#ALSO I DID LINEART AGAIN IT WAS CRAZY

[cosmarrrs]

rip gunpowder tim you would've loved (hated) The Legend of Zelda Majora's Mask

[beeholyshit]

I'M GONNA START CRYING I'M SO ILL RN

[pineappical]

HI how did you add those textures to mspaint?!?!?

using this as an excuse to draw ted on mspaint again LOL

TL;DR, you click file on the top left, open properties, then under "Colors" you switch color to black and white

and you get halftones instead of colors :-]

(if you want some more tips and a little bit of process, click this 👇)

basically i start by drawing in color mode, mainly because i get "layers" in a way by using a different color for the sketch and using the eraser tool and holding right click to only erase the color i set in "Color 2" "COLOR 1"* (which in this case, the color i used for the sketch) to clean it up (WOOPS)

and then i switch to B&W mode and go crazy with the halftones :-]

i also use the eraser tool to color under the lineart in the same way just by switching up the colors

oh also you can change the size of the brushes, even the eraser by doing this ^_^ (only works if you have a numpad, unless there's another shortcut for it that i dont know??)

hope this made sense! 💛 PS. turn on transparent selection under the selection options (dotted square)

[signed-sapphire]

@rascalentertainments Hey! As an apology for being gone and missing the official announcement for this DTIYS, I humbly offer my take on Asha and Star!

This was too cute to resist! I love how excitable Star is and I’m working my way through reading your, Wave’s, and all other rewrites that have updated during my absence.

Original:

Notes under the cut because this is getting pretty long lol

So I tried a new colouring style for this one

I was inspired by a lot of the artists I saw on Art Fight, and tried to incorporate that into my style

Specifically, the bold lineart and colour-blocked sections

It’s both easier for me long-term, and helps me create a finished piece without too much shading

That said, I did go crazy with the shades and tones in this one, because I just loved the glow

I do like the touch of a slight sunset/sunrise in the background, as it adds more warmth and magic to the piece

I LOATHE that bold line around Star’s cape but this is the photo I emailed over to my phone, so this is what you’re stuck with

While we’re at the improvements, comparing to your piece, Star and Asha look a bit stiff. I’ll have to work on some gesture movements

On the other hand, I really like the sky! It reminds me of Princess and the Frog

I also think the flow effect I did around Star looks reminiscent of pixie dust, which is a cool nod to Peter Pan!

The metal (?) bracelet I’m proud of— again, learning form other writings on Art Fight

I’m. Not sure about Star. He has a very cool face shape, nose and eyes wise, and I think I sort of generalized him here. Oh well, this means I’ll probably be doing more practice doodles of him in the future!

I do think that your Asha and Flicker’s seem very similar in my style, so I’ll work on making them more distinct in future pieces. I think RFTS!Asha has more doe eyes and a smaller nose, as well as distinct braids in her hair, where your Asha can have more upturned eyes and loose hair

I will have to find a way to make hair look loose and free in this style, but I’m quite happy with the finished result

Aaaaanyways… I hope you enjoy this! Now if you’ll excuse me, Imma go to bed lmao

[mysteryanimator]

Here ye here ye, another breaking down processes post from yours truly!

For this animation, my plan was to make something I'm proud of AND also something to force me to take my time since with all previous animation works they were all rushed. I normally tend to speed through work as someone whose illustrations are painterly and I like to keep them rough. Also lets be totally honest my other plan for this animation was to animate Mizrox being so sickeningly sweet.

Fun fact, this animation was going to be longer. I had tried to plan out Olrox climbing on top of Mizrak during the kiss to lay on his chest. There was an attempt trying to rough that out and several ref videos It was scrapped because for the life of me I could not figure it out. Also hypothetically if I was going to keep it, I would cut to another angle (perhaps Mizrak's face close up) and then cut to another angle that would make it easier to see that climbing over the top. OR, consider Olrox already sleeping on his chest (im just rambling now but this is basically 'if you were able to do this again' section).

I wish I actually went through a more proper tie-down process because the jump from going from my rough straight to clean was rough (badum tsk) for the first few seconds. Defintely learnt my lesson ALSO Olrox is surprisingly really fun to draw from behind.

I challenged myself to see if I could get the idea of "bigger movements, less in-betweens, smaller/slower movements, more in-betweens." Though the effect of Olrox rubbing his face against his arm may be a little too jarring and I steered quite a bit away from my rough and self-reference video in hopes of making the face rubbing more apparent because I thought the character acting was too subtle and wanted a contrast to the other half of the scene. I reconfigured my CSP animation workspace for this too so it definitely made the process less tedious when cleaning up the animation.

(Which by the way I do record a lot of self-references depending on the section! For things I can't do/uncomfortable doing, I'll end up looking up videos. It's the easiest for me to catch subtle things in body language and also get a feels for the motion.)

Also I'm really satisfied with Olrox's anticipation before his smooch and the shoulder roll at the end even though technically the arc doesn't complete itself. MIZRAK THOUGH, when cleaning up I realised my rough wouldn't make sense because he's already looking at him so there's no need for a turn, and then the lack of a shoulder movement felt jarring, so all of that was done without any thought, wish I did think about it more though.

Now compositing was a monster in its own right and basically me jumping back and forth between turning on and off different layers, but here are all the new things I did; I duplicated and blurred the lines of the lineart, beveled the shadows so it was lighter on the inside, and added a rim of blur so the focus drew towards the couple. Also will absolutely admit that my fanboy ass went "... be crazy and try to mimic the show." The final did not go that route because I thought it was more important to emphasize the mood/atmosphere (Also Olrox is intentionally stylized differently because i wanted him to be softer here and I had to give him eye highlights for plot HELP). THOUGH to say I did not try to mimic the style, the #2 lighting test was my 'attempt' LOL 😭 I can never consume media normally.

Here are the lighting tests I went through. I definitely knew I wanted to go with a morning vibe, though I tested out a night ver for fun and did some edge lighting which led to mixing both version #2 and #3 to make #4.

Fun fact, I almost went with #2 due to fear of getting too heavy-handed with compositing and therefore losing the animation (even though I really liked #4 at the time). Thanks to a friend, they also shared the sentiment of liking #4, though pointed out it felt like midday and encouraged me to make the colours warmer and deepen the shadows. It is a really tough balance but I think for a softer scene like this, the more additional layers of comp worked out in the end.

The edge light was a last minute thing because someone told me to add sound and to have light stream in. Also at this point I deadass forgot that you know, Olrox, is a vampire, but hey rule of cute overrules. We can pretend its light not from the sun LOL

Also yay I got to show off my own style a tad, I love paintingggg. It's not as completely fully rendered coz I knew that it would get covered up but I still made sure it was quite clean regardless. I didn't realise how much of it would be covered up even though I did make sure they would fit/make sense for bg LOL

Now we are done!

If you've gotten this far thank you! There's gonna be less frequency of these animations due to the semester starting back up soon and I don't get many opportunities to actually 2D animate (despite it being an animation degree RAH). Also I remembering cringing and laughing a lot when I immediately started putting colour down going "oh i can see the end of the horizon, i have too much power as an artist, people will see this i cant let them see me be crazy"

[Here's some memes I drew over while my friend was reviewing my work]

[endofalili]

harry potter ???? 😳😳😳😳

Yeah I'm hyperfixating again lmao anyway golden trio fanart I'm pretty happy with how this turned out! I love how Harry's scar turned out hehe I think the one in the movies is so boring like have fun bro go crazy go stupid ahh

Also fuck JKR and her transphobic bullshit 😊😊😊 trans lives matter, trans women are women and trans men are men 😊😊😊🩵🩷🤍

I did record a timelapse this time!! Albeit only the rendering cause I only remembered like after I finished the lineart lol BUT I STILL RECORDED ONE so brownie points lol

[mtkay13]

Qi Ye ensemble cast poster, second edition

Yet another one of those LOL Qi Ye just has that power over me. You know the drill; more info below!

I'll go straight to the point: my main reason to draw this was because I wanted to draw the most somber, dark-looking Helian Qi possible with some dark cross-hatching effect. And because I don't want to draw a Helian Qi solo image because who the HELL does that, I had to turn it into an ensemble cast thing again. I just REALLY like to do that for Qi Ye, for some reasons!!! For a general note, first: shading was a PAIN but making a nice composition and thinking about how to make a hierarchy that both works in terms of storytelling and visual composition was fun. I also liked finding out the "color scheme" to use and I do like lineart. So, now, little notes about each character, and the obligatory name poster just so I'm sure we all know whom I'm talking about:

Jing Beiyuan: I've mentioned it before but drawing Beiyuan is like. The easiest for me, I think, out of ALL Qi Ye/TYK characters combined. He happens to have my general goto "pretty face" (which conveniently has peach blossom eyes). I'm happy with how he turned out here! And got to put the sable around his neck which makes for a nice additional touch. Helian Yi: He's easy to draw as well and I'm glad with how the guan turned out. He initally looked sideways, but I liked it better having him wistfully stare into the distance. Helian Zhao: has the exact same face as in the other, coloured poster, and that cracks me up bc that wasn't even intentional. Helian Pei: GDI I find him so hilarious. He looks so done and out of it. Shout out to all his bird as well, which, I find, really complete the look. Helian Qi: I can't possibly say that I love him as an antagonist because there's nothing to love about this literal trash, but I'm still grateful that we got some of the most rancid stuff going on in Qi Ye just because of him and I'm always here for that. He deserves the villain visual treatment, at least. He was VERY fun to draw and I tried to push that nasty grin and shading as much as possible. He turned out exactly how I wanted him to! (the shading on his face and the balance of light and shadow was a bit of a challenge, actually)

Wuxi: Again, a rather easy one, always pleasant to draw! I loved working on his hair (but complained a lot while doing so)--which I think turned out nicely. Bai Wuchang: Finally! Finally I draw him!! He had to be there, since he's like. The base of the whole Qi Ye plot. Lining him was....... a pain, but at least it looks nice.

Su Qingluan: nothing much to say--I think it's always important to have her there in Qi Ye stuff, and I put her next to Helian Zhao because of how he tried using her--but it did make me feel bad for her when I realised that. Song Ping'an: The real star of the show, lowkey, but always alert and present. Feng Xiaoshu: FINALLY. PRINCESS JING'AN. I'm sorry I took so long to draw her. I want to work on a proper design, I swear. To make up for having completely forgotten to include her in the other spread. I'm so sorry. I like how her face turned out! Liang Jiuxiao: I never, ever, EVER get enough of drawing him. Have I mentioned how much I like him? How much of a great surprise he was reading Qi Ye? How many times I've wanted to high five because finally someone is as confused as I am? I love drawing this very specific smile on him, SO satisfying. Also Bichen said he was "THE Qi Ye antagonist" and I live for that LOL Zhou Zishu: do I really need to say anything atp Jiang Xue: I'm so sorry I put Xiao Xue next to ZZS. The cruelty. But she came out really cute didn't she T_T Anyway that's it. I'm still obsessed with Qi Ye and given my current (totally secret) retranslation project I'm nowhere near done going crazy about this book.

[stray-tori]

some chen bin / ep2 observations

hello. today i’m putting ep2 under a microscope. 👍

.

I’m going to argue that Chen Bin was probably not directly controlled by red-eyes in the discussion scene, especially after handing Lu Guang the phone.

assumption: the glowing eyes are only for the audience, as no one has pointed them out so far (unless I'm forgetting).

Which means the show has to work around giving the audience more info than the characters -- a great example of them doing that is Liu Min in the dark room (red eyes in a red scene), but it’ll be hard to always pull off natural obscuring.

And what’s interesting to me is that... they didn’t really try to obscure CB all that much? So it made me wonder about the implications of that.

So, afaik what happened was:

Qian Jin (green haired dude) got the photo from his home for red-eyes

At some point, CB switched the phones (his and Liu Min’s)

CB gave the phone to LG.

Then CB vanished to yeet out a window.

I'm assuming he was controlled for 2) & 4). Assuming he didn't do 2) right in the room with them, it must have happened at some point during/between all of the hospital room scenes. Because the call QJ has with CB is before QJ hands red-eyes the photo and that call was while CXS was changing, so he couldn’t have done 2) (under control, at least) until the hospital room scenes.

Still, assuming 2) happened before the red-eyes ability discussion scene, we have a lot of far shots of him with his eyes seemingly blocked in (not the same as lineart, but not 1:1 his actual color tbf), implying to me that he was not directly controlled in this scene - but was at some point prior (to switch the phones).

So, red-eyes seemingly controlled him more than once.

Which, for me, opens a ton of questions:

Assuming CB switched the phone out a while before he handed it to LG, did he not notice it was his while handing it over?

if it was shortly before handing it over, why would red-eyes stop the control for such a short timeframe?

how did they know when to possess CB again to do 4)?

do they not have the 1-use-per-photo limitation that our MCs (allegedly) have? or did they have another photo? (Did they get the lockscreen photo while he was controlling him to switch the phones, perhaps?)

.

Or... is there something entirely different going on? Like some sort of hypnosis? Some freaky puppeteer or voodoo stuff with the plushies?!!

I'm half joking, but he really is quiet in that scene. He doesn't talk/discuss anything, no close-ups and just hands over the phone when he's told (looking kinda dead inside while doing so, too lol).

(could of course be because he’s controlled - and who knows, maybe the lack of close ups is their way of obscuring his eye color, but tbh in comparison to the dark room scene that seems kind of... lackluster.)

I doubt it’d be something other than control, considering red-eyes was actively given a photo - but maybe we’re also being tricked with the assumption that this red-eyes is the person controlling people; considering their natural eye color is a lot more direct than CXS and LG, which almost makes me suspicious of it.

.

I’ll stop throwing darts at a wall now, but I do hope that my limit observation OR the lack of CB substance in that scene will somehow be relevant in the future :D

Or this may all be the ramblings of a crazy person, we shall see.

[shootingstarrfish]

Do you have any tips on how you do shading ?? Your art really inspires me and I literally suck at shading lmao.

hello anon!!! im honoured i can inspire you sdfhkjh it's crazy to me that i can inspire literally anyone :,DDD <33

tbh i do all my shading purely based on vibes/what makes me happy so im not sure im a good advice person but ill show you a breakdown of how i go about shading and hopefully that might help a bit? :o i've left it below the cut because i have too much to say and it ended up being really long LOL

of course if there's anything you want more details on i'm always happy to explain, just let me know!

okay SO ill use this asmo as my example, i think there's enough to talk about here that it should be helpful hopefully

so here's my lineart and flats! i do all my flat colours in one layer because i find it easier to make everything look more cohesive when the pieces arent separated (i usually like it when the colours bleed into each other a lil), but i also just dont like the process of having to switch between layers for everything too LOL flats are unfortunately my least favourite part :,D probably because my lineart is so messy hahah

as you can see, the shading is very minimal here, just some subtle stuff in the wings/sheer parts of the fabric and some blushing on the skin, i also stole the orange under eye/liner thing from TBHK because <3

and then i clean up any messy stuff by just painting over top of everything on a new layer, i also rendered the metal at this stage because i felt like it i guess???

i dont think i did a suuper good job at rendering the metal here (because i was lazy), it looks fine but something to note about metal is that usually you want to push the highlights and the shadows a lot more, as well as the reflections because it is so shiny and smooth this is why you'll see a lot of pink and blue in the metal, to show the reflections of his hair and the sky

i would recommend using reference to get a better idea of how metal ACTUALLY works but again, i was lazy lol so that's a simple explanation based on what little i know/have observed

the jump here is a bit drastic and you might be like woah starr where'd all this come from?? but this is all in one layer-

('hard light' - 62% opacity)

this is how that layer looks as a normal full opacity layer, for reference:

lately i've been using hard light layers to shade! they're very versatile because unlike multiply layers i can do my shading and my highlights within one layer (do you sense a theme of me disliking having too many layers lmao)

SO this is where i have a bit more to say about shading you'll notice the prominent shading colour here is blue, this is because the main environment here (the sky) is blue. i dont know if that's how things work in the real world but it works for me LMAO i usually prefer to have my shading lean cooler purely for aesthetic reasons, i like how it looks more

you might also notice some areas where the blue is a bit brighter, this is to imitate reflected light, again because the environment is blue light tends to bounce around on things and reflect back even into the shadows so this is the effect im trying to get, i like to typically go with a brighter blue cause it gives things a sort of shinier? quality that i enjoy aesthetically, idk if its very accurate to real life tho it also helps me to give depth to the shading since shading isnt usually just one flat blob, and this is a bit of a shortcut to having more dynamic (?) looking shadows

i also want to point out my use of bright reds on the edge of the shadows:

i believe this is called diffraction- there's a real legit scientific reason why it happens but i... dont know what that is i just know it happens in real life (maybe not to this extent?) and it looks cool so i do it SFHJKSFH i usually blend it into the shadows though as opposed to into the lighter parts, i find that tends to look better

some miscellaneous things-

don't be afraid to throw random colours around!! who cares about realism, it's fun lmao

this artwork is a spoiler for asmo's bday so shhhhh but i did want to quickly show that you can also use hard light layers to create a glowy effect, i literally just painted the pink/orange directly on the shadows layer and it helped to make his eyes more glowy

of course i do go in and paint over a little after and add some layer effects but it helps to have that base there

now that you've learnt that i dont know what i'm doing, i wanted to highlight a couple of resources that have helped me! i hope they help you as well <3

this video gives some really interesting insights into this artist's process and some problems they had throughout, as well as how they overcame them! it looks a lil clickbaity but i promise it's good!!

this tweet also shifted how i think about rendering when i want to do something with dramatic lighting!

+ an attempt i made to replicate this (i wanna try this again lmao it was fun)

i hope that helps even a little bit, i did my best to explain but sorry if it was mostly nonsense though :,DDD best of luck with your art, anon!! <3333

[jabesa0]

Hii I amabsoloutly inlove eith your artstyle.

can I ask a few questions? :<

how lomg does your deawings usually take? and do you have any speedpaints,,, uploaded somewbere... for studying purposes

your drawings makr me want to to back to lineless art lol. and not take it so hard on myself.....

Hi there!! Unfortunately I don’t have any speedpaints seeing as I stop drawing while I’m working on my stuff cuz I get distracted easily 😭😭 so if I did you’d just have big periods where nothings happening LOL usually I post process shots on my personal irl server after each drawing session just so I can see how far along I am but that’s about it!

Also I fully support lineless!! I don’t do any lineart (clearly LOL) and it’s more fun to just paint over your sketch and make as you go!! And yeah don’t be so hard on yourself anon! Art is hard and shit takes time, so whether you take a few days on a piece or months I think you should be proud that you actually made something, even if it’s just for yourself :)!!

As for the question of how long I take on my drawings:

(More under the cut!)

As for how long it takes me to make drawings, I’d say it varies like this purple mammon I recently posted took a month but that’s because I had lots of final school work to do and I got sick twice during that time 💀💀 but this three pose page I did as a commission:

This one took me 9 days which is crazy when I think abt it actually cause there’s way more happening but yeah!!

This mammon in the back dress as well took about five days!! So to give you an estimate I’d say anywhere from 1 to 4 weeks? Most mammons I do usually end up being on the lower half of that range! Outside circumstances may make it vary but that’s usually the time it takes!!

Oh and I’d like to add that I usually am a night owl and only start working till around the evening times when I draw!! So when I say days I don’t mean like I spend d all day over my tablet, I don’t think that’d be very good for your health anyways 🤕🤕 take breaks yall play a game you like or watch something on YouTube!!! Don’t spend all your time working lest you burn out!!

I’m gonna be real with all of you, cause my friends make fun of me for it ALL THE TIME LOL but the largest majority of mammon drawing time is like 80% redrawing the face over and over and 20% the rest give or take. I drive myself crazy drawing mammon faces cause I need it to be perfect cause it’s mammon so when it’s not “perfect” I keep working at it and I don’t move on until it is 💀💀 my friends notice a cycle where it’s like:

“You guys I have such a fire idea for a mammon drawing” (makes sketch and flats in like 10 mins) —> (starts face) “wait you guys this face is kinda good maybe I won’t spend fifty years on it :D” —> “eehhhhhhgh okay face not looking good lemme see if I can tweak it” —> “okay face need to be redone.” —> “I decided against redoing it I’m just gonna fix what I have” —> “we gotta throw the whole idea out and start again.” —> “wait you guys I think I did it the face looks good asf was I crying for nothing before??” (They tell me yes I always do) —> (I move on from the face) —> (the rest is completed within 2-4 days) —> Done!

It’s stupid as hell I know LOL but when it comes to mammon if i don’t make him as best as I can I don’t feel like I do him justice. The things we do for love, right?

[nananarc]

EXCUSE ME WHILE I RANT FOR A BIT

So anyway I finally started with the graduation project and, lemme tell ya, it was annoying. I mean I expected this, but it's still annoying.

The school and the mentor wants things to be of a certain aesthetic and standard so it can fit with the general public's taste and eventually it can be picked up by a publisher. it has to be commercial and easy to digest, for a lack of better words. Which is like, the opposite of essentially what i am as a person and as an artist.

So anyway I'll be doing Truyện Kiều again, illustrating the full book with better art this time. Here are some sketches I did:

Below is the mentor's very quick sketch for demo:

Which is. Ok cool, it's very traditional, Vietnamese fine art design and aesthetic. The thing that you see everywhere in books and media. The thing that is taught in fine art school. And it's also very HIM because he's a very prominent artist since a long time ago. I'm not talking about the difference in the era clothing tho because he demoed in Nguyễn dynasty while mine is of the Trần dynasty.

My style was criticized (politely) that the face doesn't look pretty, the nose is too prominent and big, the lineart is too scratchy and loose, and that I have to restrict the freedom in my lineart more.

Which is. Like. Pretty much all the things that i like about my art the most. I don't really like drawing "pretty" people, I wanna draw distinct and unique people. I like the fact that the nose is prominent because that's a very Vietnamese facial feature. Our nose is big, flat and flared. And I like it. AND I DIDNT EVEN DRAW IT THAT BIG. it's already stylized and stuff. The lineart is scratchy and spontaneous because that's how my ADHD brain works! And I like the freedom, the raw unfinished feel to it. And my way of scrawing is kinda similar to sculpting in a way that I like to put in a block of line or shape (yang) and then erase it and putting in more nothing space (yin). And I like Maximalism and Kitsch and Neo-traditionalism so I love to do things a bit crazy and new and filled with emotions.

My mentor comes from a very different generation, and a different field than me. He's very commercial, leaning more into minimalism, fine-art conservative and traditional aesthetic. WHICH IS THE OPPOSITE OF ME. Sadly we don't get to choose mentor cos there's only one lmao.

And also I don't understand why I have to aim for publishing in Vietnam too, because that's not where my target customer is. I'm a niche artist with limited customer base and they are international clients (who mostly pay better, treat you better, and appreciate your art more than the general public in VN do). Luckily I have a bachelor in business admin so I know how to do brand and marketing myself, othewise id just keep on trying to please everyone (flexing a little bit, but i was graduating with excellence and on the top 10 of my intake lmeo). Not to mention the fact that why do I even have to publish in the first place, because this is a school, it is a place to experiment, make mistakes, and learn. It's not a place to conform to the industry to make a living. If I wanna do that I would not be here and start working for a company already!

I understand it when they said that it would be a huge advantage if you can get published, but then again, that route is not for everyone, and it's not the only way to be an illustrator like they said. I have my own path to walk on, and I don't think they are aware that we even have those paths, because they are from a different generation. I mean, that's why I was struggling so much before to find a footing, because virtually no one here knows there are other paths! I had to dig things up myself through sweat, blood and tear.

Anyway I rant but i will keep trying to fight and do it on my own terms. They can't make me anyway. There's gonna be sticks and stones, but I mean, I can't physically make myself do something I do not wanna do. There's another option which is to drop it because I don't need the certificate anyway, but I wanna finish a big project of my own too.

[tokyogruel]

Deep Cover is out tomorrow (aaaaaa), any predictions/hopes for it? :D im hoping she does another cute lil giggle like she did in harrow... or maybe a full laugh idm 🥰 im just happy to hear her voice again

NIKO NIKO MUKUBERRY. i have had this ask in my inbox for ages orz. i missed my chance to answer it before the deep cover album dropped,,, but it is time. to repurpose this ask. deep cover MV tomorrow

i dont have any super solid predictions, but here are some of my thoughts/hopes on the video:

-i would love for her to have colored lineart like shidou in throw down

-in fact, i would love more 0510 parallels/references/i want them to try and rip each others throats out

-i want more werewolf theming, i want a red riding hood reference

-you know the gif preview of the young girl? im half expecting kotoko to kick her in the head. is that fucked up? i dont care. i want her to do it.

-i want teeth. TEETH. GIVE ME BIG SHARP TEETH

-blatant reference/depiction of the other prisoners, like the portraits in BACKDRAFT. i need this for reasons

-i want a depiction of es/jackalope like in teardrop and backdraft

-can we get some kazui paralleling?

-anything involving mahiru will make me go fucking crazy

-i want to see her use a weapon. or act as a weapon

-waiter, can i please get some more haruka parallels for kotoko

-or any reference to his impending suicide attempt

-can we get a close up on her hands, with claws

-i hope we see more outfits for her,, also maybe references to an american werewolf in london

-im sure we all know shes gonna crack, i kind of hope she shatters,,,

-i want her to bite someone or something

-i hope she talks to mahiru in her bday timeline

[instaquarius]

My design for Glamrock Foxy that appears in the rp/FNAF AU me, my fiance TheOnePhun211 and tekedafox23 are working on after he's found and repaired  again.

Note: In the AU he's also Roxanne's grandfather/the one responsible for raising her

Thanks to TheOnePhun211 for helping me with the lineart on this  (mostly cuz I hate doing lineart lol)

I did the sketching and coloring

My design for Glamrock Foxy that appears in the rp/FNAF AU me, my fiance TheOnePhun211 and tekedafox23 are working on after he's found and repaired  again.

Note: In the AU he's also Roxanne's grandfather/the one responsible for raising her

Thanks to TheOnePhun211 for helping me with the lineart on this  (mostly cuz I hate doing lineart lol)

I did the sketching and coloring

My design for Glamrock Mangle that appears in the rp/FNAF AU me, my fiance TheOnePhun211  and tekedafox23  are working on after he's found and repaired  again.

Note: In the AU Mangle is both Foxy's daughter and also Roxanne's mother (though she was seperated from her child shortly after Roxanne was born due to Mangle going slightly crazy when she got repurposed into being one of the glamrock animatronics and losing her second head. Because she had that extra head for so long she got so used to it that she began talking to herself and so got scrapped/eventually picked  up by the Blob where Mangle stayed until eventually was saved by the other glamrocks/roxanne)

this design is for after she was saved and stuff-

For the FNAF AU me, mickey TheOnePhun211 and  tekedafox23 are all working on together.

In it we all kinda decided to have Lolbit be Roxanne's older brother (stillborn that somehow got into the Fazbear systems to explain the glitching/why he's kinda like a virus or whatever in Sister Location) since we also decided Foxy would be Roxy's grandfather and Mangle Roxy's mother sooo ye.

Started  out as a lineart sketch of Ava based on a comic panel from Spiderman 2099, then we  discussed the idea of a werewolf AU of Ava ( tekedafox23 's OC who I did  the collab with) so I ended up  altering the original drawing to look more werewolf-y and this happened lol

Sketch/lineart done by tekedafox23

Coloring and shading by me

[medicalunprofessional]

I just saw that insane Sasha Nein art you did, where he’s smoking and his mom is in it. I have to say that was some of the COOLEST ART I HAVE EVER SEEN ON THIS SITE, EVER. And I saw that you said you draw on your phone?!?! I’m actually begging you to tell me what app you use pLEASE (also I have always wanted to know how to render but I don’t even know how to start is there any in progress shots you can show so I have something to go on ;U; ty)

GYAHHHHH THANKSS YOUI wwhhh… I had written more in response to this but… Tumblr crashed and deleted it so… Im trying to remember all the points i went over haha… But… Yes… I do draw on the phone with my fingers. The key? Ibispaint… Its really good. You just gotta believe in yourself…. Its rlly not that hard :)

But… On rendering, i feel like everyone renders differently… It really depends on yout artstyle… But i will gladly go over my process (again(thanks tumblr)). Ill be using a different piece as an example (the one of sasha? I didnt render that in my normal way. Just kinda Drew Shapes) -

So i always.. sketch it out. Roughly. Get the details down, yes, but this part will pretty much be invisible, so it doesnt have to be perfect. (yees there was gonna be red string but i didnt like it so. Goodbye red strintg.. Sorry boyd) In this piece (and some others) i redid the sketch a few times to get everything placed and sized how i like it…

After this..? I just put in the colors under the sketch. Here, id like to get them relatively like how i want them to be (though sometimes ill just put in a single color and choose the colors WHILE im rendering)… Its Good To Keep Them Messy I Think

And then… I put all the layers into a folder and render it all on a new layer…. Its that simple… Some people will do it on a bunch of layers to keep all the different elements separate, but i feel its confusing and youll get tripped up in all the layers… I simply use one. Sometimes ill make a new layer if im not feeling confident about a detail, but, usually, its just one. The colors i laid down? im simply colorpicking those and making them more defined, usually blockier.. And dont worry! Its easy to move things around, having to repaint some stuff isnt as bad as you think (ESPECIALLY if you dont use lineart. I hate lineart sometimes😌)

And its done after i get alll the details i want in (sometimes, you dont need to detail everything. Focus on whats important! If you like..). Well, the drawing part is, atleast. I usually run it over with some special brushes i made to make it look more scratched up and dirty. Then i do some chromatic abberation shenanigans! And some noise. Then… Its done :)

Though… if there is one thing i must say…… You can wiggle around the hue and saturation a little while rendering it makes it more interesting and flavorful… You can wiggle it around ALOT to make things look holographic…. Oh! and keep it simple… And also desaturating colors a lot combined with the context of other colors around them can do some crazy stuff… I can make orange look like green 🕴️ (Okay that was . More than one thing. And?)

But really..:: Do what YOU want. Its your art :) I cant tell you what to do! Do all of these things. Do none of these things. Just do what YOU want to. Nothing I or ANYONE says dictates what you must do or what is correct in your expressions.

Yay!

[frindoka]

my art timeline :-)

hi! i’m making this because i was inspired by maxpawb’s post i saw on toyhouse , which then led me to look at all my own art that is still somehow intact in my storage. this only details stuff from when i started posting online, not from when i started drawing traditionally as a wee lad. partially because my sketchbooks are lost and partially because i never really wrote down dates on my art to begin with.

a lot of dates are lost, due to the aforementioned problem of me not writing things down.. and also i have awful dissociative memory problems so there’s way too many gaps in my life. but i really did want to do this to see how much i could find & how much i could recollect.

content warning for VERY brief mentions of grooming, as well as minor mentions of real shitty friends

everything is under the cut! there might be another rb if or when i hit the image limit. curse you, tumblr.

date: ??? , i had to be around like. 11 at the time

this was when i joined warriors amino and i deleted my account because i got in trouble for having social media, LMAO. i eventually came back with a new one though. this is probably one of the only surviving art pieces from when i was THIS YOUNG, everything’s on an ipad that’s so broken it won’t even charge

i learned how to use the smudge tool on ibispaint at this time and thought i was the coolest bitch on the block for my blending

may 2019, i was like 12

my return to amino (and brief period on deviantart, which i never used again lmao) i was specifically on wings of fire amino + warriors amino. i was obsessed with airbrush shading.

this is one of my first fursonas which was a wings of fire fanflight called kitsunewings or smth. and also my first species character (he predated the dragon), a bayfox, which was drawn in krita. i never used krita again after this. coincidentally, i was also never active in bayfoxes after submitting him.

i crawled back to ibispaint no matter how many new free programs i tried.. (also tried firealpaca once. i couldn’t even figure out how to draw a line…)

may 2019, 12

the rise of my longest lasting fursona. she got stolen on a shitty app called anime maker once. i can’t remember if she’s older than the dragon, andromeda, but her older iterations definitelt are. this character was just the FIRST first fursona that i actually called that, since i didn’t even really know what a furry was at first

june 2019, 12

my first commission that i sold for like 30 deviantart points (i only used the site for commission purposes, as mentioned before i never really used it lmao)

also i tried to make a closed species on wings of fire amino. second image. it was terribly stressful ; this was around the time i met my longest lasting group of friends (hi freak bin! 5 years <3) and.. some of the worst people i’ve ever met in my life at the same time, LMAOOO

also here’s this kokichi ouma dog i made before i even knew what danganronpa was. i would find out much later, unfortunately

march 2020, still 12 (cause of my august birthday 😒)

there’s a really big gap in my files here. sad! my art kicks into gear at this point tbh, i like how i did the lines. wish i had the energy for such clean lineart still :-(

i think around this time i lost contact with the people who were my groomers (which i would realize later) and i’m thankful that i don’t even remember what their names are.

april 2020 - july 2020, 12

okay these aren’t awful actually. HOW WAS MY ART SO DETAILED. i admire baby frets power, jesus christ

i also did a design raffle when i hit 500 amino followers which is still the most i’ve ever gotten as a following. pretty crazy, i wonder who owns this dude now, i still think they’re cute

august 2020, 13

wow i’m 13 now look at that. i had to go digging for this one, only one i could find that was remotely close to my birthday (it’s the 25th!) this was a drawing for my friend bea lol

was still friends with some pretty shitty people from wings of fire amino, and it was really taking a toll on me. i don’t remember drawing as often as i used to during that time because of all of that.

december 2020, 13

i wish i could still draw backgrounds.. i need more practice

january 2021, 13

okay honestly these are really cute. i don’t know wtf kind of motivation i had for this much detail. the shading is pretty damn good

april 2021, 13

still going strong with the shading and backgrounds. not much to say around this time either lol. the first one is an older design of mine, but they’re pretty damn cute.. i wonder what happens to the desgins i lose track of? but ik this guy has a toyhouse profile i just refuse to look through my like. 200 pages of character designs on there…

july 2021, 13

PUDDLE! PUDDLE OH HOW I MISS YOU. my original favorite oc, i got so much art of him & drew him so much he reached 100 pieces in less than a month. i also met my best friend through this dude.

my art got.. blocky? here? idk what i was doing with all of that but it lasts for a while. lol

october 2021, 14

one year older and i got neo twewy for my birthday and it changed my life permanently. in several ways. anyhow, here’s frindoka furries.. they live in my files forever and will never b drawn again because they got redesigned several more times LOLLLLL

this is the month after i broke off permanently from my shitty old friends, with support of some other friends of mine. thank you guys… i did proceed to get harassed and made paranoid over my text messages by the shitty friends cause they were mad i got one of them banned from a furry adopts server for being literally dangerous. i do know it was them bc it was admitted to & they were some of the only people i gave my phone number to. i was kind of dumb for that

i was happy after my birthday because 13 was one of the worst years of my life. literal constant spirals and breakdowns because this is when i realize i was, in fact, groomed. i’m well and handling it better now.

january 2022, 14

my first d&d character, the mark of my eventual spiral into heath insanity… shadow how i miss you. i ended up redesigning them later on

march 2022, 14

i got into a pokemon arpg around this time and it took over my life for MONTHSSSS. kind of a shitty community in it though, but i appreciate how it improved my artwork. i’m back at the backgrounds! it’s shut down indefinitely now. rip eeveemporium

april 2022, 14

I FOT BACK INTO WAKFUUUU😭😭😭 also got pretty comfortable in my identity as a transgender nonbinary person, but i would get MORE comfortable about my identity later on :-)

this is going to be continued in a reblog because i did, in fact, hit the image limit. oopsie daisies

[queerdraws]

i love your postcard artwork for the zolu playlist SO much!! the colours are so so good and i love the brushwork! i think my favourites are a tie between the one for chikai and the one for simple song <3 also, I was wondering if you could share what brushes you used + how long they took you! looking at your art makes me want to draw again after not doing it for so long

Thank you!! and wow i think this is the first time someone's asked me for my brushes, this is like a digital artist rite of passage!

Answers n screenshots n stuff under cut (I went a little to ham on this oops)

While we're talking settings I want to give a quick PSA to all digital artists:

CHECK UR ASPECT RATIO!!!: (MOST IMPORTANT SETTING BY FAR)

DO NOT DRAW WITH THIS ALL MESSED UP, IT WILL DRIVE YOU CRAZY. It's probably good to check this after every system update (I don't, but, you know...). Windows likes to mess w your shit when it updates.

If you have a really tiny tablet you might need to trace outside a bottle lid or something.

Okay now on to the meat of the post

-- Brush Stuff --

I use Clip Studio Paint. For my playlist drawings I think I only used these brushes (these are my main 3 in general) (p.s. they're all default brushes! but i've adjusted the settings):

1) Gouache This is most of what i used for the postcards. I nuked Color Stretch because i hate it (it blends colors together as you're painting, like painting over wet paint. I prefer things to look more crisp)

2) Real G-Pen Used this as little as possible, to keep the painterly effect. My preferred fine-detail pen, has a nice crunch to it. I've fine-tuned my setting further in the thickness dynamics / brush size dynamics settings because I mostly use this brush for linework and wanted it to handle really, really naturally and precisely

The random box is checked by default, probably to make this brush feel more like handling a real inkdip pen (I don't like that)

3) Mapping Pen Least used. I generally keep this brush at the 50-70px range. It's unpleasant to use for detail work (the taper is really fiddly at my tablet pressure settings) but good at filling in large areas very opaque very quickly, with a crisp edge (Also, doesn't lag as much as the gouache brush at large-ish sizes). Has enough wiggle room that it can be used to approximately fill tighter spaces at large brush sizes. Used for when I needed to quickly color over an area that wasn't working or quickly fill in background color that didn't need paintbrush texture. Did not realized the stabilization was set to 10 until just now. I usually turn that waaay down to prevent lag (my laptop isn't very old but it's a sensitive beast)

Other stuff that'll help:

General pen pressure: (under File -> Pen Pressure Settings)

tweaking how CSPaint handled my pen pressure helped a lot with making lineart look more natural. It's worth messing around with this and trying out different settings for a while to see how they feel.

-- How Long it Takes 2 Draw --

I don't really keep track of how long art takes me from start to finish, and making the playlist drawings was kinda nonlinear 😅 sorry!

-> I started out sketching really quick composition and color ideas as the songs were playing, limiting myself to just the duration of each song (so like, 5 minutes for this part) -> i did that again at least 2 more times per song -> after that, idk. I would work on one pic then get stuck and move to another. Some I could hammer out in like... 5 hours? Some took me upwards of 20 (30?) hours for no real reason (I have "will graham clock" days, where I'll try to draw a face over and over and it'll look really strange, like will graham's clock drawing every time) (this seems to be either a vitamin deficiency or a brainfog inflammation type thing 4 me 😵‍)

I'll use ur two favorites as specific examples: -> Chikai was one that went pretty quickly (with the exception of their arms and the clothing folds there giving me trouble). Probably took 4-6 hours? -> Simple Song had a couple different versions, partially because I initially had the cards all laid out landscape-style, and I decided I actually wanted them all portrait-style & repainted it after it was already done. That aside, the colors /atmosphere on that one gave me trouble and the general composition / perspective had a lot of tweaks (I was trying to figure out if I wanted it to be a kinda flat stylistic perspective or if I wanted it to make more literal sense, trying to figure out what to do with luffy, trying to make him not look Too baby boy sweetie pie). Probably took 7-10 hours...?

In-progress landscape versions: (varying levels of in-progress)

Misc in-progress of Chikai and Simple Song:

Simple song looks kinda sequential like this lmao. Luffy looks like he's A-posing and floating away to the boat and then sitting down pleasantly in it. Wonderful. --

Anway -- hope any of that was helpful!