GOOD NEWS EVERYONE THE PB-033M ASHMEAD "PILE BUNKER" IS REAL AND THEY GAVE IT TO FIREFIGHTERS
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Hugh Dancy in Deadline Gallipoli 1.01
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HUGH DANCY as Ellis Ashmead-Bartlett
2015 · Deadline Gallipoli · S1·EP1 · dir. Michael Rymer
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Swinburn: “HEY! C’mon just wait a second! Look, I know I’m a worthless low life who openly speaks about re-educating those I deem lesser, and that I take perverse pleasure in killing people who are just fighting for their home planet not to be callously exploited by the company I work for, but surely I can buy my life if I grease your hands with a bit more blood money, right?”
C4-621, not listening because they were too busy wearing his shield down:
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Deadline Gallipoli (2015)
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hugh dancy warm ups
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hmm.
GOOD HEAVENS
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I've been re-watching Deadline Gallipoli and damn Hugh really had to wear a mustache and make it sexy as f*ck 🔥
And please the suspenders!! 🌋
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Lively, colorful, 1911 Mediterranean Revival townhouse in Washington, DC has 4bds, 4ba, $5.4m.
As you may know by now, that door would have to go, as far as I'm concerned. Why do they even make doors like that? Just bust the glass, put your hand in, and open the lock. Why even have a lock?
The first room off the entrance hall is a sitting room with a cool yellow fireplace with black & white marble.
The dining room is a bright orange with a bronze ceiling, which is interesting.
They painted the cabinets a glossy bright blue and changed out hardware.
This family room is a part of the kitchen and has doors to the patio. The wallpaper on the feature wall is very interesting.
Pretty powder room. Look at how small the sink is.
The stairs to the upper levels are in the middle of the home.
They've got the primary bedroom done in a bright royal blue.
And, they also have a large closet.
This is beautiful- a terrace.
Nice shower room.
At the end of the hall is this nice large family room. Love the fireplace.
Cute bedroom is quite roomy.
The secondary bedrooms are surprisingly large.
Nice updated vintage bath.
Stairs to the lower floor.
Nice room.
The 4th bedroom is down here with a door to the outer entrance. It's lovely down here.
There's even a little kitchenette and a bath.
It has a beautiful backyard and parking.
And, out front there's a lovely garden.
https://www.zillow.com/homedetails/2343-Ashmead-Pl-NW-Washington-DC-20009/461809_zpid/
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I changed Big Sugar's name to Bright Bramley because I think it sounds better, lol. But here is my version of the Apple Family Tree.
Are you ready for the lore dump, cuz here it comes!
Granny Smith, Winesap and Ashmead are fraternal triplets, (on the note of Winesap, he does have his own family, but I didn’t want to get into that as this is mainly to show Flim and Flam’s relation to the Apples.)
Now to address that topic, Flim and Flam’s mother Pomona met their father Hocus Pocus while passing through Manehattan on a delivery, she became infatuated with him and after an argument with her parents about how Hocus is a con pony, she ran away to live with him on a small farm just outside Manehattan, where Flim and Flam were born and raised.
After she left, Ashmead just kinda stopped talking about her, cutting contact completely, the other Apple family members don’t know about Flim and Flam and no one talks about Pomona’s leaving.
After the incident Flim and Flam move to Sweet Apple Acres while they recover, they eventually start helping out around the farm, and slowly, they become friends with the Apples and they bury the hatchet. AJ, Big Mac and Apple Bloom decide to visit Goldie again and Apple Bloom invites Flim and Flam along because they miss travelling.
When they get there, Goldie takes one look at the brothers and says “you two are the splitting image of your mother”. Flim and Flam ask how she knows their mother and Goldie searches through her records and shows everypony an old photo of Granny Smith, Winesap, Ashmead, Bright Mac and Pomona. She points at Pomona and says “she is your mother, isn’t she? She’s an Apple” Suffice to say, everypony is shocked to hear the news, although Granny reveals she had a sneaking suspicion they were Apples.
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Jim Russell. Junior jumpers; Daniel Ashmeade; 6; of Glengrove Public School in Pickering; skips rope for the Ontario Heart and Stroke Foundation with partner; 5-year-old Sarah Coglan, 1989.
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thoughts on the PB-033M ASHMEAD and how equipping it exponentially increases the fuckability of a given mech?
I've used it from the moment I unlocked it and haven't looked back. I think if you were there you could see my eyes visibly darken when I first saw how much damage the charge attack did
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apologies for the EXTREMELY niche question, but has ea ever talked about what type of strings she uses on her violins? I know she's talked about her gear in various interviews, but I can't recall ever seeing that bit of info specifically..... many thanks in advance
TL;DR: I can't find a good answer for you, but I feel like this is a question EA might actually answer if you write or email her. (Good luck!)
However, I did end up going down a rabbit hole trying to answer this, so I thought I would share what I found.
"I play three types of violin at present, the electric (a Zeta Strados Series), a classical Gand & Bernadel from 1885, and a beautiful baroque violin and bow."
- Emilie Autumn, MyMac Interview (2002)
The Electric Violin
Emilie Autumn playing the ZETA Strados Electric Violin, 2011 || Photo by mauszozo
EA uses a ZETA Strados Series Electric Violin, purchased around the time she was 12 or 14 (the story changes based on the interview). In most of her interviews she points out that ZETA went out of business, which they did, but they're back in action now. The ZETA website doesn't call out what type of strings the current Strados Series comes standard with, and since EA was a child in the late 80s/early 90s, information is scarce.
Gand & Bernardel (1885) and Baroque Violins
EA, Gramercy Theatre, 2011 || Photo by Ken Pierce
Gand & Bernardel (1885) & John Speak Baroque Violin
The most I could find about these was in a post where EA thanked Marc for getting her violins rejuvenated for her birthday in 2020, plus a little bit more from the old MyMac Interview.
"...thank you to W14BB @marcsenter for the fabulous surprise of having my instruments rejuvenated. 🎻 I had absolutely no idea that my case had even left the Asylum, and then there I am, standing in the workshop of @davidbonseyfineviolins, my beauties in perfect condition—it's not like they were broken, but after traveling all over the world and being with me since my childhood there was some painful wear on my 1885 French baby (you've heard this on everything from "Opheliac" to "The Art of Suicide" to "Fight Like A Girl" to "One Foot In Front Of The Other" and more), and my bows were down to their last horsehairs. The other is my Baroque fiddle, which is also on "Opheliac" (in the middle breakdown fiddle solo) and "Marry Me" and ALL of Laced (of Laced/Unlaced), and so YOU, my fellow Inmates, are in fact dear friends with these instruments yourselves!"
- Emilie Autumn on Instagram (September 24, 2020)
In the MyMac interview, EA identifies that she uses a Pajeot Violin Bow and a Ralph Ashmead Baroque Bow. I am assuming the photo included above is the Baroque; I'd be shocked if she took the Gand & Bernardel on tour, considering that they sell for ridiculous prices.
I did find this fascinating article about an 1870 Gand & Bernardel here. It talks about some different strings that were tried on the instrument, but it's entirely unrelated to EA.
Bonus Photos from the Behind the Scenes photos included with The Opheliac Companion:
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Deadline Gallipoli (2015)
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