#B.T. Express

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VIDEO: B.T. Express - Everything Good to You (Ain't Always Good for You) (Roadshow)

Flutes, 1974.

[bluehome91]

B.T. Express (originally named Brooklyn Transit Express) was an American funk/disco group, that had a number of successful songs during the 1970s.

The group was part of the "Brooklyn sound" of the early 1970s, formed from three players of the group King Davis House Rockers. The House Rockers were a local dance band who had released a couple of obscure singles (1967's "We All Make Mistakes Sometimes" on Verve Records, 1972's "Rum Punch") The three players (guitarist Richard Thompson, tenor sax player Bill Risbrook, and alto sax player Carlos Ward) formed Madison Street Express along with bassist Louis Risbrook (later Muslim-monickered Jamal Rasool), percussionist Dennis Rowe, drummer Terrell Wood, and vocalist Barbara Wood. They along with producer Jeff Lane signed with production company Roadshow Records to record writer Billy Nichols "Do It ('Til You're Satisfied)." The record was shopped around to major labels until it was accepted at Scepter Records. Scepter suggested the group change its name from Madison Street Express, hence the Brooklyn Transit Express. The single was released in August 1974, and reached the top 10. Lane took the group back into the studios at that point to record a second single and pitch a full album to the label. Scepter agreed to the LP and to Roadshow Records having its own label within Scepter Records.

The first two singles were hits, both number 1 R&B releases and both Top 5 pop singles in the US. The album hit number 1 on the R&B album chart and number 5 on the Pop album chart of the US. These recordings were also hits in the spreading disco culture, "Do It" peaking on club playlists before Billboard started a separate disco chart, but the follow-up single sat for five weeks at number 1. They were certified gold releases.

BT Express released an album per year through 1978. With the third album, Leslie Ming was brought in as drummer and keyboardist Michael Jones was added as keyboardist. Jamal, who had converted to the Muslim faith, gave Jones the name Kashif Saleem, which he used after departing the group, in 1979, to pursue producing ("Mighty M Productions" with Morrie Brown and Paul Laurence Jones) and solo recording ventures. That year songwriter Billy Nichols and drummer Leslie Ming also departed the group. In 1976 Scepter records was experiencing business difficulties that soon ended the company, and BT Express was given a distribution deal with Columbia Records, which, though it gave them greater exposure, resulted in less attention being paid to their production, since they had so many acts to concentrate on. The group did not achieve the level of radio or sales success on Columbia that they had on the more nurturing but by-then defunct Scepter. They stayed with Columbia for five years, with Lane producing through 1978, then Nichols producing their fifth album before he departed for solo work, and Morrie Brown producing the sixth LP and several follow-up tracks. The group switched labels to Coast To Coast Records for the 1982 LP, to Earthtone Records for a later 1982 single, and to manager King Davis' own label in 1985.

[randomvarious]

Today’s compilation:

Son of Super Bad 1991 Funk / Disco / Disco-Funk / Funk-Rock

Here's a short and sweet batch of 70s tunes that bridge a gap between disco and funk that was released by the famed and prolific budget compilation label K-tel Records in the early 90s. It has some of the era's most popular and successful acts on it, like Kool & the Gang, Parliament, and KC & the Sunshine Band, all of whom helped to significantly raise the profile of disco and/or funk by achieving their own broad levels of mass popularity.

So, this album, for the most part, ultimately serves well as 'baby's first 70s funk compilation,' because almost all of these songs were huge hits in their day and most of them still manage to get plenty of rotation now. "Jungle Boogie," "Get Down Tonight," "Give Up the Funk," and "Play That Funky Music" are all great songs, but they're also ones that you're more than likely to already be very familiar with since they're standard 70s smashes.

But in the final leg of this release, K-tel finally digs a bit deeper and manages to pull out a couple bangers that are a whole lot more obscure: "7-6-5-4-3-2-1 (Blow Your Whistle)" by the Gary Toms Empire and "On Fire" by T-Connection. "7-6-5-4-3-2-1" only peaked at #73 on Billboard's Hot 100 in 1975, but it definitely deserved to be way more recognized, as it's a spectacularly infectious clap-along type of party rocker, outfitted with a sweet drum groove, an ever-so-slightly countrified synth riff, funk guitar, horns, and, of course, a whistle.

And T-Connection's "On Fire" didn't even make the Hot 100 at all! But it was a top-fiver on the Dance chart and that part's at least easy to see why since it's a catchy, uptempo, and sweaty disco-funk-rock bop with a nice guitar solo, strings, hand drums, piano, and synthesizer. But I unfortunately can’t find the exact edit on YouTube that appears on this compilation 😔.

This album feels like a pretty ample starter pack for anyone who doesn't know the first thing about 70s funk music. You get a bunch of total classics as well as a couple more obscure goodies towards the end that most people are far less likely to know about. Good on K-tel for including them here among some other juggernauts.

Highlights:

Kool & the Gang - "Jungle Boogie" B.T. Express - "Express" Ohio Players - "Fire" Parliament - "Tear the Roof Off the Sucker (Give Up the Funk)" Wild Cherry - "Play That Funky Music" KC & the Sunshine Band - "Get Down Tonight" Brass Construction - "Movin'" Gary Toms Empire - "7-6-5-4-3-2-1 (Blow Your Whistle)" T-Connection - "On Fire"

[zippocreed501]

B.T. Express - Do It (Til' You're Satisfied) (1974)

[weantuniverse]

B.T. Express - DO IT (Til' You're Satisfied)

[dloindustries]

B.T. Express - Do It (Til' You're Satisfied) - (Ballet) • TopPop

Happy Birthday Barbara Joyce Lomas

[madmax76d]

B.T. Express -- Do It ('Til You're Satisfied)

[angelloverde]

"Mo Soul" Player Playlist 11 September

1. Jazz Liberatorz - Breathing Pleasure 2. Barry White - The One (Disco Tech Remix) 3. The Revenge - Heavy Love 4. Ronnie Foster - Let's Stay Together 5. B.T. Express - Everything Good To You 6. Orgone - Sophisticated Honky 7. Charles - Kynard Zambezi 8. Ramsey Lewis - Bear Mash 9. Tuxedo - Two Wrongs 10. Shawn Lee - Jigsaw 11. Weekend Sun - You re Good To Me 12. Melvin Sparks - Get Ya Some 13. DJ Cam - Summer In Paris 14. Sylvia - Sweet Stuff 15. Average White Band - Whatcha' Gonna Do For Me

If you really want to enjoy music and help musicians and bands, buy their lp’s or cd’s and don’t download mp3 formats. There is nothing like good quality sound!!!

(Angel Lo Verde / Mo Soul)

[djmossback]

Third Space Saturday

05/18/2024

The tracks

Shannon, Let The Music Play (LP cut)

LondonBeat, I’ve Been Thinking About You (12” cut)

Average White Band, Pick Up The Pieces (LP cut)

Bobby Brown, Don’t Be Cruel (12” cut)

The Clash, Rock The Casbah (7” single)

Kate Bush, Sat In Your Lap (7” single)

Go-Go’s, We Got The Beat (7” single)

Prince, I Wanna Be Your Lover (7” single)

Cameo, Word Up (12” cut)

Tears For Fears, Change (7” single)

L.L. Cool J, Big Ole Butt (12” cut)

Berlin, The Metro (7” single)

Human League, The Sound Of The Crowd (LP cut)

Heatwave, The Groove Line (7” single)

Killing Joke, Follow The Leader (LP cut)

Cheryl Lynn, Got To Be Real (7” single)

Anita Ward, Ring My Bell (Midnight Mix by Richie Rivera) (12” cut)

Fatback, Just Be My Love (LP cut)

Climax Blues Band, Couldn’t Get It Right (7” single)

Gorillaz, Clint Eastwood (12” cut)

Hot Chocolate, Every 1’s A Winner (LP cut)

Michael Jackson, Rock With You (7” single)

Missing Persons, Words (Mini-LP)

Wham, Wake Me Up Before You Go-Go (7” single)

Dazz Band, Let It Whip (7” single)

Pointer Sisters, He’s So Shy (7” single)

Bay City Rollers, Saturday Night (7” single)

Ready For The World, Oh Sheila (7” single)

S.O.S. Band, Take Your Time (Do It Right) (7” single)

Junior, Mama Used To Say (12” cut)

Commodores, Brick House (12” cut)

Pet Shop Boys, West End Girls (12” cut)

Bee Gees’, In My Own Time (LP cut)

Naked Eyes, Promises, Promises (7” single)

A Taste Of Honey, Boogie Oogie Oogie (LP cut)

David Bowie, Let’s Dance (7” single)

Marcia Griffiths, Electric Boogie (12” cut)

Dillinger, Cokane In My Brain (7” single)

The Police, Roxanne (7” single)

Iggy Pop, I’m Bored (7” single)

ZZ Top, I Thank You (LP cut)

Vince Staples, Norf Norf (LP cut)

Soho, Hippychick (12” cut)

Thin Lizzy, Don’t Believe A Word (LP cut)

Skee-Lo, I Wish (12” cut)

DEVO, Freedom Of Choice (7” single)

Joy Division, These Days (12” cut)

Amyl & The Sniffers, Some Mutts (Can’t be muzzled) (7” single)

Judas Priest, Metal Gods (LP cut)

Deee-Lite, Groove Is In The Heart (12” cut)

The Romantics, Talking In Your Sleep (7” single)

B.T. Express, Do It (‘til You’re Satisfied) (7” single)

Junior Murvin, Police & Thief (7” single)

Exile, Kiss You All Over (7” single)

Laid Back, White Horse (12” cut)

Kylie Minogue, Can’t Get Blue Monday Out Of My Head (12” cut)

Roots Manuva, Again And Again (12” cut)

Kendrick Lamar, Pride (LP cut)

Tasting Notes

Plan? Of course I had no plan. I wanted to integrate a lot of new records into the set, to set things up differently, and not rely on the “crutch” records I usually play. I had the afternoon to myself, and I spread things out and considered my options. I have been acquiring a lot of 12” records in the past few months, obscure and legendary. Mostly second hand. Mostly cheap. Those records are plentiful right now. So I loaded the crate with some of them. I like to hear stretched out versions, but not always. Sometimes I just like the sound of them, which is their utility. Of course, the trouble with vintage records is that if they are any good, they are worn out, often to the point of being unlistenable. I’ve been disappointed many times, but there is always something else to play.

I ended up changing out about 60% of my LP crate, but only about a quarter of my 7” singles. I did limit myself to one container of each. Which is a good way to induce focus.

I pack up the car and head down. I have a level of apprehension about this gig. The regular crew I had grown used to was all gone, and there were new people there, and I didn’t know them. I used to use the bar staff to play off, and now things were going to be different. Of course, I had played there the month before, but I shared the night with the Dryden Brothers, Retronaut and IGA. And that was cool. I arrived late and left early. But that time I didn’t take the elevator, and since I was so out of my routine it didn’t feel real.

I made it a point to get there early, so I could feel what the vibe was. The elevator was unresponsive, but that issue worked its way out quickly. I get to the booth and there are light controllers everywhere and a new monitor arrangement. I get myself prepared.

I start right at 9. I have several opening songs set up, but I go with the Shannon track just because it states the theme, “let the music play.” And that is what I do. One song to another. Seeing what feels right. I play some of my usual records in a different place, which makes me feel different, and leads to different outcomes. I realize that most of the people in the bar have no idea what thought goes into the presentation. I don’t say this to be self-aggrandizing. I am there, doing a job,that I can do well sometimes. And it does make me happy to see people react, even though they largely are unaware that a human being is providing the soundtrack for the space.

Garrett is responsible for the light controllers in the booth. They set up the installations around the bar, and they look amazing. In his spare time he checks IDs at the door. And juggles.

Speaking of the bar, it seems to have regained some of its mojo after the blows it has sustained this year so far. There are some larger than expected crowds rolling in throughout the night. My son shows up. There are a bunch of people he knows from Borah High in the house, and a few of them have come up to make themselves known before Sam even shows up. He’s on the town. Stays for a while, comes up and discusses the records I’m selecting. He heads out, goes over to the Electric Banana.

There is a volume complaint. I’m not insulted at all. It’s hard to gauge how loud the various corners around the bar can be. Records are all cut differently.

Beth, the new bar manager, comes up for a drink order, and I introduce myself. Later she tells me that she loved the set. That reassures me. One of my goals is to help the staff get through an evening, and play my role in the process. This is a business, not a clubhouse, and I am totally okay with it. You can be friendly with your audience, but they are not your friends. Mystery and distance are your friends. Leave them wanting more.

I’m glad to be there doing this thing that I have done for a good portion of my life. I don’t need friends there, even though I’m friendly with people. I’m there at a job, and I will continue to do it as long as they want me.

So, the plan? I did okay with it. I shifted things around, played the Roots Manuva 12” that Brion managed to track down for me. Also got Dillinger’s “Cokane in My Brain” worked in. Lots of 7” records. Did not play Sleaford Mods at all – maybe I’ll play them twice next time.

Next Third Space Saturday is June 15th, 2024. 2100 hrs is go time.

Thanks for reading.

[c-40]

A-T-4 111 Funk Deluxe This Time

Garage record from Randy Muller's studio project Funk Deluxe. Randy Muller was a founding member of Brass Construction, and in B.T. Express and Skyy. He worked with Instant Funk, Tamiko Jones, Charles Earland and many others... a real legend

[plus-low-overthrow]

NEW MIX: FUNK FEVER

“An almost Hour Mix of 45s from early to Mid Seventies Funk.”

SOUNDCLOUD LINK

TUMBLR LINK

tracklist:

Fugi - Sweet, Sweet Lady

General Crook - Fever in the Funkhouse

Ted Taylor - Somebody’s Gettin’ It

Gangsters - Smoke

Bottom & Company - Do You Wanna’ Do a Thing

Dickie Goodman - Friends

Bobby Byrd - If You’ve Got A Love Better Hold On to It

Wood, Brass & Steel - Hey, What’s That You Say

Fessor Funk & His Queens 8th Street Funk Band - Love Is Such A Good Thing Pt1.

The Dynamics - Funkey Key

Ripple - A Funky Song

John & Ernest - Problems

Martha Reeves - Love Blind

LTG Exchange - Money Mad

Memphis Horns - Keep on Smilin’

B.T. Express - Everything Good to You

The Soul Searchers - Funk to the Folks

Muscle Shoals Horns - Hustle to the Music (Outro.)

(58mins)

[investoptionwin]

Top 7 IAS Coaching Centers in Kolkata 2024 with Fees

Introduction: For those aspiring to join the elite ranks of the Indian Administrative Service (IAS), Kolkata provides a fertile ground for grooming and preparation. The city is home to several coaching centers that have consistently produced successful candidates. In this blog, we’ll explore the top 7 IAS coaching centers in Kolkata for 2024, delving into their unique features and the fees they entail.

1. Educrat IAS Academy:

Location: 71, Park Street, 2nd floor, North Block, Park Plaza Building, Kolkata — 700016

Fees Structure: The comprehensive coaching at Educrat IAS Academy comes at a reasonable cost, with fees ranging from INR 80,000 to INR 1,35,000 for the entire UPSC preparation course.

Website — https://educratias.com/

Feautures —

i. Expert Guidance: Mentored by Officers posted in Kolkata and expert UPSC faculties from Delhi

ii. Comprehensive Preparation: Covers all UPSC/CSE (Civil Service Examinations) papers with modules tailored to syllabus & recent question papers and trends

iii. Integrated Approach: Focuses on Prelims, Mains & Interview simultaneously, linking topics for a holistic understanding and personality development

iv. Personalized Attention: Small batch sizes ensure individualized support and attention to all aspirants

v. Unique Teaching Model: 70–20–10 approach for effective learning. They provide holistic teaching with 70% through Offline classes, 20% with their UPSC mentorship program, and 10% via mock tests.

vi. Three Success Mantra: Limited Resources, Multiple Revision, Maximum Test Practice for efficient coverage of vast syllabus of IAS Examination

vii. Resources and Books: They provide all the essential books, important NCERTs, and a monthly Current Affairs magazine

viii. Monthly Current Affairs Magazine: Condensed insights from The Hindu, The Indian Express & PIB by UPSC Experts/ Toppers only

2. IAS Vision Academy :

Location: DB — 45, DB Block, Sector 1, Bidhannagar, Kolkata, West Bengal 700064

Fees Structure: Chanakya IAS Academy is known for its high-quality coaching and charges between INR 1,40,000 to INR 2,80,000 for its full UPSC preparation program.

Website — https://chanakyaiasacademy.com/

Features —

Small batches and weekend classes

Live one-on-one interaction

All India IAS test series

Free demo classes

Hostel facilities

WhatsApp discussion

3. RICE IAS Institute:

Location: 11/1, B.T. Road, Rathtala, Kolkata — 700 056, West Bengal, India.

Fees Structure: RICE IAS Institute offers an affordable option for aspirants, with fees ranging from INR 1,56,000 to INR 2,30,000 for their comprehensive UPSC coaching.

Website — https://riceeducation.in

Features —

i. Exam Landscape, Exam Counselling, Motivational Class, Mentoring

ii. Class Test, Homework, Mock Test, Monthly Exam, Surprise Test

iii. Exercise, Mock Tests-Online & Offline Practice Set

iv. Experienced Faculty Team, Researched Study Material, Scheduled Classes, Doubt Clearing Classes, Library & Interview Guidance

4. IAS Vision:

Location: DB — 45, DB Block, Sector 1, Bidhannagar, Kolkata, West Bengal 700064

Fees Structure: IAS Vision is known for its result-oriented coaching, and the fees for their UPSC program are in the range of INR 1,40,000 to INR 1,65,000.

Website — https://visionias.in/

Features —

i. Small batches and weekend classes

ii. Live one-on-one interaction

iii. All India IAS test series

iv. Free demo classes

v. Hostel facilities

vi. WhatsApp discussion

5. Impulse IAS Academy:

Location: 1/1b, Hazra Road, Kalighat, Kolkata, West Bengal:700026

Fees Structure: Impulse IAS Academy offers competitive fees, with the cost of their UPSC coaching program ranging from INR 85,000 to INR 1,70,000.

Website — https://impulsecs.com/

Features -

i. Online seminars

ii. NCERT books

iii. Accommodation

iv. Mock tests and all-India test series

v. Classroom interactive sessions

6. Apti Plus IAS Academy:

Location: Room №302, 3rd Floor, Elgin Chambers, 1A, Ashutosh Mukherjee Rd, Kolkata, West Bengal 700020

Fees Structure: Apti Plus IAS Academy, known for its experienced faculty, charges between INR 1,67,000 to INR 2,50,000 for their comprehensive UPSC coaching.

Website — https://www.aptiplus.in/

Features -

Free career counseling

Fun-interactive classrooms

Updated study materials

Regular tests and doubt-clearing sessions

High success rate in 2021

Placement assistance

7. TICS IAS Academy

Location: TICS IAS, Building 2nd Floor, YMCA, 113, Vivekananda Rd, Manicktala, Azad Hind Bag, Machuabazar

Fees Structure: TICS IAS Academy, known for its experienced faculty, charges between INR 1,78,000 to INR 3,50,000 for their comprehensive UPSC coaching.

Website — https://www.ticsias.com/

Features -

3D live classes

One-on-one interaction

Recorded audio and video lectures

40 student batch

Free mentorship program

Choosing the Right Fit: When considering an IAS coaching center, it’s crucial to not only look at the fees but also consider the faculty, study material, success rate, and the overall learning environment. Each aspirant has unique requirements, and finding the coaching center that aligns with your goals and preferences is key to a successful IAS journey.

Conclusion: Embarking on the challenging path to becoming an IAS officer requires not just hard work but also the right guidance. These top 7 IAS coaching centers in Kolkata for 2024 provide a solid foundation for aspirants, each with its unique offerings and fees. Make an informed decision based on your needs, and let the journey to success begin.

[mikijamcf]

B.T. Express -- Do It ('Til You're Satisfied)

[mistermaxxx08]

B.T. EXPRESS Does it feel good