#Bagdasarian Productions
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#bagdasarian productions#1985#Christmas#alvin and the chipmunks#sticker sheet#so cute#80s#80s nostalgia#1980s
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#alvin and the chipmunks#aatc#bagdasarian productions#bagdasarian#alvin seville#brittany miller#valentines day#valentine cards#vintage#1980s vintage#1980s nostalgia#80s nostalgia#80s vintage#alvittany
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Performing Chipmunks “The Alvin Show” (1961)
#60s#Bagdasarian Productions#Format Films#cbs#the alvin show#gif#alvin and the chipmunks#dave seville#dancing
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teenage 80's/90's era Alvinette kiss
#I like to draw all the aatc eras I can#with my own thrown in#alvinette#alvin x jeanette#jeanette x alvin#colored#aatc#alvin and the chipmunks#alvin & the chipmunks#bagdasarian productions#90s#80s#cartoon#fanart#doodle#doodles#art#chipmunks#the chipmunks#the chipettes#chipettes#jeanette#alvin#alvin seville#alvin and jeanette#alvin & jeanette#jeanette miller#jeanette chipette#alvin/jeanette#jeanette/alvin
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Have you heard of A Chipmunk Christmas? To describe it as "the Chuck Jones Christmas Special" would be semi-misleading (it was produced by Chuck Jones Productions and he did the character designs/served as a creative consultant, but it was directed by Phil Monroe). In a way it's like a weird middle ground between the classic Alvin Show era and the 80s-00s era (debut of the new VAs, The Alvin Show designs given the Chuck Jones treatment feel like a nudge into the direction that the 80s cartoon designs went)
IT'S BEEN BROUGHT TO MY ATTENTION IN RECENT MONTHS! but these were my initial reactions (i think i had forgotten my first exposure to them by the time of the second screenshot, and i guess was more forgiving but lol)
IT IS REALLY FASCINATING TO ME. i haven't watched it and don't really have immediate plans to, but maybe someday i'll scratch and sniff. i don't know all my chipmunk lore that intimately, but i believe this is one of the first times we see the updated designs, right? i think it's funny that they did update them--all of the screenshots tell me that this special must be DRIPPING with Schmaltz and Sentimentality, and so i guess they didn't think the '60s designs could effectively tug at the heartstrings... but i don't think they were trying hard enough.
IT DOES MAKE ME FEEL BAD FOR PHIL MONROE HAHA, he'd been gunning to direct at Warner Bros' all throughout the '40s, and when he finally did get a chance to direct, he gets to direct one of the worst cartoons (i'm a The Iceman Ducketh hater 👎) and then is saddled with Schmaltzy Chipmunks.. poor guy
this is actually very tangential but i have no other opportunity to post this: i've been laughing at this for weeks now. it's been brought to my attention that this is the very first episode of the '80s series
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and, with that out of the way it's again time for me to shill Good Chipmunks. this has been stuck in my head all week ever since i saw this episode!! i think it's difficult for most people to see through the Chipmunk Novelty Facade, but Ross Bagdasarian was a killer songwriter
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no one asked/cares but i saw this tweet in a toy collector group and its SO fascinating to me. ross bagdasarian jr (been the owner of the property since his father's death) has a quiet reputation of being very intense and demanding behind the scenes, so it's wild to have a tweet from an animator basically confirming that this was the case. most telling is the date here (1988): "the chipmunk adventure" came out in 1987 and was able to be animated BEAUTIFULLY because disney had let go of a huge chunk of its animators following the box office failure of "the black cauldron" and bagdasarian productions quickly hired them to animate their upcoming theatrical release. seeing the super high quality of that animation after years of saturday morning cartoon animation probably drove bagdasarian to demand that level of quality for the seasons of the show following the movie. there are also stories of the animators for "the chipmunk adventure" working under tremendous pressure and crunch, so it's not an isolated incident either.
#syd squeaks#im normal. i just bounced for hours after i saw this tweet#aatc#alvin and the chipmunks
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ChipmunkMania is finally on Tumblr!
If you've been in the Alvin and the Chipmunks fandom for a while, you might already know us! ChipmunkMania is the unofficial hub for all things AATC! We've been on Twitter for a while, and have decided to expand to Tumblr. We'll be using this blog to share posts related to our archives, news on the Chipmunks franchise, and host AATC fandom events. If you already follow us on our Twitter account, feel free to follow us here too! ChipmunkMania started off as a Youtube channel for archiving official Alvin and the Chipmunks content. Our goal is to provide high quality uploads of AATC songs, rare media, and other content not available through official sources. We also use our Twitter account to keep AATC fans updated on any franchise news we come across. If you would like to see more about the ChipmunkMania project or the AATC franchise as a whole, take a look at our website!
ChipmunkMania is a fan run project. We ARE NOT associated with Bagdasarian productions in any way!
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Saturday Morning This Fall on NBC! (1987)

1987 NBC Saturday cartoons
#80s#nbc#saturday morning tv#adventures of the gummi bears#disney television animation#the smurfs#foofur#hanna barbera#sepp international#fraggle rock#jim henson#marvel productions#alvin and the chipmunks#Bagdasarian Productions#ruby spears productions#alf#the new archies#dic animation#alien productions#archie comics#saban productions#advertisement
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My Top 10 Favorite 20th Century Fox Movies (2024)
#10 Home Alone
#9 Ice Age
#8 Ice Age 2: The Meltdown
#7 Ice Age 3: Dawn Of The Dinosaurs
#6 Ice Age 4: Continental Drift
#5 The Peanuts Movie
#4 Spies In Disguise
#3 Alvin And The Chipmunks (2007)
#2 Family Guy: Stewie Griffin: The Untold Story
And #1 The Simpsons Movie
Original Template: https://www.deviantart.com/jackskellington416/art/Top-10-20th-Century-Fox-Films-Meme-665656007
Home Alone Belongs To John Hughes, Hughes Entertainment, 20th Century Studios, Inc. The Walt Disney Studios, Walt Disney Studios Motion Pictures, Disney Entertainment, And The Walt Disney Company
Ice Age (2002 film) Belongs to Michael Berg, Michael J. Wilson, Peter Ackerman, Blue Sky Studios, Inc. 20th Century Animation, 20th Century Studios, Inc. The Walt Disney Studios, Walt Disney Studios Motion Pictures, Disney Entertainment, And The Walt Disney Company
Ice Age 3: Dawn of the Dinosaurs Belongs to Michael Berg, Peter Ackerman, Mike Reiss, Yoni Brenner, Blue Sky Studios, Inc. 20th Century Animation, 20th Century Studios, Inc. The Walt Disney Studios, Walt Disney Studios Motion Pictures, Disney Entertainment, And The Walt Disney Company
Ice Age 4: Continental Drift Belongs to Michael Berg, Jason Fuchs, Blue Sky Studios, Inc. 20th Century Animation, 20th Century Studios, Inc. The Walt Disney Studios, Walt Disney Studios Motion Pictures, Disney Entertainment, And The Walt Disney Company
The Peanuts Movie Belongs To Charles M. Schulz, Craig Schulz, Bryan Schulz, Cornelius Uliano, United Feature Syndicate, Inc. Andrews McMeel Syndication, Blue Sky Studios, Inc. 20th Century Animation, 20th Century Studios, Inc. The Walt Disney Studios, Walt Disney Studios Motion Pictures, Disney Entertainment, And The Walt Disney Company
Spies In Disguise Belongs To Lucas Martell, Brad Copeland, Lloyd Taylor, Cindy Davis, Chernin Entertainment, Blue Sky Studios, Inc. 20th Century Animation, 20th Century Studios, Inc. The Walt Disney Studios, Walt Disney Studios Motion Pictures, Disney Entertainment, And The Walt Disney Company
Alvin And The Chipmunks (2007) Belongs To Ross Bagdasarian Sr. Jon Vitti, Will McRobb, Chris Viscardi, Bagdasarian Productions, Dune Entertainment, RatPac Entertainment, LLC, Monarchy Enterprises S.Á.R.L. Regency Entertainment (USA), Inc. FOX 2000 Pictures, 20th Century Studios, Inc. The Walt Disney Studios, Walt Disney Studios Motion Pictures, Disney Entertainment, And The Walt Disney Company
Family Guy: Stewie Griffin: The Untold Story Belongs To Seth MacFarlane, Gary Janetti, Chris Sheridan, Alex Borstein, Steve Callaghan, Sunwoo & Company Co., Ltd. Fuzzy Door Productions, Inc. 20th Television Animation, 20th Television, 20th Century Fox Home Entertainment, Buena Vista Home Entertainment, Inc. Walt Disney Studios Home Entertainment, Disney Platform Distribution, Inc. Disney Television Studios, Disney General Entertainment Content, Disney Entertainment, FOX Broadcasting Company, FOX Entertainment, FOX Corporation, And The Walt Disney Company
The Simpsons Movie Belongs To James L. Brooks, Matt Groening, Al Jean, Ian Maxtone-Graham, George Meyer, David Mirkin, Mike Reiss, Mike Scully, Matt Selman, John Swartzwelder, Jon Vitti, Film Roman, LLC, Rough Draft Studios, Inc. AKOM Production Ltd. Gracie Films, 20th Century Animation, 20th Century Studios, Inc. The Walt Disney Studios, Walt Disney Studios Motion Pictures, Disney Entertainment, And The Walt Disney Company
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Movie Review | The Octagon (Karson, 1980)

This isn't very good, but maybe worth seeing for the cast. First and foremost, you get Art Hindle, who just a year earlier played the most divorced man in Canada and in this one treats his girlfriend abominably, which makes you wonder if he was more at fault for his marriage falling apart than the other movie let on. (Whaddya mean he wasn't playing the same character...) You get Lee Van Cleef, who is gruff and steely but with a twinkle in his eye as always, but given that his character doesn't meaningfully contribute much to the plot, you wonder if he owed somebody some shooting days. You get Tadashi Yamashita AKA Bronson Lee, who I suspect was brought over on Chuck Norris' insistence, given his background in Japanese karate films, but mostly makes you appreciate Sho Kosugi's star vehicles all the more given how little he has to do despite playing the main villain. You get a few recognizable faces in smaller roles, like Tracy Walter, Brian Tochi, Ernie Hudson, who's really jacked in this and is really jacked now and was probably more jacked in Ghostbusters than anybody realized, and Richard Norton, looking like the porn parody version of Norris with an even worse moustache and mop haircut.
As for Norris, who falls flat as always when playing heroic and is not at all helped by the echoing narration that probably sounded in the theatre like he was sitting behind you, whispering sweet nothings in your ear. But he has good chemistry with his co-stars, and one wonders if he'd be better respected as an actor if he'd instead made a career out of good ol' boy supporting roles, stepping in for a few minutes to back up the boys and mack on some honeys while opening a can of whoopass on the bad guys. I'm thinking like Bo Hopkins in The Killer Elite. Certainly he would have proved more engagingly threatening to the ninja villains in that movie than Burt Young, whose easy elimination of countless ninjas in the climax provides an embarrassing low point in Sam Peckinpah's filmography.
Anyway, the plot involves a ninja training camp in which an international assortment of terrorists, mercenaries and other nogoodniks attend to learn the ninja ways. This thankfully avoids most of the racism of other movies of this era in its depiction of this lot, although the diversity of the villains means that this probably reflects Norris' views on DEI. Norris and Hindle also bitch about their government being unable to stand up to said international threat, so there's probably some stuff to unpack if you're looking for it, although it's less blunt than his movies for Cannon. (Also, given that some of the characters include Canadian terrorists and it takes three ninjas to take down Art Hindle, this is the most fearsome Canada has ever been onscreen.) This is also firmly a product of the Carter era, in that it has that extremely brown look and a generally low energy level. I guess the Crisis of Confidence extended to ninja movies. There isn't very much action until the last twenty minutes, and while those come up short against pretty much any of the Cannon ninja movies, they're an oasis in the ninjitsu desert of the rest of the movie. That being said, given that Carol Bagdasarian's character spent a good amount of time in this ninja training camp, it's a little lame that she spends the climax shooting people with an assault rifle. That is not the ninja way.
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#KARMAN ROSS PRODUCTIONS#BAGDASARIAN PRODUCTIONS#1990#the chipmunks#the chipettes#sticker sheet#1990s#cartoon
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#the chipettes#chipettes#brittany miller#jeanette miller#eleanor miller#girls of rock n roll#bagdasarian#bagdasarian productions
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BREAKING NEWS: 'Alvinnn!!! and the Chipmunks' comes to an abrupt end after Season 5 [#K5NewsFMExclusive]
LOS ANGELES, CALIFORNIA -- The cancellation of the beloved 2015 animated series 'Alvinnn!!! and the Chipmunks' after Season 5 has taken cartoon fans worldwide by surprise, leaving them perplexed about the fate of the anticipated 6th and 7th seasons. The unexpected revelation came to light in a phone interview conducted by Billboard Magazine News with Ross Bagdasarian Jr., who is a show's executive producer.



'Alvinnn!!! and the Chipmunks' first graced television screens in the early mid-May of 2015, with Nickelodeon Asia hosting the world premiere. The Philippines, in particular, witnessed the show's debut through a live streaming simulcast on iWantTV (now known as iWantTFC), marking a cultural touchstone, 5 years before the global Coronavirus Disease-19 (CoViD-19) pandemic struck.
Before captivating audiences in Asia and the United States of America (U.S.A.), the French children's programming block "M6 Kid", took the lead in introducing the mischievous Chipmunks to the viewers in France alone. Airing from late-March 2015 until March 4th, 2023; 'Alvinnn!!! and the Chipmunks' on M6 Kid covered Seasons 1 through 5, culminating in an unexpected halt to the series.
The heartbreak intensified with Bagdasarian Jr.'s revelation to the Billboard Magazine News that production had ceased the year before, leading to the cancellation of the anticipated 6th and 7th seasons. The news marks the end of an era for the animated sensation, leaving fans grappling with the sudden farewell to the charismatic Seville trios of Alvin, Simon and Theodore.
DWFH-FM 97.7mhz's K5 News FM Dumaguete learns that the untimely end of 'Alvinnn!!! and the Chipmunks' has left fans and industry insiders alike wondering about the reasons behind this abrupt decision.


The show's popularity transcended borders, with its catchy tunes such as "It's a Magical World", "Busy as a Bee", etc., and endearing characters winning the hearts of audiences globally. The French connection to 'Alvinnn!!! and the Chipmunks' adds an intriguing layer to its narrative. A kids' show often serves as a cultural ambassador, and M6 Kid played a pivotal role in introducing the Chipmunks to French audiences, setting the stage for the show's international success.
As we bid farewell to the mischievous Seville brother's trio, it's worth noting that the 5th season, now revealed as the final chapter, encapsulates the charm and nostalgia that 'Alvinnn!!! and the Chipmunks' brought to fans worldwide, and even right here in Central Visayas and Negros Oriental. The French TV series not only entertained but also resonated with audiences of all ages, making it a memorable chapter in the world of animated entertainment.
For now, fans are left with the echoes of those catchy Chipmunk tunes, reminiscing about the adventures that Alvin Seville, Simon Seville and Theodore Seville brought into their lives. The legacy of 'Alvinnn!!! and the Chipmunks' will undoubtedly endure, leaving an indelible mark on the hearts of those who danced to their tunes and laughed at their antics.
FILE PHOTO COURTESY for REPRESENTATION: Le Figaro BACKGROUND PROVIDED BY: Tegna
DJ Unikitty Mac (formerly ColeThePony from Canada) was contributed on this exclusive news report.
SOURCE: *https://www.fernsehserien.de/alvinnn-und-die-chipmunks/folgen/5x26a-das-spielhaus-1626660 [Referenced TV Listings #1 via Fernseh Serien] *https://www.fernsehserien.de/alvinnn-und-die-chipmunks/folgen/5x26b-die-grosse-tour-1626661 [Referenced TV Listings #2f via Fernseh Serien] *http://thefutoncritic.com/showatch/alvinnn-and-the-chipmunks/listings/ [Referenced TV Listings via The Futon Critic] *https://www.nickalive.net/2019/11/alvinnn-and-chipmunks-renewed-for.html [Referenced News Article via NickALive! News Bureau] *https://www.billboard.com/business/publishing/chipmunks-christmas-song-how-much-money-make-each-year-1235521178/ [Referenced News Article via Billboard Magazine News] *https://en.wikipedia.org/wiki/Alvinnn!!!and_the_Chipmunks *https://fr.wikipedia.org/wiki/Alvin_et_les_Chipmunks(s%C3%A9rie_t%C3%A9l%C3%A9vis%C3%A9e_d%27animation,2015) *https://www.mikrosanimation.com/en/project/alvinnn-and-the-chipmunks/ *https://www.facebook.com/268035966640514/posts/718126928298080 [Referenced FB Captioned Post via Nick Asia] and *https://en.wikipedia.org/wiki/IWantTFC#iWant_TV(2010%E2%80%932018)
-- OneNETnews Team
#entertainment news#breaking news#los angeles#california#france#AATC#alvin and the chipmunks#alvinnn and the chipmunks#cartoon#animation#aatc spoilers#nickelodeon#fyp#asia#Season 5#the final season#cancelled#awareness#exclusive#radyo bandera#K5 News FM#first and exclusive#OneNETnews
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REPORTERS WITHOUT BORDERS / The First Speech (DC) from Giordano Maestrelli on Vimeo.
Production Company - Stink Films, Berlin Director - Giordano Maestrelli Director of Photography - Konrad Losch Managing Director - Justin Stiebel Executive Producer - Moritz Merkel Executive Producer - Florian Hülbig Producer - Melody Micmacher Creative Assistant - Bruno Beserra Editor - Simon Klinkertz Colorist - Joseph Bicknell @ Company 3 Color Producer - Cassidy Conway Music & Sound Design - Satelite Audio Music Direction - Hurso Ambrifi Client Service - Fernanda Costa Post Production & Mixing - Carla Cornea, Andre Giannini, Vithor Moraes, Arthur Dossa Production Coordinator: Camila Guedes, Leticia Oliveira, Bea Vieira Sound Studio - Studio Funk Berlin Executive Producer - Uta Wittchen & Katharina Knieling Sound Engineer / Audio & Music - Marius Wiechmann Storyboard Artist - Eilis Scally
Reporters Without Borders Germany (RSF): Head of Communications - Sylvie Ahrens-Urbanek Public Relations Officer - Prisca Martaguet
INNOCEAN Berlin: CCO - Gabriel Mattar ECD - Ricardo Wolff Head of Art - Maso Correa Heck Associate Design Director - Will Cega Art Director - Leon Celay Copywriter - Juan Andrés Kebork Motion Designers - Carlos Suárez and Alexander Aleksidze Head of Capacity Management - Paulina Gonzalez Producer / Head of Production - Fabian Barz Post Production Producer - Jan Scholz Strategy Director - Jörn Ballentin Sr. Strategist - Odile Breffa Senior Media Manager - Maja Lah
Service Production Georgia - Metro Productions Executive Producer - Aleksandre Gabilaia Head of Production - Maia Gurabanidze Head of Bidding - Mariam Tevdorashvili 1st AD - Sopio Parjiani 2nd AD - Mariami Gugushvili Production Manager - Tato Pantsulaia Production Coordinator - Nino Megrelishvili Unit Manager - Merab Rostomashvili Location manager - Natia Chomakhidze Location manager assistant - Zaza Chigladze Transportation Manager - Davit Peradze Transportation Manager - David Maghlakelidze PA / Chaperone - Mariam Tsiklauri PA - Irakli Kakabadze
Set Manager - Konstantine Chkhaidze Set helpers - Buba Kupatazde Set helpers - Lasha Kupatadze Set helpers - Saba Sagrishvili Cleaner - Svetlana Bagdasarian
Art Director - Sopo Bazghadze Set Dresser - Shota Bagalishvili Production Designer Assistant - Achiko Shamakhia Art Assistant - Nina Jandieri Art Assistant: MURAL - Giorgi Khavelashvili Art Assistant: MURAL - Erekle Gordeladze
Stylist - Ketevan Kalandadze Stylist Assistant - Nino Chkoidze MUA - Veriko Bedeladze HAIR - Nino Dashniani
Focus Puller - Irakli Jgenti Camera AC - Guram Mosikashvili Camera AC - Khatia Khalvashi Playback Assistant - Koba Rostiashvili DIT - Gosha Tabidze Gaffer - Shalva Leluashvili Key Grip - Tengo Kasradze Grip / Light - Mikheil Gvalia Grip / Light - Giorgi Gogbaidze Grip / Light - Davit Eremadze Grip / Light - Gia Guluashvili Grip / Light - Davit Gogichaishvili Grip / Light - Vako Leluashvili Grip / Light - Giorgi Eremadze Dolly Crew - Giorgi Zakaidze Dolly Crew - Lasha Gugushvili Dolly Crew - Teimuraz Kupradze
Driver - Gia Tetrazde Driver - Avto Ugulava Driver - Gigo Lomtatidze Driver - Zaza Magaldadze Driver - David Odishelidze Driver - Roland Gogokhia Driver - Giorgi Koshadze Driver - Anatoli Kliushnichenko Driver - Ramaz Davitiani Driver - Giorgi Gogashvili
Service Production Brazil - Stink Saõ Paulo / Yatta Films Executive Producer - Rafa Rocha Production Manager - Maria Eduarda Caldeira Brino Production Manager - Daniel Lombardi Production Assistant - Sofia Lombardi Production Assistant - Victoria Valenti Chaperone - Nahaiana Vieira Cardoso 1st AD - Jan Monczka 2nd AD - Juliana Dias Caldas
Set Manager - Marcelo de Menezes Cachapuz Set Manager Assist - Marcelo Pasin Set Manager Assist - Jones silva de Oliveira Set Manager Assist - Adriano Pereira
Location Manager - Bruno De Souza Palaoro Location Manager Assist - Marcelo Araujo Frangipani
Production Designer - Martino Piccinini Art Assistant - Alice Goulart Furtado Art Producer - Soraia De Matia Props Coordinator - Camila Vettorazi Franzen Set Decorator - Julia Perez Paiva Melgarejo Props Master - Andre Luiz Micael Valli Castilho Props master Assist - Rafael Serpa Gerchmann Props master Assist - Victoria Perez Paiva Melgarejo Props master Assist - Lucas Rodrigues Do Amaral Props master Assist - Joabel Fontoura De Azevedo [Biel] Props master Assist - Maria Vitória Reimundo Varante Props master Assist - João Vitor Copetti Teixeira Helper - Maurício Ignácio Silveira Helper - Alisson Barboza Maciel
Costume Designer - Isadora Bertolucci Costume Assist - Samara Raquel Pereira Da Silva Costumer - Adriana Talaveira [Mana] HMU - Luana Ramos Zinn HMU - Gabrielle Ávila de Oliveira HMU - Eduarda Lombardi Pellenz Brum [Dudinha]
1st AC - Marcelo Ostrovski Bevilacqua 2nd AC - Gabriela Bortolon De Oliveira Video Assist - Laurie Braatz DIT - Juliano Rodrigues Moreira
Gaffer - Roberto Ramos Best Boy - Flavio Pinheiro De Souza [Cabeça] Electrician - Frederico Barbosa Ramos Electrician - Jefferson dos Santos Oliveira Helper - Vinícius Rojas Lopes Helper - Filipe Rodrigues Alves
Key Grip - Andre Luis Da Cunha Campanhol Best Boy Grip - Fabio Da Silva Dias Grip - Rodrigo Lopes Espíndola Grip - Ismael Borges Santos Helper - Josué Da Costa Celaro Helper - Nicolas Gabriel Luciano Huf
Casting Producer - Amanda Michelini Schmitz Casting Assistant - Pedro Alberto Santana Sanhudo [Pepa]
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REPORTERS WITHOUT BORDERS / The First Speech (DC) from Giordano Maestrelli on Vimeo.
Production Company - Stink Films, Berlin Director - Giordano Maestrelli Director of Photography - Konrad Losch Managing Director - Justin Stiebel Executive Producer - Moritz Merkel Executive Producer - Florian Hülbig Producer - Melody Micmacher Creative Assistant - Bruno Beserra Editor - Simon Klinkertz Colorist - Joseph Bicknell @ Company 3 Color Producer - Cassidy Conway Music & Sound Design - Satelite Audio Music Direction - Hurso Ambrifi Client Service - Fernanda Costa Post Production & Mixing - Carla Cornea, Andre Giannini, Vithor Moraes, Arthur Dossa Production Coordinator: Camila Guedes, Leticia Oliveira, Bea Vieira Sound Studio - Studio Funk Berlin Executive Producer - Uta Wittchen & Katharina Knieling Sound Engineer / Audio & Music - Marius Wiechmann Storyboard Artist - Eilis Scally
Reporters Without Borders Germany (RSF): Head of Communications - Sylvie Ahrens-Urbanek Public Relations Officer - Prisca Martaguet
INNOCEAN Berlin: CCO - Gabriel Mattar ECD - Ricardo Wolff Head of Art - Maso Correa Heck Associate Design Director - Will Cega Art Director - Leon Celay Copywriter - Juan Andrés Kebork Motion Designers - Carlos Suárez and Alexander Aleksidze Head of Capacity Management - Paulina Gonzalez Producer / Head of Production - Fabian Barz Post Production Producer - Jan Scholz Strategy Director - Jörn Ballentin Sr. Strategist - Odile Breffa Senior Media Manager - Maja Lah
Service Production Georgia - Metro Productions Executive Producer - Aleksandre Gabilaia Head of Production - Maia Gurabanidze Head of Bidding - Mariam Tevdorashvili 1st AD - Sopio Parjiani 2nd AD - Mariami Gugushvili Production Manager - Tato Pantsulaia Production Coordinator - Nino Megrelishvili Unit Manager - Merab Rostomashvili Location manager - Natia Chomakhidze Location manager assistant - Zaza Chigladze Transportation Manager - Davit Peradze Transportation Manager - David Maghlakelidze PA / Chaperone - Mariam Tsiklauri PA - Irakli Kakabadze
Set Manager - Konstantine Chkhaidze Set helpers - Buba Kupatazde Set helpers - Lasha Kupatadze Set helpers - Saba Sagrishvili Cleaner - Svetlana Bagdasarian
Art Director - Sopo Bazghadze Set Dresser - Shota Bagalishvili Production Designer Assistant - Achiko Shamakhia Art Assistant - Nina Jandieri Art Assistant: MURAL - Giorgi Khavelashvili Art Assistant: MURAL - Erekle Gordeladze
Stylist - Ketevan Kalandadze Stylist Assistant - Nino Chkoidze MUA - Veriko Bedeladze HAIR - Nino Dashniani
Focus Puller - Irakli Jgenti Camera AC - Guram Mosikashvili Camera AC - Khatia Khalvashi Playback Assistant - Koba Rostiashvili DIT - Gosha Tabidze Gaffer - Shalva Leluashvili Key Grip - Tengo Kasradze Grip / Light - Mikheil Gvalia Grip / Light - Giorgi Gogbaidze Grip / Light - Davit Eremadze Grip / Light - Gia Guluashvili Grip / Light - Davit Gogichaishvili Grip / Light - Vako Leluashvili Grip / Light - Giorgi Eremadze Dolly Crew - Giorgi Zakaidze Dolly Crew - Lasha Gugushvili Dolly Crew - Teimuraz Kupradze
Driver - Gia Tetrazde Driver - Avto Ugulava Driver - Gigo Lomtatidze Driver - Zaza Magaldadze Driver - David Odishelidze Driver - Roland Gogokhia Driver - Giorgi Koshadze Driver - Anatoli Kliushnichenko Driver - Ramaz Davitiani Driver - Giorgi Gogashvili
Service Production Brazil - Stink Saõ Paulo / Yatta Films Executive Producer - Rafa Rocha Production Manager - Maria Eduarda Caldeira Brino Production Manager - Daniel Lombardi Production Assistant - Sofia Lombardi Production Assistant - Victoria Valenti Chaperone - Nahaiana Vieira Cardoso 1st AD - Jan Monczka 2nd AD - Juliana Dias Caldas
Set Manager - Marcelo de Menezes Cachapuz Set Manager Assist - Marcelo Pasin Set Manager Assist - Jones silva de Oliveira Set Manager Assist - Adriano Pereira
Location Manager - Bruno De Souza Palaoro Location Manager Assist - Marcelo Araujo Frangipani
Production Designer - Martino Piccinini Art Assistant - Alice Goulart Furtado Art Producer - Soraia De Matia Props Coordinator - Camila Vettorazi Franzen Set Decorator - Julia Perez Paiva Melgarejo Props Master - Andre Luiz Micael Valli Castilho Props master Assist - Rafael Serpa Gerchmann Props master Assist - Victoria Perez Paiva Melgarejo Props master Assist - Lucas Rodrigues Do Amaral Props master Assist - Joabel Fontoura De Azevedo [Biel] Props master Assist - Maria Vitória Reimundo Varante Props master Assist - João Vitor Copetti Teixeira Helper - Maurício Ignácio Silveira Helper - Alisson Barboza Maciel
Costume Designer - Isadora Bertolucci Costume Assist - Samara Raquel Pereira Da Silva Costumer - Adriana Talaveira [Mana] HMU - Luana Ramos Zinn HMU - Gabrielle Ávila de Oliveira HMU - Eduarda Lombardi Pellenz Brum [Dudinha]
1st AC - Marcelo Ostrovski Bevilacqua 2nd AC - Gabriela Bortolon De Oliveira Video Assist - Laurie Braatz DIT - Juliano Rodrigues Moreira
Gaffer - Roberto Ramos Best Boy - Flavio Pinheiro De Souza [Cabeça] Electrician - Frederico Barbosa Ramos Electrician - Jefferson dos Santos Oliveira Helper - Vinícius Rojas Lopes Helper - Filipe Rodrigues Alves
Key Grip - Andre Luis Da Cunha Campanhol Best Boy Grip - Fabio Da Silva Dias Grip - Rodrigo Lopes Espíndola Grip - Ismael Borges Santos Helper - Josué Da Costa Celaro Helper - Nicolas Gabriel Luciano Huf
Casting Producer - Amanda Michelini Schmitz Casting Assistant - Pedro Alberto Santana Sanhudo [Pepa]
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REPORTERS WITHOUT BORDERS / The First Speech (DC) from Giordano Maestrelli on Vimeo.
Production Company - Stink Films, Berlin Director - Giordano Maestrelli Director of Photography - Konrad Losch Managing Director - Justin Stiebel Executive Producer - Moritz Merkel Executive Producer - Florian Hülbig Producer - Melody Micmacher Creative Assistant - Bruno Beserra Editor - Simon Klinkertz Colorist - Joseph Bicknell @ Company 3 Color Producer - Cassidy Conway Music & Sound Design - Satelite Audio Music Direction - Hurso Ambrifi Client Service - Fernanda Costa Post Production & Mixing - Carla Cornea, Andre Giannini, Vithor Moraes, Arthur Dossa Production Coordinator: Camila Guedes, Leticia Oliveira, Bea Vieira Sound Studio - Studio Funk Berlin Executive Producer - Uta Wittchen & Katharina Knieling Sound Engineer / Audio & Music - Marius Wiechmann Storyboard Artist - Eilis Scally
Reporters Without Borders Germany (RSF): Head of Communications - Sylvie Ahrens-Urbanek Public Relations Officer - Prisca Martaguet
INNOCEAN Berlin: CCO - Gabriel Mattar ECD - Ricardo Wolff Head of Art - Maso Correa Heck Associate Design Director - Will Cega Art Director - Leon Celay Copywriter - Juan Andrés Kebork Motion Designers - Carlos Suárez and Alexander Aleksidze Head of Capacity Management - Paulina Gonzalez Producer / Head of Production - Fabian Barz Post Production Producer - Jan Scholz Strategy Director - Jörn Ballentin Sr. Strategist - Odile Breffa Senior Media Manager - Maja Lah
Service Production Georgia - Metro Productions Executive Producer - Aleksandre Gabilaia Head of Production - Maia Gurabanidze Head of Bidding - Mariam Tevdorashvili 1st AD - Sopio Parjiani 2nd AD - Mariami Gugushvili Production Manager - Tato Pantsulaia Production Coordinator - Nino Megrelishvili Unit Manager - Merab Rostomashvili Location manager - Natia Chomakhidze Location manager assistant - Zaza Chigladze Transportation Manager - Davit Peradze Transportation Manager - David Maghlakelidze PA / Chaperone - Mariam Tsiklauri PA - Irakli Kakabadze
Set Manager - Konstantine Chkhaidze Set helpers - Buba Kupatazde Set helpers - Lasha Kupatadze Set helpers - Saba Sagrishvili Cleaner - Svetlana Bagdasarian
Art Director - Sopo Bazghadze Set Dresser - Shota Bagalishvili Production Designer Assistant - Achiko Shamakhia Art Assistant - Nina Jandieri Art Assistant: MURAL - Giorgi Khavelashvili Art Assistant: MURAL - Erekle Gordeladze
Stylist - Ketevan Kalandadze Stylist Assistant - Nino Chkoidze MUA - Veriko Bedeladze HAIR - Nino Dashniani
Focus Puller - Irakli Jgenti Camera AC - Guram Mosikashvili Camera AC - Khatia Khalvashi Playback Assistant - Koba Rostiashvili DIT - Gosha Tabidze Gaffer - Shalva Leluashvili Key Grip - Tengo Kasradze Grip / Light - Mikheil Gvalia Grip / Light - Giorgi Gogbaidze Grip / Light - Davit Eremadze Grip / Light - Gia Guluashvili Grip / Light - Davit Gogichaishvili Grip / Light - Vako Leluashvili Grip / Light - Giorgi Eremadze Dolly Crew - Giorgi Zakaidze Dolly Crew - Lasha Gugushvili Dolly Crew - Teimuraz Kupradze
Driver - Gia Tetrazde Driver - Avto Ugulava Driver - Gigo Lomtatidze Driver - Zaza Magaldadze Driver - David Odishelidze Driver - Roland Gogokhia Driver - Giorgi Koshadze Driver - Anatoli Kliushnichenko Driver - Ramaz Davitiani Driver - Giorgi Gogashvili
Service Production Brazil - Stink Saõ Paulo / Yatta Films Executive Producer - Rafa Rocha Production Manager - Maria Eduarda Caldeira Brino Production Manager - Daniel Lombardi Production Assistant - Sofia Lombardi Production Assistant - Victoria Valenti Chaperone - Nahaiana Vieira Cardoso 1st AD - Jan Monczka 2nd AD - Juliana Dias Caldas
Set Manager - Marcelo de Menezes Cachapuz Set Manager Assist - Marcelo Pasin Set Manager Assist - Jones silva de Oliveira Set Manager Assist - Adriano Pereira
Location Manager - Bruno De Souza Palaoro Location Manager Assist - Marcelo Araujo Frangipani
Production Designer - Martino Piccinini Art Assistant - Alice Goulart Furtado Art Producer - Soraia De Matia Props Coordinator - Camila Vettorazi Franzen Set Decorator - Julia Perez Paiva Melgarejo Props Master - Andre Luiz Micael Valli Castilho Props master Assist - Rafael Serpa Gerchmann Props master Assist - Victoria Perez Paiva Melgarejo Props master Assist - Lucas Rodrigues Do Amaral Props master Assist - Joabel Fontoura De Azevedo [Biel] Props master Assist - Maria Vitória Reimundo Varante Props master Assist - João Vitor Copetti Teixeira Helper - Maurício Ignácio Silveira Helper - Alisson Barboza Maciel
Costume Designer - Isadora Bertolucci Costume Assist - Samara Raquel Pereira Da Silva Costumer - Adriana Talaveira [Mana] HMU - Luana Ramos Zinn HMU - Gabrielle Ávila de Oliveira HMU - Eduarda Lombardi Pellenz Brum [Dudinha]
1st AC - Marcelo Ostrovski Bevilacqua 2nd AC - Gabriela Bortolon De Oliveira Video Assist - Laurie Braatz DIT - Juliano Rodrigues Moreira
Gaffer - Roberto Ramos Best Boy - Flavio Pinheiro De Souza [Cabeça] Electrician - Frederico Barbosa Ramos Electrician - Jefferson dos Santos Oliveira Helper - Vinícius Rojas Lopes Helper - Filipe Rodrigues Alves
Key Grip - Andre Luis Da Cunha Campanhol Best Boy Grip - Fabio Da Silva Dias Grip - Rodrigo Lopes Espíndola Grip - Ismael Borges Santos Helper - Josué Da Costa Celaro Helper - Nicolas Gabriel Luciano Huf
Casting Producer - Amanda Michelini Schmitz Casting Assistant - Pedro Alberto Santana Sanhudo [Pepa]
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