#Allows time for character development
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littlecrittereli · 1 year ago
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Thinking about @martincrushcameback's apocalypse au....
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I couldn't get the idea of this interaction out of my head so I had to draw it...
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therealstonedelephant · 5 months ago
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sukugo is a crack ship TO YOU. to me it's a perfectly legitimate ship, held back within the canon universe principally due to adherence to classic genre structures and not by lack of character compatibility
#sukugo#not to be a crack ship definition purist. but it doesnt qualify as a crack ship if the characters are totally compatible#and if a major reason that the ship is not canon is just because the characters aren't main characters and thus not the focus of the story#what i mean is that jjk has a pretty normal structure for a coming of age martial arts story#it has the young protagonist who is the focus of the story#who has a wise teacher who is killed by the villain to provide the protagonist with more motivation to defeat the villain#gojo and sukuna were both doomed by the narrative in that the narrative followed this classic structure. so long as yuji is the protagonist#and main character then gojo needs to die to allow him growth and focus#and sukuna needs to be defeated by yuji#sukuna and gojo's relationship could only develop to a limited extent within their fight because its only setting the stage for the final#fight between yuji and sukuna#BUT THERE ARE ABSOLUTELY MANY EXCHANGES BETWEEN GOJO AND SUKUNA THAT DEMONSTRATE THAT THEY ARE COMPATIBLE AS A SHIP IF THEY HAD#TIME AND SPACE TO DEVELOP THE STORY IN THAT DIRECTION#“teacher and villain set up to be on opposing sides but finding understanding and an equal and love in each other” is totally legit dynamic#thats the premise of tian ya ke/word of honor#what im saying is that sukugo are very compatible as a ship#but to have a ship like sukugo be believable in canon. their relationship needs to be given time to develop#more time than jjk is able to give it within its structure without more genre subversion and without them being main characters#jjk
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blueskittlesart · 10 months ago
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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novantinuum · 7 months ago
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m, my wittle guY, ,,,,
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dogydayz · 25 days ago
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im looking thru the Swerve tag and like where the actual fuck is the Swervefire. I’m genuinely so baffled by the fact that I’ve seen so little of it because its like. Even the fuckin comic is like “you two are bizarrely similar” and they became friends like IMMEDIATELY. Even in the realist-ending Swerve is like “damn it did anyone get Misfire’s number i forgot to do that!”
Like, the comic all but literally states “yeah theyd totally get together”. Yet I hardly see any art of it? It’s so baffling to me, they’re adorable together like seriously. Misfire bringing Swerve into the Scavs as an honorary member. Nickel ends up scolding them all when she returns to wherever the fuck on the ship they stay to see Swerve COVERED in like. Painted graffiti stuff (which doesn’t even look bad surprisingly, but still shes a hardcore mama bird and doesnt want them to get into trouble with Magnus lmao). Grimlock ends up becoming a lil’ bit of a bouncer at Swerve’s (ofc he’s gonna become fond of someone so close to his own best buddies) because he’s a tad protective. He lets out the SCARIEST growls if someone starts being a jackass to Swerve.
They’d both end up with the funny blasters too I reckon. They suck soooo bad. They laugh their asses off at how absolutely horrendous they are at the in-ship training range. They’re just really silly together. I need more people to see this I’m so desperate.
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timegears · 3 months ago
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god please remind me never to go into the balls-deep shipping side of the utdr fandom because obviously this is not exclusive to this fandom but the way some of you talk about noelle's "obsession" with susie just feels like you're desperate to call her a predatory lesbian lmao
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hannie-dul-set · 20 days ago
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all the guys that were into me in my past 4 years of uni ended up getting into happy and healthy relationships after i rejected them while i'm about to graduate in 10 days, still fucking single. if this isn't karma then i don't know what is.
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clumsypuppy · 1 year ago
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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thefandomenchantress · 3 months ago
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Even though Liam’s whole misogynistic joke thing is obviously supposed to not be taken all that seriously and just as a running gag, (a running gag that makes a lot of people including myself uncomfortable and that I would rather ignore but still), I think that if Rosy decides to redeem Henry and Liam it’d be hilarious if to make Liam less problematic for the redemption, they made him have character development but it’s 100% offscreen.
But not in ret-con way where it’s not even acknowledged, no no no. Instead someone would say something low-key sexist and Liam would interject like “Woah, that’s not cool man”. And there’s just a beat of silence as the other guys look at him in confusion. And even Henry is like “…What?” but the scene moves on before anyone can ask further questions. And from then on it just happens repeatedly, but every time someone tries to ask what the fuck happened to him he gets cut off before he can elaborate. And so everyone in-universe is just getting increasingly more surprised and puzzled as he does it around more and more characters without elaborating. Sean says to Zander that he thought Zander described this Liam guy a lot differently and Zander, who has completely given up on figuring this out, just dejectedly says that he did, has no fucking clue what happened, and probably never will.
Idk, just a silly idea I came up with because it lets Liam keep his whole ladies’ man archetype, but the comedy comes from the subversion of that archetype and the absurdity of his heel-turn rather than…whatever he has going on now.
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karaspal · 6 months ago
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who is the mask and who is kara’a real identity? a quick analysis
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pre-s1, kara danvers was the mask and there was no way for kara to be her true self.
after kara became supergirl, but pre-s2, supergirl was who kara was. kara danvers was still the mask.
supergirl empowered kara to drop the “clumsy, girl next door” persona and embrace her true self (in a way that won’t put her life and family in jeopardy). she became more confident and not afraid to voice her opinions. after kara became a journalist and started helping people as kara danvers too, kara danvers was also the true kara.
in short, there is no mask after s1 (even though it takes some time for kara to realise that because of how long there was. she does so by 3x23). there is a secret identity that protects the people kara loves, but she’s not pretending to be someone she isn’t. kara danvers and supergirl are two halves of a whole, the whole person being kara zor-el. they are two identities kara zor-el uses to have the life on earth she wants and deserves. kara danvers allows kara to have a peaceful life, offers her a way for to have loved once without putting them in danger, and also the means to help people without having to sacrifice herself all the time. supergirl allows her to help people while using her powers without having to put the ones closest to her, as well as her own personal peace, in danger.
both these identities allow kara to help people in different ways and imo, any identity that allows kara to help people should never be minimised to a “mask”.
additionally, i think kara can only ever be fully herself with the people who know her secret identity. kara is the one who makes the decision to show her truest self to the ones she loves. that’s why she’s very picky with who she tells.
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budd-ie · 1 year ago
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Actually what I love most about hualian is that by the time of "if you don't know what to live for then live for me" they had already had many meetings and moments together, and while that one moment may have solidified his resolve and his purpose, it may have never actually come to that point had xie lian not caught him from the wall, had he not saved him from qi rong, had he not told qi rong off and punished him, had he not stood up for him every time someone spoke against him, had he not held him so warmly, had he not talked to him so gently, had not reassured him so genuinely, had he not protected him time and time again, yknow? Ever since they met they kept meeting by chance and it might have even felt like Xie Lian was looking out for him specifically, even if it was just a coincidence and he would have done it for anyone else. Hong-er is crazy enough to do whatever he wants on a whim, but this wasn't like a split second decision Xie Lian was already like a lifeline to him at this point, and he took his chance and asked his question to a statue in a shrine he may have never cared about had they never met. He may not have really expected an answer and was just asking with a last desperate hope to find any reason to keep going on, but he got an answer from that one and only person in the world who he would ever trust. That trust was built stronger every single time they met and it all led up to that point. If hong-er had asked that question without the pretext of their previous meetings, would he still devote his life? Maybe, but it's not easy to say yes definitely. If it had been anyone else, would they also devote their life? That's also entirely possible, but it wasn't anybody else. It's three parts fate and seven parts courage, and again, Hong-er is crazy enough to do whatever he wants on a whim, so he chose life with the rest of his courage. In short, when we say their story is so specific to them, I really do believe that it could quite literally only happen to them specifically and no one else given their situation. If Xie Lian didn't have such a strong sense of justice and love of all people, if hong-er wasn't so desperate, reactive, or strong-willed, if either of them weren't just so damn stubborn, I honestly think none of these events could play out the same way and/or be as impactful on them. It really couldn't have been just any crown prince and any beggar kid, it could really have only been them.
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age-of-moonknight · 10 months ago
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“Three Moments,” Vengeance of the Moon Knight (Vol. 2/2024), #8.
Writer: Jed Mackay; Penciler and Inker: Devmalya Pramanik; Colorist: Rachelle Rosenberg; Letterer: Cory Petit
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ofthebrownajah · 1 year ago
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😶
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infinitelyweary · 5 months ago
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Has anyone endlessly dissected Armand's subtle Marius shade yet
#iwtv#iwtv armand#LESSER skill 💅🏽✨#im sincerely so curious to see how their dynamic plays out once he finds out marius is alive#bc it seems like he still thinks hes dead as of s2#as far as i can tell book!armand doesnt find out marius is alive until he reads lestats book?? which will never not fuck me up#book!lestat is truly aint shit for hearing armands Tale of Woe then kicking it at marius’s mcmansion for a week#writing and publishing a book about it meanwhile never letting his friend armand who he ‘loves’ know that his fucking maker is still alive#but anyway in the show theyre definitely leaning into armand being more embittered towards marius which i loveeee#vs in the books where he seems more ambivalent?#its hard bc u can make a strong reading of book!armand as deeply resentful#but unable to process that relationship enough to understand his feelings about it#but ar is so shit at character development/keeping emotional consistency that it feels like a fluke when something actually tracks#like theres a great moment in qotd where marius is seeing armand again for the first time since his ‘death’ and marius is all hugging him#and armand is just sort of solemn and passively allowing it and not rly engaging with him#but then when marius needs him armand goes to his side and comforts him a few chapters later#and i think theres a lot you can glean from those two interactions but since ar spends no time digging into that at all its like…..#did it even mean anything? or am i imagining a better story than im actually reading#she just has this knack for laying the groundwork of a deeply fascinating character dynamic and then never fully seeing it to fruition#even in armands own book which is largely dedicated to exploring that relationship his feelings on marius stay pretty unresolved#he feels conflicted at the start and conflicted at the end and telling his story doesnt illuminate anything he still just feels the same#i can sit around and make different interpretations forever but the text never Goes There enough to be satisfying for me#and im not fucking reading blood and gold so if the insight i seek lies within someone just tell me. pls
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firestorm09890 · 2 years ago
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houghhh something about Ansem taking in Ienzo and favoring him because obviously you would favor your new son but then as soon as Xehanort shows up suddenly he's the new favorite, he's the interesting one, he's Ansem's prized apprentice... and then something about Zexion being one of the closest to Xemnas and having a special servant/master student/teacher relationship until Saïx pushed his way in and became Xemnas's new special little guy..... something about Zexion's gravestone being desecrated to the point of being unable to be read... erased.....
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breha · 2 years ago
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i'm reading crescent city girls: the lives of young black women in segregated new orleans by lakisha michelle simmons and one detail in it is about how although the french quarter during the first half of the twentieth century was overwhelmingly white, a black order of nuns owned a building there, at what's currently the site of the bourbon orleans hotel, from 1881 to 1965. they lived there and ran an orphanage and a school for girls (the order and the school still exist, just in a different neighborhood). i think it's an affecting image that 1132 royale street was so close (a 7-minute walk, just down the street and around the corner) to a high school claudia was pointedly not attending. she probably walked by the building hundreds of times, at night when it was shuttered and quiet. she walked by it when she was 14, 15, 16, 17, just like the girls who studied there, but she was fundamentally separated from them forever. she could go there, even slip into the classrooms or the dormitory where the nuns slept, but she could never get there, across the veil to the place it was during the day. and at first she didn't really grasp what any of this meant because it was novel, even a little exciting, it made her feel special – "i've gotta go to bed when the rest of the world wakes up, so there's less kids to play with..." – but you know it sank in eventually. as the students moved from grade to grade, graduated, grew up, and were replaced by new girls, claudia stayed the same. her and the building, its balconies, its arched windows, the cross against the night sky, unchanging. singular. forever. fuck!!!!!!!!
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