in motion a series of events that not only endangers Earthrealm, its allies and foes, but also threatens to undo the fabric of time across the universe itself ...”

Here’s a chunk of the first chapter, which was heavily based on the format of Revelations Chapters 1-3 and Deuteronomy from the Bible:

*~*~*~*~*

Each of you was built on the sands of time. Fashioned from the grains, you emerged as dominions that seemed everlasting and unyielding like rocks. But, as multiple histories have proven, you are unstable to the depths of your foundations. You are no stronger, no more fragile, than citadels of glass. You are quick to throw stones at one another. You are determined to break each other's strongholds until only blood and rubble remains.

You are predictable.

I care not for it.

As Keeper of Time, I am changing it all. Grain by grain, your destinies are to be forged anew in accordance with my will.

You cannot change these.

I will not let it be so.

Listen, therefore, to my words before the slate is wiped clean by my right hand:

...

To Outworld: you are soaked in blood. You conquer as you please, dispensing violence in order to expand yourself, and yet you remain unsatisfied. You believe yourself unified, but you are divided. You are a chorus of oppressed and oppressive voices. I hold your ruthless ways against you. I am resculpting your history so that your future will be free of conflict. You will not suffer the barbaric acts of those who had ruled you. You will not enforce such acts on others. Not anymore. You are to follow my will without hesitation. I let you live because I wish it – when my name forms on your lips, remember this.

To Earthrealm: you have little strength, although you endure your trials valiantly. You are nevertheless weak and vulnerable. You are easily swayed, and are quick to question and doubt. You denied my name once before in a moment of weakness, and it pained me, the one who loves you more than the others. I hold your flawed ways against you. I am resculpting your history with special care; in the future, you will know strength and safety. As long as I watch over you, this will be so. You will be loyal to me as I am loyal to you. You will begin this life anew because of my love – I know you will not fail me.

*~*~*~*~*

This is probably the darkest MK11 fic I’m gonna be writing - and probably the biggest - but at least it’ll give me a chance to delve into some characterisation, play around with the plot-points, and actually attempt to make sense of the plot gaps. And SHIPS. Lawd, all the MK ships I’ve come to love over the years will be in it (except EarthCage, obviously, but hey, Black Dragon!Tremor’s gonna be happy that there’s two Johnny Cages running around). Go give it a read, and thankies in advance! ^3^

[encrucijada]

self-appreciation tag.

tagged by my babes @alicewestwater !

rules: it’s time to love yourselves! choose a few of your favorite works you created in the past year (fics, art, edits, etc.) and link them below to reflect on the amazing things you brought into the world in 2020.

it’s no lie i am just awful at finishing things. as of posting this i have once again decided to rework my previously main wip and have started a new wip. i tried to do nanowrimo and failed. have like 3 short stories that are just... halfway done. and who knows at what point in the future i will actually finish writing a book. Anyways.

¿QUÉ PASA, CALABAZA?

i can’t believe a story about a talking cat means so much to me. wait no. actually i can believe it. i hadn’t planned for media noche to be much but then i got way too attached to her character and so proceeded to write a prequel after i wrote this short story, which wasn’t as good but still. i can consider this the first honest-to-god short story i actually finished, which makes me extremely happy. what it really did for me was basically map out my writing process for me, helped me break it down to use later. i can write from a vague feeling, imagery and aesthetic and make it work!!! which for the way my brain works creatively is amazing. can’t believe thinking “story with black cats and pumpkins like over the garden wall??” turned into something. [ READ HERE ]

UNDERSIDE OF MY TONGUE

so much happened in 2020 i had completely forgotten i did escapril at all. and once it was over i compiled my flash fics/poems into a collection i titled “underside of my tongue” from a line in the first flash fic about hemera and eos. i explored creative formatting with escapril which is something i really enjoy and it really helped me write all 30 entries. i also wrote self-indulgently and (once again like with ¿qué pasa, calabaza?) from imagery instead of plot and it worked wonders for most flash fics. i say most because i definitely rushed some to be up to date. i used escapril to expand on the modern greek mythology universe that lives rent free in my brain, wrote apocalyptic new testament that caters specifically for me, and also made me realise how much i like fantasy body horror. more specifically botanic body horror. and now that escapril 2021 is coming i’m gonna use that opportunity to write another 30 flash fics and/or poems because... because i want to make chapbooks with them! [ READ HERE | TAG ]

SUNFLOWER

as i write this i haven’t finished writing this short story, but i’m going to, because it’s a gift for my cousin whose birthday is on the 17th. i have a thing for taking old stories or concepts or characters and reworking them to mold into my current writing style and that is Just what i did with this short story. the characters were barely characters and the story barely a story because it’s based on a game of pretend my cousin and i played when we were like 6yo. now i’ve turned it into a story on deniability. and of course sprinkled some fantasy body horror on top of it. depending on how it turns out i even want to try and submit it to lit magazines!! [ INTRO POST COMING SOON ]

MARIPAZ & THEO

character appreciation post! and writing partner appreciation. @lorybean and i created these characters last year which feels unreal. and they have turned into my comfort sandbox characters that went through an entire development arc in less than a year, and good for them! it’s hard to choose between my babies because i do love all the ships in my wips. but mari and theo are truly versatile and dynamic characters that can be put into nearly any scenario and not lose their attributes, and that’s amazing. in love with how they play off each other, also that they are a queer m/f couple of colour!! they are like real people in the way they interact with the world, with each other, and how their psyche works. they showed me the truth and now when people ask me if i perefer friends-to-lovers ot enemies-to-lovers i’m gonna say lovers-to-ex-to-lovers. [ A ONE-SHOT | TAG ]

HONOURABLE MENTIONS

my revamp of my first serious book attempt, fantasybane, finally has experiments i like for each character so i can actually write it (in theory)! i decided to rewrite the first “book” i wrote with my cousins at 11yo and now i have three girls who cried wolf, and the ship of iris x argyle which makes me oh so happy. the concept of somewhere in limbo that i share with @chaoticdecember . the his dark materials podcast i share with @maragraphs

tagging: @chayscribbles @cabuyas @magnoliaash @harehearts  @shapeshiftersandfire @mackerelgray @rossafabula @lasbrumas @semblanche - and idk who else but if anyone wants to do it consider yourself tagged!

[weaselbeaselpants]

All you need to know about my sucky rewrite

Since the actual show’s getting greenlit here’s my sooperoriginal ideas of my reboot/rewrite/reimagine thing called “Happy hotELL”

The cast of “Happy hoteLL” are renamed versions of the Hazbin cast:

Charly, Vee (she’s nick-named “Vaggy” by Engel) Engel, Niftie, Hux, Alastair, Lord Satan and Lilian, Flim-Flam and JibJab, Karen Killjoy, Sir Pantsless.

The main villains would be human!archangels based on Estus Pirkle and Kirk Cameron.

The main demons under Charly all embody a deadly sin in how they ended up in hell: Engel = Wrath (hated himself and other people), Niftie = Envy (tormented people at school in order to impress a boy), Hux = Lust (stalked/objectified various women in his life), Vee = Pride (too proud to admit she made bad choices), and Alastar = Gluttony (for reasons already discussed here).

Setting

The “afterworld”, the setting our characters inhabit, is separated into three sections: HEAVEN which is where the Archangels rule and were “good” souls go; HELL, which is the main setting of the show and where the archangels swoop down to purge of all the “bad” souls that end up there; and LIMBO, a primordial pocket-dimension with no direct portal to through the other two worlds. Limbo turns out to be the place the archangels, the true rulers of Heaven, are hiding. The mortal or ‘human’ world is between Heaven and Hell and is accessed by similar means to how it is in Helluva Boss. 

Angels and demons which were never human are referred to as ARCHANGELS/OVERLORDS and CHERUBS/IMPS. Ascended/damned souls are those of people who’ve ended up in either Heaven or Hell.

Heaven and Hell both have class systems. Imps and Overlords and Cherubs and Archangels are SUPPOSED to rule over all the human souls in their care. But Heaven’s archangels have gone missing - abandoned their posts for the peaceful content of limbo - leaving human angels to rise up and over time dictate how Heaven is to be run and who gets redeemed....this is as bad as you think it is, as the human!archangels care only for their “purity” over everyone else and keep people who should be allowed into heaven out just for not being to their standards - like Vee. The Overlords of Hell are unaware of this and have been unknowingly doing the human!angels’ business for hundreds of years. 

>The implication that this system for disposing of evil souls has failed is made well before the second season twist because damned human souls (Alastair) have become overlords and exist in Hell without being purged as an open secret, even to Charly’s parents. The only reason the true Overlords oppose any of the human!Overlords’ reign is because it disrupts their order in Hell, not out of any sense of justice.

There is NO monotheistic deity in this world; angels and demons used to live in “pantheons”, aka tribes, across the earth where they created life and the ecosystems there as well - thusly, they became gods to the people of these regions too. Satan and Lilian are from what would come to be the Abrahamic angels. In time, other mythologies’ underworld counterparts - and even some benevolent gods - would have the power diminish on earth and they’d have to live in Hell if they didn’t want to be wiped out by the crusades the Archangel’s influence over humans. Understandably, a lot of non-Abrahamic angels and demons are NOT fond of this appropriation/erasure of their culture and want their own realm’s back, even trying to run their own redemption operation/afterlife control in secret or in limbo. (Imagine Charly meeting a Vivziepoped versions of Hades and Persephone or Oxhead and Horseface telling her to fuck off and her just being like “I KNEW someone had the same idea! I JUST KNEW IT! <3<3<3″)

ALL mortal souls are supposed to be sent to hell but a great many of them are KEPT from heaven because of the human!archangels. 

A demon is redeemed by either setting right a wrong they did in life or sacrificing their happiness for another. This is what happens to Vee at the end of the first season, which leaves Charly without a manager through season 2.

Satan’s backstory is a parody of Paradise Lost as he was the most beautiful angel in his pantheon before the others kicked him out. In revenge he took Lilian, their “first woman”, for his wife and rallied up an army which apparently ended with one mass-extinction event on earth.

There’s a section of Hell where demons who represent different vices/drugs live. It’s referred as “Viceland” and is treated like a kitty theme park.

Demons (overlord, imp, or damned-souls) can all be summoned by mortals who know their way with unholy magic. They’re summoned at really inconvenient times and for really worthless deeds and this would be a great source of comedy for the show and an excuse to get characters to the mortal realm.

Story

The first episode/pilot/episodes/minimovie/whatever would be basically the same as the pilot but with a few tweaks:

It shows a person dying, going to Hell, becoming a demon, and being purged (which the audience not quite knowing what just happened to him) with Engel happily takes the dead demon’s things once the dust clears. Then Charly and Vee’s limo pulls up to him and ask him if he’s interested in a “new gig”. Que title and credits.

Charly initially opens the hotel with the promise that it will be a place for vice and booze but lets it slip that it’s a front for rehabilitation. Once Engel’s story is picked up on by the network, Vee and Charly’s assistants (Flimflam and JibJab) attack Karen and destroy the news station.

It’s Engel - not Vee - who recognizes Alastair as the threat that he is - later it’s revealed that Engel was present during Alastair’s initial takeover and that his radio frequencies damaged Engel’s eye. Vee doesn’t believe him until she sees Alastair’s absorbtion powers, which is when she allows him to stay employed by the hotel to help take Alastair down.

Alastair stresses the need for Charly to keep him working with her a secret, ESPECIALLY from her parents. He’s technically a criminal in hell and he convinces Charly that her parents will be impressed with her bad deed once the jig is up.

The rest of Season 1 would probably be Alastair setting up the hotel while the main cast of demons become more aquainted with each other and the different levels of Hell.The end of season 1 would feature Alastair double-crossing Charly and consuming the hotel in his likeness while it’s hosting a demon’s ball - in the hopes of getting enough souls to reignite his takeover. Vee, Engel, and Charly manage to escape the hotel and Charly overpowers and defeats Al by destroying his microphone - thus releasing all the souls he’s trapped, and then destroys his physical form.

Season 2 would start with a face reveal of Satan, Charly’s father, as he forces her to eat Alastair’s heart which will put him under her control. She does, but Alastair’s conscience manifests inside Charly’s head and mocks her ideas throughout the season. Also in the opening Vee would become and angel and ascends for Heaven, leaving Charly to manage the now very popular hotel alone until Engel rises up to become her #2.

Season 2 would be more explorative, with more stuff featuring the demon’s lives as humans, Charly’s role in Hell, and even Vee in Heaven. We’d learn more about the way Hell, Heaven and Limbo work as Charly manages to redeem a couple more damned souls. At the end of the season, the demons discover a dead cherub with a message from Vee begging Charly for help. Charly first attempts to pass through the hidden realm of Limbo to get to Heaven, but Hux runs off with their means to get there, so instead she vomits up Alastair, the only other demon who knows how to get to heaven, and he assists them on the condition that he be granted amnesty once they return to Hell. In the end, Charly and co. discover Heaven’s corrupted state and realize the Archangels are missing, Vee looses her wings but ascends into a fallenangel, and they all escape the bloodthirsty angels due to Lilian’s interference.

The Overlords of Hell prepare for a new war with Heaven and Charly’s parents send her to the mortal realm for her protection. In the mortal realm, Charly and the demons disguise themselves and their base of operation as a bed and breakfast. Charly has trouble reeling in the overexcited demons who are out of place in this new time while also keeping Alastair, who has stashed away with her, from trapping souls. 

Halfway through season 3 Engel and the other motel staff find out Alastair’s human identity, which he was desperate to hide, and bring his now elderly human daughter to him. This causes Alastair to freak out and consume the bed and breakfast. Once Charly brings him to, his physical takes on that of a baby deer but his psyche and abilities are completely nulled.

While this is going on Vee, Hux, and Charly’s parents have their own adventures in Limbo where they meet the Archangels who have no idea how corrupt Heaven has gotten in their absence. It’s only through Hux and Vee that the main group is finally all reuninted in Hell where the finale takes place :

Engel and Niftie ascend into fallenangels and alongside Vee lead a brigade against the angels who now want to wipe out all the demons; Charly guilt trips her parents and the Archangels into taking action and combining their power to dismantle the angel’s weapons; Alastair comes back and personally takes out the main human!archangel and himself by throwing them into the center of Hell; big stupid happy lesbian ending fartjoke.

end

Characters

Charly’s relationship dynamic to her parents is flipped: her father, Satan (he doesn’t like being called Lucifer) LOVES her. He shares a lot of her personality and at worst doesn’t take Charly seriously or cares about her ambitions. Lilian, Charly’s mother resents her daughter. Lilian was hoping her daughter would bring forth the apocalypse but Charly doesn’t want to do that. It’s implied Charly’s optimism and need to help people comes from her father’s days as an Archangel, and her mother especially hates the angels for casting her out, which leads to her resenting Charly.

This doesn’t stop Satan from being genuinely impressed with his daughter’s achievements and for Lilian to be be the panicked-parent when she learns that Charly has broken into Heaven at the end of season 2. 

The Royal Family is not actively malicious. They’re more like privileged jailers on the top of the Hell-foodchain. The most evil things about them are their apathy towards human atrocities (and their subjects pain, of course), their occasional bouts of sadism, and their genuine glee at the thought of destruction - namely the apocalypse, which Satan and Lilian speak fondly about like a married couple would their retirement plans.

After Charly shows her true form while taking out Alastair, the other Overlords and Imps (i.g. Karen and 666 News) start heaping praise on her out of fear that she’ll retaliate for all the mockery they made of her when she unveiled her plan. Charly is uncomfortable with this.

Engel is BAD at his pornstar/sexworker career. He tries to sell himself as a sass-master incubus but can’t achieve this status in the demon hierarchy because of his short fuse and violent nature.

Engel thinks he’s in hell because he’s gay and likes crossdressing. In reality it’s because he was a member of a crime family and a murderous gangster, named Anatole Slinkoff. The first people he killed were his father and brother as he was assisting a young-up-and-coming rival who would eventually become his boss.

Speaking of that boss, Anatole fell in love with him. On Anatole’s birthday he and the boss got drunk and he ended up confessing his feelings. The boss invited a sobered up Anatole back to his flat the following week and seemed to return his affections with a kiss...which was then followed by a fatal stabbing. Engel never got over the heartbreak/betrayal.

Engel starts off as a toxic enabling jackass who lives in denial and uses sex and drugs to cope with how unhappy he is with himself. In season 2 he becomes Charly’s #2 and builds a strong friendship with her. Also in season 2 Engel meets his father, brother, and mother who are also in hell for their crimes. His father and bro amazingly forgive him for killing them while Engel’s mother - a god-fearing woman who would beat Engel if she found him wears makeup or playing with dolls as a child - asks him for forgiveness, saying she’s the reason her family and he specifically ended up where he did. After Engel patches things up with them he tries to locate the souls of the people he killed and in the process finds out his old boss went to Heaven. At first Engel sets out to kill his boss and get revenge, but upon actually finding him living in fear in Limbo, he can’t bring himself to do so and instead chooses to just not forgive him.

Engel ascends/becomes a fallenangel in the final season when he meets an imp with a similar taste of humor and style. Rather than rush into a relationship as he’s done with every person he’s got with since he ended up in hell, Engel tells his new lover he wants to wait until he’s stable for a relationship, which triggers his transformation.

Molly doesn’t exist. Molly is instead the name of Engel’s feminine alterego and later the name Engel takes up as a fallenangel.

Vee, like Engel, also thinks she’s in hell for all the wrong reasons: She ran away from her controlling parents, thinking she could live on her own just fine. She could not. Instead she wound up turning to a life of crime and prostitution to support herself after a plethora of bad decisions and heartbreaks. When her parents sent word out all over the country, begging her to come back and that they were wrong, but she still refused. In the end one of her clients ended up strangling her. Her soul SHOULD have been one that went to Heaven but was barred off by the human!archangels for being a “thug”. Vee tried to get herself purged after her first few months in Hell, convinced that she deserved it, but Charly saved her and the blast instead only took out one of her eyes. Vee and her story are Charly’s main inspiration to open up the hotel.

Vee and Charly obviously have a romantic relationship from the start but Vee doesn’t see their love as anything serious. When Vee becomes an angel at the end of season 1/beginning of season 2, she rather cruelly leaves Charly without a second thought and discards their relationship is ‘passing sin’. It isn’t until she spends more time in Heaven, seeing the other angels’ being restricted (including her parents, who admit to actually being miserable in Heaven) and finding her rejection notice from the human!archangels that Vee realizes she does love Charly and that her redemption was always HER doing, not someone else’s.

Vee makes the unwise decision to confront the Archangels (whom she doesn’t know are actually human souls) about this treatment. They respond by locking Vee away and performing a “purification” on her which is like electroshock therapy. This sedates Vee into a mindless drone, much to the horror of the cherubs, angels, and eventually Charly and the gang.

Vee, in her purified state, doesn’t want to leave Heaven and go back to Hell. Charly, realizing the woman she loves is gone, tearfully tells her she won’t ask Vee to be anything she doesn’t want to be and that she loves her. This confession breaks through to the real Vee. Their happy reunion is cut short however by the human!archangels who rip off Vee’s wings, causing her and Charly to fall. It’s here though that Vee again ascends, this time into a fallenangel, and grows her own pair of wings and an angels’ weapon which she uses to kill Perkins, the head archangel and save the rest of the cast.

Throughout season 3, Vee and Charly’s parents turn the Happy Hotel into a refuge for human souls and imps while the angels and demons prepare for new spiritual warfare. Vee also tracks down Hux and multiple other “lost souls” in Limbo in her search for the Archangels.

Vee commands Hell’s army alongside Molly and Niftie in the show’s final climax and she gets a happy ending running a shanty motel in Limbo alongside Charly.

In life, Niftie was a teenager who tried to grow up too fast and gave up her hobbies and interests to impress her childhood friend (whom she was in love with). By following the lead of a more popular classmate, Niftie became a bully who ruled her school’s social status. Then she learned that her “teacher” had been in love with the same guy and he was returning her feelings - which drove Niftie into a rage and she tried killing the both of them on their senior prom night. She tried running them over with her car, putting the girl in the hospital, paralyzing the boy forever, and ruining her reputation at school (for saying she couldn’t drive when she did; not for the attempted murder). The boy she loved hated her, and the rest of the school bullied her until she gave in and took her own life in the bathroom.

The other demons are especially sympathetic towards Nifty. Charly finds it horrible that she end up in hell at such a young age. Hux is very protective of her. However, Niftie is more self-aware than she appears; she acts more childish than she actually is because she wishes she was still a kid, but does NOT like being treated like a literal child - especially by Charly and Engel. She only warms up to Charly when Hux abandons her and she’s forced to be an authority figure under Engel while the group stages things out in the mortal realm.

In the mortal realm, Niftie ends up coming across her old hishschool friend, now an old woman in a wheelchair, who believes it’s her fault everything ended the way it did. Niftie tells the lady not to feel guilty and instead apologizes to her - which ignites Niftie’s ascension into a fallenangel.

Hux was a moderately successful show magician. Heartbroken by being unable to woo a woman he loved with his success, he turned to drinking and took up relationships with women who worked under him  - all of these relationships were toxic and Hux would break their hearts and ruin their lives. When Hux arrived in Hell it was during a purge. He found his original sweetheart there but she, not him, was purged, cementing Hux’s views of redemption and justice...that there is NONE.

Hux is mostly apathetic and disbelieves along with everyone else in Charly’s plan UNTIL he finds out that one of the women he hurt escaped into Limbo. When the main cast tried to use their one passage to Limbo to get to Heaven in season 2, Hux takes the pass for himself.

In Season 3, Vee finds Hux enjoying his time in Limbo and calls him out for his selfishness. Hux introduces her to all the women he wronged, who DON’T forgive him, and also his new business in Limbo selling drinks that make people recall their past lives.

Together with Vee, Hux thinks up a plan to have the overcrowded souls of Hell and Heaven wait out the war in Limbo while simultaneously kicking out the Archangels so that they won’t notice the influx of souls in their realm.

Sir Pantsless is the show’s biggest buttmonkey and is constantly abused. He’s a tiny demon trying to ride off other Overlord’s success and who’s design is a wimpy, trying-to-hard version of Charly’s dad. In life, Sir Pantsless was a Victorian-era businessman who lived a long, happy life of abusing child-workers in factories and getting away with all his evil deeds. Charly’s dad even admits to keeping him out of the purge purposefully because he finds Pantsless’ pain amusing.

Themes and other stuff worth noting

If there’s a lesson I guess I’d try to push with the ending of this rewrite it would be, ironically, that neither Heaven nor Hell hold your true morality. It’s on you for making mistakes; it’s up to you to overcome them - you literally have to go through hell - to fix them! It also shouldn’t be up to Heaven and Hell how punishment/enlightenment works or why it’s worth anything.

This is NOT supposed to be an antireligion/antiChristian story. Not at ALL. It’s anti absolutism and anti religiousSUPREMACY story.  I know then that people will probably not want me basing this version of Heaven off Evangelicals, but like Viv, that’s the religion that closest for me to criticize. If I were Jewish or Hindu or Muslim I would so be about tearing their hypocrisies down....but I’m not. I know all about the injustices in those religions but I’m not comfortable tearing them a new one as a white Christian. My mother’s fam are recovering Christian Science-folk. Also, have you watched anything about Left Behind? It’s genuinely an eye opening experience when it comes to Americanized Christianity and even the lore of Hell and Demons in regards to the book of revelations.

Lotsa references to The Divine Comedy and Paradise Lost with the implication that these works are fan fiction to the demons of actual events with Dante never even making it out of Hell because he was too prideful. (Charly’s father has two faces in his wings/comb which are constantly chewing parts of Dante like chewing gum).

I know Viv says she’s hoping to get Weird Al to voice Lucifer. Personally I think a better unlikely but TOTALLY FITTING devil would be mah man Martyn Jacques of The Tiger Lillies. They even have a circus motif!

Engel probably claims his name is supposed to be misspelled on purpose. In reality, it’s cause he was drunk when submitting his resume to be an incubus and made a typo for his new name.

Vee’s human name is Marianna Posada. GET IIIIIT.

Alastair’s human name is Edward Hastings. Edward being the name of the American Murder Song which inspired my Alastair, while Hastings is the last name of the man who helped doomed the Donner Party.

[roaringgirl]

Books read in January

I am keeping this as a little record for myself, as I already keep a list (my best new year’s resolution - begun Jan 2018) but don’t record my thoughts

General thoughts on this - I read a lot this month but it played into my worst tendencies to read very very fast and not reflect, something I’m particularly prone too with modern fiction. I just, so to speak, swallow it without thinking. First 5 or so entries apart, I did quite well in my usually miserably failed attempt to have my reading be at least half books by women.

1. John le Carré - Tinker Tailor Soldier Spy (1974): I liked this a lot! I sort of lost track of the Cold War and shall we say ethics-concerned parts of it and ended up reading a fair bit of it as an English comedy of manners - but I absolutely love all the bizarre rules about what is in bad taste (are these real? Did le Carré make them up?).

2. John le Carré - The Spy Who Came in From the Cold (1963): I liked this a lot less. It seemed at the same time wilfully opaque and entirely predictable. Have been thinking a lot about genre fiction - I love westerns and noir, so wonder if for me British genre fiction doesn’t quite scratch the same itch.

3. David Lodge - Ginger You’re Barmy (1962): This was fine. I don’t have much to say about it - I was interested in reading about National Service and a bit bogged down in a history of it so read a novel. As with most comic novels, it was perfectly readable but not very funny.

4. Dan Simmons - Song of Kali (1985): His first novel. This is quite enjoyable just for the amount of Grand Guignol gore, and also because I like to imagine it caused the Calcutta tourist board some consternation. Wildly structurally flawed, however. Best/worst quote: ‘Hearing Amrita speak was like being stroked by a firm but well-oiled palm.’ Continues in that vein.

5. Richard Vinen - National Service: A Generation in Uniform (2014): If you are interested in National Service, this is a good overview! If not, not.

6. Sarah Moss - Ghost Wall (2018): I absolutely loved this. About a camping trip trying to recreate Iron Age Britain. Just, very upsetting but so so good - a horror story where the horror is male violence and abuse within the (un)natural family unit.

7. Kate Grenville - A Room Made of Leaves (2020): Excellent idea, but not amazing execution - the style is kind of bland in that ‘ironed out in MFA workshops’ way (I have no idea if she did an MFA but that’s what it felt like). Rewriting the story of early Australian colonisation through the POV of John Macarthur’s wife Elizabeth.

8. Ruth Goodman - How to Be a Victorian (2013): I mostly read this for Terror fic reasons, if I’m honest. I skimmed a lot of it but she has a charming authorial voice and I really like that she covers the beginning of the period, not just post-1870.

9. Gary Shteyngart - Super Sad True Love Story (2010): I read this on a recommendation from Ms Poose after I asked for good fiction mostly concerned with the internet, and I thought it was excellent - it’s very exaggerated/non-realistic and that heightening of incident and affect works so well.

10. Brenda Wineapple - The Impeachers: The Trial of Andrew Johnson and the Dream of a Just Nation (2019): What a great book. I had to keep putting it down because reading about Reconstruction always makes me so sad and frustrated with what might have been - the lost dream of a better world.

11. Halle Butler - The New Me (2019): Reading this while single, starting antidepressants and stuck in an office job that bores me to death but is too stable/undemanding to complain about maybe wasn’t a great decision, for me, emotionally.

12. Halle Butler - Jillian (2015): Ditto.

13. Ottessa Moshfegh - Death in Her Hands (2020): Very disappointed by this. I don’t really like meta-fiction unless it’s really something special and this wasn’t. Also, I’m stupid and really bad at reading, like, postmodern allegorical fiction I just never get it.

14. Andrea Lawlor  - Paul Takes the Form of a Mortal Girl (2017): This was really really hot! I will admit I don’t think the reflections on gender, homophobia, AIDS etc are very deep or as revealing as some reviews made out, but I also don’t think they’re supposed to be? It’s a lot of fun and all of the characters in it are so precisely, fondly but meanly sketched.

15. Catherine Lacey - The Answers (2017): This was fine! Readable, enjoyable, but honestly it has not stuck with me. There are only so many sad girl dystopias you can read and I think I overdid it with them this month.

16. Hilary Mantel - Wolf Hall (2010, reread): Was supposed to read the first 55 pages of this for my two-person book club, but I completely lack self-restraint so reread the whole thing in four days. Like, I love it I don’t really know what else to say. I was posing for years that ‘Oh, Mantel’s earlier novels are better, they’re such an interesting development of Muriel Spark and the problem of evil and farce’ blah blah blah but nope, this is great.

17. Oisin Fagan - Hostages (2016): Book of short stories that I disliked intensely, which disappointed me because I tore through Nobber in horrified fascination (his novel set in Ireland during the Black Death - which I really cannot recommend enough. It’s so intensely horrible but, like Mantel although in a completely different style/method, he has the trick of not taking the past on modern terms). A lot of this is sci-fi dystopia short stories which just aren’t... very good or well-sustained. BUT I did appreciate it because it is absolutely the opposite of pleasant, competently-written but forgettable MFA fiction.

18. Muriel Spark - Loitering with Intent (1981): Probably my least favourite Spark so far, but still good. I think the Ealing Comedy-esque elements of her style are most evident and most dated here. It just doesn’t have the same sentence-by-sentence sting as most of her work, and again I don’t like meta-fiction.

19. Hilary Mantel - Bring up the Bodies (2012, reread): Having (re)read all of these in about 3 months, I think this is probably my favourite of the three. I just love the way a whole world, whole centuries and centuries of history and society spiral out from every paragraph. And just stylistically, how perfect - every sentence is a cracker. I’m just perpetually in awe of Mantel as a prose stylist (although I dislike that everyone seems to write in the present tense now and blame her for it).

20. Muriel Spark - The Girls of Slender Means (1963, reread): (TW weight talk etc ) As always, Hilary Mantel sets me off on a Muriel Spark spree. I’ve read this too many times to say much about it other than that the denouement always makes me go... my hips definitely wouldn’t fit through that window. Maybe I should lose weight in case I have to crawl out of a bathroom window due to a fire caused by an unexploded bomb from WW2???? Which is a wild throwback to my mentality as a 16 year old.

21. China Mieville - Perdido Street Station (2000, reread): What a lot of fun. I know we don’t do steampunk anymore BUT I do like that he got in the whole economic and justice system of the early British Industrial Revolution and not just like steam engines. God, maybe I should read more sci-fi. Maybe I should reread the rest of this trilogy but that’s like 2000 pages. Maybe I should reread the City and the City because at least that’s short and ties exactly into my Disco Elysium obsession (the mod I downloaded to unlock all dialogue keeps breaking the game though. Is there a script online???)

22. Stephen King - Carrie (1974): I have a confession to make: I was supposed to teach this to one of my tutees and then just never read it, but to be honest we’re still doing basic reading comprehension anyway. That sounds mean but she’s very sweet and I love teaching her because she gets perceptibly less intimidated/critical of herself every lesson. ANYWAY I read half of this in the bath having just finished my period, which I think was perfect. It’s fun! Stephen King is fun! I don’t have anything deeper to say.

23. Hilary Mantel - Every Day is Mother’s Day (1985): You can def tell this is a first novel because it doesn’t quite crackle with the same demonic energy as like, An Experiment in Love or Beyond Black, but all the recurring themes are there. If it were by anyone else I’d be like good novel! But it’s not as good as her other novels.

24. Dominique Fortier - On the Proper Usage of Stars (2010): This was... perfectly competent. Kind of dull? It made me think of what I appreciate about Dan Simmons which is how viscerally unpleasant he makes being in the Navy seem generally, and man-hauling with scurvy specifically. This had the same problem with some other FE fiction which is that they’re mostly not willing to go wild and invent enough so the whole thing is kind of diffuse and under-characterised. Although I hated the invented plucky Victorian orphan who’s great at magnetism and taxonomy and read all ONE THOUSAND BOOKS or whatever on the ships before they got thawed out at Beechey (and then the plotline just went nowhere because they immediately all died???) I had to skim all his bits in irritation. I liked the books more than this makes it sound I was just like Mr Tuesday I hope you fall down a crevasse sooner rather than later.

25. Muriel Spark - The Abbess of Crewe (1974): Transposing Watergate to an English convent is quite funny, although it took me an embarrassingly long time to realise that’s what she was doing even though I lit read a book covering Watergate in detail in December. Muriel Spark is just so, so stylish I’m always consumed with envy. I think a lot of her books don’t quite hang together as books but sentence by sentence... they’re exquisite and incomparable.

Overall thoughts: This month was very indulgent since I basically just inhaled a lot of not challenging fiction. I need to enjoy myself less, so next month we’re finishing a biography of Napoleon, reading the Woman in White and finishing the Lesser Bohemians which currently I’m struggling with since it’s like nearly as impenetrable Joyce c. Portrait of the Artist as a Young Man but, so far... well I hesitate to say bad since I think once I get into I’ll be into it but. Bad.

[klaineccfanficlibrary]

are there any fics that explore Blaine’s depression in the future/through his life?

Down on the Corner by @flowerfan2

AU after Season 5/ Alt!s6. Blaine went back to Lima after the breakup, but Kurt stayed in New York. They do in fact reunite on the corner outside the loft in six months, but it doesn’t go as either of them expected. Over the course of the next year, Blaine struggles to find himself, and Kurt struggles to find Blaine. And while they both realize that love doesn’t necessarily conquer all, they discover that it definitely helps.

~~~~~

Rewrite This Story by idoltina

Six outer walls, five doors, five rooms, three windows, and one balcony. This is the world in which Blaine Anderson has lived for ten years.

~~~~~

Reverb by Fickelodeon

Post-Michael thru Season 4, Blaine’s just a little unwell, and it’s not long before everyone can tell. Physical and Mental illness. Hurt/Comfort. If Robin Cook wrote for Glee and General Hospital, the story would probably go like this. Universe Expansion for Seasons 3 and 4 wherein I add some elements to canon and leave some out but manage to get everyone back to place where they can still have the endings they got in canon. Honestly, I just wanted to write H/C, but the more I hurt Blaine, the more I realized he wasn’t going to handle that very well, so I added in diagnosed mental illness. All in all, it’s everything I love to read in fic all in one epic story, just in case I don’t ever get the chance to write these characters again.

~~~~~

Significant Others by lovely-sparkle

Five years after a nasty college break up, Kurt Hummel and Blaine Anderson are leading very different lives than they expected. Kurt is a successful assistant fashion designer, engaged, and a father-to-be. Blaine is struggling with a failed college career, depression, and drug addiction, ultimately alone. What brought them to those points in their lives, and what happens when they meet one another again?

Note: Thanks to @klaineficspdfs, you can find PDF and EPUB versions here.

~~~~~

Hurricane by  A Phrase That Cuts These Lips

Two years after Kurt and Blaine’s divorce, Kurt finally wins custody of their daughter. A week later, Blaine attempts suicide. He has nowhere else to go, so Kurt volunteers to take him in, believing that he can help Blaine.

~~~~~

The Awakening by laugs  (@heartsmadeofbooks)

Kurt Hummel has put his perfect life together carefully, making sure all the pieces fit exactly how he wanted them to. But all it takes is one name from his past to make all his hard work go to waste - Blaine Anderson.

[the-awful-falafel]

Rick and Morty - S4E10 “Star Mort Rickturn of the Jerri” Podcast Summary/Breakdown

I said I’d keep doing these breakdowns if people were interested, but I was also waiting for a podcast that gave some good analysis/trivia on the characters and writing process. And what better podcast to summarize than the one about the season finale? I recommend watching it yourself if you have time.

(Link to full podcast video here!)

The interviewed staff this time are Erica Hayes (director), Anne Lane (writer), Brent Noll (lead prop designer), Steve Levy (associate producer)

The way episodes get scheduled/made is that the writers try to break as many stories as possible and see what sticks within the production time they are given. If they have to rewrite an episode a lot it can possibly get pushed to later in the season than they originally intended

This episode wasn’t necessarily always going to be the season finale during the early writing process, although it was always intended to be in the latter half of the season

Star Wars is so big in our culture that there is seemingly an obligation to trope it, which the writers are kind of exasperated about, so that led to the type of referential humor in this episode

Justin Roiland was the one who wanted Rick’s internal organs to be partially cybernetic/synthetic, and it wasn’t initially in the storyboards. It’s also meant to show that Rick’s enhanced and able to take more punishment than a regular human

The placeholder music for the Phoenixperson VS Rick fight was heavy metal, which made it feel almost DBZ-ish, but they toned it down once the actual track had to be composed because they wanted to focus on the brutality of the fight

The writers try to never force characters/plotlines to come back early, and their idea is that characters should only be brought back when it’s the right/optimal time to use them

They’ve been discussing whether or not Beth is a clone in the writers room since early in Season 4

Anne Lane points out how the show—and, in a way, its take on continuity and its own internal canon—seems to be predicated on “nothing matters”, a viewpoint often shared by Rick, but that philosophy is constantly called into question and shown as not true by characters such as Morty, because things do matter to them on a personal and emotional level. Family matters, their experiences matter, humanity matters. If this was the “Rick” show, it would probably be entirely episodic, but a canon exists regardless because no matter how much Rick tries to deny it, he himself is also human and cannot help feeling human emotions.

The invisible garbage truck gag was originally going to be a part of the main episode as a culmination of Morty and Summer’s plotline. It was planned to get teleported onto the Federation ship, driven by Jerry, and brutally crush guards into a gory pulp while they couldn’t even see what was killing them. The gag was cut because it didn’t help the story enough, but everyone was still really attached to the concept, so it got moved to the post-credits scene instead

The original episode title they came up with was “Star Mort: Bethisode 2: Ricktack of the Clones”. They chose a different Star Wars title to riff on since this version was obviously too spoilery

Space Beth’s spaceship was intentionally designed to look like Rick’s spaceship, as he originally built it for her when he sent her off into space and she’s been making upgrades to it ever since

The Gromflomites’ insectoid ship designs weren’t created until season 2 despite the species originating since the pilot

The interviewed staff are absolutely aware of the fans who idolize Rick, and they believe that viewpoint has become less popular in the fandom as the show went on due to the show increasingly highlighting Rick’s flaws and making it clear how terrible he truly is. Pickle Rick and Dr. Wong’s speech was brought up as an example

The writers didn’t actually go into Season 4 planning “this is the season where Rick is taken down a peg”. It was more of an organic result of the writing as they broke the story for all the episodes, as well as coming from an interest in telling stories about Rick that focused on the side of him that he doesn’t want expressed, rather than focusing on the “badass smartest man in the universe” schtick that we’re already familiar with

They were still aiming to be consistent with depicting Rick’s character in Season 4 as someone who, following Beth taking control of the family back in the Season 3 finale, is trying to not “rock the boat” too much while still attempting to find ways to get away with what he did in the past. They were basically looking at Rick as someone struggling to find his place in his family and the universe this season

Despite the huge episode order and having 60 episodes left to go, they don’t really plan ahead or focus their energy further than a season-by-season basis (10 episodes at a time). So they probably don’t have any massive character arcs set in stone this far in advance, they mostly play it by ear

Rick and Morty is an incredibly difficult show to make from an animation standpoint compared to other adult/”edgy” cartoons due to how high-concept and ambitious its environments, characters, and camera shots are. It’s especially stressful because they said that they reached a point recently where they juggled 3 seasons at once, which has never happened in the show before.

They try to cope with the high demands of the animation by reusing background characters and environments whenever possible. They try not to reuse background characters that got dialogue and then got killed off, though, for the sake of continuity. They also try not to use stock aliens that have gotten recycled too much in past episodes.

A lot of the gun assets are reused throughout the show. The weird organic bug-gun Beth used in this episode was a new design, and it apparently gave Brent Noll a lot of difficulty in the prop design phase

A caller asked what Roiland and Harmon were referring to in a past interview which heavily implied there was a Season 4 post-credits scene which would lead into Season 5, and all of the interviewed staff were confused (since no such scene exists and they don’t recall any from development) and came up with different theories about what they might have been talking about. They also point out that most post-credits scenes are written as jokes and that the only real plot-related one was the Tammy and Birdperson one back in Season 3’s premiere episode. They prefer to keep implied future plot elements within the episode itself. “They’re not like Marvel post-credits scenes.”

The Wrangler jeans joke came pretty late in the process and wasn’t an actual paid advertisement. It was given to the Gromflomite ship as its weakness because the Gromflomites are very corporate and they were already parodying the Death Star trope so they wanted it to feel hackneyed

The Zeus fistfight and the Phoenixperson fight weren’t meant to be parallels to each other despite how brutal they were in episodes released back-to-back. Initially the planet-fucking episode was placed earlier in the season so it was mostly a coincidence. Also, the Zeus fight was meant to be more of “a dick measuring contest between two idiots” rather than anything impressive or epic

The reason Beth turned the clone decision back onto Rick is that she realized the choice he gave her was, once again, him stepping back from the responsibility to care about his daughter. So Beth attempted to force Rick to choose for once in his life whether or not he wanted her around, and he failed to commit to even that, which was the cowardly action needed for Beth to move on from her father’s emotional neglect.

Steve Levy dismisses the allegations that only the first and last episodes of the season advanced the plot, as the staff consider character growth  to also be part of the canon and something that is advanced throughout this season (using Morty’s character as an example). They also have pointed out that they’ve done canon-heavy episodes in the middle of past seasons before, such as the Ricklantis Mixup in Season 3, and it was only by coincidence that Season 4 had the major lore episodes be the bookends.

They also point out that some episodes that fans consider “filler” can be called back to later, retroactively making them important to the canon, so there’s always an implied level of continuity going on unless they explicitly call out an episode as non-canon (like the story train episode)

The interviewed staff don’t know when Season 5 is coming out, but they do believe it will be sooner than past seasonal gaps

Many of them are currently working on Season 5, and some of them are even working on Season 6

Erica Hayes is currently working on a different show because the board artists/directors are usually first in the process, meaning they wrap up work first and have to find other work in the meantime. She’s wrapped on Season 5 and expects to be back for Season 6 once the scripts are ready

And that’s it! Hope this was comprehensive enough for y’all to enjoy. (And now, I wait for Season 5′s podcasts.)

[wiseabsol]

20 Mewtwo Fanfics Recs

Since I’ve been getting more Mewtwo asks recently, I thought I would make a post to promote some of the Mewtwo fics that have caught my eye over the years. Here is a round-up of the ones that were the most memorable and influential to me when I was growing up, as well as some that look promising for other fans to check out!

MEMORABLE FICS:

1. Damaged by Cheshire Kat24

Link: https://www.fanfiction.net/s/8906040/1/Damaged

Summary: Living life to its fullest is never easy. A lesson Mewtwo learns the hard way after sustaining an injury that even his abilities cannot heal without help. With his new friends, he embarks on a journey that will define not only his place in the world, but that of his entire species.

My thoughts: While I never managed to read the entire story, this is a classic and was probably the first long, multi-chapter story with Mewtwo as the lead.

2. Shadows Like You by cosmicmewtwo

Link: Not available, though you can hit her up on Tumblr for the file.

Summary: Driven by his hunger for power, Giovanni creates three new Mewtwos. The clones seem to be under control...but for how long? And how will Mewtwo himself be affected?

My thoughts: This was incredibly influential to my writing, being a huge part of the inspiration behind “TPRS.” The Mewthrees introduced here were great and I checked every day for updates until this fic was complete. As a humorous aside, when I was a wee lass with barely any fic to my name, I sent cosmicmewtwo a message asking if I could use Mewthree characters in my own story, without realizing that cosmicmewtwo didn’t own that concept. She, bless her heart, confusedly told me to go ahead with my story and supported some of my earliest fics.

3. Anomaly by Dark Magician Girl Aeris

Link: https://www.fanfiction.net/s/3173119/1/Anomaly

Summary: When Mewtwo erased his memory from the minds of Team Rocket, he overlooked the computers they used in studying him. Now a second member of the race has been created by even more unorthodox means than the first. And boy, is she mad!

My thoughts: Aeris is excellent at writing Mewtwo, to the point where this is probably the most canon-compliant depiction of him that I’ve come across. This adventure story is also well-written and has a lot of feel-good moments. I wish that she’d managed to finish it, but what she has, along with the connected one-shots, is worth digging into.

4. The Sword and Shield Series by Kayasuri-n

Link: https://www.fanfiction.net/s/3535877/1/Sword-and-Shield

Summary: Detective Brenda Johnson was looking for something suspicious when she entered the lab, not a connection between Team Rocket and gym leader Giovanni Rocketto. She certainly wasn’t expecting Mewtwo. Rated M for Murder and other subjects.

My thoughts: So if you’re looking for a super fun murder mystery ride, this one is for you! I still desperately want to see what the remake would look like. That said, there are several entries in the old series, all of which are great.

5. More Than Just Shadow by Kirlien

Link: https://www.fanfiction.net/s/3602934/1/More-Than-Just-Shadow

Summary: Amy was sitting quietly on the doublebed, watching over the wounded Pokémon. “Mewtwo…What are you?…Who are you?” she whispered faintly, her fingers brushing against his cheek slightly in a soothing motion.

My thoughts: I remember this fic for how it captured the golden feeling of innocence in the Pokemon franchise. While dark things were happening in this story, there was a sense of warmth and compassion that I’ve always admired. This is another one that I wish had been finished, but what is here is worth digging into.

6. Between Two Worlds by Leonardo Mystic

Link: https://www.fanfiction.net/s/505048/1/Between-Two-Worlds

Summary: Ki is a teenage girl with special powers. Who one day accidentally discovers the Team Rocket project of Mewtwo. 

My thoughts: This was one of the first Mewtwo fics I ever read and was the most memorable in the romance category. I’d call it one of the classics and an interesting rewrite of the original movie. 

7. Forgotten by Melora Maxwell

Link: https://www.fanfiction.net/s/926885/1/Forgotten

Summary: The humans have a most strange saying. Curiosity killed the cat. I suppose in my case, it would be curiosity killed the clone. For it is what I am.

My thoughts: This one was responsible for the genesis of “Angelic Shadows.” It’s angsty and, despite being lean in the way of descriptions, it has a strong emotional impact. It’s a shame that it never got an ending, because it seems like it was within a few chapters of being complete. Even so, if you like gritty, this is a good one to look into.  

8. Eclipsed by Meriah

Link: https://www.fanfiction.net/s/4468231/1/Eclipsed

Summary: A young woman named Sutichay carries Arei, a miraculous child, whose birth will bring about a religious conflict. Later in the chaos, Arei is made the priestess of Mewtwo, and her growing attraction to him stirs the anger of Sabrina, his wife.

My thoughts: While this fic only has a few chapters, the premise is imagination, the writing is lovely, and it deserved more attention than it received. This was also the inspiration for my story “Hollow.” When Meriah discarded the original prologue for “Eclipsed,” she allowed me to use it—and the character Arei—as a jumping off point for my own story. The result was two very different tales with similar thematic cores.

9. The Incomplete Soul Saga by Miyuutsuu

Link: https://www.fanfiction.net/u/888889/Miyuutsuu

Summary: What is my true purpose in life?

My thoughts: If you’re looking for more grit, we have this odd series by Miyuutsuu, who wrote his stories with the Rule of Cool. Want Mewtwo to have a sword? An angsty romance with a gym leader? Possibly some loss of limbs? Then here you go! It’s a dark action/adventure story with a different flavor than anything else on this list.

10. Of Moonlight Shadows and Echoes Past by ZeoViolet

Link: https://www.fanfiction.net/s/620186/1/Of-Moonlight-Shadows-and-Echoes-Past

Summary: A Psychic teenager named Sharie, daughter of one of Mewtwo’s creators, finds a baby Mewtwo Giovanni forgot about…and eventually, runs into Mewtwo himself.

My thoughts: This was my favorite Mewtwo fic and one that I still think of fondly. The writing is lush, the premise is solid, and I definitely wanted to see where it would have gone. It’s another classic of the fandom.  

11. If You Let Me by Byoshi

Link: https://www.fanfiction.net/s/4129309/1/If-You-Let-Me

Summary: Every Pokemon Smasher must have a master, and the rule is no different for Mewtwo. A tug-of-war begins between Peach and Ganondorf, conflicted but united in their attempt to use Mewtwo to overthrow Master Hand.

My thoughts: I don’t have much to say about this one, other than I really enjoyed it, found the premise intriguing, and wished I could have seen more of the central relationship in it. Sadly, like many of these entries, it was discontinued.

PROMISING FICS:

These are fics that I haven’t actually read, but appear to have pull in the fandom and have definitely had a lot of hard work put into them.

12. Mute, Too by FalconPain

Link: https://www.fanfiction.net/s/3931388/1/Mute-Too

Summary: After losing a battle to the dark Pokémon Darkrai, Mewtwo awakens to find that he no longer has his psychic abilities. No longer able to float, read minds, or even talk to humans or Pokémon, he must rebuild his life. But how much of this can he take?

13. Forsaken by lilpurplebird

Link: https://www.fanfiction.net/s/5842142/1/Forsaken

Summary: Being a Legendary isn’t always a good thing—they realized that too late when the world came to an end. Mercifully, they were given another chance, but at a cost: They had agreed in a previous life to become mortal should they have failed to uphold their duties. Unbeknownst to them, however, there is a dark power lying in wait, targeting Mew and Mewtwo to do its dirty work…

14. Crossing of the Paths by MMMAJ Link: https://www.fanfiction.net/s/1252581/1/Crossing-of-the-Paths

Summary: Mewtwo can no longer stand living with humans, so he creates a dimensional portal and randomly wanders the web of infinite universes. This is the tale of the places he sees and the people he meets. 

15. Lines in the Sand by Shinymonkey8

Link: https://www.fanfiction.net/s/6847646/1/Lines-in-the-Sand

Summary: After finally escaping from Giovanni, Mewtwo has a chance to live his life free, and sadly alone… But when fate leads him to something he would have never expected, a female of his own species, his life is turned upside-down…. 

16. Human, Monster, Hybrid Series by TheFrogFromHell

Link: https://www.fanfiction.net/s/3082844/1/Human

Summary: When Mewtwo lured six trainers into his trap on New Island, he’d planned to begin his reign of terror on the human world. He hadn’t planned on being nearly destroyed by the battle that ensued, or on being nursed back to health by a human—a member of the species he’d despised enough to want to eradicate from the earth. Now, Mewtwo is torn between his hatred for his creators, and the new, mysterious emotions he feels for Misty, the human that saved his life. One again, his true purpose is in question: will he still choose to destroy the world, or will these unfamiliar insights change the way Mewtwo views humans, pokémon, and even himself. 

17. From Dark To Light by Whozawhatcha

Link: https://www.fanfiction.net/s/7659746/1/From-Dark-To-Light

Summary: Mewtwo falls for a Gardevoir, but hesitates to reveal any of his past to her, considering the circumstances. However, his past and Team Rocket do catch up to him, and how will they manage? And with strife with this Gardevoir’s mother, how will they continue to be together? What are her true motives for keeping her daughter from this mysterious pokemon?

18. The Mewblade Series by Vaporeon Lugia Krabby

Link: https://www.fanfiction.net/s/2967855/1/Her-Beginning

Summary: Welcome to the real complexity of the Pokemon World. Here we experience the full extent of this world alongside Mewblade, a Mewthree. This prologue introduces Mewblade, following the beginnings of Mewtwo. This opens a larger plot, full of depth and death.

Note: While this isn’t a Mewtwo-centric fic, it has been a prominent work in the fandom for ages.

SOME CAUTIOUS SMUT RECS:

So looking up Mewtwo smut can be dicey, since many of the writers of said smut tend to prefer dub-con or non-con scenes, with Mewtwo being a dominant alpha male/sexually-aggressive character. This can be triggering for some readers. The following two stories are not exactly exceptions to that pattern (well, “The Mewtwo File” is, but I have different qualms about it), but the romance in them helps to mellow them out.

19. The Mewtwo File by Alisonven

Link: https://www.fanfiction.net/s/4200365/1/The-Mewtwo-File

Summary: This is the story of the young clone Mewtwo and Aiko, his only human friend, the daughter of his creator.

My thoughts: This is a well-written story and has some good Mewtwo/Ai content in it, albeit features an AU version of them. That said, I have qualms about the sex in here, thanks to the difference between Mewtwo’s and Aiko’s psychological maturities. Aiko is clearly an adult, while Mewtwo reads more like a teenager. Some readers were fine with that; I felt squicked. There is also a casual use of sexual assault in a later chapter, so be aware of that going into this.

20. Primial Instinct by Sonic Sunshine

Link: https://www.fanfiction.net/s/3486169/1/Primial-Instinct

Summary: Mewtwo tells us the story of how he found and nearly lost love through his eyes. His journey of discovery is one filled with dilemmas, and even the most powerful Pokemon is helpless to stop it. Mewtwo x Lucario.

My thoughts: There are also casual uses of sexual assault in this, including from Mewtwo, which I wasn’t keen on. That being said, this is well-written and the central relationship is interesting, so who knows, it might scratch the yaoi itch for those of you who love the genre.

[anotheruserwithnoname]

(Belated) thoughts on Picard S1

Due to a mixture of (pre-lockdown) travel and other things, I didn’t get a chance to finish watching the second half of Star Trek Picard Season 1 till this weekend. I have some thoughts, but I’ll put a break here first as I’ll be doing spoilers.

In brief, though: for the most part I liked it and I don’t get a lot of the hate being thrown its way.

Looking at online reviews of Star Trek Picard, both by professionals and amateur YouTubers, you’d think it was the biggest abomination since Enterprise. I mean, I’ve seen hate thrown its way that even exceeds that directed toward Star Trek: Discovery.

I’m not going to turn this into a commentary on Discovery. I’ll just say that I agree with 99% of the criticisms about it and I have no plans on watching Season 3, nor do I intend to watch any of the Short Treks moving forward after being turned off permanently by the awful The Trouble with Edward.

Picard, however, renewed my faith that it’s still possible for good Trek to be made for TV.

Picard is being criticized for a number of things, like violating canon. Yet I didn’t see it. First, the show is the first Trek series set in “the future” of the Trek franchise since Nemesis back in 2002. So anything it establishes about Starfleet, Picard himself, and the fates of characters like Riker and Troi - there is no canon to violate because we’re moving forward. There is nothing in Picard that is of the same magnitude of, say, what recently happened with Doctor Who. We didn’t have them rewrite established history by suddenly finding out Jean-Luc was a Romulan spy, or that he wasn’t really the captain of the Enterprise, or anything to cause decades of storytelling to collapse into irrelevance or be contradicted. Nearly everything I saw was consistent with what I knew and remembered from TNG. They didn’t even try to retcon the appearance of the 1701-D like Discovery did to the original Enterprise.

That’s not to say everything that was done to the characters post-Nemesis was great. I didn’t care or how Seven of Nine was treated, and they did a few things with her that I think were in the “because we can, not because we should” category. So criticism is warranted there. I also felt a few characters were underserved - including Narissa, who is (or was, RIP) arguably the show’s best character next to Picard. She was a classic Trek villain - yet towards the end we started to wonder if she actually WAS a villain, or basically the Romulan equivalent of Jack Bauer from 24. She commits acts of outright savagery to pursue her ends, definitely - but the same can be said of other “ends justify the means” heroes and anti-heroes. I would have liked to have seen her developed more. (Mind you, the way she is killed off by Seven does leave an opening for a return - that was a long way down, with plenty of time to pull some macguffin out of her hat.)

Probably the main thing that I liked about this show is I cared about the characters. I can even remember their names - something Discovery failed to impress upon me. Rios and his crew of holograms were great and in Season 2 I hope they do another meeting sequence where they all interact with each other. Yes, I know Orphan Black did it first and probably did it better - but it ain’t Star Trek.

One of the biggest criticisms others levy on Picard is that Picard was a supporting character in his own show. First, that’s nonsense. Second, Picard is supposed to be a dying man throughout and in his 90s to boot. This is why I think the idea of bringing Shatner back as Kirk isn’t going to work because he won’t be running around with phasers blasting either! Stewart is not the same man he was when he made Nemesis - and they don’t make the mistake of trying to pretend otherwise. Even at the end where they basically make him a nuBSG-style Cylon to keep him alive, they didn’t turn around and make him 50 years old again. If Trek wasn’t a TV show, sure they probably would have, but the reality is the actor turns 80 this summer, and who knows when Season 2 will be filmed.

The big condemnation is about how Starfleet went dark post-Nemesis. People seem to think that Starfleet is always about goodness and light. They forget about the high command plotting the assassination of the Federation president in Star Trek VI. They forget about the black ops division Section 31 established in DS9 - or some of the things Sisko does during the Dominion War. Apparently, one of Picard’s showrunners says the original plan was to make it clear the “darkening” was part of the aftermath of the Dominion War, but this was cut. Yet they don’t need any excuse - the show clearly establishes that Romulans infiltrated the highest levels of Starfleet Command (if you think that can’t happen, go watch the final few episodes of TNG Season 1 when it happens) and were responsible for the Mars attack that set everything in motion.

And the show clearly establishes that there are till bastions of “goodness and light” in Starfleet - starting with Picard himself. And the season ends with the synthetic lifeform ban removed, signifying that Starfleet is returning to its old standards. It works. There were also people concerned that Picard was going to somehow tie-in with Discovery (due apparently to some of the cast members of both shows posing for photos together). Other than a few small references to things established on Discovery, Picard doesn’t go there.

Is Picard perfect? Hell no. Although I appreciated the “slow burn” style of storytelling, which has been adopted by a lot of other shows, it is a tough fit for Star Trek. But I didn’t mind because it was interesting. But I can see others’ points when they say the first few episodes drag a bit.

The show also suffers from the usual “continuity lockout” facing any newcomer to Trek. In this case, you need to know a fair amount about Seven of Nine’s story arc from Voyager, the Hugh story arc from the later seasons of TNG, the movie Star Trek: Nemesis, and have a working knowledge of the Picard-Data relationship from TNG. It also doesn’t hurt to know that Bruce Maddox appeared in one of the key “Data is a person” episodes of TNG as well. Unfortunately, knowing TNG may also result in one of the few major continuity issues of Picard, and that’s the fact Data already had a daughter, Lal, in “The Offspring”. The fact she’s never referenced is puzzling.

Other issue I had: I am not a fan of the use of F-bombs in Star Trek. While I concede they were better handled than the juvenile “because we can” attitude of Discovery, it added nothing other than to justify the TV-MA rating (without the F-bombs the show - eye-gouging included - would have fit under TV-14), which some has interpreted as an intentional attempt at alienating younger viewers (Torchwood ran into the same criticism). I already touched on the mishandling of Seven of Nine (which added in some unnecessary storytelling cliches, especially at the end), and I thought Narek could have been better handled - he vanishes without explanation in the finale and no one seems to care.

They also missed a few bets. I would have loved for the mysterious tech-alien species to have had some connection to Vger from Star Trek the Motion Picture (it makes more sense than Vger being found by the Borg, which is a longstanding theory). And while it was just a destination in the show, and never seen, rather than invoking the name of Deep Space 12, would it have killed them to say Deep Space 9? There was already a visual reference to Quark in one of the episodes, but mentioning DS9 by name, along with Seven’s presence, would have allowed Picard to have connected the three “future” Trek spinoffs.

But I enjoyed Picard, and if they still make DVDs after all the madness currently in the world, I look forward to buying the complete series when it comes out, and I hope they make a second season (it’s been renewed, but these days there is no guarantee when or if renewed shows will resume production and too long a delay risks 80+-year-old Patrick Stewart not being up to it). All in all, quite pleased, yet still puzzled at why so many people hate it. But then I know there are people who cannot understand why I cannot abide by certain shows, so I guess it evens up.

[sepiadice]

DiceJar 0 END: what could have been...

Being completed ghosted for a scheduled session once again, I suppose I should finally face the facts and call the campaign. Which is, of course, very disappointing.

-

Let’s review the experiments I attempted in this campaign.

Experiment 1: Using a published module/adventure.[1]

I thought I might gain some valuable insight by analyzing a ‘professional’ product. By using an adventure I’d previously played myself, I’d hoped my experiences would smooth out my figuring out how to run it. Eventually, I learned the value of bullet pointed action plans, because the formatting of Crypt of the Everflame was not good for skimming, as vital information was hidden in the middle of information texts so I’d miss it during the game if I didn’t make sure to call, say, dice roll mechanics for going down a slippery hillside. It also meant I could look ahead and edit out rooms and mechanics that didn’t move the story of dungeon.

So, this experiment was technically a success, even if the lesson I took away was ‘modules don’t work well with my improv style, but provides inspiration sometimes.’ More on that later.

Experiment 2: Get a group to meet regularly.

So I’ve been wanting to do an actual play show since… well, before Critical Role and The Adventure Zone made it cool. For that, I need players willing to collaborate and also respect call time. As you can easily conclude from the time stamps, I couldn’t manage that, even when a freaking pandemic swept in and made being home for online sessions theoretically easier![2] Admittedly, my work schedule is not exactly ideal, as my Saturdays are permanently called for, and my Sundays are a wild ride of inconsistency, while my peers are moving to more conventional work life.

So, the experiment failed, and to a degree that I doubt a career or just schedule change would help. I did learn that a biweekly schedule works well for me, since I can spend the off week on planning, and still have time for my pre- and post-performance need to separate thoroughly and enter a neutral state.[3]

Experiment 3: Finish a dang narrative arc.

Ha ha. This also failed! Couldn’t get to the end of the dungeon. Welp.

Other lessons learned

I don’t online play well! Just get distracted by other internet tabs. It’s not as bad when I GM, since the stress of running the game keeps me more focused, but both the Curse of Strahd campaign I quietly quit[4] and IndigoDie’s Troika session[5] showed that I’m a garbage player online. Possibly an adoption of webcams and faces would assist, but I can’t ask for that.

People still hard! Still haven’t figured out how to get anyone invested. Can’t really be upset at the silent cancellations because I’m technically doing that with Curse of Strahd, and thus would be a hypocrite.

-

What was planned!

It’s only fair I give some amount of closure.

Session three ended with Bean dying, and there wasn’t a narratively consistent way to introduce a new party member…

Well, I guess if NavyDie consented to playing a bandit, or rewriting the scared dungeon prepper the party skipped…

What I decided was thus:

Bean's eyes open. The sharp pain of the punctures and tears, and the slow ache of liquid passing through those openings are gone, as is much of the world's color. The torches and other sources of light shine blue.

His companions are gathered around him, their mouths moving as if speaking, but Bean hears nothing.

For some reason, Bean feels at peace with this. This is correct.

Footsteps echo from the stairs, growing louder. A figure emerges from the floor below. When it enters the light, at first it is blurry, like many images projected upon the same space. Within the time that Bean's now still heart would have beat, the many silhouettes fade, leaving one form: Bean's father, though not the frail man Bean saw before he left Kassen, nor how bean's father looked before he was ravaged by illness, but the impossibly tall, strong, noble figure that Bean remembers his father being.

Though this man's smile has none of the warmth, and his eyes glow with an eldritch light.

"Seems you've come to some misfortune, Bernard Dipp," says this Mr. Dipp-who-is-not-Bean's-father. "Would you like some help with that?"

This mysterious fiend would become Bean’s patron for a level of Warlock, and ride around his head for the foreseeable future, threatening death if Bean didn’t do as ordered. You know, an excuse for Bean to continue adventuring instead of taking over the family farm.

As for where this fiend came from… well, I easily adapted that into the dungeon’s lore.

Kassen, whose visage is all over the crypt, is not the only one entombed within. There are also those who perished alongside him during his final battle, as well as those who perished facing him in the final battle. This includes Asar, who once adventured with Kassen until the two became bitter enemies or whatever, ending when Asar lead the charge against Kassen.

Anyways, an amount of time ago, bandits stumbled upon Kassen’s Crypt and started looting, and disturbed the coffins, looting a pair of medallions.

Here’s my adjustment: the medallions are now artifacts sealing away a fiend, and reuniting them freed him, whose presence radiated enough necromantic energies and roused Asar, who was deeply offended to be interred in a shrine to his enemy. Stupid, egotistical Kassen. Let’s channel this necromantic magic laying away and get some skeletal minions and kill those who bother me.

Which wasn’t great for the bandits, then later the advance party from Kassen, sent to make the trial safe for the youths. Blood was spilled. It wasn’t great.

Then our heroes arrived, and (hypothetically) resolved matters. Kassen’s ghost would then appear, thank the party, probably convey embarrassment at how the place is decorated, and grant boons to the party[6] before sending them on their way with a lit lantern.

Back in town, a grand celebration would turn somber as word of what happened in the tomb occurred, by it would be mixed and a feast would still be held.

The module ends with someone inviting the party to join the Pathfinder Society, but I’d cut that.

As for the fiend? Well, he’s transferred his tether from the amulets to Bean, so now he can ride the boy to wherever.

Unfortunately, I didn’t have anything particularly exciting planned for the others, as Bean was the only one who I got the opportunity to saddle with a commitment.

IndigoDie quit anyways.

Delilah I could motivate with eagerness to be free of her parents.

Yot… is a mercenary, so maybe Delilah could’ve paid him.

I could’ve figured something out if the players insisted on continuing with their characters. That would’ve been a discussion for after the module was completed.[7]

-

Moving forward!

So DiceJar waits evermore. I don’t want to admit that it’s an implausible goal, but I’m not in a great headspace about it. I still crave role-playing, but I think I’ll wait for someone to start their own campaign, or I guess see if I get a turn-over of my friend group.

NavyDie mentioned wanting to try a Powered by the Apocalypse system, and it’s only fair I actually try the mechanics before completely writing the rule set off.[8]

The next experiments I want to run when I return to behind the GM screen relates to system: Savage Worlds (once the most recent edition is back in print) as I search for a generic system that fits my needs, and Ryuutama, because Ryuutama just looks fun.

But… I don’t know what to do from here.

Until next time, may your dice (and whatever dice governs me) make things interesting.

-

[1] The correct terminology isa matter of pointless debate. [2] Charisma and Constitution are obviously my dumb stats. [3] Not sure my meaning is conveyed correctly. I’ll probably nail it down in a future write-up. [4] The group was too large, and after IndigoDie quit there were insufficient participants I knew and was comfortable performing with. [5] Which didn’t get a write-up because I didn’t have anything of substance to say. [6] Which, in the original Pathfinder, was something the each player can evoke for a temporary stat bonus, but in 5e I was going to change to a free Inspiration recharge. [7] Though I would not send them to Last Wall. It would’ve been time for me to spin off to my own stuff, and Last Wall… is not something that needs to be repeated. [8] I’ve never heard an Actual Play where Powered by the Apocalypse wasn’t either a hindrance or irrelevant.

[claudioseraph]

Yall wanna see my very rough rewrite of the tekken story where things remain mainly the same but I try to keep it sensible jk I’m posting it now and you have no choice but to witness Keep in mind a lot of characters are yet to be mentioned or expounded upon and I also started it with the mood of a youtube vid where you’d be listening to someone but it’s slowly turning into more of a wiki page. I’m at tekken 3 so far and I’ve been bouncing back and forth on the actual Tekken wiki page trying to get my info straight. Also trying to create the illusion that Heihachi MIGHT be a good guy like the series seemed to play with every now and again, or he might just want people to think he’s a good guy.

Let’s start at the beginning; with the young Heihachi and Kazumi meeting for the first time as she enrolls in Jinpachi’s dojo. Jinpachi and Heihachi are impressed by her ability to adapt to both her own Hachijo style Karate and Mishima style fighting arts. From here, Kazumi is but a carefully-placed plant, her current objective being to watch over Heihachi because of the risk of him causing destruction to the world. Kazumi does eventually begin to harbor real, genuine feelings for him, though, and as such the two get married. It’s from here that the warning signs really start to show, though Kazumi tries to ignore them despite her original purpose. Heihachi insists his father end his focus on fighting arts to instead focus the Mishima Zaibatsu on producing weapons and engaging in matters of warfare so that their name continues to have strength when what he sees as outdated fighting techniques are no longer relevant. Jinpachi refuses, and as such asserts that Heihachi will never inherit the Mishima Zaibatsu. By now, Kazumi is even more hesitant as she is pregnant with Kazuya and understands that if Heihachi does become a threat as foretold, so too will Kazuya. She does her best to persuade Heihachi to change his mind about the direction of the zaibatsu, doing her best to change his ways while dancing around the whole “my family foretold you would bring death and destruction to the world” angle. Heihachi assures her that he’s only concerned with his family’s name and status, not being a war monger. Kazumi “believes” him. Things calm down for a time, enough for Kazuya to be born and live a normal life until age 5. Heihachi still harbors outward resentment towards Jinpachi, and the two are all but estranged. Heihachi still keeps an eye on the company as Jinpachi’s health begins to decline and it becomes clear he’s nearing his end. Around this time, Kazumi’s devil gene is beginning to activate, seeing as the chance of Heihachi gaining ownership of the zaibatsu and enacting his plans for it is still very prominent. She does her best to fight it off but is overtaken by a fever one night which leads to the events shown in Tekken 7 of her transforming and revealing her true purpose to him before being killed. Kazuya witnesses only her death, and is understandably confused and angry. Heihachi is in no place to console Kazuya and instead responds in kind with anger. After Kazuya isolates himself Heihachi recalls that Kazumi revealed that she was not only sent to kill Heihachi, but would have to kill Kazuya as well, and wonders where that puts Kazuya in all of this. Did he inherit the same abilities? Would he stand against Heihachi in the future? Or would they work together? Rather than immediately casting Kazuya out, Heihachi intends to see what path Kazuya takes. He still lacks the emotional availability/complexity to properly raise Kazuya after the rift in their relationship and things are rocky between them to say the least. Kazuya doesn’t believe any excuse Heihachi gives him for killing his mother, but as he’s only a child there isn’t much he can do to retaliate. Jinpachi dies a year later and is burred under Hon Maru. Heihachi forcibly takes control of the Mishima Zaibatsu. Knowing this was against Jinpachi’s wishes and having been close to his grandfather, this only widens the rift between Kazuya and Heihachi. [Heihachi swiftly begins to use the zaibatsu to investigate a god of fighting rumored to be lying dormant somewhere in the world. This sends Mr. Chang to America where he falls in love with Mrs. Chang and Michelle is born.] Heihachi still intends to raise Kazuya to be a formidable fighter, and adopts Lee into the family specifically for the purpose of giving Kazuya a rival. Thinking it over, Heihachi decides that even if Lee isn’t a fitting rival, he’d raise him to stand against Kazuya alongside him should things go that way. Lee is more receptive to the ins and outs of business, to manipulation for the sake of his own gain, and Heihachi uses that to give him an edge against Kazuya. Understanding Lee and Kazuya’s seperate skill sets, Heihachi sends Lee to America on business while he sends Kazuya out to participate in  tournaments across the world. Lee meets Paul and Law while in America and trains alongside them. After Lee has returned to Japan, Kazuya meets with and fights to a draw against Paul in America. [Mr. Chang dies when, under threat of death, he begins to unearth Ancient Ogre. His death is covered up by the zaibatsu and when Michelle, 18, learns of this she joins the tournament to exact revenge against Heihachi.] In their 20s, Lee and Kazuya begin to conspire against Heihachi to wrest control of the Mishima Zaibatsu. Their union is shaky at best as both plan to head the zaibatsu in spite of the other, but they unify long enough to participate in the Tekken tournament Heihachi organizes with the intention of defeating him. (The tradition of fighting tournaments initially began as a smaller ordeal under Jinpachi, and Heihachi is only currently organizing a fighting tournament to keep the Mishima name in the spotlight). Lee, Paul, and Law meet again (outside of matches) and Lee learns that Paul has faced Kazuya before. Kazuya eliminates Paul from the tournament but in a show of good naturedness the two stay on good terms as rivals as Kazuya appreciates Paul’s strength. Eventually, Lee and Kazuya are pitted against one another. Kazuya emerges victorious and reveals to no one’s surprise that he never intended to share control of the zaibatsu with Lee. He does, however, offer Lee a lesser position. Lee finds that his pride is more damaged from losing to his brother than he’d expected, and he declines Kazuya’s offer. [Nina joins the tournament under orders to assassinate Heihachi but is defeated by Anna, who is then defeated by Paul.] Kazuya continues to the final stage against Heihachi, who is equal parts pleased with his son’s strength and cautious of it. Kazuya is nearly overwhelmed by Heihachi, who is fighting with his all, until the devil gene within him is activated and grants him immense power. Heihachi is overwhelmed both by Kazuya’s strength and by the revelation that he has inherited his mother’s ability. Feeling truly paternal for only a moment, Heihachi attempts to console Kazuya and explain to him the origin of this new power, intending to help and protect him the way he failed to with Kazumi. Kazuya, on the other hand, quickly abates his confusion and realizes that his power means he can no longer be subjected to feeling helpless the way he had as a child and under Heihachi’s strict and oftentimes cruel “parenting”. This power goes to Kazuya’s head, and he quickly dispatches Heihachi, disposing of his body off of a cliff near his childhood home in a mostly symbolic gesture. [Kazuya meets Ganryu in this tournament after the sumo is defeated by Yoshimitsu. He recognizes his strength (despite not seeing him as an equal) and appoints him as his body guard after taking control of the Zaibatsu. Kazuya extends the same offer to Paul but Paul respectfully declines in favor of traveling the world in order to become stronger. Kazuya learns of Heihachi’s search for Ancient Ogre and continues where he’d left off, sending Ganryu to attain an amulet currently in possesion of Michelle Chang that has some connection to the fighting god. Ganryu fails, falls in love with Michelle, and never returns. Ganryu’s abandonment is no great loss to Kazuya.] As Kazuya gains power of the Mishima Zaibatsu, Lee isolates himself in the wilderness to train. It is here that he meets Wang Jinrei, a skilled martial artist who knows of Lee’s connection to the Mishima family. Wang offers to train Lee in exchange for Lee bringing about the end of the Mishima clan as he, like Jinpachi and the Hachijo family, foresees the destruction they will bring to the world. When Lee tells Wang that Heihachi is already dead by Kazuya’s hands, Wang reveals that he can still feel Heihachi’s energy and that he has not yet been killed. Lee agrees to do what he must so long as it means becoming stronger than Kazuya, unaware of how Heihachi’s intentions of creating a division between the two had deeply affected his psyche. As leader of the zaibatsu, Kazuya organizes another tournament two years later to test his ability in battle. His power has gone to his head and he has become even more millitaristic than Heihachi, planning to seize control over all of Japan after he has ascertained the limits of his strength. He has also ordered genetic experiments on living creatures to understand the effects of the Devil Gene. His collective actions draw the ire of wildlife conservationalist Jun Kazama, and she joins the tournament in order to stop Kazuya. Jun is also able to sense the evil habituated within Kazuya, and intends to dispell it from his body to keep he and the world around him safe. Meanwhile, Heihachi has recovered and healed, sharpening his skills before the tournament in order to stop Kazuya, whom he no longer sees as his son but as a demon. Lee joins the tournament only to be defeated by Heihachi, whom he is still surprised to find alive despite Wang Jinrei’s words. Lee is then officially expelled from the Mishima clan. Jun meets with Kazuya outside of matches to arrest him, but instead convinces him to end his experiments on animals. While Kazuya initially intends to cast her aside he is drawn in by her strength and bravery, as well as the strange calm that overcomes him whenever she’s near him. Jun is then able to see that there is some good in Kazuya still, and takes an interest in him as well. Kazuya becomes compelled to act on her wishes and ends the animal experimentation. He never vocalizes it but Jun knows that Kazuya has the intention of changing his ways and as such Jun forfeits the tournament, seeing no need to proceed. [Nina is again sent to assassinate Kazuya and fails due to Anna’s intervention after she became his body guard (alongside Bruce*) for the sole purpose of stopping her sister. Nina is captured and used in Dr. Bosconovitch’s* experiments which would put her into a deep cryosleep. Seeing no fun in living without her rival around for years, Anna volunteers to also take part in the experiments.] Any intention Kazuya had of changing is swiftly brought to an end once Heihachi reveals himself to still be alive. Kazuya is defeated and Heihachi regains control over the Zaibatsu. In an attempt to assure Kazuya’s demise, Heihachi throws his body into an active volcano. Lee distances himself from Mishima matters. Jin is born months later after a tumultuous pregnancy wherin Jun had to ward off the influence of the devil gene. Jun recieves word of Kazuya’s demise but senses that he may still be alive. She believes that Heihachi was only acting for what he believed to be the greater good and harbors no ill will towards him. To protect Jin and reconnect with her spiritual energy she raises him in semi-seclusion, teaching him Kazama-style fighting arts in an attempt to continue protecting his soul from the devil presence. When Jin turns 15 Jun has a premonition of her own demise and as such instructs Jin to seek out Heihachi should anything happen to her, being estranged from her own family after her father’s death and unable to reach out to them. Her premonition comes true as a newly-awakened Ancient Ogre attacks them and presumably kills her. Jin assumes as much when he awakens after the attack, their home burned to the ground and neither Jun nor Ogre anywhere in sight. [Ogre’s appearance awakens Anna and Nina, Nina having lost all her memories of Anna and their rivalry. Anna, as such, attempts to remake their relationship to avoid becoming rivals with her again, realizing that they only really have each other. Nina is unfortunately possesed and controlled by Ogre, making that impossible.] With some difficulty, Jin does find Heihachi who takes him in with minimal questions. Having been mostly isolated Jin is ill prepared for city life and instead spends most of his time training, which Heihachi is unopposed to. Jin knows nothing about Kazuya and Heihachi’s falling out and is subsequently unsuspicious of Heihachi’s possible response to the devil gene dormant within him. Heihachi does consider raising Jin properly, but remembers how Kazuya had easily turned on him once his devil gene was activated. Heihachi properly enrolls Jin into Mishima Polytechnic and Jin is very receptive to his lessons. Heihachi sends Jin on small business trips once Jin is old enough in order to test his business savvy, and on one of these trips Jin meets and fights to a draw against Hwoarang. In the years after the second tournament, Heihachi had been using the zaibatsu to regain the support of the public by way of creating the Tekken Force which was sent worldwide on good will missions to provide aid to impoverished nations. This force was, at the same time, searching for any evidence of Ancient Ogre. It isn’t until 15 years later that one of their expeditions properly unearths Ogre, who wipes out the team. Word reaches Heihachi of Ogre’s appearance just before Jin is sent to him. For the next four years Heihachi trains Jin as a possible weapon to use against Ogre while trying to again ascertain the monster’s whereabouts. He sees the pattern of Ogre’s appearances; only appearing to face strong fighters, and organizes the third Tekken tournament in order to draw Ogre out and obtain his power. [Baek was one of the fighters to have been unfortunately confronted by Ogre, and this pushes Hwoarang to join the third tournament to obtain his revenge and settle the score against Jin.] [Paul receives an invitation to the third tournament and joins to test his mettle against his rival’s son and father. While he never meets with Jin or Heihachi, he does defeat Kuma and Ancient Ogre. He leaves the tournament prematurely to find more challenges, not realizing Ancient Ogre had been revitalized as True Ogre.] Jin and Hwoarang meet at the third tournament and once again fight to a draw. Jin is allowed to continue on through the next stages and Hwoarang is forced to return to Korea for his mandatory military service. Jin meets with Heihachi next, who claims to want to test his strength before Jin continues. In reality, he wishes to fight in order to draw out Ogre. This plan works, as a weakened Ogre appears and is swiftly defeated by an enraged Jin. At his second defeat, Ogre takes Heihachi’s power and becomes True Ogre, whom Jin also defeats with terrifying power. Regaining consciousness just long enough to see this, Heihachi then knows that Jin has inherited the same devil power as Kazuya. As he’s calming himself from the fight, Heihachi takes the chance to shoot Jin, then calls in the Tekken Force soldiers to retrieve his body. However, Jin reawakens as Devil Jin and

[selina-kyle89]

Yes Professor? Part 1 (Professor!Steve x Reader smut)

Pairing: Professor!Steve Rogers x Reader au

Warnings: Smut, dirty talk, spanking, dom!Steve, sub!reader. It’s just smutty guys. 

A/N: This is part 1 of a 3 part little thing in collaboration with my bae @buckysoldierstories. If i forgot to tag anyone sorry! I’m on mobile on the way to the beach and I’ll fix it later on! Enjoy 😉 Reposted because stupid Tumblr flagged it :(

Read Part 2 here!

You rushed through the courtyard of your college campus. It was the first day of the summer semester and like an idiot you had decided to take a few extra classes to get closer to graduating. And so far you weren’t off to a promising start, seeing as how you were 20 minutes late to your Art History class.

“Shit, shit, shit, shit.” You muttered as you raced through the hall, skidding to a stop in front of room 212. You took a few breaths to steady yourself before quietly opening the door. You breathed out a sigh of relief, happy to have slipped in relatively unnoticed before the door slammed shut loudly behind you causing the entire class to turn in your direction. You shut your eyes in embarrassment as the professor ceases his lecture.

“Sorry.” You squeak out, slipping into the first empty seat you could find, thanking every entity it wasn’t in the front row.

You began unloading your bag, trying but failing miserably at not staring at the insanely hot professor. On the board behind him it stated ‘Professor Steve Rogers’ in big bold letters. You were supposed to be catching up on the lesson but your eyes wandered over Steve’s body. He was tall and muscular with sandy blonde hair and piercing blue eyes that seemed to cut right through you with every sweep he made in your direction. The scruff covering his strong jaw had you imagining the delicious burn it would leave behind on your thighs. You shook your head, needing to get the sinful thoughts out of your head.

“Something you disagree with, Ms. Y/L/N?” Professor Rogers asked you, standing directly in front of you.

“N-no, sir, I was just clearing my head. Please, go on.” You stuttered, looking down at your paper, cheeks flaming.

Professor Rogers smirked before continuing his lecture.

You both looked forward to and equally dreaded Professor Rogers class. On one hand, it was a very interesting class and he didn’t give unnecessary work so it was also fairly easy. On the other, you could barely stand being in such close proximity to a man that good looking without jumping over the desk and letting him fuck you seven ways to Sunday. You were also fairly convinced that he knew how you felt. The way he would walk by your seat, fingers lingering across your open book, or the way he would lick his lips when you would answer a question or the way his eyes seemed to find you first when you got to class and follow your every move until class began. It was becoming unbearable, the tension and longing getting to you. Even if you had cum screaming his name on your own fingers the night before, seeing him in class the next day with his button up stretched tight across his broad chest always made you feel depraved.

One Friday afternoon, you were feeling particularly riled up, Professor Rogers was wearing (if possible) his tightest shirt to date and dress pants that hugged his perfectly toned thighs and ass. Your distraction must have shown because you were called upon to answer nearly every question.

“Ok, so over the weekend, try to get through chapter 12. I’ll post the assignment on the portal so make sure you check it!” Professor Rogers called out to the retreating students.

“Miss Y/L/N, can you please stay behind for one minute?”

You groaned inwardly. You really didn’t want to spend another second in his stupid attractive presence. Turning to face him, you made your face as expressionless as possible.

“Yes, Professor?” You asked, ready to get this conversation over.

His eyes darkened before he cleared his throat. “I would like to discuss your essay you submitted last week. If you could step into my office, it will just take a moment.”

His deep voice sent shivers throughout your body and you nodded, silently following him into the dimly lit room. You heard the door close behind you and the lock click into place, making your heart start to race in your chest. Professor Rogers circled around you to his desk and gestured to the empty chair in front of it. You sat down on the edge of the worn leather chair, hoping and praying he quickly tells you what he needs to. He shuffles some papers around on his desk, placing his glasses on. When he peered up at you over the thick, black frames, wetness flooded your panties.

“I just wanted to give you the opportunity to rewrite the ending, it seemed disconnected from the rest of the piece. If you think the weekend is enough time, have it back to me by the end of class on Monday.”

You took the paper from his outstretched hand, fingers brushing his slightly. “Of course Professor Rogers, I’m sorry, I knew it wasn’t my best but it will be.”

You attempted to take the paper back from him but Professor Rogers had a firm grip. You shot him a quizzical look and pulled a little harder only causing him to give you a smug grin. You huffed exasperatedly, “What do you want, Rogers? It’s been weeks of this cat and mouse game and I’m going to explode. So what gives?”

Before you could think too hard, the professor was out of his chair and standing in front of you with his arms on either side of the arms, his large frame dwarfing your smaller one.

“First of all, sweetheart, when you’re in my office, you will call me Professor or sir. Second of all, relations between students and teachers are against university policies. And you make it really hard to abide by those policies.” He whispered the last part in your ear and you shivered.

“So what are you gonna do about it….Professor?” You purred, scratching a finger through his beard.

Steve launched himself at you, his lips crashing into yours in a rough kiss. Your mind was racing as you kissed him back, allowing him to completely take over and lift you out of your chair. You landed with a soft thud on his desk, papers scattering out from under you. Strong hands tore at your clothes, your shirt being over your head. You reached out to unbutton his shirt but he stopped you.

“Nuh uh babygirl, you first. I want to see the rest of that beautiful body.” He hummed, tucking his fingers in the waistband of your jeans and tugging them down taking your panties with them. You hurriedly unhooked your bra and tossed it across the room leaving you bare before the professor. His eyes roamed your body appreciatively, palming the sizable bulge that had formed in his tight slacks.

“Turn over for me baby.” He spoke lowly and you complied immediately, anticipation coursing through your veins.

“Such a perfect ass. Got me so hard already. Are you wet for me baby?”

“So wet sir.” You spread your legs slightly, giving him the perfect view of your glistening slit. Steve groaned lowly and you heard the sounds of a zipper and then his pants falling to the floor. Without warning, a sharp slap was delivered to your ass and you yelped loudly. Three more swift smacks landed on your tender skin before you were yanked up against his hard chest.

“You liked that didn’t you, dirty girl? You’re practically leaking.” He growled in your ear, fingers skipping down your belly and grazing your swollen clit.

You whimpered at the contact, wiggling your hips against his fingers to get more friction. You cried out as a sharp slap landed on your sensitive pussy.

“You answer me when I’m talking to you, do you understand?” Professor Rogers commanded.

“Y-yes sir.” You answered shakily.

He smirked, letting go of your hair. “Good girl. Lay on the desk for me, spread your legs.”

You laid on your stomach across his desk, standing on your tiptoes. Rogers gripped your hips and you felt the head of his cock teasing your dripping hole. He slowly pushed into you, the stretch causing you to hiss. Once he was fully seated inside you, he sat still for a moment, placing open mouthed kisses across your spine. You gave him the signal to continue after a few moments, the pain having subsided into the need to have him filling you over and over.

“Hold on baby girl, I’m not gonna go easy on you.” He said roughly as he pulled out of your heat.

You forgot how to breath when he slammed back into you, the powerful thrust sending you forward.

“Fucking shit sweetheart, your pussy feels so amazing wrapped around me.” Steve gritted out, his pace never faltering as he watched himself disappear into you.

You moaned, hiking your leg up onto the desk, the new angle causing his cock to hit the spot inside you that made your eyes roll back. “Faster sir, please. I’m so close. Oh my god.”

The professor grunted as his grip tightened on your hips, slamming you down onto his cock over and over again. You cried out, your cunt clenching hard around him, teetering on the brink of orgasm.

“Yeah, that’s right baby, feel you gripping me so tight. You gonna cum on your professor’s dick?” He growled in your ear, reaching his thumb down to rub harsh circles on your clit.

You screamed out his name as your came hard around him. He smacked your ass hard as he fucked you through your orgasm.

“Fuck you look so fucking hot cumming on my cock. I’m so close baby girl, think you got one more for me?” He asked, rubbing your overstimulated clit harder than before.

“Oh god, oh god. Fuck!” You screamed louder, feeling the familiar pleasure creeping through your veins.

“Come on baby, cum with me, fuck cum now!” Rogers yelled, his cock swelling as he filled you with hot spurts of cum. His release triggered your own, your body shaking with the force of your orgasm.

Steve collapsed beside you, both of you breathing harshly as you came down from your highs. You turned your head towards Steve to find him already staring at you and you smiled. Maybe his class wouldn’t be so bad after all.

After an eventful weekend thanks to Professor Rogers, you arrived to his class bright and early. He winked at you as you took your seat, noticing another name written on the board. Professor Barnes.

When class began, Steve explained that a colleague of his from a neighboring university was coming to offer insight into the subject you were currently studying.

“Professor Barnes is an expert at history, especially World War II. He is a war veteran and even lost a limb during his service. So please give him a warm welcome.”

You groaned, listening to a boring lecture from an old, crotchety war veteran was not at the top of your list. The classroom door opened and a man who fit neither of your judgements stepped in. Professor Barnes was as tall as Steve, with a thick muscular body and shoulder length, dark hair that framed his handsome face. What really drew your attention was the metal appendage where his left arm should be. Your thighs clenched involuntarily as you saw the plates shifting when he reached out to shake Steve’s hand. Heat flooded your face when he leaned over to whisper something in Professor Barnes’ ear causing him to smirk in your direction.

Once class was over, you hurriedly packed up and headed for the door.

“Y/N, a moment please.” Steve’s soft voice floated across the empty classroom.

Steeling yourself to face the two men, you spin around and plastered a smile on your face.

“Yes Professor?” You drawled, watching as his eyes darkened slightly.

“Professor Barnes read your revised essay and was very impressed. He’d like to discuss it further with you this evening.”

Professor Barnes smiled widely. “Yes, Professor Rogers was telling me how...responsive you are to his class and after reading your paper I just knew I had to meet with you.”

You swallowed thickly, agreeing to meet with Professor Barnes later that evening at the library. His fiery gaze burned into you as you said your goodbyes and you just knew it was going to be an interesting night.

Tags: @buckysoldierstories @221bshrlocked @papi-chulo-bucky @papi-chulo-seb @captainrogerss @caplansteverogers @blackcaptainrogers @feelmyroarrrr @4theluvofall @bucky-plums-barnes @captain-rogers-beard @mybarnesmyhero @ballyhoobarnes @theimpossibleg1rl

[natsubeatsrock]

The Rewrite of Fairy Tail: Part 19 (Juvia)

What was Juvia's character arc? 

Well, this is something I'm not sure I could have avoided. I don't think there's a way to talk about Juvia at any length and not piss someone off. As someone who recognizes this, I'm usually more cautious involving Gruvia. But I figure we ought to start with the elephant in the room. With that in mind, here's what I mean to address in this post. 

How can Juvia's character be described without talking about Gruvia in a romantic sense? 

It's hard for me to talk about Juvia and not talk about Gray. One the one hand, that's been something I've loathed over the years and still don't like. But, on the other hand, I don't complain about this in other instances. I don't complain about Igneel's influence on Natsu, Deliora's influence on Gray, or Jellal and Erza's influence on each other to name a few examples. (inb4 something about the differences between these examples and Gruvia) For many people, these things are one of the big points of interest in the character they involve. 

What I can say is that, as Gruvia becomes more romantic, it became more contentious. Regardless of how you feel about the ship, that much shouldn’t be ridiculously controversial. I have to talk about their relationship a bit, but I don't want to dwell on its romantic aspect too much in this post. (I’d say this would be a long month, but it’s already almost over.)

As someone who is decidedly not a shipper, the best point made by the Gruvia fandom involves Gray's impact on Juvia. Before their fight, Juvia hasn't had a whole lot of exposure to good meaningful love in any respect. I guess her friendship with Gajeel had to be of enough importance to refer him to the guild. But, that's about it. Her most relevant relationship outside of that was a failed romance with Bora, that had about as much importance to the series as it sounds. 

In meeting Gray, she's able to start making genuinely meaningful relationships. While Gray probably would have done what he did, even that was more than Juvia probably felt she deserved. It reminds me of that one scene in Erased (if you know about the series, you know the one). While Juvia doesn't always express that in the best of ways, that's because of her own past. While no doubt imperfect, it serves as a reflection to her own romantic interest in Gray. \

If it sounds like I take issue with this, it's not that it's an inaccurate view of the situation. I've had a lot of time to sit with this explanation and, the more I reread and think through the series, I can't help but think of this as a fair description. In fact, the issue I have with this is only the lens which people see Gruvia through. Keeping this in mind helps understand how Juvia's character is supposed to work. 

In joining Fairy Tail, she ends up in a guild that isn't just where Gray is. She's joining a genuinely loving community that, not unlike a few characters, serves as a surrogate family. There's a scene during the Gray fight where she says she doesn't need love. Not two arcs later, the Tower of Heaven, Juvia communicates a desire to change to Lucy. That should mean something considering she not only was directly responsible for kidnapping her but was ready to kill her for Gray's affection. 

And then we got Fantasia arc which is, for all intents and purposes, her best arc in the series. There's the moment that comes to mind of most when Juvia sacrifices herself instead of fighting Cana. At this point, she goes in opposition to her previous statement and shares that she loves everyone in the guild. But I love the moment in the chapter after that. Cana starts to fight Freed with tears in her eyes over him calling Juvia a former member of Phantom Lord as she's currently a Fairy Tail wizard. I've loved this moment at first but going through Fairy Tail again, this might be my favorite Juvia moment in the series. 

Tenrou arc comes along and Juvia starts to make relationships outside of the guild. What I find interesting is that she makes a connection with Meredy. I would say that her situation is better than Juvia's before Fairy Tail as she had a family (presumably that got killed because of Grimoire Heart) she had Ultear as an important relationship. However, she was more cold and distant than Juvia before their fight. There is an obvious sense of irony in which someone who is closed off has a magic ability involving connecting others. After meeting Juvia, she goes from being willing to sacrifice herself to stopping Ultear from killing herself to make up for what she did to Meredy. Juvia even notes the difference in Meredy when they meet again before the Grand Magic Games starts. They even have a few moments in the last arc together. 

And that's it. 

I mean, Lyon has a crush on her, but that's obviously more one-sided than mutual. There are some hints at it being more in the anime, but they go nowhere important. Chelia sees her as a bit of a love rival because of it but that's not a great thing by my estimate and it's definitely not a relationship. Outside of that, there's nothing else. 

She only meets Meredy in two other arcs past Tenrou, though, considering the nature of Meredy’s new line of work, that’s not without reason. Honestly, her relationships don't get furthered much in the guild. Lisanna wants to connect with Juvia, but that goes nowhere after Tenrou Island. It's not even like it couldn't have considering Gruvia and Albis are still similarly functioning relationships with different dynamics based on the differences in the characters involved. Albis is still a couple, but they're more public about their affections. Gruvia was still one-sided but it's an insecure Gray not being accepted by Juvia. Most other relationships didn't progress either. 

Most. 

On the back of the Edolas arc, Juvia hears about Edolas Gruvia's dynamic from Happy. (I'm not sure how much she was told about how the rest of that entire world was different, but I also don't know if that would have mattered.) It's obvious that Juvia's always been interested in Gray romantically. However, it's not until after Edolas this becomes a more active effort on her part. 

Consider how even something like the potion from the anime version of Special Request: Watch Out for the Guys You Like, the arguably most active attempt Juvia makes towards a relationship with Gray up to that point, is still only about making Gray "passionately gaze" at her. The emphasis is still on making Gray do something. Now, Juvia is on the offensive to get Gray's attention and confession of love. 

To be perfectly honest, I don't think this is, in and of itself, a bad thing. I like good old-fashioned slow-burn (read: reasonably paced) ship development. A lot of my favorite romances involve characters falling more and more in love with each other. However, I'm glad Juvia's at least trying to speed up the process. While the methods used and overall success she goes through are contentious, to put it lightly, I genuinely believe the base is good and her intentions are pure. 

But it’s more than just Juvia wanting to be with Gray. After the Edolas arc, he becomes more or less the focus of how Juvia learns to love more. In Tartarus, the focus is on whether or not Juvia should love Gray after (somewhat indirectly) killing Silver. The whole fakeout death in Alvarez is an example of Juvia’s sacrificial love for Gray.

That focus goes almost entirely into one of Juvia's relationship, albeit the most important one for her, feels like a misstep. Even if you think that Gruvia is a good ship, her relationship with Gray shouldn't be the only way Juvia comes to find a better sense of love than what she's known. Especially considering there are different dimensions to love besides romantic love. Especially in a guild that many members, including Juvia, think of as a sort of family unit.

How do I want to fix this?

The simple and easy way is to bolster Juvia's net of relationships. That doesn't mean she randomly has a ton of new friends she couldn't have reasonably had within the series. It means refining the relationships Juvia has with other characters in the series. I don't have much to say about her relationships outside of the guild considering that involves characters I've yet to talk about if I decide to talk about them. However, I do want to talk about Juvia's general relationship to the members of the guild post-Edolas. 

If there's any moment that's irked me in this regard, it's during the Grand Magic Games. Juvia considers making sure she's able to work with Gray during the events. Of course, she doesn't go through with it and it's an anime-only moment, but it feels symbolic of the change in focus of Juvia's relationship with the guild. No one ought to question her devotion to the guild, as I'm worried does get questioned by people who also don't like Gruvia. Still, the balance of Juvia's love tips away from them and I want to change that a bit. 

What I want to do is bolster some of her in-guild relationships. She'll have plenty of time to grow closer to her supposed love rivals and future teammates for the Grand Magic Games. Frankly, all that means is more interactions between Juvia and other characters. There should be a bit more of a deepening in her relationships in the guild to a point where if (not necessarily when) I decide not to make Gruvia canon, Juvia has more people to care about, not unlike what happens in Fairy Girls. 

Of course, some time should be spent regarding how closely I want to write the most relevant event of the main series to the start of the series. That's right. We're going to talk about the rejection at the Grand Banquet...

Later. 

Introduction | Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18