#Anatomia Extinction

[thatcinemascreencapguy]

Anatomia Extinction (1995) directed by Yoshihiro Nishimura

[videoworm]

tonights pick is Anatoia Extinction (1995) which was Yoshihiro Nishimura's debut film!

already finished watching it. its low budget, has lots of body horror (nice), the protagonist is frickn overstimulated and anxious (what a mood).

[breezeel]

Anatomia extinction was peak cinema, I liked seeing that pathetic blond man in distress

[fourstarvideocoop]

4/2

Anatomia Extinction (Blu Ray only) Baby Assassins 2 Babies (Blu Ray only) Bubble Bath (Blu Ray only) Dirty Girl Good Burger Man On The Brink (Blu Ray only) Run And Kill (Blu Ray only) Scissor Penis (Blu Ray only) Stice's Satyricon (Blu Ray only) Suicidegirls: The First Tour Where The Devil Roams (Blu Ray only)

[hospitalterrorizer]

diary112

1/3-4/2024

wednesday - thursday

have to sleep soon.

so i won't say a lot, i mixed one song today that i had to get to and it seems right, and the one i'm still trying to get right i'm still trying to get right. but i didn't do a lot of music today.

instead i spent a while today watching movies, i watched tokyo gore police, anatomia extinction, meatball machine 1999, meatball machine reject of death. anatomia extinction gets really good when nishimura gets comfortable with expressing joy/mania, that's when it quits being a pastiche of videodrome/tetsuo the iron man/ there was another thing it felt like it was doing as well, but i forget what now. the movie's whole too many humans thing is interesting if you read the movie as being disturbed by the willingness people might have to believe something like that, and that these sorts of beliefs are spread by the same fascistic channels that the authoritarian police state uses. but i ultimately don't think he's that politically conscious. tokyo gore police is a lot more manic / aggressively out there and the little things that are like, ads in the middle of the movie from that death obsessed world, all that kind of stuff, is great, it's got some fun monsters and stuff and i like seeing how people die. the obsession with death obsession and still being obsessed with death is like, cool, to me, not because it's good but it's basically where any ero-guro person kind of is, or whatever. however the praise for the movie kind of ends there, or like, sometimes the movie is actually really pretty i think, and i like the costumes. it's all visual stuff, the text of the movie isn't terrible, really what fucks the movie up is that it's in such bad taste, in one direction, that when it unveils this bizarre racial joke with a chinese guy killing japanese people saying he loves to kill the japanese, it just puts a bad taste in my mouth, i dunno, maybe nishimura really does think it's like, dope vengeance for everything japan did, to do that, as a bit, which would make it only 10% more ok, but i don't really feel like that's the motivation, it's almost like a really pathetic bit of japanese persecution complex or whatever. what really sinks that though is it has maybe the worst, most insane, black face i've ever seen, right there next to the racial caricature of a chinese man shooting a pile of japanese corpses. that was stuck in the middle of a part of the movie i found myself really liking too, the part where the pigs just become total insane fascists and start killing everyone, it felt like it was doing something/communicating actual politics, even if they were very simple and basal. i guess it still does, it's just more stupid.

meatball machine 1999 is a 13 minute short but it's really cute and gory, it's also kind of sweet, there's a kind of warmth to it, the way the little aliens are claymated, and then how the main hero character is struggling to remain human and search for his love. very strange movie. made by junichi yamamoto, not nishimura.

the sequel made by nishimura is awful, basically, it's too horny/exploitative of women (gore police is only kind of there i think, or it definitely is gratuitous at points but it doesn't ever feel like it's so gross, it also seems to strangely despise men in a real way), reject of death is kind of just pornographic and it made me want to puke a little. i liked the cutting scene at the start where the girl grows a button from her wound, it's weird how cutting is a theme in his movies, i want to see if that continues, but then after that it just cuts to straight up porn for 1 minute until 2 people die. it's kind of fun for me when people die in a sexual way, or like, dying is sexual, but idk that momentum/interest is killed by what we see before i think. and then a huge part of this 10 minute short is just about the chinese caricature, the black face guy, and this new racist caricature, a native guy, all wandering around tokyo until they find this basically nude cyborg body horror woman who kills all of them and then the self harm girl comes and fights that woman and then blah blah blah the cyborg dies. the naked cyborg woman at one point grows a penis. i have to see more of his movies to know if this is like, forgivable. a 10 minute short where you're just fucking around with things you had laying about makes sense, nishimura is really talented with practical effects, so i dunno, maybe he can redeem himself. i wonder if these insane racist things will appear in basically all of his movies though.

anyway like i said i have to sleep soon so:

byebye!!!!!!!!!!!!!!

[dare-g]

Anatomia Extinction (1995)

[pierppasolini]

Anatomia Extinction (1995) // dir. Yoshihiro Nishimura

[videomessiah]

Anatomia Extinction (1995)

[frank-en-ghoul]

I am so incredibly honored to have been given the opportunity to write a review for Yoshihiro Nishimura’s Anatomia Extinction, the film that he later remade into Tokyo Gore Police, which holds a special place in my heart! Anatomia Extinction will be getting a proper Blu-Ray release from Error 4444, a newly established Asian genre film distributor based in the US who plans to focus on horror, cult, weird, sci-fi, action and exploitation! Please check out my review on the @GrimoireofHorror website! (Linked below!)

Pre-orders for the GOREgeous region free Blu-Ray begin next week, March 25th, 2021!

https://www.grimoireofhorror.com/the-yurei/anatomia-extinction-1995-film-review/

[anthrax-cryptt]

Anatomia Extinction - 1995

[thatcinemascreencapguy]

Anatomia Extinction (1995) directed by Yoshihiro Nishimura

[scumgristle]

The story of a man who becomes infected by the Engineer and slowly mutates. Once infected, the Engineer’s victims go on relentless murder sprees and it is made quite clear that this is seen as the only way to get the exploding population back under control.

[videoworm]

Puppy Amputee on Katana stilts

watched a movie and uuuhhh

[sergioj93]

More animals!! - Zoo day again ! 😅😁👍😎✍️️ fastest mammal on this continent 🌎 #sketch #draw #drawing #sketchbook #sketchdaily #anatomy #anatomia #animal #extinct (at San Diego Zoo)

[moviesandmania]

Tokyo Gore Police - Japan, 2008 - overview and reviews

Tokyo Gore Police – Japan, 2008 – overview and reviews

‘Tokyo is burning.’

Tokyo Gore Police is a 2008 Japanese-American science fiction splatter feature film co-written, edited, and directed by Yoshihiro Nishimura (Vampire Girl vs. Frankenstein Girl; Helldriver; Zombie TV). The movie stars Eihi Shiina as Ruka, a vengeful police officer.

The movie is a remake of Anatomia Extinction which Nishimura made in 1995.

Plot:

In a near-future chaotic Japan,…

[slaaneshfic]

{proposal} Title: Broken Cybernetics of Mucousal Art.

Title: Broken Cybernetics of Mucousal Art.

Ralph Dorey 2nd year PhD Fine Art

Abstract:

“Learn from the rats, reduce secretly” (Nishimura, 1995)

This paper considers an art practice as a mucousal net crossing the points and planes of ideas, objects and events. This net harbours bacteria which grow new scaffolds or eat away at anything they come into contact with. This is a way of talking about an art practice which acknowledges the observation of Gilles Deleuze and Felix Guattari that “work only when they break down, and by continually breaking down” (Deleuze & Guattari, 1983). This paper considers the creative power not only of iconoclastic damage, but the unstable and mutating ecologies of shared, libidinal creative practices where “breaking down” is a mode of praxis. This paper uses the cinema of Yoshihiro Nishimura (Nishimura, 1995, 2008) to consider an art practice that eschews professionalism (Abbott, 2012; Berardini, 2016; Steyerl, 2009) for sabotage (Foreman & Haywood, 1993; Negri, 2008).

Keywords: Horror, Cybernetics, Sabotage, Art, Deleuze.

Bibliography:

Abbott, A. D. R. (2012). Radical Resonances: Art, Self-organised Cultural Activity and the Production of Postcapitalist Subjectivity, Or, Deferred Self-inquiry of a Precarious Artworker, 2008-2011 (PhD Thesis). University of Leeds.

Berardini, A. (2016, March 23). How to Be an Unprofessional Artist. Retrieved 2 March 2018, from http://momus.ca/how-to-be-an-unprofessional-artist/

Deleuze, G., & Guattari, F. (1983). Anti-Oedipus: capitalism and schizophrenia. Minneapolis: University of Minnesota Press.

Foreman, D., & Haywood, B. (Eds.). (1993). Ecodefense: a field guide to monkeywrenching (3rd ed). Chico, Calif: Abbzug Press.

Negri, A. (2008, June 2). Capitalist domination and working class sabotage. Retrieved 2 March 2018, from http://libcom.org/library/capitalist-domination-working-class-sabotage-negri

Nishimura, Y. (1995). Anatomia Extinction. Retrieved from http://www.imdb.com/title/tt0153161/

Nishimura, Y. (2008). Tokyo Gore Police. Retrieved from http://www.imdb.com/title/tt1183732/

Steyerl, H. (2009). In defense of the poor image. E-Flux Journal, 10(11).