#Also so much was just disappointing

[lazylittledragon]

i'm in one of those phases where i really wish i believed in manifesting and spellcasting and things like that bc you know when you want something so bad you're literally praying for the universe to let it happen

[uncanny-tranny]

To any disabled person undergoing tests to find What's Wrong: I hope your results come back the way you hope and that you receive the help you need. I hope you are not denied care, I hope you are taken seriously even after this, and I hope that you will be taken care of compassionately

[nicollekidman]

buffy knows spike loves her during season five. buffy knows spike loves her when she comes back and seeks comfort/silence in his presence. and as she comes back to herself and tries to make peace with the fact that she’s Here Again, she still knows he loves her. and i think part of the Big Bad Grabbing The Slayer For The Darkness routine they both cling to is that it allows them to pretend this huge thing isn’t between them so they can get what they both want (someone to stay).

and like obviously buffy cannot allow herself to believe that he loves her for many reasons, but she DOES believe it, she can’t make herself unknow it even though she tries so hard. which is partially where the breakdown with tara in 6.13 comes from because the cognitive dissonance of soulless spike loving her as if he has a soul while she is so lost within herself that the only way she can reach for him is to use him (which would be fine if he was the big bad grabbing the slayer for the darkness) which is hurting him! unfathomably! but he’s supposed to be the corruption! how can he??? any of it???

meanwhile spike has watched the woman he loves be brought back as a shell and he wants to see the light in her eyes and he can touch her now and sometimes that’s enough to make her laugh but he can’t linger in those moments or she’ll go away again! so he can play the role he needs to play so she’ll stay, as if he could keep her anywhere she didn’t want to be. as if he wants her to be in the dark instead of bringing him into the light. but how could he ask for anything more when he already got her back and he didn’t even need to kill her afterwards.

and so they hurt each other and he forgets himself and asks her if she even likes him and it’s too honest and he’s asking too much (he asks for nothing) so before she can throw her life away like it’s nothing, he puts the game face on, makes himself a target, and swallows it all. and she can’t unknow. and it would all be fine except he’s a vampire and she’s the slayer and how can he just say it like it’s nothing when she needs to beat his face in just to keep from screaming.

[fumifooms]

Chilchuck analysis speedrun: As a hardworking half-foot who grew up poor and discriminated against and had his gullibility taken advantage of multiple times in his early adventuring days, Chilchuck thinks optimism is a dangerous flaw. He’s stressed and strict all the time because his job is noticing details like traps that could get everyone killed before anyone knows it, he takes the lives of everyone to be on his shoulders, and with the way he speaks about it that probably partly reflects how he felt about taking it upon himself to provide for his family too. His life’s always been pretty centered around work and has become even moreso now that his wife left and everyone is independent, and due to past events he’s very iffy with bonding with coworkers. He thinks feelings and job are a disaster mix. Like with his wife or with parties hiring him as sacrifice, being open or having good faith is vulnerability which can get you hurt, so he processes and shows all his stress as anger instead of worry. Doing strict dieting probably isn’t helping the irritability what with hunger, and on top of being a hunger suppressant alcohol might be the main stress reliever he has.

His grey hairs are so earned

[shortcakelils]

Rosie Redesign !!

[poorly-drawn-mdzs]

Mushroom body

(for @mikkeneko)

[carpe-mamilia]

Ghosts’ Larry Rickard Explains Why They Chose the Captain’s First Name

Photo: Monumental,Guido Mandozzi

It couldn’t be a joke. That was one rule laid down by the Ghosts creators when it came to choosing a first name for Willbond’s character. Until series five, the WWII ghost had been known only as The Captain – a mystery seized upon by fans of the show.

“It was the question we got asked more than anything. His name,” actor and writer Larry Rickard tells Den of Geek. “Once we got to series three, you could see that we were deliberately cutting away and deliberately avoiding it. We were fuelling the fire because we knew at some point we’d tell them.”

In “Carpe Diem”, the episode written by Rickard and Ben Willbond that finally reveals The Captain’s death story, they did tell us. After years of guessing, clue-spotting and debate, Ghosts revealed that The Captain’s first name is James. At the same time, we also learned that James’ colleague Lieutenant Havers’ first name was Anthony.

The ordinariness of those two names, says Rickard, is the point.

“The only thing we were really clear about is that we didn’t want one of those names that only exists in tellyland. It shouldn’t be ‘Cormoran’ or ‘Endeavour’. They should just be some men’s names and they’re important to them. The point was that they were everyday.”

Choosing first names for The Captain and Havers was a long process not unlike naming a baby, Rickard agrees. “It almost comes down to looking at the faces of the characters and saying, what’s right?”

“We talked for ages. For a long time I kept thinking ‘Duncan and James’, and then I was like ah no! That would have turned it into a gag and been awful!” Inescapably in the minds of a certain generation, Duncan James is a member of noughties boyband Blue. “Maybe with Anthony I was thinking of Anthony Costa!” Rickard says in mock horror, referencing another member of the band.

Lieutenant Havers wasn’t just The Captain’s second in command while stationed at Button House; he was also the man James loved. Because homosexuality was criminalised in England during James’ lifetime, he was forced to hide his feelings for Anthony from society, and to some extent even from himself.

In “Carpe Diem”, the ghosts (mistakenly) prepare for the last day of their afterlives, prompting The Captain to finally tell his story. Though not explicit about his sexual identity, the others understand and accept what he tells them – and led by Lady Button, all agree that he’s a brave man.

Getting the balance right of what The Captain does and doesn’t say was key to the episode. “It wasn’t just a personal choice of his to go ‘I’m going to remain in the closet’,” explains Rickard. “There wasn’t an option there to explore the things that either of them felt. That couldn’t be done back then – there are so many stories which have come out since the War about the dangers of doing that.

“We wanted to tell his personal story but also try to ensure that there was a level at which you understood why they couldn’t be open, that even in this moment where he’s finally telling the other ghosts his story, he never comes out and says it overtly because that would be too much for him as a character from that time.

“He says enough for them to know, and enough for him to feel unburdened but it’s in the fact that they’re using their first names which militarily they would never have done, and in the literal passing of the baton”.

The baton is a bonus reveal when fans learned that The Captain’s military stick wasn’t a memento of his career, but of Havers. As James suffers a fatal heart attack during a VE day celebration at Button House, Anthony rushes to his side and the stick passes from one to the other as they share a moment of tragic understanding.

“From really early on, we had the idea that anything you’re holding [when you die] stays with you. So it wasn’t just your clothes you were wearing, we had the stuff with Thomas’ letter reappearing in his pocket and so on. And the assumption being that it was something The Captain couldn’t put down, it felt so nice to be able to say it was something he didn’t want to put down.”

Rickard lists “Carpe Diem”, co-written with Ben Willbond, among his series five highlights. He’s pleased with the end result, praises Willbond’s performance, and loved being on set to see Button House dressed for the 1940s. He’s particularly pleased that a checklist of moments they wanted to land with the audience all managed to be included. “Normally something’s fallen by the wayside just because of the way TV’s made, it’s always imperfect or it’s slightly rushed, but it feels like it’s all there.”

Rickard and Willbond also knew by this point in the show’s lifetime, that they could trust Ghosts fans to pick up on small details. “Nothing is missed,” he says. “Early on, you’re always thinking, is that going to get across? But once we got to series five, there are little tiny things within corners of shots and you know that’s going to be spotted. Particularly in that very short exchange between Havers and the Captain. We worried less about the minutiae of it because you go, that’s going to be rewound and rewatched, nothing will be missed.”

The team were also grateful they’d resisted the temptation to tell The Captain’s story sooner. “We’d talked about it every series since series two, whether or not now was the time, but because he’s such a hard and starchy character in a lot of ways you needed the time to understand his softer side I think before you had that final honest beat from him.”

“What a ridiculously normal name to have so much weight put on it for five years,” laughs Rickard fondly. “Good old James.”

From Den of Geek

[mindfogs]

i can't believe the show about characters being gay and problematic won't let the characters be gay and problematic

[requinum]

was just minding my own business when a cytham fic (Faint Afterglow <- linked) by @hardboiledteacozy landed on my dash a few days ago, which I then read in its entirety bc I am a fool for mutual pining and slow burn

[r0semultiverse]

Hey Digital Extremes, why are you limiting our play style to only one romance? Thought this game was about player choice. Let us choose to have the gameplay option of polyamory! 💕

There should also be a platonic New Years night option too that involves no romance for those not comfortable with it!

[xamaxenta]

@itsthefandommash aaaangel im so sorry this took me so long i was suckerpunched by the depression this past weekend and i was struggling with literally everything and all basic tasks and its been exhausting and disheartening but i enjoyed the small serotonins in drawing marcoace 🥺❤️ thank you for commissioning me and forcing me to draw two characters together it was rough i definitely need more practice but this is a start

[daily-hanamura]

[justaz]

all this was to say that lance had the perfect set up for a deep, beautiful character arc but…well. we all know what happened. he’s arrogant, overconfident, and cocky and this ends up with him making mistakes and costing his team a pretty run with the flight sim. yet you can see in that episode with the yupper that lance has a deep insecurity that he buries and hides under smirks and quips and a whole lotta pride. (they also could’ve tied it to his family as well since they gave him multiple siblings which would’ve overshadowed his accomplishments which is the root of him striving for greatness and perfection so much that he gets tunnel vision and his team pays the price, but i digress.) with his competition/rivalry with keith, the star student who is effortlessly talented, it would’ve been beautiful for them to be equals as coleaders without them realizing. it wasn’t a conscious decision for either of them but lance’s little line from the first episode had more truth than he realized - “lance and keith, neck and neck”.

and then to lose that along with himself when kuron takes control of the team, to watch him struggle and flounder and fall deeper into his insecurities, his pride and ego wounded so much that he is unsure of his every move, his every word, his every breath. it would’ve been PERFECT for him to figure out that kuron was a clone and that the team was under galran command. lance being forced into the leadership role, much like keith was, and having to make decisions and choices for the team as black paladin - still being so unsure of what he’s doing and if it’s right. he full heartedly believes that the team needs keith back, they can’t do this without him, but keith is on the space whale and no one can get ahold of him so it’s up to lance. lance who slowly heals the deep wound within him that has him believing that he’ll never be good enough and grows his confidence back on solid ground. lance who becomes steady and sure of himself and leads the team almost effortlessly.

all this paralleling keith’s character arc which (ofc) happened off screen in canon. keith who was restless and explosive for years bc he never had a mother, his father died when he was young, he was bounced around from foster home to foster home, and once he found a permanent home, shiro goes missing and is presumed dead. keith who is constantly searching for something he can’t name and finding his mother and is forced to be with her for two years while glimpsing the past and future. keith seeing his parents meet and fall in love, watching as his mother practically tore herself apart inside as she left him and his father behind - feeling a piece of him settle within at the sight. she didn’t want to leave, she would’ve given anything to stay. watching his father and shiro raise him, their love unconditional until the day they left. krolia watching little keith rage at the injustice and being there for his older self and healing those wounds. settling every restless piece within him until he became the man who stepped back onto the castleship with a space wolf, an altean, and his alien mom.

keith and lance finding a shred of stability with one another as coleaders of voltron and best friends since they definitely grew closer during s3. they were attached at the hip, they did everything together, the line between platonic and romantic blurred so much that it wasn’t even there anymore, it was just them. but it was unhealthy how close they were, how dependent they were on one another. only to be torn apart and with their unhealthy codependency, they completely fall apart without the other there so theyre forced to rebuild the foundations of their beings. lance crumbles all alone as he and the team become distant and he rebuilds as black paladin. keith crumbles alone at the blade hopping from mission to mission and rebuilds on the space whale with his mother.

steady keith and lance meeting almost like for the first time after lance and the team took out kuron and keith and krolia found a hidden altea. together they turn on lotor and take him down too. since kuron has already been dealt with, lotor didn’t get away and all that other shit in canon didn’t happen so they get to remain in space until they take the empire completely. allura places shiro into the clone’s body and meets romelle and talks of freeing the hidden altea after the war is over and theyre not at risk anymore. keith and lance are unsure of how to proceed with the whole leader thing but there again pops up the coleader resolution. as steadier, mature versions of themselves, keith has really stepped into the black paladin position while lance had always been more suited for red. keith and lance, leader and his right hand, but they’re equals. theres no competition, no rivalry, no jealousy or envy, just respect and love.

[nachosncheezies]

In defense of late-canon x files (including the revivals)

I was thinking about this poll after I commented on it, and I kinda want to be brave and say more.

Short answer to the poll's question before I go any further: If you're a new fan and a sensitive sort who thinks you'll struggle with your blorbos Really Going Through It and you really need a happy ending, I suggest you stop at the end of season 8. Do not pass go, do not look at spoilers. Disregard this post entirely, close the internet, and go look at something that makes you happy. (Also fuck every part of society that characterizes sensitivity as inherently weak and bad and some kind of personal failing, you are valid.)

That said, "quality" as a concept is entirely subjective, and the question of whether or not there's a decline in quality for any story is wholly subjective, too. In the case of x files? I'm not convinced there is a decline. I am going to be upfront that I haven't yet watched past season 8, though I am almost completely spoiled on events after that - and the reason I haven't watched yet is not because of how I know events are going to unfold, but simply because I don't want it to end!!! Ohh, the tension between "I CAN'T WAIT!!!" and "Nooo don't be over D:"

When I first came to txf fandom on tumblr and gradually became spoiled about what happens in late canon though, I was often left uncomfortable and tbh kinda queasy about it. As I said in my comment on the poll, the hate for especially the revival and IWTB, or to a lesser extent even seasons 8 & 9, is very well documented. But! There are other takes to be found here on tumblr if you figure out where to look, and my feelings have changed!

The thing is, I have yet to find myself in any fandom where there isn't a vocal subset of fans who dislike the story after a certain point. I am not joking when I say that no one hates the things they love as passionately as sci-fi and fantasy fans. In my experience, it often hinges on the extent to which a viewer has strong notions on where they would like the characters to end up. In particular with series where shipping is a dominant component for the bulk of a fandom, I have almost universally found that there comes some turning point in the story where "let them be happy you cowards" is the dominant view, and things that compromise the attainment of a degree of romantic stability and/or domesticity are, to many fans, annoying at best and despicable at worst. But! As one tagset on the linked poll said:

and I think for any fandom, that last tag especially is so so so important. (I think that's harder for people watching a weekly series live, bc you have so much time to analyze and speculate and dream before the next breadcrumb drops, but I digress.)

So why am I saying this and how do I apply it to x files? Well, I eventually found that there are also a subset of fans who find redeeming things right up to the very end and actually quite like the whole thing! The things that I had seen people rage and ventpost so much about honestly never quite sounded to me as "out of character" or "untrue to the story" etc as those same ventposts made them sound. And I've discovered I'm not the only one who felt that way. Do I love that the spooky squad had to go through all of those things? No, those poor guys D: Life is hard and they have been through so much trauma. But do those events and their choices make sense to me in light of everything that came before? Yes! And I honestly can't wait to see them fight to overcome those things, breaking, healing, always learning, always growing, always getting better.

So if you're wondering "where does it go wrong"... well, I'm a completionist, as many people who've answered that post are, but also my personal opinion is that I don't think it does go wrong. If you're new and interested in exploring why I've gone from "vaguely queasy" to "excited" about the whole thing, or want to maybe balance out the impressions you're getting about the later seasons before deciding whether or not you want to see the whole thing, I'll put a few blog names in the comments.

Final admission: even once I started feeling a little more confident in the possibility that "actually ok maybe I'm not crazy, maybe this all kind of is in character and does make sense", there was one big plot point that I was NOT looking forward to and I thought I would never be comfortable about. In hindsight, I think my discomfort came from the negative responses being SO seemingly universal that I hadn't stopped to let myself truly consider other possible interpretations on that point. (I mean my initial instinct when I first read about it was, why are we mad about this?? CSM is literally the most unreliable narrator in history???? it's obviously fake news?????? this must be either a fever dream someone's having or it's a misdirection ploy against whatever shadowy forces might still be lurking?????????????? but for whatever reason I guess I had halfway written that off.) Happily, just last month there's a new post-s11 novel out, and although reviews for the book as a whole are mixed, it seems to have laid the groundwork for resolving that plot issue in a way I think most fans would be broadly happy with. If you're interested in being spoiled about that and seeing how, I recommend searching #perihelion on @agent-troi who liveblogged reading it with receipts, scroll back chronological-style to the first post on the subject and see how it unfolded. (And never forget that Dana Katherine Scully is the queen of denial as a coping mechanism lol)

Everyone's mileage will vary. Each person can feel however they want! But for anyone new, I wanted you to know that the very many ventposts you might be seeing are not all there is to this show or its fandom. Some of us love it despite - or even because of - all the things that went "wrong". I think we just don't talk about it as much.

[c-kiddo]

at one point i didn't like caduceus' epilogue, that he just stayed home for a long time and eventually travelled again and eventually calliope joined him too. but i think actually i love it. something so gentle about him returning home to a temple that was once empty and lonely but is now healing and full of family who he loves so much. and to not have anything particularly asked of him apart from tending the garden and his small routines. especially thinking about how tired and sad he is by the end of the campaign, compared to the beginning when hes so giddy to just be interacting with people and seeing things he's never seen before and to have guidance from the wildmother. and then later, after aeor and so many more horrible things have happened, he admits to calliope that its too much and the outside world is scary and big and he's so so tired and he keeps saying how tired he is. so basically ideal ending that he gets to go home and get better and heal enough to be excited when he heads out into the world again

[sanjarka]

i'm gonna start being mean. if you have enough understanding for katniss's depression then how are you calling katniss's mom selfish for her response to her husband's death. you do understand what catatonic depression is right? you understand that she didn't purposely abandon her children?