REVIEW PARTY: A touch of Malice si Scarlett St. Clair
Cari Sognatori, Michy, la nostra blogger, ha letto il terzo capitolo scritto dal POV di Persefone nella serie scritta da Scarlett St Clair e pubblicato dalla Queen Edizioni!!!
Serie: Ade & Persefone 3°
Genere: Romance, Urban Fantasy
Data d’uscita: 7 Luglio 2023
Link d’acquisto
Ebook / Cartaceo
Trama
IO SONO PERSEFONE
FUTURA REGINA DEGLI INFERI
Persefone e Ade sono fidanzati.
A questa…
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"Letting Go"
Ink on paper.
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Cannupa Hanska Luger, New Myth, Future Technologies, 2021
Dana Claxton, Headdress-Jeneen, 2018
Teresa Baker, Hidatsa Red, 2022
Raven Chacon, For Zitkala Sa Series, 2019
Caroline Monnet, Echoes from a near future, 2022
Marie Watt, Skywalker/Skyscraper (Calling Sky World), 2021
Anna Tsouhlarakis, The Native Guide Project, 2019
Meryl McMaster, Harbourage for a Song, 2019
Marie Watt, Companion Species (Calling Back, Calling Forward), 2021
Staff Pick of the Week
An Indigenous Present proposes that a book can be a space for community engagement through the transcultural gathering of more than sixty contemporary Indigenous and Native artists. Published by BIG NDN Press and Delmonico Books in 2023, An Indigenous Present was conceived of and edited by Mississippi Choctaw and Cherokee artist Jeffrey Gibson (b. 1972) over the course of nearly two decades.
In Gibson’s own words, “An Indigenous Present celebrates the work of visual artists, musicians, poets, choreographers, designers, filmmakers, performance artists, architects, collectives, and writers whose work offers fresh starting lines for Native and Indigenous art. But the book does not attempt comprehensiveness. Rather, those included here are makers I admire, have collaborated with or been inspired by, and who’ve challenged my thinking. . . . These artists and what they make will guide us to Indigenous futurities authored by us in unabashedly Indigenous ways.”
An Indigenous Present features over 400 pages of color photographs, poetry, essays, and interviews resulting in a stunning visual experience for readers and a shift towards more inclusive art systems. The front cover art shown here is by Canadian artist Caroline Monnet entitled Indigenous Represent.
View other posts from our Native American Literature Collection.
View more posts featuring Decorative Plates.
View other Staff Picks.
– Jenna, Special Collections Graduate Intern
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The 100 Best Books of the 21st Century.
As voted on by 503 novelists, nonfiction writers, poets, critics and other book lovers — with a little help from the staff of
The New York Times Book Review.
NYT Article.
*************
Q: How many of the 100 have you read?
Q: Which ones did you love/hate?
Q: What's missing?
Here's the full list.
100. Tree of Smoke, Denis Johnson
99. How to Be Both, Ali Smith
98. Bel Canto, Ann Patchett
97. Men We Reaped, Jesmyn Ward
96. Wayward Lives, Beautiful Experiments, Saidiya Hartman
95. Bring Up the Bodies, Hilary Mantel
94. On Beauty, Zadie Smith
93. Station Eleven, Emily St. John Mandel
92. The Days of Abandonment, Elena Ferrante
91. The Human Stain, Philip Roth
90. The Sympathizer, Viet Thanh Nguyen
89. The Return, Hisham Matar
88. The Collected Stories of Lydia Davis
87. Detransition, Baby, Torrey Peters
86. Frederick Douglass, David W. Blight
85. Pastoralia, George Saunders
84. The Emperor of All Maladies, Siddhartha Mukherjee
83. When We Cease to Understand the World, Benjamin Labutat
82. Hurricane Season, Fernanda Melchor
81. Pulphead, John Jeremiah Sullivan
80. The Story of the Lost Child, Elena Ferrante
79. A Manual for Cleaning Women, Lucia Berlin
78. Septology, Jon Fosse
77. An American Marriage, Tayari Jones
76. Tomorrow, and Tomorrow, and Tomorrow, Gabrielle Zevin
75. Exit West, Mohsin Hamid
74. Olive Kitteridge, Elizabeth Strout
73. The Passage of Power, Robert Caro
72. Secondhand Time, Svetlana Alexievich
71. The Copenhagen Trilogy, Tove Ditlevsen
70. All Aunt Hagar's Children, Edward P. Jones
69. The New Jim Crow, Michelle Alexander
68. The Friend, Sigrid Nunez
67. Far From the Tree, Andrew Solomon
66. We the Animals, Justin Torres
65. The Plot Against America, Philip Roth
64. The Great Believers, Rebecca Makkai
63. Veronica, Mary Gaitskill
62. 10:04, Ben Lerner
61. Demon Copperhead, Barbara Kingsolver
60. Heavy, Kiese Laymon
59. Middlesex, Jeffrey Eugenides
58. Stay True, Hua Hsu
57. Nickel and Dimed, Barbara Ehrenreich
56. The Flamethrowers, Rachel Kushner
55. The Looming Tower, Lawrence Wright
54. Tenth of December, George Saunders
53. Runaway, Alice Munro
52. Train Dreams, Denis Johnson
51. Life After Life, Kate Atkinson
50. Trust, Hernan Diaz
49. The Vegetarian, Han Kang
48. Persepolis, Marjane Satrapi
47. A Mercy, Toni Morrison
46. The Goldfinch, Donna Tartt
45. The Argonauts, Maggie Nelson
44. The Fifth Season, N.K. Jemisin
43. Postwar, Tony Judt
42. A Brief History of Seven Killings, Marlon James
41. Small Things Like These, Claire Keegan
40. H Is for Hawk, Helen Macdonald
39. A Visit from the Goon Squad, Jennifer Egan
38. The Savage Detectives, Roberto Balano
37. The Years, Annie Ernaux
36. Between the World and Me, Ta-Nehisi Coates
35. Fun Home, Alison Bechdel
34. Citizen, Claudia Rankine
33. Salvage the Bones, Jesmyn Ward
32. The Lines of Beauty, Alan Hollinghurst
31. White Teeth, Zadie Smith
30. Sing, Unburied, Sing, Jesmyn Ward
29. The Last Samurai, Helen DeWitt
28. Cloud Atlas, David Mitchell
27. Americanah, Chimamanda Ngozi Adichie
26. Atonement, Ian McEwan
25. Random Family, Adrian Nicole LeBlanc
24. The Overstory, Richard Powers
23. Hateship, Friendship, Courtship, Loveship, Marriage, Alice Munro
22. Behind the Beautiful Forevers, Katherine Boo
21. Evicted, Matthew Desmond
20. Erasure, Percival Everett
19. Say Nothing, Patrick Radden Keefe
18. Lincoln in the Bardo, George Saunders
17. The Sellout, Paul Beatty
16. The Amazing Adventures of Kavalier & Clay, Michael Chabon
15. Pachinko, Min Jin Lee
14. Outline, Rachel Cusk
13. The Road, Cormac McCarthy
12. The Year of Magical Thinking, Joan Didion
11. The Brief Wondrous Life of Oscar Wao, Junot Diaz
10. Gilead, Marilynne Robinson
9. Never Let Me Go, Kazuo Ishiguro
8. Austerlitz, W.G. Sebald
7. The Underground Railroad, Colson Whitehead
6. 2666, Roberto Bolano
5. The Corrections, Jonathan Franzen
4. The Known World, Edward P. Jones
3. Wolf Hall, Hilary Mantel
2. The Warmth of Other Suns, Isabel Wilkerson
1. My Brilliant Friend, Elena Ferrante
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Mattias Adolfsson, Black Forest, Book illustration, 2014
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Tropical heat in the north - handmade journal.
Contains 41 pages with my photographs with acrylics, oils and watercolours, some writing and collected ephemera.
Unique piece (only one available)
Dated and signed
If you're interested in purchasing you can drop me a message or email me at
[email protected]
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The stairway doesn't have to be just an unadorned passageway. In this house, it's become a library. While the shelves offer storage, the books become a kind of decoration, visible from upstairs and down.
The Not So Big House - A Blueprint for the Way We Really Live, 1998
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Santiago Caruso - La condesa sangrienta
source
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The Pomegranate, Cherry Jeffs 2020
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Illustration from Lady Charlotte Guest's The Mabinogion by Alan Lee (2001)
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RECENSIONE: The love hypothesis - il teorema dell' amore di Ali Hazelwood
Cari Sognatori, Lily ha letto il romance scritto da Ali Hazelwood e pubblicato dalla Sperling & Kupfer!!!
Genere: Romance
Data di pubblicazione: 21 Giugno 2022
EBOOK / CARTACEO
Affiliati Amazon
Trama
Dottoranda in Biologia, Olive Smith crede nella scienza, non nell’amore. Non le è mai importato granché di avere una relazione e di sicuro non le importa di Jeremy, un ragazzo con cui è uscita un…
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“Beneath the Ocean”
12X20cm, ink and pencil on paper.
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This advertisement is for The Lies We Conjure, the new contemporary supernatural thriller from Sarah Henning.
WHAT’S IT ABOUT
Thirteen witches. Two ordinary sisters. One locked-room murder. This whodunit is giving Knives Out meets The Inheritance Games with magic.
An eccentric old woman approaches sisters Ruby and Wren with an offer too good to pass up: attend a fancy dinner party posing as her granddaughters for two grand each. Sounds like a great arrangement—what could possibly go wrong? Literally EVERYTHING!
Shortly after arriving at the mysterious Hegemony Manor, the hostess is dead and a killer lies among the dinner guests. Did we mention the guests are all powerful witches? Ruby and Wren must solve the murder if they hope to make it out of the manor alive.
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Hi lovelies! ♥
I'm an author of traditional and interactive fiction, and I'm currently working on two projects in ChoiceScript. One is a science-based apocalyptic horror, while the other is a romantic drama set in Naples, Italy. This blog will mostly be about my works in progress!
I have, however, already published a short introspective drama in ChoiceScript, which can be found here.
I will soon set up a page for each of them on here, but in the meantime, here is a brief introduction:
After Dark
While the heavy industry is more active than ever, the effects of global warming are evident, with higher temperatures, dying bees, and animals acting weird.
After Dark is a scientifically accurate apocalyptic horror. You’re tired of zombies rising from the ground for no reason? You don’t believe in ghosts? Glittering vampires aren’t for you? Then you have to try one of the three different stories that unfold in After Dark. When a global pandemic starts to transform people into dangerous monsters, which path will you choose? Will you fight for humanity? Will you stay for your family? Or will you run away in search of a better future?
The In-Between
You’re an introverted college student, studying modern languages at a famous university based in Naples. You live a seemingly ordinary life with your parent and younger sibling, as no one knows the truth about your past side business—a dark, illegal one.
You thought you had finally escaped that world, but when your younger sibling falls seriously ill, your only hope is your wealthy ex-lover: an attractive mobster, charming and dangerous in equal parts...
Tell me, which one appeals to you most? 😁
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You would think with the way in which Sjm fans argue against Sjm criticism by saying that they "just turn their brain off while reading her books" that she writes cute little contemporary romance books alà Ali Hazelwood and that the critics are just being pretentious when in reality she writes fantasy books in which there are always poorly done themes of oppression, mental health, DV, SA classism, racism, feminism, disabilities, lgbtq+ etc. in it
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