#Angular developers in Edinburgh

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Unlocking Opportunities: ASP.net Jobs UK

In the rapidly evolving world of technology, ASP.net jobs in the UK have emerged as a cornerstone for web development professionals. Companies increasingly rely on this versatile framework to create scalable, secure, and dynamic web applications, opening doors to exciting career advancements for skilled developers.

Why Choose ASP.net?

The Framework’s Strengths

ASP.net, developed by Microsoft, offers a robust framework for building enterprise-level web applications. It supports multiple programming languages, seamless integration with Microsoft services, and unmatched scalability. These features make it an ideal choice for businesses looking to implement complex web solutions.

High Demand Across Industries

From e-commerce platforms to financial institutions, the demand for ASP.net developers spans diverse sectors. Businesses in the UK recognize the value of developers who can leverage this framework for building efficient and secure web applications.

Key Skills Required for ASP.net Jobs UK

To stand out in the competitive job market, possessing the following skills is crucial:

Proficiency in .NET Framework: A deep understanding of the framework and its components like CLR (Common Language Runtime) and FCL (Framework Class Library).

C# Programming Expertise: As the primary language for ASP.net, mastery of C# is essential.

Front-End Development: Knowledge of HTML, CSS, JavaScript, and frameworks like Angular or React.

Database Management: Skills in working with databases such as SQL Server or MySQL.

Problem-Solving Abilities: A strong analytical mindset to troubleshoot and optimize code.

Top Opportunities for ASP.net Developers in the UK

1. Thriving Tech Hubs

Cities like London, Manchester, and Edinburgh are home to leading tech firms actively hiring ASP.net Jobs UK developers. These hubs offer competitive salaries, dynamic work environments, and opportunities to work on groundbreaking projects.

2. Remote Work Options

Post-pandemic, many UK-based companies have embraced remote work, allowing developers to collaborate across borders. This shift has expanded opportunities for professionals skilled in ASP.net.

3. Contract and Freelance Roles

Contract roles and freelance opportunities are abundant for ASP.net developers. These roles allow professionals to work on varied projects, enhancing their portfolios and earning potential.

How to Prepare for ASP.net Jobs in the UK

1. Build a Strong Portfolio

Showcase your expertise through a portfolio that highlights successful projects. Focus on applications that demonstrate your ability to solve complex problems.

2. Stay Updated

Technology evolves rapidly, and keeping up with the latest updates in ASP.net is critical. Regularly engage with community forums, attend webinars, and pursue certifications.

3. Network Effectively

Leverage professional platforms like LinkedIn to connect with recruiters and industry professionals. Participating in tech meetups and hackathons can also expand your opportunities.

4. Focus on Certifications

Certifications like the Microsoft Certified: Azure Developer Associate or the Microsoft Certified: Web Applications Developer validate your skills and enhance your resume.

Career Growth and Salary Trends

Entry-Level Roles

Junior developers can expect salaries starting at £25,000 to £35,000 annually. These roles focus on foundational tasks and provide opportunities for skill development.

Mid-Level Positions

Mid-level developers, with 3-5 years of experience, can command salaries ranging from £45,000 to £60,000, depending on the complexity of their roles and the industry.

Senior Roles

Senior ASP.net developers or team leads with over 7 years of experience often earn upwards of £75,000, along with benefits such as bonuses and flexible working conditions.

Challenges and How to Overcome Them

Despite its advantages, mastering ASP.net comes with challenges, such as keeping up with frequent updates and competition from developers skilled in other frameworks. Overcoming these hurdles involves continuous learning, practicing real-world projects, and leveraging community resources.

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What’s New in Angular 14: Updates, Features, More!

Have you heard about the latest announcement by Google?

Here is some amazing news for Angular developers!

After Angular 13’s earlier success, Google finally released Angular 14 on June 2, 2022. Angular 14 is one of the most methodical improvements that have been pre-planned based on all previous release notes. It includes typed reactive forms, CLI auto compilation, directives, and a developer glimpse of independent components.

Here is a sneak peek at the newest features and upgrades of Angular 14 from Angular developers in Edinburgh:

What is so new about Angular 14?

The most well-known TypeScript-based release from Google for web development, Angular 14 is the most recent TypeScript 4.7 update. As Angular 14 by default targets ES2020, the CLI may deliver less code without needing to descend in level.

According to Angular and TypeScript developers, it is not as simple to comprehend. It uses the Angular framework as it is a part of React framework. As a result, Angular 14 has created independent components to do away with the need for modules. As a consequence, it takes less time to build a boilerplate and deploy a straightforward Angular application.

It has, however, added all the significant changes and features that the previous versions lacked. Without further ado, let’s get to the features of Angular 14 for web app development in Edinburgh, UK.

Features of Angular 14

The newest version of Angular 14, version 14 has the following key features:

Angular CLI Auto-Completion

If you are planning to hire an Angular developer, you may have had the opportunity to use Angular CLI in a prior iteration. You might also concur that providing the necessary instructions to produce project artifacts like components, packages, and directives, increases productivity. Although you have access to a number of commands, you nearly always need to consult the official text in order to locate commands and, more precisely, command parameters. The arrival of Angular 14 has made this option less necessary, which is a plus.

Real-time type-ahead auto-completion in the console is made possible by Angular 14’s new functionalities in the CLI. You must first run the ng completion command on your terminal to accomplish that. If you’re operating on an Angular 14 project, you have much more auto-completion possibilities, such as the ng create command options. Simply enter ng, press Tab to view all of the options, then Enter to choose one.

Strictly Typed Forms

The most often requested improvement for Angular on GitHub has strictly typed forms. It would enhance its model-driven framework for dealing with forms.

For the first time, FormControl now takes a generic type that specifies the kind of value it stores. The Angular team built an automated migration into Angular v14 to make sure that existing apps wouldn’t stop working after the update. As long as API complexity is considered, changes must be delivered easily and the ecosystem must not be destroyed. The excellent news is that the template-based form won’t be affected by this new update.

Standalone Components

The major goal is to change the current state of affairs by producing artifacts like components, pipelines, and directives. Angular published an RFC (Request for Comments) on independent components to make NgModules optional.

In order to retain compatibility with the present environment of Angular-based libraries and apps, modules will thus be made optional rather than completely outmoded. Every component required to be coupled with a module in earlier versions of Angular. Therefore, each component has to be present in the declarations array of the parent module. If not, the application will be a major failure.

Streamlined Page Title Accessibility

Your page title will affect how the information on your page is displayed when creating and building apps. Regarding Angular 13, the new Route title in the Angular router simplified adding titles. However, providing a title to your page doesn’t call for any new imports to be included in Angular 14.

Enhanced Template Diagnostics

Better template inspections included in Angular 14’s most recent release enable Angular developers to be shielded from common mistakes by the compiler, much like TypeScript code is. In the earlier version, Angular 13 and older, the compiler does not produce any warnings. And it only refuses to construct when a flaw exists that would otherwise make it impossible for it to do so.

Minor mistakes can easily result in warnings. Erroneous two-way binding syntax or the inclusion of additional operators like ‘??’ when the variable is not nullable. Diagnostic tests that generate warnings or information problems for user patterns that aren’t always deadly would be available with the inclusion of a privately owned compiler option.

Others:

Optional Injectors: As per Angular developers in Edinburgh, you need to use an optional injector to define the embedded version of Angular. You can use ViewContainerRef.createEmbeddedView and TemplateRef.createEmbeddedView

Angular DevTools: You may utilize the Angular DevTools debugging plugin when in offline mode. Users of Firefox may find the plugin under Mozilla’s Add-ons.

How to Install Angular 14?

Angular has developed a number of excellent Angular utilities. So, all you have to do to install Angular is use npm to download Angular v14.

Simply run the CLI’s following command: npm install –global @angular/cli@next

You may quickly install the most recent version of Angular CLI on your PC by using this command and use it for web app development in Edinburgh, UK. Further, you can upgrade your Angular application to Angular v14 – https://update.angular.io/

Should We Use Angular 14?

The development of Angular apps has been simpler with the inclusion of independent components in Angular 14. The TypeScript-based framework is improved as a result of the efforts of the Angular developer community. It now enables web developers to keep up with the demands of their users and the rest of the online ecosystem. Now that you’re aware of the most recent Angular 14 features and enhancements, it’s time to switch to Angular 14! So what are you waiting for? Hire Angular developers in Edinburgh, UK right now.

Article Resource - https://zimblecode.com/whats-new-in-angular-14-updates-features-more/

[oh-bo]

Stephen Armstrong for The Sunday Times Oct 27 2013

Bo Burnham is tall, slim and hunches slightly, so when he walks across stage he looks a little like Shaggy from Scooby-Doo. He can seem awkward and clumsy, as if he’s not entirely sure what he’s doing with his angular frame. When he knocks over a bottle of water at the start of his set, your heart goes out to him — the guy is practically still a teenager. But don’t be fooled. As he struggles to right the bottle and deal with the mess, taped music blares over the PA and he springs into a tight, manic dance routine with hip thrusts and gawping grin: “He meant to knock the water over, yeah yeah yeah, but you all thought it was an accident. He meant to knock the bottle over, yeah yeah yeah, art is a lie, nothing is real...”

Which triggers a tight, music-drenched set laced with ironic reversals, sharp self-mockery and unexpected songs. Burnham is very clever, but with that polite wit and careful kindness that served Russell Brand so well as he demolished the news anchors on MSNBC’s Morning Joe recently, or Bob Dylan patiently educating baffled older journalists desperate to understand what it is to be young these days.

Burnham is like a laboratory experiment packed into one stupidly precocious kid. The Massachusetts-born autodidact became an internet legend aged 16 with a collection of deeply un-PC skits and songs that garnered squillions of young YouTube viewers. Barely out of his teens, he played the Edinburgh Fringe in 2010. The comedy establishment secretly hoped he’d fail — but he was a hit. Could have been a fluke, right?

However, this year’s show, What, with that bottle-knocking pratfall, is stronger and more confident, complex, cunning and crude. This month, he kicks off its UK tour and publishes a book of poetry; meanwhile, his high-school movie script is progressing slowly through development with Judd Apatow. He is like a male Lena Dunham — slightly younger, at 23, but both are riding the millennial generation’s wave of instinctive disruption, and casual understanding, of the new world. For instance, having recorded a final version of his debut show, Words Words Words, he has decided to make it available free via Netflix and YouTube.

“When I was 16, I didn’t really have a goal beyond people watching me,” he explains. “I’ve made some money touring the show, and I think the business model is: don’t try to squeeze people dry at every single corner. You sell something here, then you give something there. I feel like the show is very different and weird and a little strange, so I don’t want to cater just to the people who know my stuff. I want it to be accessible for other people to check it out.”

In this, he is echoing Nicholas Lovell, author of The Curve, a book that describes new models for doing business in an economy that has wrecked the music industry, is pummelling books and newspapers and is now weighing up a full-scale assault on Hollywood. Lovell argues that all companies have to identify so-called superfans, consumers who love the product enough to evangelise and pay top dollar for specials. The free audience serves as a defining backdrop for the purchasing superfans. If they buy a tree in a forest and nobody notices, how can they feel cool?

Burnham is a little irritated by the comparison. “The whole point of this gesture is that I want to not think about business models for a second,” he says. “The commodification of everything — even irony — is slightly gross. It’s all about how many Twitter followers or how many sales you’re going to get. I’d just like to have the karmic pendulum swing the other way and have fun. Although now, of course, that sounds like a whiny 23-year-old.” It’s a very Bo Burnham thing to say — he’s acutely aware of his age. “My first show I was performing at 19, but I wrote it while I was a 17-year-old,” he says. “I thought I was being way beyond my years, but it’s the most 19-year-old show ever. Now I’m trying to write a high school kids’ movie about teens before I’m too old, because I feel like even 24 is too old to understand kids now.”

His MTV sitcom, Zach Stone Is Gonna Be Famous, toyed with his youth. Written as a mockumentary, it featured him as an ambitious 18-year-old pouring his savings into hiring a camera crew to follow him everywhere as he tried to hit the big time. “Some people didn’t get the irony,” he sighs. “They just thought, ‘This is like every other 18-year-old on television.’” The show rated badly and was cancelled after the first season. He shrugs it off — he was used to being called “theatre fag” at high school, so the politeness of cancellation didn’t sting. Plus the frustrations of the writing process led to his poetry book. “I was taking network notes and rethinking things and rewriting, and I just wanted to be able to clear my mind for a couple of hours a day.” He lets his breath out slowly. “I’d just go down to the coffee shop and let myself write about whatever I wanted to. I let every page be a completely different story, and then the poetry came out.”

Some of the poems are cute: “How, may I ask, did you get so you / you beautiful true-to-you doer? I’ve met many today but can honestly say / that I’ve never met anyone you-er”. Others are one-line gags: “That guy is sitting on that horse’s forehead. Oh God. That’s not a horse. That’s a unicorn.” The whole book, called Egghead, has echoes of Spike Milligan or John Lennon, although he hadn’t read either when he began it.

It’s a lonely image. A guy just out of his teens writing silly poems at the heart of the LA factory — he has even moved out there, away from the blue-collar warmth of his dad, who’s in construction, and his mum, who’s a nurse. He has a girlfriend, although I ask delicately as he projects a certain sexual ambiguity. “I do have a girlfriend,” he says. “I sometimes don’t even answer that question, because I want people to know it doesn’t matter to me. If you think I’m gay, that’s fine.” Despite the girlfriend, however, he agrees he is lonely, and it’s here he comes closest to speaking — in the way journalists love — as the voice of his generation.

“I have trouble sometimes relating to people, and I think it’s because I’m alone for a long time on the road. I was touring while my friends were at college, so I’d see them partying in Facebook photos. I love having young people at my shows, because when I was feeling particularly lonely or distant, they made me feel less so. They feel like they’re lost, like they’re struggling to find themselves and being driven inward. It reminds me that it’s completely arrogant of me to assume I have this completely specific experience.”

I ask what he’s got coming up. “I have a few songs for a little animated kids’ musical that might be fun,” he muses. “I might try to make a 15-minute short or something.” A brief pause. “I don’t know. Just manage the balance of trying to keep myself entertained and trying not to become a self-indulgent, reckless idiot.”

[hsiao-kang]

Fiona Shaw by David Yeo for The Telegraph, ‘Killing Eve's secret weapon Fiona Shaw on finding new fame, and falling in love at almost 60’ by Jessamy Calkin (full article under the cut)

Fiona Shaw has found a new audience thanks to her scene-stealing turns in Killing Eve  and Fleabag. The Shakespearean actor turned small-screen sensation talks spies, celebrity, tragedy, and getting married later in life.

You look great, I tell Fiona Shaw. Must be the pig’s placenta. Shaw, 60, pretty and angular in a soft grey shirt, smiles enigmatically from the sofa of her north London home. Pig’s placenta is her MI6 officer Carolyn Martens’ beauty secret in the second series of Killing Eve, Phoebe Waller-Bridge’s dark, wildly successful thriller about a psychopathic female assassin called Villanelle and Eve Polastri, the agent hunting her down.

But pig’s placenta aside, Shaw puts her youthful appearance down to ‘not being in the theatre every single night’. Which is where she’s been for pretty much the past 30 years. Formerly known for a huge body of iconic stage roles, including Hedda Gabler, Medea, Electra and Richard II, as well as for playing Aunt Petunia in the Harry Potter films, Shaw’s fame is now more attributable to her transition to television.

In Killing Eve, Waller-Bridge has taken a genre that’s a little worn out – the international-assassin thriller – and given it a completely different slant. The show won five awards at the Baftas earlier this month – including Outstanding Drama Series and Best Supporting Actress for Shaw, who in her acceptance speech referred to the ‘glass-shattering genius’ of Waller-Bridge.

Carolyn Martens, head of Russia at MI6, is a perfect example of Waller-Bridge’s wayward approach. Carolyn is very still. Arch, deadpan, erudite, severe. But she has a tipsy flirtatious side, and a hidden messy streak. She’s oblique – and the viewer doesn’t know how much she knows, or whether or not to trust her. Nor does Eve (played superbly by Sandra Oh). ‘I once saw a rat drink from a can of Coke there,’ Carolyn says earnestly to a bemused Eve when they’re in a rubbish-strewn alley. ‘Both hands. Extraordinary…’

‘Carolyn’s a joy to write,’ says Emerald Fennell – best known as an actor for Call the Midwife, and The Crown’s new Camilla – who took over from Waller-Bridge as lead writer on the second series (Waller-Bridge remains an executive producer). ‘Her blood runs very cool. She’s like a freediver who has trained herself to hold her breath and slow down her heartbeat – she’s done it for so long it’s now a permanent state. Her ability to steer an awkward conversation into blithely surreal territory is unparalleled and somehow seems very British.’

The character is entirely dependent on Shaw, adds Fennell. ‘She is unbelievably brilliant, funny, and scarily clever. In one of the episodes, another character mentions [11th-century saint] Anselm’s ontological argument [for the existence of God], and during the read-through it transpired that Fiona had written a literal thesis on it. Quite embarrassing for those of us who only had the most passing Wikipedia acquaintance with Anselm (me). Fiona’s cleverness and wit are built into the fabric of who Carolyn is.’

Shaw compares playing the part to keeping a secret at the same time as delivering a line. ‘It’s not easy to do. I have to say I do lose sleep over it – I’m playing somebody very different to what I normally play. Normally I have to expose the truth. When I’m in the theatre, where I would be swimming with the tide, it’s my job to lasso the audience and to make sure they understand the moral dilemma of the piece – that’s what leading players do. You are sort of the MC for the night…

In Killing Eve, most of my work is about knowing more than everybody else in the scene and hiding it. And it’s a terribly lonely thing to do. It feels all wrong – like rubbing my tummy and patting my head at the same time. I want to smile, I want to make jokes – but you are left with an ambiguity. You don’t know whether I know I’ve made a joke or not. It’s very good exercise for me.’

Even though they are friends, stepping into Waller-Bridge’s shoes must have been tricky for Fennell. ‘I think of Killing Eve as a beautiful, haunted doll’s house that Phoebe built,’ she says. ‘She’s already made this incredible world full of insanely compelling people, so the pleasure of writing it is to get to play in there, to put in a few of your own trapdoors and secret passageways, to move those characters around and occasionally push some of them down the stairs.’

Earlier this year, Shaw appeared in the second series of Waller-Bridge’s other seminal television show, Fleabag. Initially she had to turn it down because she was directing Cendrillon at Glyndebourne (directing opera is another of her talents). Then Fleabag overran, and she was able to join in after all.

Waller-Bridge is the definitive young auteur of our times, and it seems she can do no wrong. The stage production of Fleabag – coming to the West End in August – sold out in an hour. ‘I feel she’s nearest to Oscar Wilde,’ says Shaw now, ‘which is to say she’s greater than the sum of her parts.’ Comedy, in some ways, is quite a conservative thing, Shaw thinks, although it may not seem that way. ‘But it always has a frame; it stays within that frame but it kicks against it, like a child in a playpen.

‘Phoebe develops people so they turn into bigger people, and bigger people, and I think that’s 
a confidence that’s come with her previous work. She’s mastered one form, and she’s been able to take the gate off and let the characters run out into the field – and yet they’re still intact, and the audience follow them. It’s superb.’

For actors, she says, that approach couldn’t be better, which is why so many of them, including herself, Andrew Scott and Kristin Scott Thomas, are desperate to work with Waller-Bridge.

‘I could have played the boss of MI6 and pretty well come up with the same “ker-chings” every week,’ says Shaw, who also played an MI6 officer in BBC One’s recent Mrs Wilson, ‘but that isn’t what happens in Killing Eve.’

Waller-Bridge was always on set during the making of the first series, constructing and reconstructing her work like a Rubik’s Cube. When Sandra Oh pointed out that the actor Sean Delaney, who plays Kenny Stowton (a young ex-hacker recruited by MI6), looked like Shaw, Waller-Bridge decided to make his character her son in the story, and wrote it in, just like that.

Killing Eve, though it seems so British, is a BBC America production, having been initially overlooked here, according to executive producer Sally Woodward Gentle (this was before Fleabag became a TV hit). Woodward Gentle had read the Codename Villanelle novellas by Luke Jennings, on which Killing Eve is based, and approached Waller-Bridge. She had seen her one-woman play in Edinburgh, and thought she would bring a different energy to the show.

Shaw is taken aback by its popularity, and 
particularly by the wide demographic to which 
it appeals. ‘Fathers and sons watch it, mothers 
 and daughters, husbands and wives. I don’t think it bears much analysis. I suppose it has no politics, it’s fantasy really and that’s why I think the violence is nearly allowable – it’s cartoonish.’

It’s also stylish – the music is great; the costumes are superb; the graphics are slick – and clearly a high-budget project, shot in London, Berlin, Paris, Amsterdam. Shaw is often recognised for playing Carolyn. She was amazed when, on a New York street recently, someone reacted so wildly on seeing her that she appeared to be having a fit.

Fiona Shaw grew up in Montenotte, Cork, with three brothers. Her father was an ophthalmic surgeon and her mother was a physicist. She always wanted to be a tennis player, she says, but instead studied philosophy at University College Cork and then went to Rada in London. She still remembers the audition: the teacher told her later that she smelled of libraries.

That’s because it was as if she was born into the 19th century, she says now, compared to the other applicants. She was not cool. Everyone was instructed to wear a black dress. Shaw had made her own and it was a bit wonky. She was terrified. ‘I remember some American guys at the audition were doing press-ups, and people were talking about the Royal Shakespeare Company – and I thought, I haven’t a hope in hell.’

Hearing she’d got in was, she says, ‘one of the nicest moments in my life’. She is still an advisor at Rada. She worked hard and went straight into the cast of Richard Brinsley Sheridan’s play The Rivals at the National Theatre, alongside Michael Hordern and Tim Curry (‘I couldn’t have been in better company’). Her father had his reservations, ‘but I think he thought I would come to my senses’. A year later she joined the RSC. Her parents would come and watch her, and her obvious success calmed her father’s fears. ‘He got much more interested when he could read about me in the paper – in the end he was incredibly supportive but I had to go through the firewall of his disapproval for a while.’

Then her brother Peter was killed in a car crash. Shaw was 28 at the time. ‘That was such a blow to my family. Neither of my parents could really function for about a year after that. It was very hard for them.’

Two years after her brother died, she was offered the role of Electra (for which she won the first of two Olivier Awards), and in some strange way found herself channelling her grief. ‘I loved comedy – but then I was asked to do Electra. Deborah Warner was directing and I thought, oh well, I’ll give it a go. But I didn’t see the point of a tragedy and I couldn’t do it at all. And slowly I realised that it’s much more about yourself. And I discovered a new world through tragedy.

‘Electra has a brother who she thinks is dead – and I knew something about having a brother who was dead. I wouldn’t say in any way that I was mainlining my brother, but I suddenly realised that plays are about life, and domestic tragedies are heightened in the theatre – but they are the same as all our tragedies – and that is what the theatre is for. I don’t know why I hadn’t worked that out before.’

It was the first of many collaborations with Warner (with whom Shaw also had a relationship), which went on to include Hedda Gabler, a controversial Richard II at the National in 1995, and Brecht’s Mother Courage and Her Children.

Shaw’s first major film role was in My Left Foot with Daniel Day-Lewis (1989). Soon after came Three Men and a Little Lady (1990), and later the Harry Potter series. It is the former, she says, for which she is most recognised by the public. She has just finished filming Ammonite, an historical drama directed by Francis Lee, in which she plays Elizabeth Philpot, a palaeontologist, opposite Saoirse Ronan, and Kate Winslet as fossil hunter Mary Anning.

Was there a moment when she felt she had made it on her own terms? ‘I think I was very lucky. I didn’t do film on my own terms – you’re either a film star or you are not – because I was so obsessed with the theatre when I was young. Probably I would have had to go and sit in Hollywood – but I wouldn’t do that.

‘But I have done a lot of things on my terms, just being allowed to do those shows: Electra, Hedda Gabler – and Richard II, which seemed quite nerve-racking at the time, but that was part of the thrill of it. So I’ve always tried to do things which are hard to do – maybe even to a fault.’ She has never, she says, been trapped in a long run of a West End show she didn’t want to do. ‘There always had to be an element of experiment.’

And she loves taking theatrical risks. Like her rendition of The Rime of the Ancient Mariner, which premiered at Epidaurus in Greece in 2012, then went to the Old Vic Tunnels in London in 2013, and on to the Brooklyn Academy of Music. Or (with Warner) the dramatisation of TS Eliot’s The Waste Land she performed in locations including an old disco in Brussels and a former munitions factory in Dublin. Last month she revisited it in New York, reciting it against the backdrop of a sculpture exhibition in Madison Square Park – it wasn’t advertised but word spread and people came in their hundreds. ‘It was a huge pleasure, it happened almost by accident – “Will you turn this water into wine?” And I did. It was lovely.’

Shaw’s father, Denis, died in 2011, but her mother, Mary, is 93 and still lives in the house that Shaw grew up in. She drives, plays tennis. When Shaw goes back home she sleeps in her old bedroom. ‘Well, I try not to – it’s awful to sleep in the bedroom you had when you were 14. Some things are still exactly the same, the wardrobe and the poster of Narcissus – do you remember those terrible posters?’

Shaw lives between the house in north London and New York, where her wife Sonali Deraniyagala, a Sri Lankan economist, teaches at Columbia University. In 2004, Deraniyagala was on holiday in Sri Lanka with her family when they were caught in the tsunami. Her husband, parents and two young sons died. For years, Deraniyagala lived in a haze of madness and grief. In 2013, she wrote an extraordinary memoir, Wave, which won several awards and had some remarkable reviews.

Shaw was in New York performing in Colm Tóibín’s The Testament of Mary when somebody gave her Deraniyagala’s book. She read it in her dressing room. ‘I thought it was the best thing I’d read for a long time, on any level.’ She mentioned this in an interview. Then things came together in a felicitous way: Shaw was supposed to return home straight after the play closed, but she had a serious ear infection (due to having to disappear for several minutes in a plunge pool every night on stage), and was unable to fly. She stayed in New York and went to a Laurie Anderson concert, where she was invited to Anderson’s book club – they were reading Wave – to meet the writer.

‘I was so surprised that she was that person – not the person in the book. We spent half an hour chatting. When I left I thought, I have just met life.’

She pauses. ‘The play had been exhausting and so much about death, and I was feeling so miserable, and I thought, that person is life – even though she has had more death than you would wish on your worst enemy, there’s a force in her that is just life.’

When Deraniyagala came to London they met up again. ‘Very quickly I thought, I just want to live with this person, and it’s been one of the most marvellous things to happen – but it was also highly unlikely. But in my profound self, at my core, I thought, I want to live with this person. It was deeper than anything. And thankfully, she thought the same – it’s been a beautiful thing to happen at this stage of my life.’

They got married in Islington town hall in January of last year, and then had their wedding party on the day of the royal wedding. ‘It was fantastic. Half of Sri Lanka came and it was a very beautiful wedding – everyone was wearing saris and looking gorgeous. My mother played the piano and sang, which was quite hilarious, and we had a band and dancing, a very late party.’

Her mother sounds very enlightened, being 93 and coming from a small town in Ireland. Were there no raised eyebrows at the fact that Shaw was marrying a woman? (As well as Warner, she previously had a relationship with the actor Saffron Burrows.)

‘More than raised. But it’s fine – the world is changing fast. My mother was very good about it and also very impressed by who Sonali is.’

So she’s not religious? ‘Oh she is, but she’s also terribly funny about it. And she’s a sort of nouveau old person. I think being old is quite a shock for her – and a lot of friends are dead, and some of them have lost their minds. But she’s very well – and very happy for me.’

Deraniyagala and Shaw have been to Sri Lanka several times to visit Deraniyagala’s aunt, and love it there. Given what happened to Deraniyagala, recent events – the bombings at Easter – must have been completely destabilising. ‘Sri Lanka has been very much at peace for the last 10 years since the war, but the scale of what happened with those 250 people dead – it’s as big as 9/11 for them, because it’s such a small island. They were innocent people, and it’s the most depressing thing – and terribly hard for Sonali – because the mass funerals are very near to the mass funerals of her family; it’s terribly hard for her to revisit that time. It feels a bit like a natural disaster because it has no rhyme or reason. It’s a black hole of destruction.’

Shaw is about to start work on a film called Corvidae, a thriller co-written and directed by young film-maker Joe Marcantonio. Then Killing Eve series three is on the cards for next year. If she had to choose only one discipline to work in for the rest of her life – theatre, film, opera or television – which would she choose?

‘That’s a cruel question. I would find it very difficult, but I would probably say television because I’ve done 30 years of the theatre. I’ve worked morning, noon and night, sometimes rehearsing all day and performing every night for decades. That’s a lot. I don’t have any great need to do that again.

‘And I’m very interested in television now because one of the new pleasures it’s given me is the scope of the audience. We used to be thrilled when we had 500 people, or 1,000. Now we have millions and you think, oh God, this is so obvious. Especially when the material is of such great quality and so uncynical. A few years ago they were just churning television out, but they aren’t now – it has some of the best minds working in it. So I feel in a way like I’m in the same profession, it’s just the shape of the stage which has changed.’

In the end, she says, in any medium, it all comes down to the same things she has always aspired to, and which she is so excited about – that sense of infinite possibility in a role, and the thrill of making the heartbeat of the audience quicken.

Killing Eve returns to BBC One and iPlayer in June

[architectnews]

Art Bunker, Hampshire Cultural Centre

Art Bunker Cultural Centre, Hampshire, English Contemporary Concept Building, UK Architecture Project, Images

Art Bunker Cultural Centre in Hampshire

21 Mar 2022

Design: PAD studio & Allan Murray Design

Location: Hampshire, South of England, UK

Renders: Ineffable Tale Studio ©

New Art Bunker, South England

PAD studio and Allan Murray Design have revealed ambitious concept designs for the Art Bunker, a new contemporary community arts hub on the South Coast of England.

The Art Bunker was conceptualised to provide a local community in Hampshire with a renewed arts and cultural centre. The Art Bunker features a primary gallery space for exhibitions, and a secondary large studio below ground level that has the flexibility to accommodate both exhibitions, lectures, and workshops.

PAD studio has collaborated with place-making specialist Allan Murray of Allan Murray Design, who has completed award winning public, education, and urban design projects across the UK.

The Art Bunker is directly inspired by the powerful geometries and angular remains of historic military fortifications on the Hampshire coast. The dramatic, modern form is wrapped in a slick metallic skin and features sweeping glazed elevations. A landscaped forecourt permeates the centre of the plan separating the exhibition hall, workshop/studio, and entrance hall, and opening onto a sprawling publicly accessible sculpture garden.

The Art Bunker embodies PAD studio’s signature approach to sustainable architecture. Recycled and locally sourced materials and low embodied carbon strategies are fundamental to the design. PAD studio has designed an exposed glulam structure that is low in embodied carbon and can be dismantled, adapted, and reconstructed in the future. Metal cladding panels sit on an insulated stressed plywood skin which can be recycled at the end of the building life. The Glasscrete lime floor is made from 100% recycled glass with a natural lime topping. Lime re-absorbs carbon dioxide emissions during the production process. The materials re-carbonate carbon dioxide over its in-use phase, creating a complete life cycle, closed-loop process, sequestering carbon. The Art Bunker utilises a ground source heat pump system to deliver renewable energy into the building and back to the grid.

Wendy Perring, Director at PAD studio says: “During the pandemic communities lost access to art as an expression of unique cultural identity and civic pride, we learned to love public spaces and our freedom to dwell and reflect in them. The Art Bunker is an inspiring place for the community to gather, learn and interact in the process of making, discussing and exploring all things creative.”

Art Bunker in Hampshire, UK – building Information

Address: Hampshire, United Kingdom GIA: 940 square metres Completion: Complete to concept stage, February 2022 Client: Private developer Architect: PAD studio & Allan Murray Design Interior Design: PAD studio – https://padstudio.co.uk/ & Allan Murray Design – https://www.ama-ltd.co.uk/ Landscape Design: PAD studio & Allan Murray Design

About PAD studio (styled PAD studio): Our core team has been working together for over 10 years. We have a depth and breadth of experience acquired through many years of practice and collaboration. PAD studio has a flexible support team that assists us throughout the process of design and construction and we regularly collaborate with experienced consultants, experts and academics to facilitate and enhance our working practises and business development. Instagram: @pad_studiouk

About Allan Murray Design: Allan Murray Design was founded by award winning architect and urban designer Allan Murray in 2021 after long standing successes at the helm of his eponymous practice in Edinburgh. Allan Murray Design is working on a number of place making and architecture projects internationally and across the United Kingdom.

Images: Ineffable Tale Studio ©

Art Bunker, Hampshire images / information received 210322

Location: Hampshire, southern England UK

Hampshire Houses

Contemporary Hampshire Houses – recent property selection

The Orchard House, Wickham Conservation Area, Winchester Design: AR Design Studio, Architects photographer : Martin Gardners The Orchard House

Mayfly Cottage Architects: Stiff + Trevillion photography © Kilian O’Sullivan Mayfly Cottage in Hampshire

The Elements House Architects: AR Design Studio photo © Martin Gardner The Elements House

Downley House, Petersfield, south west Hampshire Design: Birds Portchmouth Russum Architects photo : Nick Kane New House in south west Hampshire

Hampshire Buildings

Hampshire Architecture Designs

Hampshire Buildings

West Downs Centre, University of Winchester Architect: Design Engine Architects photo : Jim Stephenson University of Winchester West Downs Building

Bedales School Art and Design Building, Steep, Petersfield Design: Feilden Clegg Bradley Studios Art and Design Building, Bedales School

Comments / photos for the Art Bunker, Hampshire Cultural Centre design by PAD studio & Allan Murray Design page welcome

The post Art Bunker, Hampshire Cultural Centre appeared first on e-architect.

[elliegratrick-blog]

Virtual studio visit

Saskia Cameron- Email Conversation!

Me and my friend had organised a trip to go visit Saskia Cameron in Banks Mill Studio. I had found Saskia’s work on the Banks Mill website when looking what creators were based there. Her work instantly drew me in. I particularly like her  series of woodcut illustrated train tickets, following the West coast line. The blocky shapes, quite angular shapes used still show a sensitivity and sense of tranquility. The medium of printing means marks and textures come from the screens and lino which gives her work a lovely tactile feel. Unfortunately this visit was planned just around the time corona virus really became serious. It was safer for all our sakes to do the interview over email. It’s disappointing as I would have liked to see the space she works in and what is on offer after you graduate but not much can be done! 

How did you get into illustration? I studied illustration at Edinburgh College of Art - I had done a foundation before that and honestly I don't think I really got the opportunity to try enough stuff there, I wish it had been a bit less narrow! I knew I liked drawing and I was good at it, and I was too impatient to do animation at the time, so I picked illustration! But I think overall it was a good choice - what I really love about illustration is how good it is at transcending boundaries, and now I dabble in textiles, graphic design, all sorts. Top 3 illustrators that inspire you? Oh man this is a hard question. I love Sophy Hollington's work - I work a lot in woodcut and lino myself and it's great seeing that someone else is out there doing that too. It's a weird medium to work in nowadays as it can really restrict how you work to a deadline, but usually if a client wants it they're willing to put up with those restrictions. Roman Muradov is a really great illustrator in the truest sense of the word - his work is clever and clearly communicates concepts visually. Jesus Cisneros is brilliant, his work always pushes me to loosen up and open my horizons about what drawing and narrative can be. Honestly although I do look at a lot of illustration, I think the most important thing is to have people who AREN'T illustrators to inspire you, don't get stuck in an echo chamber of your own discipline. Other creative people who really inspire me are: Jon Zabawa (graphic designer, illustrator, art director, allsorts man) Braulio Amado (graphic designer artist type - he's prolific and so creative) Palefroi (this is arguably illustration, but they're a collective of two, and focus on print, art, installations, small press and animation) Ako Castuera (artist and ceramicist) Ali Smith (writer) And that's just contemporary people - I like to look at a lot of stuff from the past as well, and if you asked me next week I'd probably have a different list of people! When you create a new illustration, what is your process? Research > rough exploratory sketches > thumbnailing > work up a couple ideas > pick one and refine it into the final thing. What's your favourite thing to draw right now? I'm really into drawing people's gardens at the moment, especially those ones that are really overly 'done' you know, with sculpted hedges and garden gnomes and stuff. I just think they're really weird. Is illustration your sole income or is it managed around another job? Nope! My illustration work has always always been wrapped around at least one other job. This has varied from cafe/bar jobs, to admin jobs, to teaching. At the moment, I teach part time on the graphic design course at Nottingham Trent. Most illustrators I know work other jobs most of the time - it's pretty standard, especially at the start of your career. Personally I like this, I think I'd go a bit crazy if I was working alone on my own work all the time. I try and stay open to what my working week looks like, because at the end of the day I need an income, and freelance work can come and go. For me, I don't plan to ever go full-time freelance - I don't like the pressure it puts on my work, it can suck the joy out of it when you need it to provide all your food and shelter. Honestly I still consider myself fairly early career, I'm only 26 and it can take a really long time to carve out a creative career, particularly if you don't come from a wealthy background that can offer you a safety net. I worked full time my first year out of uni as a studio assistant, then went from that to working 3 jobs, then did a masters at Glasgow School of Art and now I've moved back home to Derby and until recently I've been working 3 jobs again! Wrapping an illustration career around that has been tough going, so for me it's only now that I feel I have the time and space to start making this all work properly. If illustration is an income, is the work you produce mainly through commissions/selling prints/etc? Mostly commissioned work! I need to develop more of a passive income, and I'd like to get into selling work more. So far it's mostly practicality that's been stopping me, as I've moved every year for the past 4 years. I'm hoping to be a bit more settled soon! Do you find putting your work out there on Instagram helps? And what’s your attitude towards social media? There's no good answer to this. Yes, it helps. I've had a fair bit of work come through Instagram - and most art directors/clients out there look at it even if its not their main way of finding illustrators. But it's not the be all and end all, the work I've had through it is just a product of having my work out there in the world for people to see - that's the important part. So exhibitions, physical and digital mailouts, networking in person, all of those things are just as likely to find you work. Social media is good for getting seen, but it can be a bit of a sinkhole. My attitude is to use it but not get too reliant on it - really I should be a lot better at updating mine, but I find real life gets in the way a lot! Thanks for reminding me to actually get organised with that. Do you find it more productive having a separate studio space vs working from home? Oh my god yes. But as a caveat - I have never had the luxury of a dedicated space at home. I think if I lived somewhere with a spare room I could convert to a studio it would have a pretty similar effect. Studios vary a lot too - I'm on my own in this one, but usually they're shared spaces. I think my dream scenario is to find shared studio space so I have other creative people around me to bounce ideas off and keep me motivated! I think however you work, it is important to get out now and then. Either for a walk or for your second job, whatever it is. If you can say What are your ambitions or future projects? My current plans are a bit up in the air at the moment with the corona virus! As I was saying above - I'm finally getting into a position to push my illustration career a bit, so I'm working on getting some new, self-directed work together. I'd like that work to be a bit multi-discliplinary, and to involve making work to sell so my income is a bit more diverse. I have a lot of big ambitious plans, but for this week I'm just focusing on keeping alive the commission that came in last week - I know it could be a difficult few months ahead and it could be my last in a while. After that, at least I'll have a lot of time to work on personal projects, so hopefully at least my portfolio will benefit! I have a collection of illustrations that I'm working on putting into a book of some kind, and I'm starting to work on getting a collection of prints, textiles and objects together over the next 6 months to start an online shop! I'm looking to get into a more permanent work/home/life set up soon, but who knows - life looks like it's being put on hold for a while. It’s really interesting to hear from an young illustrator and relieves my own internal pressure of having to ‘have my shit together’ as soon as I graduate. I am particularly interested in the people who inspire her as they are from a variety of disciplines. It motivates me to expand my horizons and not be so narrow focussing on work by illustrators. The rebellious and chaotic style of Bráulio Amado is something I’m really drawn to. It welcomes me to accept my own mistakes and be more loose and free with my drawings. Not worrying so much if a hand looks like a hand! The colours are vibrant and full of life. 

She mentions a shared studio space which something I hope for in the future.  Working on your own, I often get in my own head and overthink my pieces. Being in a space with other creatives definitely boosts your own creativity and you can ask questions. It gives another opinion on your work and ways to improve. A shared space opens up avenues for collaboration and collectives. Hopefully I will stay in contact with friends from uni and could be something we all do together!

Action plan:

definitely look at manicured gardens and draw my own! there needs to be a poodle or worm shaped bush

explore more artists from different avenues possibly looking at film/ book festivals for directors, authors

read more books (i have the time now we are quarantined)

[workfromhomeyoutuber]

HeySummit: Product Engineer Who Loves UX

Headquarters: Edinburgh, Scotland URL: https://heysummit.com

HeySummit is hiring a Product Engineer to help us grow the best platform for sharing knowledge with the world. If you consider yourself full-stack, but with a heavy preference for front-end, product design, and are obsessive about user experience, we'd love to connect.

About the Role

HeySummit has experienced a significant burst of users which has been great for building our community and mission. While this growth has been positive, one of our biggest goals is to build a fantastic product that delights and makes a difference.

Joining us at this early stage means you have the opportunity to meaningfully shape the product. As an early member of the team, you’ll get to know how the customers use the product, become deeply knowledgeable about the architecture, and write production code for new features as well as improvements. Your opinions carry meaningful weight in our decisions about the direction of the product.

Key Responsibilities

* Improving features to spec in production code in the frontend (currently: JQuery, Bootstrap, Less), backend (Django + PostgresSQL), and architecture (AWS) with a key focus in front-end development and ensuring anything we ship looks and feels great

* Using modern frontend frameworks like React, Vue.js, and Angular to introduce new features and refactor existing ones to modernise and expand the platform

* Working on integrations between HeySummit and the tools our customers love to use

* Liaising with the product and customer happiness team to figure out issues and work on new features and improvements

About You

* You pride yourself on writing clean, easy to read code

* You have experience with Django and React/Vue.js/Angular

* You are diligent about contributing to documentation

* You understand the value that fixing bugs brings to customers

* You feel comfortable interacting with nontechnical stakeholders

* You have experience with CI/CD

* You test your code before every push

* You create automated tests as you build

* You are interested in self-improvement

* You see the value of engaging with the whole team on a daily basis **Please note, there are a series of questions that will need to be answered at the bottom of the application**

To apply: https://jobs.gohire.io/heysummit-pfx61cej/product-engineer-25635/

from We Work Remotely: Remote jobs in design, programming, marketing and more https://ift.tt/2Ka8thF from Work From Home YouTuber Job Board Blog https://ift.tt/2xy8ol2

[t-baba]

Google's latest evolution of rel='nofollow'

#408 — September 11, 2019

Read on the Web

Frontend Focus

▶  Horrible Web Interfaces and How to Build Them — This entertaining talk from React Rally looks at a variety of ‘horrible’ Web-based interface approaches and the underlying technologies involved. I particularly like the ‘gravity’-based volume control.

Anthony Frehner

Google Is Evolving “nofollow” with New Ways to Identify The Nature of Links — Google introduced rel=’nofollow’ in 2005 as a way for site owners to mark untrusted links that shouldn’t receive any PageRank-related credit in Google’s algorithms. It took off, but now Google is introducing two new rel values for specific types of content.

Google

New Course: ♿️ Accessibility in JavaScript Applications — Make innovative and inclusive JavaScript-powered web apps. You'll learn to remove barriers and allow people with disabilities to use your modern JavaScript web applications in Marcy's new course.

Frontend Masters sponsor

Speeding Up The Web with the Save-Data Header — The Save-Data header field is a request header that indicates a client’s preference for reduced data usage — it’s not particularly new, but this is a good look at what it can achieve.

Matt Hobbs

Caniuse and MDN Compatibility Data Collaboration — MDN’s browser compatibility data is now integrated into the popular caniuse website, with the goal of surfacing even more web compatibility info to web developers.

Florian Scholz & Alexis Deveria (Mozilla Hacks)

What's New In DevTools for Chrome 78 — Including Lighthouse 5.2 in the Audits panel, and Largest Contentful Paint in the Performance panel.

Google Developers

An Animated Chart of Browser Usage Share 1996 - 2019 — One of those popular visuals showing the rise and fall of browsers over the last 20 or so years.

Reddit

💻 Jobs

Mobile App Dev Wanted for High-Growth Fundraising Platform — This company has a big vision, and everyone embraces it, not because it’s a weird cult or something, but only because it’s ethical and cool.

CareersJS

Find a Frontend job through Vettery — Make a free profile, name your salary, and connect with hiring managers from top employers.

Vettery

📙 Articles, Tutorials & Opinion

So You’re Being Sued for Accessibility Non-Compliance? — Compliance with web accessibility requirements is an important legal consideration — here are some tips to get started.

Bekah Rice (Telerik)

Less Data Doesn't Mean a Lesser Experience — Thoughts on how you can provide a good user experience for those looking to save data, without breaking things.

Tim Kadlec

Learn GraphQL in 2 Hours — Open-source tutorials for React, React Native, Vue, Angular, Android, iOS & Flutter developers that'll take you just 2 hours to complete.

Hasura sponsor

The Making of an Animated Favicon — Dynamically changing the pixels in a favicon to display upload progress – A lot of effort here, but it’s a neat little detail.

Preethi Sam

Mastering The HTML <audio> Tag — An in-depth guide covering the HTML <audio> tag and how it can be used.

Jean-Baptiste Jung

Understanding Specificity in CSS — Covers the basics of specificity in CSS and why you should never need !important.

Jess Mitchell

A Beginner's Guide to 'Scrollytelling' — Plenty of examples here on how scrolling can help tell a compelling and dynamic story.

Jeff Cardello

Using rel="preconnect" to Establish Network Connections Early and Increase Performance

Chris Coyier

Why to Stop Infinite Scrolling on Your Website Now — We can’t say we’re fans either.

Monish Reddy

💡 Tip of the Week

supported by

Using :focus-within to highlight a form

If you're working on a form with multiple sections, then the :focus-within property may prove useful.

This CSS pseudo-class can be utilised to highlight an entire form area when the user selects any of a form container's input fields.

The example image below demonstrates this (you can also see it in action in this little CodePen demo). The user has selected the Name input, and the entire form is highlighted in green:

Using this property is simple enough — just append the :focus-within selector on to the element you wish to highlight. Then, when any of the elements descendants are bought into focused, the desired change will occur.

form:focus-within { background: #98FB98; }

Browser support for this currently sits at around 82% — IE, Edge and Samsung Internet are amonst those yet to implement support.

This Tip of the Week is sponsored Pantheon, the WebOps platform built for agility. Learn what WebOps is and how it can help drive agile transformation and business results.

🔧 Code, Tools & Resources

ruffle: A Flash Player Emulator — An Adobe Flash Player emulator written in the Rust programming language. Ruffle targets both the desktop and the web using WebAssembly. There's a demo here. Related: The once-popular Flash website Newgrounds are planning to make use of this.

Ruffle

Make Your Images & Videos Load Fast & Look Beautiful with Cloudinary

Cloudinary sponsor

A Flexbox Cheatsheet Inside VS Code — This little VS Code extension builds upon the work done by Darek Kay - offering a quick reference guide within VS Code, meaning you can look things up quickly without switching context.

Dzhavat Ushev

   🗓 Upcoming Events

CSSConf, September 25 — Budapest, Hungary — A community conference dedicated to the designers and developers who love CSS.

Fronteers Conference, October 3-4 — Amsterdam, Netherlands — One of Europe’s premiere conferences on front-end web development.

SmashingConf New York, October 15-16 — New York, USA — The conference is sold out, but some workshop tickets are still available.

Accessibility Scotland, October 25 — Edinburgh, UK — One day of talks. Friendly, open discussion about accessibility.

by via Frontend Focus https://ift.tt/305g3Qh

[halmcdesign]

Sherlock Holmes: A Brief Introduction

Although I know enough about Sherlock Holmes, I wanted to research the famous character’s background in depth and familiarise myself with the history of Holmes before retelling his story.

A Study In Scarlet was the first Holmes story written in 1886 by the author, (Sir) Arthur Conan-Doyle. Sherlock Holmes was a fictitious character, believed to be based on a real man, Dr Joseph Bell, who taught forensic science at Edinburgh University where Conan-Doyle studied. Conan-Doyle wrote 56 short stories & 4 novels (60 adventures in total) on Sherlock Homes and the collection is known today as The Cannon.

The stories cover a period from 1878 to 1907, with a final case in 1914. I found it quite interesting that all but four stories are narrated by Holmes’s friend and biographer, Dr John H. Watson; two are narrated by Sherlock Holmes himself, and two others are written in the third person. Something to consider when treating the website’s content.

Holmes was born in 1854 as he was described as a sixty-year-old man in 1914. He lived on Montague Street, London, before his meeting with Watson when they moved into the famous 221b Baker Street address where he practiced as a consulting detective.

Appearance

He is taller than six feet, lean and athletic, with his walk easy and energetic. He moves fast and noiseless, like a hunter following its prey. His senses are peculiarly refined, most notably his unbelievably developed sense of smell. Personal cleanliness is very important for him, he is always elegantly dressed.  His small grey eyes, fine nose, and angular chin give his face a determined expression. He is pale, his brow is wide, with thick, dark eyebrows and his lips are thin. His speech is fast, his voice is high and shrill.

The great detective usually wears a tweed suit or a frock-coat. At home sometimes he sports a loose dressing-gown and a banian. While investigating in the country his outfit consists of a long, grey coat and a practical deerstalker cap. In the city, Sherlock wears an elegant top hat. He always has his pipe and magnifying glass with him, and sometimes there is chalk or a tape measure in his pocket. When he does not find another place to take notes, he uses the cuff of his shirt.

Mentality

In order to fully understand the character of Holmes we have to know that he suffered from a mental illness – he was workaholic. Success gained in the job plays down social relationships and private life, because work becomes the one and only meaning of life. Holmes scarcely eats or sleeps while his mind is occupied with investigation. He tends to work through days or even a whole week without food. When he has no new case, Sherlock barely steps out of his Baker Street home, that is the reason why he is so pale. He is unbelievably energetic when he practices his profession as he concentrates strongly, making him feel mentally balanced. Many suggest that Sherlock Holmes may have a mild form of autism due to his untouchable attention to detail and the ability to remember vast amounts of evidence.

[digitfyi]

Edinburgh is the UK's Fastest Growing Tech Hub

Edinburgh is the UK's Fastest Growing Tech Hub According to Developer Community Stack Overflow

Edinburgh’s status as one of Europe’s leading technology hubs has been reinforced by new research from Stack Overflow, the world’s largest developer community, which shows huge growth in the number of developers and data scientists working in the city.

According to the Q4 Developer Ecosystem Report, the number of developers grew by 8%in the second half of 2017, bringing the total population to…

[zipgrowth]

What’s new on Coursera for Business – February and March 2019

We launched 97 new courses in February and March of this year, including 13 courses in Arabic, 10 in Spanish, and 11 in Russian.

Here are our top ten courses in English from the past two months:

AI For Everyone, deeplearning.ai – AI is not only for engineers. If you want your organization to become better at using AI, this is the course to tell everyone–especially your non-technical colleagues–to take.

Innovation and emerging technology: Be disruptive, Macquarie University – ‘Disruption’ has become a buzz word in the business world. But what is a disruptive change-maker? In this course you will learn how to deploy disruptive strategic thinking to develop or protect your organisation’s competitive advantage.

Introduction to TensorFlow for Artificial Intelligence, Machine Learning, and Deep Learning, deeplearning.ai – If you are a software developer who wants to build scalable AI-powered algorithms, you need to understand how to use the tools to build them. This Specialization will teach you best practices for using TensorFlow, a popular open-source framework for machine learning.

State Estimation and Localization for Self-Driving Cars, University of Toronto – This course will introduce you to the different sensors and how we can use them for state estimation and localization in a self-driving car.

Decision Criteria & Applications, University of Michigan – This course is an introduction to decision-making criteria widely used in the real world and will help you understand the foundational principles of how most organizations make decisions.

Visual Perception for Self-Driving Cars, University of Toronto – This course will introduce you to the main perception tasks in autonomous driving, static and dynamic object detection, and will survey common computer vision methods for robotic perception.

Time Value of Money, University of Michigan – This course is an introduction to time value of money (TVM) and decision-making to help you understand the basics of finance.

Introduction to Supply Chain Finance & Blockchain Technology, New York Institute of Finance – What is Supply Chain Finance? How does Blockchain apply? In this course, you’ll learn about an emerging set of solutions within trade finance implemented by financial institutions, leading corporate buyers and their trading partners all over the world known as Supply Chain Finance.

Security and Privacy for Big Data – Part 1, EIT Digital – You will discover cryptographic principles, mechanisms to manage access controls in your Big Data system. By the end of the course, you will be ready to plan your next Big Data project successfully, ensuring that all security related issues are under control.

Intel® Network Academy – Network Transformation 102, Intel – Welcome to the Intel® Network Academy – a comprehensive training program on network transformation.  In this program, we will be covering the topic areas of software defined infrastructure (SDI) network functions virtualization (NFV), software-defined networking (SDN) and beyond.

All Courses

Business

A Scientific Approach to Innovation ManagementUniversità BocconiAI For Everyonedeeplearning.aiBonds & StocksUniversity of MichiganBusiness Model Innovation for Sustainable Landscape RestorationErasmus University RotterdamDecision Criteria & ApplicationsUniversity of MichiganFuture Development in Supply Chain Finance and Blockchain TechnologyNew York Institute of FinanceGlobal Financing Solutions (by EDHEC and Société Générale)EDHEC Business SchoolGlobal sustainability and corporate social responsibility: Be sustainableMacquarie UniversityHow Entrepreneurs in Emerging Markets can master the Blockchain TechnologyUniversity of Cape TownInnovation and emerging technology: Be disruptiveMacquarie UniversityIntroduction to Supply Chain Finance & Blockchain TechnologyNew York Institute of FinanceKey Success Factors in Supply Chain FinanceNew York Institute of FinanceLegal aspects of conducting business in RussiaSaint Petersburg State UniversityRisk, Return & ValuationUniversity of MichiganSupply Chain Finance Market and Fintech EcosystemNew York Institute of FinanceTime Value of MoneyUniversity of MichiganTu consultorio de Coaching en las ondasUniversitat Autònoma de BarcelonaБрендинг в инновациях – новая коммуникационная реальностьMoscow Institute of Physics and TechnologyБухгалтерский учет и аудит. Продвинутый курсSaint Petersburg State UniversityГосударственно-частное партнерство в инфраструктурном развитии РоссииMoscow State Institute of International Relations (MGIMO)Государственно-частное партнерство в инфраструктурном развитии РоссииMoscow State Institute of International Relations (MGIMO)إدارة شركات المستقبلUniversity of Londonالتحضير لإدارة الموارد البشريةUniversity of Minnesotaالتحوّل الرقميUniversity of Virginiaالتسويق في عالم رقميUniversity of Illinois at Urbana-Champaign‏التعاون المثمر: القيادة والعمل الجماعي والتفاوض‏Northwestern Universityالتفاوض الدولي وبين الثقافاتESSEC Business Schoolالعرض التقديمي الناجحUniversity of Colorado Boulderالقيادة الدولية والسلوك التنظيميUniversità Bocconiالكتابة في مجال الأعمالUniversity of Colorado Boulderعلم النجاح: ما يجب أن تعرفه من الباحثينUniversity of Michiganقيادة الفرقUniversity of Michiganمقدمة عن مخاطبة الجمهور – باللغة العربيةUniversity of Washingtonممارسات التدريبUniversity of California, Davisمهارات برنامج Excel للعمل: المبادئ الأساسيةMacquarie University

Technology

Building Cloud Services with the Java Spring FrameworkVanderbilt UniversityBuilding Scalable Java Microservices with Spring Boot and Spring CloudGoogle CloudComputer Science: Programming with a PurposePrinceton UniversityDesarrollo de Aplicaciones Mobile Multiplataforma con Nativescript, Angular y ReduxUniversidad AustralDesarrollo del lado servidor: NodeJS, Express y MongoDBUniversidad AustralIntroducción a la programación con PythonUniversidad AustralIntroduction to TensorFlow for Artificial Intelligence, Machine Learning, and Deep Learningdeeplearning.aiResolución de problemas por búsquedaUniversidad Nacional Autónoma de MéxicoState Estimation and Localization for Self-Driving CarsUniversity of TorontoUX (User Experience) CapstoneUniversity of MichiganUX Research at Scale: Surveys, Analytics, Online TestingUniversity of MichiganVisual Perception for Self-Driving CarsUniversity of TorontoОсновы проектирования приложений интернета вещейMoscow Institute of Physics and Technologyالبرمجة للجميع – بدء استخدام بايثونUniversity of Michiganبرمج بنفسك! مقدمة حول البرمجةThe University of EdinburghIntel® Network Academy – Network Transformation 102IntelMastering Digital TwinsEIT DigitalReliable Cloud Infrastructure: Design and Process auf DeutschGoogle CloudReliable Cloud Infrastructure: Design and Process en EspañolGoogle CloudReliable Cloud Infrastructure: Design and Process en FrançaisGoogle CloudSecurity and Privacy for Big Data – Part 1EIT DigitalSecurity and Privacy for Big Data – Part 2EIT Digital

Data Science

The Data Science of Health InformaticsJohns Hopkins UniversityМетодология научных исследований и котикиNational Research Tomsk State UniversityСмешанные линейные моделиSaint Petersburg State Universityمجموعة أدوات عالم البياناتJohns Hopkins Universityمقاييس الأعمال للشركات التي تعتمد على البياناتDuke Universityمقدمة عن البيانات الضخمةUniversity of California San Diego

Health

Aromatherapy: Clinical Use of Essential OilsUniversity of MinnesotaDisease ClustersJohns Hopkins UniversityMeasuring Disease in EpidemiologyImperial College LondonMindfulness in Integrative HealthcareUniversity of MinnesotaQuímica, guerra y éticaUniversidad Nacional Autónoma de MéxicoStudy Designs in EpidemiologyImperial College LondonSupporting Parents of a Newborn BabyUniversity of Colorado SystemThe Outcomes and Interventions of Health InformaticsJohns Hopkins UniversityTransgender Medicine for General Medical ProvidersIcahn School of Medicine at Mount SinaiValidity and Bias in EpidemiologyImperial College LondonWeight Management: Beyond Balancing CaloriesEmory UniversityЗдоровое сердце, здоровые сосудыNational Research Tomsk State UniversityРасстройства аутистического спектраSaint Petersburg State University

Language Learning

Mandarin Chinese for Intermediate Learners: Capstone ProjectShanghai Jiao Tong UniversityЯ говорю по-русски/ I speak RussianNational Research Tomsk State University

Math and Logic

Differential Equations for EngineersThe Hong Kong University of Science and TechnologyMathematical Game TheorySaint Petersburg State University

Personal Development

Constructores de PazUniversidad de los AndesSleep Deprivation: Habits, Solutions, and Strategies Teach-OutUniversity of Michiganالخطابة الإقناعية: تحفيز الجماهير بالحجج المُقنِعة واللغة المؤثِّرةUniversity of Washingtonتعّلم كيف تتعلم: أدوات ذهنية قوية لمساعدتك على إتقان موضوعات صعبةUniversity of California San Diego

Physical Science and Engineering

Computers, Waves, Simulations: A Practical Introduction to Numerical Methods using PythonLudwig-Maximilians-Universität München (LMU)Disaster Risk Management and Korean PoliciesYonsei UniversityFundamentals of particle accelerator technology (NPAP MOOC)Lund UniversityFundamentos de agrotecnologíaUniversidad Nacional Autónoma de MéxicoGeographical Information Systems – Part 1École Polytechnique Fédérale de LausanneТеория функций комплексного переменногоNational Research University Higher School of Economics

Social Sciences

MOOC: How to make a MOOC?Novosibirsk State UniversityProyecto de diseño instruccional para el aprendizaje activo en ambientes digitalesTecnológico de MonterreySocial Pedagogy across EuropeUniversitat Autònoma de BarcelonaThe Wonders and Challenges of Bible EducationHebrew University of Jerusalemفهم صنع السياسات الاقتصاديةIE Business School

Arts & Humanities

Curanderismo: Traditional Healing of the BodyUniversity of New MexicoFeminism and Social JusticeUniversity of California, Santa Cruz

The post What’s new on Coursera for Business – February and March 2019 appeared first on Coursera Blog.

What’s new on Coursera for Business – February and March 2019 published first on https://medium.com/@GetNewDLBusiness

[fruitbatwalton]

Click here for the Ralph's Life website

Tracks from the Top Ten Blogged Bands are played 

every Sunday 5-7pm on Radio KC as part of 

Ralph's Indie Show.

LISTEN TO LAST WEEK'S TOP 10 HERE

AS PLAYED ON RADIO KC - 11.6.17

RALPH'S BRAND NEW TOP 10 CHART 

Published 17.6.17 and as played on  RALPH'S INDIE SHOW on RADIO KC - 18.6.17

No 1 The Moods

Ralph has been featuring the Blackthorn Festival on the blog recently due to the fact that it's near Manchester and probably the best value for money small festival in the UK.

We've also been singling out a few Manchester bands for some special attention and today it's The Moods turn.

No 2: Culann

Culann are long time Ralph's Life favourites after not only donating a track for the Ralph's Life CD for Rethink Mental Illness but travelling down to London to play the CD's launch night in the capital's iconic venue Proud Camden.

The Culann journey has seen them play The Barrowlands, King Tuts 13 times, Wickerman Festival, Tiree Music Festival, GoNorth & Celtic Park, home of Celtic Football Club.

No 3: Jamie & Shoony

Jamie & Shoony play anthems that have them making waves in Scotland and collecting a loyal fanbase. 

They have played to sell out crowds in some of the country's finest venues such as Glasgow's Barrowland Ballroom, O2 ABC, Kings Tuts, The Electric Circus and Saint Lukes.

No 4: Ali Ingle 

Once again Ali Ingle has proved his pedigree as one of the UK's most promising singer songwriters with the release of his delightfully retrospective new single Saintly and we're delighted to be giving it an exclusive premiere here on Ralph's Life.

"I'm really proud to exclusively show you my debut video release with Coconut Creatives They are a cool bunch of people who together make up a London based creative content agency."

No 5: Guide Dog

With a name like Guide Dog, how could Ralph resist checking out their first single I Am The Daddy which is the debut release from their Lovely Domestic Bliss album.  The tale (or should that be tail) of Guide Dog is many-fold and intriguing and unfolds thus...

No 6: Artbreak

Ralph's favourite video this week is Will To Survive by London band Artbreak.

Debut single from Artbreak Listen on Spotify

No 7: Wozniak

Edinburgh shoegazers Wozniak head south for a handful of shows in the next few weeks, touring their debut album Courage Reels. 

The band have teamed up with Ralph's favourites Goodsouls Promotions to put together the dates in London, Brighton (in conjunction with Acid Box Promotions), Leeds and Salford. Other than in London, this will be their debut in each of these places. Live, Wozniak are loud, intense and powerful. 

No 8: Himalayas

Cardiff four-piece Himalayas unveil a new video for their single Thank God I’m Not You and Ralph is giving it a spin on this Sunday's Indie Show on Radio KC and looking forward to catching them live in The Magnet, Liverpool.

The Tom Large directed video takes place at the derelict St. Luke’s Church in the Welsh town Abercarn. Filming of the video took place in a day spanning 22 hours, with the generator almost cutting out in the middle of the night.

No 9: Ceiling Demons

Ralph has followed the musical progression of North Yorkshire based dark hip-hoppers (it's grim up north) Ceiling Demons with increasing interest as they develop their unique soundscape. 

Never shy about capturing the frailties of the human state after initially getting together to pay tribute to a lost friend and then through their musical practice addressing mental health issues; Ceiling Demons have, with the release of their new single March Forward attained a new level of not just retrospective sadness but optimism and aspiration.

No 10: The Hudson Super 6

News just in that The Hudson Super 6 are releasing their Ride The Tiger EP on June 9th via the Bristol based indie label Ingue Records. 

Formed from the ashes of cult angular noise.mongers Cable, quietcore band Iris and one-time Shifty Disco and Fierce Panda noise pop darlings Scribble, The Hudson Super 6 EP heralds a third time lucky and hopefully victorious return with it's fuzzed-up blues-tinged desert rock infused with massive riffs. 

[scottishdreams]

Edinburgh > | Senior C# / Angular Developer - Edinburgh

...and growing software house in Edinburgh. The successful candidate will be joining a small team of ... and growing software house in Edinburgh at a really exciting time. Please forward your CV for... http://ift.tt/2roTatA

[t-baba]

What happens when a browser is launched for the first time? A lot.

#406 — August 28, 2019

Read on the Web

Frontend Focus

What Happens When You Launch A Browser for The First Time? — A collection of interesting and quite revealing Twitter threads digging into what browsers (Chrome, Firefox, Opera, etc) do upon install/first launch (including phoning home and downloading default extensions).

Jonathan Sampson on Twitter

Faster Image Loading With Embedded Image Previews — The Embedded Image Preview (EIP) technique introduced in this article allows us to load preview images during lazy loading using progressive JPEGs, Ajax and HTTP range requests without having to transfer additional data.

Christoph Erdmann

Continuous Integration for Django Projects — Learn to set up a continuous integration pipeline for a Django project.

CircleCI sponsor

▶  Jeremy Keith: Building The Web — An interview with Jeremy Keith, a frontend dev from the UK on the state of the web, how it’s evolved over all these years, and the tooling and the skills necessary to know today.

Smashing Magazine

Everything I Know About Style Guides, Design Systems, and Component Libraries — A deep-dive covering these popular frontend development and design themes.

Lee Robinson

Monolith: Save Web Pages into a Single, Bundled HTML File — Unlike a browser’s “Save as” feature, Monolith embeds a page’s HTML, CSS, image and JavaScript assets into a single HTML file for easy storage.

Y2Z tools

💻 Jobs

Web Designer - Komoot (Remote) — We're looking for a Web Designer who enjoys clean code & great design to help us change the way people explore.

komoot

Frontend developers are in demand on Vettery — Make a free profile, name your salary, and connect with hiring managers from top employers.

Vettery

📙 Articles, Tutorials & Opinion

How To Build A Web-Based Real-Time Multiplayer Virtual Reality Game — Leverages familiarity with web development to get started with VR development. In this first part of the series, you will learn how to create a virtual reality scene with interactive game elements.

Alvin Wan

The Browser Monopoly — Touches upon how, with Chrome, Google “enjoys substantial control over the vast majority of the world’s portal to the internet”.

Blair Reeves

Accessibility Strategies for Your Content Team — Some tips and tools to help empower content creators to take ownership of accessibility.

Caitlin Cashin

CSS Styling for Video Captions Is Now in Development in Chrome — You use either an external CSS file or a style block in a WebVTT file (it’s already shipped in Safari).

Sam Dutton on Twitter

▶  New & Experimental CSS Tools in Firefox — UX Designer Victoria Wang runs through seven new CSS tools in Firefox, plus a peek at some future ideas.

SFHTML5

Type Terms — Covers the basics of typographic terminology. Sharing this one mainly as it’s nicely animated/put together.

Supremo beginner

Get a User’s Eye View of Your Front-End Services with Datadog Synthetics

Datadog Synthetics sponsor

Creating A Shopping Cart with HTML5 Web Storage

Matt Zand

Chrome DevTools: Inspecting Audio with the Web Audio Inspector

Umar Hansa

💡 Tip of the Week

supported by

Using 'tabular figures' for more elegant dynamic number rendering

If your interface has elements with changing digits, such as a video timestamp or a user controlled numeric slider, then it may be worth considering using a font that supports monospaced numbers (a.k.a. tabular figures) to improve the user experience.

The animation below perfectly demonstrates the difference, with the proportionally spaced digits jumping around erratically as the values change:

This indicative image comes from Lior Azi's superb related article, which does a great job of highlighting plenty of real world examples of dynamic vs static numeric labels (both good and bad).

The easiest way to make this change? Use the following declaration in your CSS:

font-variant-numeric: tabular-nums;

Now, the above (which has around 90% global broswer support) will only work if your font has an appropriate alternative fixed-width glyph available to use — but there is a growing selection of monospaced fonts available, such as these options at Google Fonts.

Finally, if you want to know more about the font-variant-numeric property, then Geoff Graham has this handy write-up over at CSS Tricks.

This weeks Tip of the Week is sponsored by Progress. Progress Named a Leader in First Ever 2019 Gartner Magic Quadrant for Multiexperience Development Platforms.

🔧 Code, Tools & Resources

radialMenu: A Highly Customizable JavaScript Radial Menu — This works on both desktop and mobile. You can see a demo here (right click on desktop, touch and hold on mobile).

Victor Ribeiro

FilePond: A Flexible File Uploader with a Smooth UI — It’s vanilla JavaScript but has adapters to make it easier to use with React, Vue, Angular, or even jQuery. v4.5 has just dropped. GitHub repo.

Rik Schennink

Want a Better Way to Store and Serve Images and Videos? — Join a community of over 450K web and mobile developers dynamically managing rich media with Cloudinary. Try it free.

Cloudinary sponsor

Chart.xkcd: xkcd, Hand-Drawn-Style Charts — If you like your lines wiggly and rough, this might be for you. It tries to mimic the style of the fantastic xkcd comic.

Tim Qian

Moving: A Clean and Minimalist Theme for Jekyll — Here's a really clean theme for the popular Jekyll Ruby-based static site generator is (which recently got a major new version).

Yizheng Huang

A Collection of Color Tools For Designers

Muzli

Get Waves: An SVG Wave Generator

z creative labs

   🗓 Upcoming Events

Web Unleashed 2019, September 13-14 — Toronto, Canada — Covers a variety of front-end topics leaving you 'informed, challenged and inspired'.

State of the Browser, September 14 — London, UK — A one-day, single-track conference with widely varying talks about the modern web.

CSSConf, September 25 — Budapest, Hungary — A community conference dedicated to the designers and developers who love CSS.

Accessibility Scotland, October 25 — Edinburgh, UK — One day of talks. Friendly, open discussion about accessibility.

by via Frontend Focus https://ift.tt/2PjrpQj

[t-baba]

Microsoft introduces beta of its new, Chrome-based Edge browser

#405 — August 21, 2019

Read on the Web

Frontend Focus

Microsoft Introduces 'Ready for Everyday Use' Beta of Its Chrome-Based Edge Browser — Available for Windows and macOS, the beta release of Edge is the third and final preview release of Microsoft’s new Chromium-based browser, although Microsoft is declaring it ‘ready for everyday use’ with this release. It also includes the ‘Internet Explorer mode’ for back compatibility with IE 11. Time to get testing.

Joe Belfiore (Microsoft)

▶  Is CSS a 'Programming Language'? — An hour long conversation asking questions about the label CSS carries, and picking apart if being designated a ‘programming language’ would encourage uptake, or if such characterization may end up being an exercise in exclusion — and ultimately whether it even matters.

Heydon Pickering and Stephen Hay podcast

GraphQL Tutorials for Frontend Developers — Learn GraphQL by doing in just 2 hours with these open-source tutorials for React, ReactNative, Vue, Angular, Elm, Android, iOS, Flutter & ReasonML developers.

Hasura sponsor

Optional HTML: Everything You Need to Know — A good look at optional code (such as the quotation marks of an attribute value), and how the balance between understandability and performance don’t need to be at odds with each other.

Jens Oliver Meiert

iframes Are Just Terrible. Here’s How They Could Be Better. — Daniel Brian, a lead engineer at PayPal highlights some of the issues with using <iframe>. “I really hope browser vendors start to treat UI based iframes as more of a first-class citizen on the web, and help fix some of the above issues which are not poly-fillable right now.”

Daniel Brain

Google to Deprecate FTP Support in Chrome — By version 82, shipping in Q2 of 2020, all FTP support will be removed from Chrome. This is expected to affect around 0.1% of users though if you do still offer downloads in an FTP-only form, now is the time to upgrade.

Paul Hill

Custom Elements for The Immersive Web — An introduction to <img-360> and <video-360>, two new custom elements designed to work with 360° images and video.

Fernando Serrano

💻 Jobs

Senior Software Engineer - Frontend (100% Remote) — Do you have a solid understanding of web technologies and want to design, implement, and launch major user features? Apply now.

Close

Frontend Engineer - In Dili, Timor-Leste or Possibly Remote — Work with people globally to create change, using technology to empower people, through our programs in aid and global development.

Catalpa International

Frontend developers are in demand on Vettery — Make a free profile, name your salary, and connect with hiring managers from top employers.

Vettery

📙 Articles, Tutorials & Opinion

Efficiently Load Third-Party JavaScript — How to avoid the common pitfalls of using third-party scripts to improve load times and user experience.

Milica Mihajlija

Lazy Load Embedded YouTube Videos — Here’s a clever idea via Arthur Corenzan which avoids using the default YouTube embed — which adds a sizeable number of resources to a page.

CSS Tricks

Accessibility for Web Developers. Get the Whitepaper — Learn everything you need to know about accessibility standards, how to conform to the laws and what this means to you.

Progress Kendo UI sponsor

The (Upcoming) WordPress Renaissance — The author asserts that the introduction of Gutenberg has made for a “much richer” Wordpress user experience. Here, he takes a look at the CMSs latest developments, and where it is heading next.

Leonardo Losoviz

CSS Can Do This.. And It's Terrifying — A curious look at a few things you can do with CSS, but maybe shouldn’t (including key logging & user tracking).

Aaron Powell

Variable Font Animation with CSS and Splitting JS — A look at what variable fonts are, and how they can be animated with CSS and a little bit of JavaScript.

Michelle Barker

The evolt.org Browser Archive Is 20 Years Old — When this browser archive launched in 1999 it featured links to 80 different browsers.

Adrian Roselli

Keyboard Accessible Performance Timelines Now in Chromium

Microsoft Edge DevTools on Twitter

▶  Why You Don't Need BEM with Utility-First CSS

Adam Wathan

Roll Your Own Comment System for a Static Site

Tania Rascia

📱 Work in mobile dev? We publish a mobile-focused newsletter every Friday.

🔧 Code, Tools & Resources

pagemap: A 'Mini Map' for Web Pages — A neat little idea that’s particularly useful on long pages. This adds a clickable/navigable overview of an entire page to the top right corner. Here’s the associated repo.

Lars Jung

Lexend: A Variable Font Designed for Better Reading — This new font family, created with reading proficiency in mind, is now available in Google Fonts — you can read more about its creation here.

Thomas Jockin

Make Your Images & Videos Load Fast & Look Beautiful with Cloudinary

Cloudinary sponsor

Quicklink: Faster Subsequent Page-Loads by Prefetching Visible Links — We shared this project from Google Chrome Labs last year - but it has just seen an update. It aims to make subsequent page loads quicker by prefetching links that are currently in the viewport during idle time.

Google Chrome Labs

extra.css: A CSS Houdini Library — ..with plenty of fun effects.

Una Kravets

An Accessible, Simple, and CSS-Only Styled Checkbox

Jen Simmons codepen

   🗓 Upcoming Events

Web Unleashed 2019, September 13-14 — Toronto, Canada — Covers a variety of front-end topics leaving you 'informed, challenged and inspired'.

State of the Browser, September 14 — London, UK — A one-day, single-track conference with widely varying talks about the modern web.

CSSConf, September 25 — Budapest, Hungary — A community conference dedicated to the designers and developers who love CSS.

Accessibility Scotland, October 25 — Edinburgh, UK — One day of talks. Friendly, open discussion about accessibility.

🕰 ICYMI (Some older stuff that's worth checking out..)

How to take screenshots of pages dynamically using a headless browser.

Elad Shechter digs into the logic of how CSS position:sticky works.

Max Antonucci shares the web accessibility intro they wish they had.

Looking for a CSS foundation? backpack.css is a lightweight and somewhat opinionated option that's best suited to apps.

by via Frontend Focus https://ift.tt/2Zi5Ors

[t-baba]

Domino's is no a11y?

#403 — August 7, 2019

Read on the Web

Frontend Focus

Domino’s Asks The Supreme Court to Shut Down Lawsuit Requiring Its Website Be Accessible to Blind People — A blind man has filed a lawsuit against Domino’s after asserting that the ‘Americans with Disabilities Act’ requires businesses to make accommodations for those with disabilities, including online. The pizza company is reportedly arguing that the requirements would be inconsistent and costly. This comes following an increase in similar litigation in recent years.

Nick Statt

Native Lazy-Loading for The Web — As of Chrome 76 (available now), you can use the loading attribute to natively lazy load resources, without the need for custom code or a separate JS library. This post dives into the details.

Houssein Djirdeh, Addy Osmani, Mathias Bynens

A Better Way to Track Your Backlog — Want a project management tool that's both powerful and a joy to use? Designed for developers, Clubhouse simplifies your workflow. Seamless integration with GitHub, GitLab, Slack and more. Start your free trial today and get 2 extra free months.

Clubhouse.io sponsor

New CSS Features in Firefox 68 — A look at the CSS additions and changes introduced in Firefox 68, including CSS scroll snapping, the ::marker pseudo-element and more.

Rachel Andrew (Mozilla)

A CSS Modules v1 Explainer — Don’t get ready to use them yet, but this is an interesting, early-stage proposal to extend the ES modules system (i.e. JavaScript modules) to include CSS modules.

Dan Clark

Writing Modes And CSS Layout — “Writing modes” aim to address the situation where you need to write written language in directions other than left-to-right, top-to-bottom. Rachel Andrew looks at why supporting writing modes is important and how they interact with CSS, grid layouts, and flexbox.

Rachel Andrew

💻 Jobs

Frontend Engineer - In Dili, Timor-Leste or Possibly Remote — Work with people globally to create change, using technology to empower people, through our programs in aid and global development.

Catalpa International

Frontend Developer at X-Team (Remote) — Join the most energizing community for developers. Work from anywhere with the world's leading brands.

X-Team

Frontend Developers Are in Demand on Vettery — Ready for a bold career move? Make a free profile, name your salary, and connect with hiring managers from top employers today.

Vettery

📙 Articles, Tutorials & Opinion

Multi-Column Manipulation — An interesting experiment in applying multiple columns in response to the amount of content. So, if the viewport is wide enough the content will dynamically divide to two or more columns.

Heydon Pickering

An Introduction to Svelte — Svelte is a frontend framework (in the same vein as React or Angular) — here’s a look at how it works, hot to get started with it, plus a few example apps.

Dave Ceddia

Want a Better Way to Store and Serve Images and Videos — Join a community of over 450K web and mobile developers dynamically managing rich media with Cloudinary. Try it free.

Cloudinary sponsor

Using Progressive Enhancement to Design for Accessibility — When it comes to UI, what does progressive enhancement actually look like? This article digs into it, and offers up links to helpful resources.

Scott Jensen

The :empty Selector — How to use the :empty selector to style elements with no children or content.

Samantha Ming

This Ain’t Disney: A Practical Guide to CSS Transitions and Animations

Mohammed Ibrahim

The 2019 Design Systems Survey Results — Lots of detail here as to both how and why people are using design systems — the takeaway being that they add value in providing consistency and efficiency.

Sparkbox

Making a Realistic Glass Effect with SVG

David Fitzgibbon

Bringing CSS Grid to WordPress Layouts

Andrea Gandino and Simone Maranzana

🔧 Code, Tools & Resources

Infinite Burger — Drag and resize the window and the burger will grow, thanks to the background-repeat: round property…and now I’m hungry.

Thiyagaraj T codepen

Font Style Matcher — Using a web font? This little tool helps you pick a decent fallback font to try and minimize any noticeable ‘flash of unsettled text’ during initial render.

Monica Dinculescu

Detect & Debug User-Facing Issues in Critical Endpoints & Apps with Synthetic API Tests

Datadog Synthetics sponsor

cessie: Transpile Your CSS Bundle — …to support CSS variables, calc, and future CSS for legacy browsers.

Bjarne Øverli

Photoronoi — This is a neat effect. Upload an image (or point it to an image URL) and see it turned into a Voronoi-style SVG.

Amelia Wattenberger

Hotkey: Trigger an Action on an Element When a Keyboard 'Hotkey' is Pressed — Want quick and simple keyboard shortcuts for elements on your page? Set the data-hotkey attribute and use Hotkey. GitHub built and uses it (view source on any GitHub page and look for the data-hotkey attributes).

GitHub

FileSaver.js: An HTML SaveAs() FileSaver Implementation

Eli Grey

   🗓 Upcoming Events

WebAIM: Web Accessibility Training, August 13-14 — Logan, Utah — Covers basic web accessibility principles to advanced accessibility techniques.

Front Conference, August 29-30 — Zurich, Switzerland — A two-day double-track conference for everyone involved from concept to implementation.

Web Unleashed 2019, September 13-14 — Toronto, Canada — Covers a variety of front-end topics leaving you 'informed, challenged and inspired'.

State of the Browser, September 14 — London, UK — A one-day, single-track conference with widely varying talks about the modern web.

CSSConf, September 25 — Budapest, Hungary — A community conference dedicated to the designers and developers who love CSS.

Accessibility Scotland, October 25 — Edinburgh, UK — One day of talks. Friendly, open discussion about accessibility.

by via Frontend Focus https://ift.tt/2OIrgpr