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Welcome, dear music aficionados, to our in-depth exploration of indispensable plugins for producers. Crafting exceptional audio requires the right set of tools, and today, we unveil five essential plugins every producer should consider. From precision EQ to mastering suites, let’s delve into these must-have plugins that will undoubtedly enhance your sonic journey. 1. FabFilter Pro-Q 3: Precision…

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The Benefits of Using Deliver My Tune Mastering Services

In the modern music industry, mastering is a crucial step in the production process. Deliver My Tune offers top-tier mastering services designed to give your music the professional edge it needs. This guide will explore what Deliver My Tune mastering services entail and how they can benefit your music career. From the basics of mastering to the specifics of what Deliver My Tune offers, this article will provide a comprehensive overview.

1. What is Mastering? Mastering is the final step in the music production process, following recording and mixing. It involves preparing and transferring the recorded audio from a source containing the final mix to a data storage device (the master). This device will be used to produce all copies of the audio in formats such as CD, vinyl, or digital distribution.

Definition and Importance: Mastering is crucial because it ensures that the music will sound its best across all playback devices. It involves balancing the sonic elements of a stereo mix and optimizing playback across all systems and media formats.

Difference Between Mixing and Mastering: While mixing involves adjusting individual tracks’ levels, EQ, and effects, mastering is about fine-tuning the final stereo track. Mastering focuses on ensuring consistency and cohesiveness in an album or EP, making sure that all tracks have a uniform sound.

2. Why Choose Deliver My Tune? Deliver My Tune stands out in the industry for its state-of-the-art technology, experienced engineers, and commitment to quality. Here are some reasons why you should consider their services:

Expertise and Technology: Deliver My Tune employs seasoned professionals who are experts in mastering. They use cutting-edge software and hardware to ensure the highest quality.

Testimonials and Case Studies: Many artists have seen significant improvements in their music’s sound quality after using Deliver My Tune’s services. For instance, indie artist Jane Doe noticed a dramatic enhancement in her track’s clarity and punch after mastering, which led to more streaming and radio play.

3. Features of Deliver My Tune Mastering Services Deliver My Tune offers a variety of services to meet different artists’ needs. Some of the key features include:

EQ Balancing: Adjusting the balance between frequencies to ensure a track sounds well-rounded and polished.

Compression: Managing the dynamic range of a track to ensure that no parts are too loud or too quiet.

Stereo Enhancement: Improving the spatial characteristics of the audio, making it sound wider and more immersive.

Loudness Maximization: Ensuring the track meets industry loudness standards without sacrificing sound quality.

Noise Reduction: Removing any unwanted noise or hums from the audio.

4. The Mastering Process Understanding the mastering process can help you appreciate the value that Deliver My Tune brings to your music.

Step-by-Step Explanation:

Step 1: Initial Consultation: Discussing the artist’s vision and the specific needs of the project.

Step 2: Pre-Mastering Preparation: Ensuring the mix is free of errors and ready for mastering.

Step 3: EQ Balancing: Fine-tuning the frequency spectrum to achieve a balanced sound.

Step 4: Compression and Limiting: Controlling dynamics to ensure the track is consistent in volume.

Step 5: Stereo Enhancement: Adjusting the spatial characteristics to make the track sound wider.

Step 6: Final Quality Check: Listening on multiple playback systems to ensure the track sounds great everywhere.

Step 7: Delivery: Providing the final master in the required formats.

Common Techniques and Tools Used: Deliver My Tune uses industry-standard tools like Pro Tools, Logic Pro, and specialized mastering software like iZotope Ozone and Waves plugins.

5. Benefits of Professional Mastering Professional mastering offers several benefits that can significantly impact your music career.

Enhanced Sound Quality: Mastering ensures that your track sounds its best on all playback systems, from high-end speakers to mobile phones.

Better Playback on Various Devices: A professionally mastered track will sound good whether it’s played on a car stereo, headphones, or a concert sound system.

Increased Chances of Getting Playlisted and Radio Play: High-quality tracks are more likely to get picked up by playlists and radio stations, increasing your music’s exposure.

Mastering is the final polish your track needs to stand out. Deliver My Tune’s mastering services ensure your music is ready for any platform and audience. Invest in professional mastering to elevate your sound. With their state-of-the-art technology, experienced engineers, and commitment to quality, Deliver My Tune can help you achieve the professional edge you need in today’s competitive music industry.

Have you tried mastering your tracks with Deliver My Tune? Share your experience in the comments below! Let’s discuss how professional mastering has impacted your music career.

[apn-music]

Review of Guitar Rig 7 Pro: Presets are Enough

Guitar Rig is likely one of the most famous amp simulator plugins in the market. Despite various brands like IK Multimedia, Positive Grid, Brainworx, Neural DSP releasing their own amp simulators, Guitar Rig, launched in 2004, has maintained high visibility in the guitar software market, updating to version 7 this year.

The Guitar Rig 7, released three years after version 6 in 2020, brings some notable updates. The Intelligent Circuit Modeling (ICM) technology, introduced in Guitar Rig 6, is expanded to include more amps. According to Native Instruments, ICM uses machine learning to precisely replicate the feel of hardware. Additionally, features added through a collaboration with iZotope catch attention. The 'Kolor' saturation plugin, adding color to the tone, includes two settings from iZotope's Trash. Moreover, the Maximizer module from Ozone is incorporated, providing effective control over guitar track volumes.

Guitar Rig has traditionally stuck to a rack-style interface design. However, version 7 introduces a sidebar on the right, allowing users to see the signal flow of connected modules at a glance. Users can drag and rearrange modules easily by looking at the sidebar.

Amp Modeling Quality in Guitar Rig 7 Pro

As of 2023, most amp simulators already deliver high-quality sound. However, Guitar Rig's amp modeling leans towards convenience rather than hyper-realism. This doesn't mean Guitar Rig sounds bad; it provides well-crafted and clean tones. Compared to products like Amplitube or Brainworx, Guitar Rig offers a smoother feel with less gritty texture. The noise gate effectively manages noise without compromising the overall tone.

If you're seeking ultra-realistic amp sounds or the raw feel of a tube amp, Guitar Rig's sound might not align with your preferences. However, for composers and producers needing clean and organized guitar recordings, it's incredibly convenient. Regarding mic positioning, unlike Amplitube's extensive options, Guitar Rig offers two mic settings with the ability to blend distances. While this may be a limitation for users wanting intricate control, it's a user-friendly feature for those who prefer adjusting mic distance and room tone with a single slider. https://www.youtube.com/watch?v=ex-POrZDAmI

Diverse Presets Offered

One standout feature that sets Guitar Rig apart is its multitude of presets. Unlike some products that focus on amp head settings and basic effects, Guitar Rig shines when it comes to incorporating various FX modules in a rack-style setup. Starting from simple guitar effect pedals like overdrive, distortion, delay, and reverb, Guitar Rig allows users to explore harmonic exciters, synthesizers, and unique spatial effects. Even without delving into individual module settings, the default presets provide a wide range of tones. This is a significant advantage for composers and producers, offering the opportunity to experiment with a plethora of effects almost at the level of synthesizers. Guitar Rig is not limited to guitars; it can be used as an effective effects processor for drums, EP, and other instruments, thanks to presets tailored to different input styles. https://www.youtube.com/watch?v=4lqNCIswZaI

Input/Output Gain Staging

Amp simulators respond richly to input gain control, and Guitar Rig is no exception. While it tends to deliver clean tones, pushing the input gain provides enough room for gritty tone shaping. However, for experiencing the effects of various modules and presets, excessively raising the input gain is unnecessary. Desired effects can be achieved with minimal gain. Output gain staging is also convenient. Avoiding clipping issues is easily managed with built-in limiters, Ozone's maximizer, and volume modules. Balancing the volume gap between clean and driven tones is effortlessly achievable.

Conclusion on Guitar Rig 7 Pro

I had preconceived notions about Guitar Rig, perhaps originating from older versions, considering its sound as 'bland' for a player. Rediscovering the sound of Guitar Rig was a revelation, showcasing how much the quality gap in amp simulator plugins has diminished. As performance levels equalize, having a clear target audience or design philosophy is crucial for differentiation. Guitar Rig stands out with its creative and diverse sound experiences based on presets, offering a unique distinction from other plugins. The emphasis on preset-driven, creative, and varied sound experiences sets Guitar Rig apart. The plugin provides a unique differentiator in a market where performance levels are increasingly standardized. Read the full article

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The Pro X Suite includes Steinberg SpectraLayers Pro 7 (plus update to version 8), Sound Forge Pro 14, colorFX Suite, coreFX Suite, iZotope RX 8 Elements, iZotope Ozone 9 Elements, the Convology XT Complete reverb plug-in, and the 70 GB Independence Library. If you buy using this affiliate link, you will pay EUR 279 (the regular price is EUR 399). The “normal” version bundles coreFX Volume shaper, iZotope Ozone 9 Elements, Celemony Melodyne 5 Essential, and MAGIX Independence Pro Plus. Samplitude Pro X6 is available in two versions. Overall, you can expect optimizations that will benefit your work with the DAW and make everything a little smoother alongside the new dynamic EQ. Additionally, the resampling engine has been revised and now enables different sample rates within a project. The new Aux level control puts the level control from an aux channel strip onto the faders, promising more precise work and quick switching between aux channels. Editing should work very smoothly during playback, seeing that you can cut and rearrange audio while playing without wasting time. Other new features include track output recording which is useful for saving and editing stems. The track editor also adapts to your preferred view, be it on a second monitor or when viewing in portrait or landscape format. Another workflow component is the dockable track editor which enables access to all important functions of a track, including audio and AUX settings, plug-ins and/or mixer settings. The central automation control in the Automation Panel provides an overview of mix automation, which benefits complex arrangements. You can mark favorites, you can find them faster using keywords (tags) and filter categories. This is exactly where Samplitude Pro X6 wants to help with the new plug-in browser. For example, if you use a lot of plug-ins, you can sometimes lose track of things. It’s not only optimized, but also designed to be more individual. But it’s the workflow that has a central role in this new version of Samplitude. Let’s start with the dynamic EQ, wbich offers a variety of filter options for the individual bands with precise editing options.

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Lexx’s Top 10 Audio Plugin Recs

I get questions a lot about which software and whatnot I use, so I figured I’d just make a “holy grail” list of my 10 favorite audio plugins for mixing and editing music in a DAW.

So in no particular order:

1. Melodyne: The industry standard for tuning vocals. Melodyne is famous for being “invisible” in a mix (aka not obvious like auto-tune).

2. Ozone 9: Ozone 9 is a really awesome “mastering” plugin that I pop on at the end of nearly any mix (unless the song is going to a mastering engineer).

3. Izotope RX: Like Ozone, this takes up a LOT of CPU, but it’s a really awesome tool for any sort of audio repair, de-clicking, de-humming, etc. It was one of the first things I bought, and although I only have the basic version of it, it’s still very useful (though I can’t wait to be able to upgrade).

4. Valhalla Plate: Valhalla, in my opinion, has the prettiest reverbs. Their plate is my go-to reverb and I love it and put it on almost everything.

5. Kazrog True Iron: I love this saturator. That’s all I can really say.

6. Soundtoys Decapitator: Real tea I love all of Soundtoy’s plugins, and I was really really hard to pick my favorite. But Decapitator is one of their more famous plugins for a reason. This thing is an absolute beast at making any sound “pop” out of a mix.

7. Soundtoys Crytallizer: Oh if you thought I was gonna pick one Soundtoys plugin, you were wrong. Crystallizer is...not sure how to explain it? It granulates and modifies audio in a way that sounds just angelic. 

8. Rbass by Waves: Waves is another monster in the plugin world, and Rbass is one of my most-used plugins by them. It creates harmonic undertones that beefs up instruments.

9. H-Delay by Waves: H-Delay is one of my go-to plugins for creating kinda gritty delay sounds, and what I love about this plugin is there are a ton of options if you want to distort and mess with audio delay.

10. Vocalign by Synchro Arts: I’ve worked with it in the past and am very excited that I just was able to purchase it for myself at home. This is a plugin that matches up audio at the click of a button, perfect for any doubled vocal lines.

And that’s my list! It was really really hard to narrow down to just 10 plugins but yeah these are my currently faves. For anyone who’s interested in getting any of these, do yourself a favor and wait for the sales. I legit got Ozone + Izotope RX for $30 lol (and I remember one time Izotope was just like...giving Ozone away for free. Wild).

Also, I want to add in for anyone starting out, there are tons of free plugins online. I use a lot of stock plugins myself! So don’t feel like you have to spend money to get a good sound.

If anyone has any “holy grail” plugins that they love, feel free to lemme know! I have a small list going of stuff I wanna check out.

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Izotope License Transfer

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Izotope License Transfer

1. INTRODUCTION

If you purchased your iZotope software through our store or a retailer you should be receiving a confirmation email containing the serial number(s) for your purchased product(s). If you have not received this email and payed with PayPal, please check your PayPal email as order confirmations are normally delivered to this address. Make note of the e-mail address you use to authorize your license. Your license and iZotope account will be linked directly to this e-mail address. Select 'Use iLok Authorization' and enter your iLok ID. When you have confirmed that all your information is accurate, click once more on 'Authorize'.

After purchasing your product, you will be provided with a unique serial number that will allow you to authorize your software. Your serial number will resemble:

SN-'productname'-XXXX-XXXX-XXXX-XXXX

Apple App Store Purchases Only: You will be prompted for your name and e-mail address only. A serial number is not included.

Authorization

After installing your software, you will be prompted to authorize upon the first launch of your software.

Your computer must be fully connected to the internet.

Note: If your computer is not connected to the internet, you can refer to the section below on Offline Authorization.

1. Click first on 'Authorize'

2. Next, enter the serial number in all capital letters as it is shown on your DVD sleeve.

SN-'productname'-XXXX-XXXX-XXXX-XXXX

3. You must also enter your name and a valid e-mail address.

Make note of the e-mail address you use to authorize your license. Your license and iZotope account will be linked directly to this e-mail address.

4. When you have confirmed that your serial number and e-mail information is accurate, click once more on 'Authorize'.

5. Lastly, click on 'Submit' in order to send your authorization message to the iZotope servers.

If the authorization is accepted, click on the 'Finish' button to complete the authorization.

Offline Authorization

Some customers choose to keep their audio workstations offline, and a simple offline authorization option has been included.

Note: If using The T-Pain Engine, you are encouraged to keep your workstation online in order to take advantage of the application's Share and Listen features.

1. When first prompted to authorize your software, click first on 'Authorize'.

2. Next, click on the option for 'Offline Authorization' at the bottom of the authorization window.

3. You will be given a unique Challenge Code that is specific to your computer only. Write down or make a copy of the exact Challenge Code. It will look like this

IZ-'productname'-XXXXXXXX-XXXX

4. Next, using a system with internet access, login to your customer account at the iZotope website.

http://www.izotope.com/store/account.asp

5. Click the 'Activate Software with a Serial Number' button, and submit your full serial number.

6. Select the 'Challenge/Response' option and enter your full Challenge Code copied in step 3.

7. After submitting your Challenge Code, you will receive a unique authorization file that you then need to move to your offline computer.

8. Once the authorization file is copied over to your offline music computer using a network, hard drive or USB stick, click the 'Browse' button in your authorization wizard.

9. Navigate and select the authorization file and click 'Next' to authorize your machine.

Each purchased copy of Ozone 5 contains a unique serial number printed on the installer DVD sleeve. If Ozone 5 has been downloaded directly from iZotope or another re-seller the serial number will be e-mailed along with the link to download the product. The serial number should resemble:

SN-OZONE5-XXXX-XXXX-XXXX-XXXX

Launching the Authorization Wizard

The first time you open Ozone 5, the Authorization Wizard will appear. You can choose to either authorize Ozone or use it in Trial mode for evaluation purposes. Please use your supplied Ozone 5 serial number to fully authorize your product.

Trial vs. Demo Mode

For the first 10 days after installation, Ozone will run in Trial mode, which offers full functionality with the exception of saving and batch processing. After 10 days, Ozone will revert to Demo mode. In Demo mode, Ozone will intermittently mute audio output. You may alternate your Trial/Demo of Ozone 5 between Basic and Advanced versions with the 'Choose Demo:' drop-down menu under 'Auth & Updates' in the General Options tab.

Authorizing Your Copy of Ozone 5 Online

After opening Ozone 5 and launching the Authorization Wizard, the following steps will complete the authorization process online:

1. First, click on 'Authorize'.

2. Next, enter the serial number in all capital letters as it it shown on your DVD sleeve or e-mailed to you.

SN-OZONE5-XXXX-XXXX-XXXX-XXXX

3. You must also enter your name and a valid e-mail address.

Note: Clicking the 'Advanced' button reveals a set of options that allow you to store your Ozone authorization on a portable hard drive or flash drive. Click here for more information on these options.

Make note of the e-mail address you use to authorize your license. Your license and iZotope account will be linked directly to this e-mail address.

4. When you have confirmed that your serial number and e-mail information is accurate, click once more on 'Authorize'.

5. Lastly, click on 'Submit' in order to send your authorization message to the iZotope servers.

If the authorization is accepted, click on the 'Finish' button to complete the authorization.

Authorizing Your Copy of Ozone 5 Offline

Some customers choose to keep their audio workstations offline, and a simple offline authorization option has been included. After opening Ozone 5 and launching the Authorization Wizard, the following steps will complete the authorization process offline:

1. When first prompted to authorize Ozone 5, click on 'Authorize'

2. Next, click on the option for 'Offline Authorization' at the bottom of the authorization window.

3. You will be given a unique Challenge Code that is specific to your computer only. Write down or make a copy of the exact Challenge Code. It will look like this:

IZ-OZONE5-XXXXXXXX-XXXX-XXXX

4. Next, using a system with internet access, login to your customer account at the iZotope website.

http://www.izotope.com/store/account.asp

5. Click the 'Activate Software with a Serial Number' button, enter your full serial number and click 'Submit'.

6. Select the 'Challenge/Response' option and click on 'Submit'.

7. Now enter your full Challenge Code copied in step 3.

8. After submitting your Challenge Code, you will receive a unique authorization file named 'Ozone_5.izotopelicense.xml' that you then need to move to your offline computer.

9. Once the authorization file is copied over to your offline computer using a network, hard drive or USB stick, click the 'Choose File...' button in your authorization wizard.

10. Navigate and select the authorization file and click 'Next' to authorize your machine.

11. You should now receive a message that your authorization has been successful and may click Finish to begin using Ozone 5.

iLok Support

Ozone 5 does support iLok. Our plug-ins will be able to detect iLok keys and assets if you already use iLok and PACE software on your system. If you don't already have PACE or iLok, we will not install any PACE or iLok software to your system, and iLok authorizations will be unavailable.

Authorizing Ozone with iLok

1. When first prompted to authorize Ozone 5, click on 'Authorize'

2. Next, enter the serial number in all capital letters as it it shown on your DVD sleeve or e-mailed to you.

SN-OZONE5-XXXX-XXXX-XXXX-XXXX

3. You must also enter your name and a valid e-mail address.

Make note of the e-mail address you use to authorize your license. Your license and iZotope account will be linked directly to this e-mail address.

4. Select 'Use iLok Authorization' and enter your iLok ID.

5. When you have confirmed that all your information is accurate, click once more on 'Authorize'.

6. Lastly, click on 'Submit' in order to send your authorization message to the iZotope servers.

7. You will now be instructed to log in to your iLok account and transfer your Ozone 5 license to your iLok.

8. When you have completed this step and have your iLok connected to the computer on which you want to use Ozone, click 'Next'.

9. You should now receive a message that your authorization has been successful and may click Finish to begin using Ozone 5.

Help

We have created an online article to help with common questions about our authorization system.

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Removing Your Current Authorization

Use the authorization menu in Ozone's General Options panel to remove your current Ozone authorization, for example if you have upgraded to Ozone 5 Advanced and have already authorized Ozone 5 Basic. After removing your authorization, Ozone's authorization screen will pop up when you restart the program. Now you can re-authorize the application using a new serial number. You may also remove your Basic authorization at any time in order to run Ozone 5 Advanced in Trial or Demo mode.

Note: If you have downloaded Ozone 5 Basic and then purchased an upgrade to Ozone 5 Advanced, you will need to download Ozone 5 Advanced here and reinstall first.

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What I use for my music!

Hey there fella’s - I’ve been sent many hundreds of asks inquiring what I use for my music! So I thought I’d compile a list of helpful resources and my favorite tools that I use for my production -

Now the amount I own is overkill. I’m an enthusiast and I’ve spent the past 11 years building up my repertoire of tools and instruments and a bunch of fun stuff to play around with - but you really only need one synth, one workstation, a few effects and sounds to get started making your own music! 

1. DAW (Digital Audio Workstation!) 

I use FL studio the most, it’s easy for beginners to pick up yet has a decently in-depth feature set! I use it more than any other DAW thanks to its ease of use and great piano roll !! (10/10)

Cubase is the second DAW I own, it’s highly advanced, great for building huge orchestral templates due to a useful folder-system and plug-in on and off switch that hugely saves on CPU performance when working with huge sample sizes! But registering and setting up the DAW is a huge bitch due to their licensing shenanigans (8/10)

Pro Tools is the professional standard for most Hollywood studios, it’s complex and GREAT for mixing live tracks, but it doesn’t have the same streamlined convenience the other two have (7/10)

(I don’t own Ableton but I’ve heard great things, it’s a bit on the pricier end for the same performance you can get in FL studio for less, so I never bought it)

2. Virtual Synths!

I’ll list my favorite synths in order from most used to least used!

Omnisphere is the synth I use the most, it’s a hybrid synth that uses thousands of samples and waveforms to generate very unique and complex sounds - it has a huge number of presets, and might be the most impressive virtual synth in the market, honestly, it’s so good, if you could afford the hefty $500 price tag, you won’t need any other synth I suggest to you on this list - that’s how comprehensive it is. 

Serum is the Internets favorite bog-standard wavetable synthesizer, it’s great for a variety of sounds, but most comfortably works with heavy bass and EDM - it has a very clean sound, it has a nice list of effects and it’s only $189

U-HE Diva is a synth that emulates older, more vintage synths from the good ol days, it sounds phenomenal and works great in more chill genres, or, of course, outrun and 80s - it’s not too pricey at $200 but it’s very CPU intensive 

Massive X is the resurgence of one of the most popular soft synths of the early 2010s that came out last month - I haven’t played with it, really, but I’ve heard good things, definitely not a bad choice if you plan on buying the Native instruments Komplete bundle, which is a great deal! 

There are hundreds of synths out there, some very good ones I didn’t mention, however, these are the ones I use, and they’ll keep you preoccupied for a very long time. 

3. Effects

An equally important aspect for producing music is having effects and mixing and mastering plug-ins to louden your music, make it cleaner and crisper, or all around more interesting! The great thing about DAW’s like Pro tools, Ableton, and Cubase, is that they offer most of these effects included with the DAW - FL studio has a less comprehensive number of built-in effects, but thanks to this, is much cheaper - and frankly, sooner or later, you’re going to want to change the factory plug-ins for more professional 3rd party ones!

I use the ozone 8 and neutron 3 to mix and master my tracks, from Izotope!! Waves products is a good cheaper alternative and they often have sales! 

for reverbs (think of that cool echo effect you hear sometimes on voices) - I use vss3 and valhalla room - oftentimes, synths will come included with their own built in effects and reverbs, serum and omnisphere have great ones.

There are dozens more effects I didn’t get into in this list, but the learning process is quite high, so be sure to understand what saturation is, or a compressor, equalizers, Flanger, Phaser, Delays, LFO’s, and more! 

4. Hardware I use! 

So once you get used to the wonderful world of synthesis, or maybe you’re a pianist and want something physical right off the bat, you can get into hardware! It is very useful to buy yourself a MIDI piano if you plan on using a digital audio workstation! 

Just a warning! If you’re new, I’d suggest you don���t pick up these mutli-thousand dollar synths, I’d suggest checking out some cheaper synths by Korg or Roland, that may not offer as many features as the ones I’m about list, but will be good regardless, and will help you understand the world of synthesis. 

OP-1 - $1200 This is an incredibly unique piece of hardware, you could almost consider it a small physical, portable DAW! It’s so much fun to use and it’s great for getting ideas, its not nearly as comprehensive as a real DAW, however, and is limited by its own software!

Moog Matriarch - $2000 this synth isn’t technically out yet, but it is the upgraded version to the Moog grandmother (which I own), which is a less powerful, smaller version of the upcoming matriarch! This synth oozes analog - if you plan on learning synths, you must learn the difference between analog gear and digital gear - but the matriarch and grandmother makes AMAZING use of its physical analog hardware, and offers you super rich, fat, complex tones, filters, and oscillators! 

Prophet Rev 2 - $2000 This is one of my favorite analog synths I’ve ever owned, it has 16 voices, which means 16 notes can be played at a time (2 oscillators per note) - unlike the matriarch and grandmother, which can only play 4 or 1 note respectively - this one focuses on making the oscillators and filters less complex, but in turn, allowing a greater number of notes! That doesn’t mean it sounds worse, however, it just means the performance was allocated some place else - this synth sounds beautiful, and I use it often for huge pads and chords! (the moog is great for leads and bass!)

Focusrite 2i4 - $169 This is a relatively cheap and popular audio interface that’s use to allow cleaner, faster and better playback! If you get into production, you’ll need an audio interface! It’s honestly, just good to have in general! 

Desk I use is Platform by Output - $800

Speakers I use are the bower and wilkins 606 - $900 (I suggest rokit 5s to start) - must have amplifier for the wilkins (I use the emotiva Basx A-150)

I have two really cool pedals, both by chasebliss audio, one called MOOD and the other called Warped Vinyl hi-fi  - they both have a variety of uses, so please refer to their features on the site, these really are only useful if you have a lot of external gear! Both $349

I put all of my physical hardware through a Mackie ProFX 8v2 - A cheap and relatively compact mixer, directly into my audio interface! 

I own a few hi-fi headphones (the ibasso sr1 and the Audeze LCD-X) but you really only need a good pair of studio headphones to get started, especially if you don’t want to deal with the expensive hassle of speakers right away! Check out audio technica and sennheiser for some great cheaper alternatives! 

Okay anyways! despite how long and intense this list may seem, this really isn’t everything I own, but it’s a good list of tools I most enjoy using, and tools I think can add a great deal of production value to your music !!! I’ll update this list as new things are added!!! 

I hope this helped! Remember, there’s nothing wrong with starting off much smaller! 

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I guess you would have to agree with me that the best way to polish your vocal recording or a vocal sample is to sprinkle some effects, just like the way you would sprinkle a reasonable amount of ingredients on your food. If done right, it sounds delicious right, yum yum 😉

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Our list of the 55 best free VST plugins encompasses tons of categories, namely: best Guitar VSTs, best Synth VSTs, best VST plugins for vocals, bass VSTs best drum VSTs and a horde of slick effects – that one can download for FREE!

IZotope Ozone Imager. The Ozone Imager is an essential free VST plugin for trap beats. As the name suggests, this is an imaging tool you use to control your track's stereo width. To make a professional sounding track, you must control your stereo width. Commonly, your low frequencies are narrow, in mono, while you typically place your higher frequencies wide.

Vocal effects are no exception to the ingredient perspective, you need to add a reasonable amount of effects to make them sound lively, and enjoyable to the listeners.

Best Free Drum VST My mother always told me “march to the beat of your own drum”, but I guess she was wrong, because I found a bunch of really good free drum vsts. Amongst them, is the T.REX 606, a classic sound that could have easily cost hundreds of dollars, but for some reason is free. Best Free Synth VST Plugins Dexed by Digital Sub Urban Dexed is a Free multi platform and multi format frequency modulation Synth which is based on, or closely modeled to, the Yamaha DX7. You can download it here.

Don’t get me wrong, I ain’t saying you should stack effects upon effects on your vocal samples, too much of everything is bad. That said, let us look at the best free awesome VST effects plugin in the music production scene.

Let’s ride on…

Page Contents

5.) g200kg – KeroVee

10.) MGF – TimeWarp

1.) AegeanMusic – PitchProof

If you haven’t heard of PitchProof, then, you are definitely missing out, this is like the secret tool I use on Vocals but it wasn’t even developed for Vocal, it was actually designed to work on monophonic signals such as guitar solos, but I’ll give you a tip on how I have been using it:

You don’t want to apply it in realtime, what you should do instead is to first select the key of the harmony, then you turn the Blend knob all the way to the right; wet e.g:

Export the vocal result, add whatever effects plugins you gat on your toolbox (vocal, flangers, etc) to spice up the pitched vocal, and then stack it on top of the original vocal. Boom, you have something unique!

Note: You don’t have to always push it all through the wet side as this might cause artifacts, just experiment and stick with what works for you.

You can even export more vocal, and maybe this time, you can try by reducing the detune knob, anyways, experiment until you get your preferred test.

That said, let’s look at some of the features of PitchProof:

The Blend control knob would let you adjust the level of pitch shift, while the Pitch drop-down menu lets you select pitches like +7 or -7, or harmonies which are intelligent pitch-shift effects.

Moreover, there are also some options at the bottom of the PitchProof plugin which give you the option to switch between stereo and mono; mono could save your CPU, while the stereo option could cause a resource hog if used on multiple inserts.

Transient Fix can be switch on or off to spice things up a little!

Possible Harmony Options:HarmonyInfo2ndDissonant harmonies3rdThe Typical Major/minor Chord Harmony4thThe same as the +5 semitones setting except a few notes are flat.5thThe Same as The +7 Semitones Setting Except the Last Note of The Major Scale Is Flat Making It “diminished”.6thA nice-sounding alternative to typical harmony intervals.7thDissonant 7th Chord Sounds.

2.) Auburn Sounds – Graillon

This is an autotune VST plugins designed and developed by Auburnsounds. This plugin is superb in the way it handles pitch correction.

It not only supports pitch correction but supports the generation of throat sounds, making octave sounds, enriching, and enhancing vocal expressiveness.

Also, there is a pitch shift parameter that transposes vocals up and down in octaves and semitones.

Features:

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Pitch Shifter cleanly transposes a voice up and down and has been optimized for voice.

Pitch Correction module brings an immediate robotic sound, while the Bitcrusher addition softly adds sparkles to the mix.

Freemium

System Requirements

Available as VST, VST2, AAX, and Audio Unit plugin for macOS and Windows platform.

Download Graillion Auto-Tune Plugin

3.) JHudStudio – Vocal King

Vocal King helps glue the vocal in a mix, and it comes preloaded cool parameters, that could help in customizing the audio signal of a vocal track.

The Pres Compressor knob helps in bringing out the clarity of a vocal, so, by turning up the gain of the Pres Comp brings out the presence in the vocal along with giving it a smooth compression. On the other hand, the Low cut, Tighten, and the Bass knob compliment the Pres Comp in taking out muddy frequencies without the vocal sounding too thin.

I also love playing with the Crispy knob as it sprinkles some sparkles to the audio signal.

Features:

Help vocals to stand out in a mix by giving them amazing presence, clarity, and compression. Can easily work on any other content.

Acts like are preamp giving the signal a strong boost.

Easy to use interface for fast results.

Easy to read meters

Very CPU efficient compared to other types of plugins.

It can be used on many other audio sources as well.

System Requirements

Vocal King supports MAC/Windows/32bit/64bit/VST2/VST3/AU. Supports MAC OS X 10.7 / Windows 7 and higher. Older systems may not work.

4.) Sonic Anomaly – Vola

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Vola is a Voice Optimized Leveling Amplifier made for broadcast voice dynamics processing, it also works with different kinds of audio material, like drums, percussive instrument, and synth pads.

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This fantastic tool is solely for cleaning up sound files but can be used for extreme compression effects as well.

Features

Real-time Visual Metering for changes in dynamics

Upwards & downwards compression, each separately adjustable.

Stats Display and more compression settings

Download Vola Vst (Windows)

Download Vola Jsfx (Windows and Mac)

5.) g200kg – KeroVee

This is a pitch correction VST plugin tool and has strengthened to support natural pitch correction.

This tool is handy and can perform different and various types of voice effects, for example, a conversion of the male voice to a female voice and vice versa.

KeroVee comes bundled with useful parameters for the effectiveness of the auto-tuning process, Parameter includes:

Scale Button: This is for specifying the scale you want to tune. Setting a wrong scale would result in an awful result, in a simple sentence, Know your scale before you go into this one

TuneSpeed: This will allow you to set the speed of correcting the pitch.

Nuance: This is one of the best and lovely parameters, you can use this to set a fine vibrato of the original sound, use this to create all sorts of weird effects.

Amount: Set to zero (0) if you want no correction, setting to 100 will result in full correction of the pitch

and many more parameters like Transpose option, master volume, etc.

System Requirements

A compatible host program that supports the VST formats

6.) Martin Eastwood – Duet

Have you heard those natural double effects in some tracks! Do you wonder how those are created? I guess yes 😉

Let me introduce to you – Duet, a double-tracking effect designed to enhance your audio sample be it vocal or even instruments, Duet is well capable of sparkling them up. The way Duet work is by pitch-shifting both the left and right inputs individually using a novel synchronous overlap and add technique, allowing pitch to be manipulated in real-time while still maintaining the time duration of the audio.

One thing I love about Duet is the way it can accurately create the illusion of multi-voices and adds varied texture to the mix. Experiment with Duet to see how it works.

Note: This is only available for Window

7.) MaxSynths – DSP-2

DSP-2 is designed with an intelligent Dynamic Processor, a 4-band equalizer fixed on vocal key frequencies, a saturator, and a room emulator based on the Schroeder reverberator. DSP is super simple to use and can serve basically all your vocal processing needs, again, experiment and keep experimenting to get the best settings that would soothe your need.

Features:

Intelligent Dynamic Processor (IDP).

4 different automatic operative modes.

Selectable compression ratio.

Saturator with three different operation modes.

EQ fixed on vocal key frequencies.

Room emulator based on the Schroeder reverb model.

Transparent increment of the perceived volume level.

High precision input/output VU-meter.

Low CPU usage.

8.) Distorque – Azurite

Azurite is a vocal effect by Distorque which is built for multi-voice chorus with a focus on rich sounds and versatile controls.

According To Distorque:

My goal in designing it was to make as flexible a chorus as possible without losing great tones and ease of use. The result is an effect that will be handy for producers, guitarists, and glitch lovers alike.

One of the great features of this plugin is the way you can create multiple simultaneous voices. Each of these voices can be further customized with their own delay line that is modulated by a separate LFO. Adding multiple voices leads to a thicker, smoother, and less wobbly tone. It also makes vivid stereo spreading possible with a mono signal.

The voice control helps you to choose how many voices you want for the chorus, e.g one, two, four, or eight.

Features:

Stereo or mono operation.

Colour control emulates vintage analog choruses.

2 band EQ.

LFO tempo sync.

Feedback control allows for flanger sounds.

27 built-in presets.

Delay time from 0.2ms to 200ms.

7 LFO shapes: Sine, Triangle, Sawtooth, Ramp, Exponential, Inverse Exponential, and Random.

Spread control for a stereo widening of a mono signal.

Control randomizer.

Other controls: Depth, Speed, Wet Mix, Output, Separation, Dry Delay.

Note: This is only available for Window

Download Azurite Win 32 VST / Win 64 VST

9.) TerryWest – EasyVox

EasyVox contains a bunch of tool for vocal processing, such as:

Dynamic mono vocal compressor/limiter/enhancer

Three bands equalizer

Autogain and Pre-Limiter

Auto Noisegate

Auto Band-off

Three EQ models

Fine EQ option

EQ activity/bypass LEDs

Low-Mid-Hicut

Vocal Doubler effect

Pre in/Post out gain

In/out/reduction meters

Donate To The Developer, It helps him to build more exciting plugins

Note: This is only available for Window

10.) MGF – TimeWarp

Last on our list is Timewarp by MGF, which is a vibrato effect with 2 LFOs which can pan the pitch modulation amount for a stereo effect.

Features:

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Sine, Triangle, Saw and random waves with control over the shape and smoothing.

Optional 4x upsampling and a smooth modulation algorithm ensure clean sound with minimal aliasing. Normal quality

saves CPU and sounds brighter but less silky.

2 different interpolation algorithms are available (ALG).

Fast modulation settings possible and encouraged

That is it, Good luck and have fun with music!

Useful Related posts:

Native Instruments MOD PACK takes three classic modulation effects – chorus, flanger and phaser – and adds features never seen before. Each offers exciting new creative possibilities as well as stunningly convincing vintage-style results, making MOD PACK a must-have upgrade from the rest of modulation effects.

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Native Instruments Choral: Drawing sonic inspiration from some of the most iconic chorus effects from the past 40 years – including iconic stands and unison synth effects. Add width, movement, sparkle and shimmer to any signal, or take advantage of the new Scatter feedback mode. This avoids unpleasant metallic sounds. Instead, a completely new effect similar to reverb is created. The classic effects contained a small number of settings – On, Off and Type are usually the only controls. Our plugin offers many customizable options. The number of voices can be set gradually from one to three, the sync speed can be manually changed, as well as the modulation speed, volume, mix, delay time, stereo width and feedback.

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Native Instruments Flair: Flips the classic head flanger effect. FLAIR adds a revolutionary new Voices mode that uses multiple delay lines to create custom harmonic flanger layers and resonances. It even has 24 chord settings, offering different chords and note intervals. In addition to revolutionary features, FLAIR is capable of rich tape saturation and pedal flanger, offering all the parameters you’d normally expect, such as tempo-synchronized pitch modulation.

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Native Instruments Phasis: Offers endless phasing sounds – adding movement, soul, and creative magic to any signal. PHASIS takes inspiration from the classic phaser but adds powerful new features. For example, the Spread control changes the step spacing of a vocal style effect passage. Ultra Power Mode brings modulation to ultra-high speeds, creating unique FM-esque tones. The plugin adjusts the peak density and Q-factor of the slices in the spectrum and whether it is set to one value, applied in real time or with automation, or reversed with the “Invert” button, “Spread” provides a new effect for both the phasing process and vowel sounds of vocals. With its powerful stereo spread function, advanced sync options and all the controls, what you’d expect from a professional phaser, PHASIS is already a formidable modulation device, but the ULTRA parameter takes the effect to a new area of ​​application. ULTRA boosts the maximum modulation rate from 8.37 kHz to an incredible 477.3 kHz, which generates unusual FM-style effects never heard before and is able to turn even white noise into immersive sound.

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