#Because like... the structure is perfect for it.

[radioactivepeasant]

Snippets: Free Day Thursday

As per the poll results, we are giving Damas stress via Just Plain Silliness. It builds character. Not that I needed an excuse to Inconvenience Characters in the first place 😆 it's become my favorite way of writing anything. Not Angst or Adventure, but Aggravation of Character in ridiculous ways 😂

This falls into the Trespasser au (last "episode" of that found HERE) a bit before the second Arena fight in the game.

The king of Spargus, Jak decided, was a killjoy.

For a city where strength and survival were supposed to be the most important traits, he sure didn't like any of Jak's demonstrations of strength or survival.

"You can't race Leapers in the middle of the market."

"Don't swim over the reef."

"Stop antagonizing the monks."

"You can't race Leapers on neighborhood roofs, either."

"If I told you not to swim over the reef, why would you assume I'd be okay with you feeding the sea monster?!'

It was like he was vehemently opposed to the mere concept of fun.

Jak folded his arms and tried not to roll his eyes while Kleiver complained about the scuffed up suspension and undercarriage on the Dune Hopper. Sure, he'd cut it a little close on the broken bridge, but he'd gotten away with the artifacts and left the Marauders in a two car pile up, so who was the winner, here?

Not Jak, apparently.

Damas listened to Kleiver yell about how he'd have to redo the entire suspension -- a gross exaggeration -- and how there was half a metalhead stuck in the undercarriage. Now that, Jak hadn't known about. When had he run over a metalhead?

"Hey! We didn't do that!" Daxter protested, "How do we know you didn't put that there last time you drove?!"

"Because I don't take the Hopper if I plan to do a run down Turquoise Canyon!" Kleiver snapped.

Damas steepled his fingers in front of his mouth and examined the damaged vehicle.

"One of these days, kid, I swear to Volcan-"

"What?! I got the job done, didn't I?" Jak protested indignantly. "Did you want the Marauders to get their hands on a functioning power cell?"

Damas’s jaw tightened so much that his mouth appeared to be folding inward. He inhaled slowly, and let it out again, ears twitching while he was very obviously counting to ten.

"There are no jumps in the canyon," he said slowly, "So how did you manage this?"

Jak shrugged nonchalantly. "The 'rauders chased us out to the ruins," he explained, "Ran out of turbo, so I had to get creative with the jump."

Kleiver started swearing very creatively under his breath. Damas turned an interesting shade of red.

"That does it."

The king grabbed Jak by the channeling ring and near dragged him out of the garage before Kleiver could clobber someone with a wrench.

"One more stunt like that out of you," Damas threatened, "and I'm entering you into an apprenticeship. Let's see you foment chaos with an actual structure in your day."

"You're not gonna do that," Jak scoffed.

Damas’s eyes narrowed. "Try me."

Jak did not take this nearly as seriously as he ought to have. In fact, he seemed to regard the threat as more instances of Damas "worrying too much". Damas did not worry too much! If anything, he wasn't worried enough about the insanity this young unknown relative had brought into his city! More than one advisor or guildmaster had been privy to the king muttering darkly, "I'm either going to kill him, or start training him myself. I'll let you know when I've figured out which."

And of course, Jak kept being Jak. Climbing the Arena walls because he saw a Precursor orb someone had dropped. Messing around with some kind of evil alien satellite on the beach. Inciting other inhabitants of the youth barracks to join foot races in the barrack halls in the dead hours of night. And he seemed to regard all of this as perfectly normal behavior. It was like all the impulses he'd had to shove down in Haven, all the ways he'd had to be perfect to fit under the yoke of that terrible word, hero, everything came crashing down in Spargus. He had almost no limits here, and that kind of freedom seemed to awaken a wildness that was above the paygrade of the dorm supervisor.

It came to the point where Damas was actually allowing the kid to go out into a sandstorm, just to get some of that boundless energy out! It wouldn't have been his first choice. Or even his tenth. But the storm rolling in was much larger than anything else they'd seen that summer. And for all his recklessness, Jak was their fastest driver.

"Four scouts have not reported in," the king told Jak and Daxter. His face was grim. "Two just set off their emergency beacons. At the rate this storm is going-"

He shook his head, cutting off his sentence.

Daxter had worried that Spargus would be another Krew situation at first. But here was the king of the cranky lizard-riders, flipping out because a handful of scouts -- one of the lowest ranks in the city -- weren't accounted for before a deadly storm.

In Haven, their absence wouldn't have even been noticed until roll call.

The old timers in the market were right, weren't they? "King's eyes see all." This guy watched everyone like a hawk, didn't he? Daxter wasn't sure if that bothered him, or if it just reminded him of Jak.

He supposed that was fitting, considering the two were probably related, no matter how in denial Jak seemed to be about being an Heir of Mar.

"Where's the Crawler right now?" Jak asked.

The mobile sandstorm shelter wasn't invincible, but it could take a lot. That would be the scouts' best bet.

Damas looked out the windows, glaring at the dark clouds as though he could hold the storm back by sheer force of will. It took a moment to hear his voice over the water.

"The Crawler is in the steppes at the moment. She's not a fast vehicle, Jak. I need you to get those scouts to either the Crawler or the city."

"I will."

Damas turned a stern look on them both.

"No stunts. These are people's lives we're talking about."

"I know!" Jak sputtered, a little offended. "And I won't bust the car up this time, so Kleiver can give it a rest."

"No. I'm serious, boy," Damas warned, "If it comes down to abandoning the car for shelter or trying to drive in the storm, you leave the car. Do you understand?"

Jak huffed. Damas had seen him outrun sandstorms before! What was so bad about a slightly bigger one?

"I got it, I got it," he grumbled.

Damas glared.

"No. Stunts. You get back here in one piece."

"Okay, I got it already!" Jak groaned.

"Jak-!"

"I know, Dad!" Jak complained.

An instant later his eyes widened.

The water suddenly seemed much louder than usual.

Daxter wasn't even sure any of them were breathing.

Three pairs of dramatically widened eyes darted back and forth between them as silence built up like steam under pressure. It was going to erupt sooner or later, the question was how.

Damas made a very small, strangled noise in the back of his throat.

Jak snapped out of his moment of horrified realization.

"Uh. I'll let you know when everyone is accounted for!"

He pivoted and bolted for the elevator before Damas could see his entire face burn crimson.

A guard at the back of the chamber opened his mouth to comment and in one rushed tangle of syllables Jak hissed,

"Youdidn'thearanything!"

Damas didn't blink for a good two minutes after Jak had left.

He didn't move for a good two minutes.

He stood exactly where he'd been, staring blankly at the empty elevator shaft.

The captain of the tower guard, an older man named Cephus, left his place by the windows to lean into Damas’s peripheral vision. He waved slightly, and the king finally blinked.

"Are you alright, sire?" Cephus asked.

Damas made a curious wheeze before speaking through a groaning inhalation.

"Oh no."

"Hm!" Cephus stroked his long beard. "Guess the wild one imprinted on you! Do I offer congratulations or condolences?"

Damas nodded slowly and stiffly.

"....help."

There could not possibly have been a worse time for the monks to finally send him the results of the blood test.

[itzkawaiiduh]

Saw @/nevermorgue's post about Ada & Annabel and Will and Ada headcanons, more specifically with Ada being genuinely uncomfortable with seeing Will wear her face.. and it got me thinking.

Imagine walking in to see YOU, like someone is you. An exact, near perfect copy in front of your eyes.

Initially you'd be uncomfortable. Like so uncomfortable. It's scary to see an in-person copy of you, standing like you and adorning the same facial structure as you.

You have no idea who this individual is. There's a stark difference to seeing a doppelgänger of a friend vs. a doppelgänger of you; it's a psychological aspect to be seeing our own character because it's what others perceive us to be. It's different to see yourself in first person POV vs. yourself in someone else's eyes, which is in this case is you; you're someone else. Additionally, this can also be tied into mirrors, where you're facing yourself and the person infront of you is following your actions. It's like recording yourself and playing it back, your voice sounds different.

With the doppelgänger of a friend, it's likely what Duke felt when he saw that Lenore was Will. He had ZERO idea who this guy was; how did he know about their dynamic? Will hasn't seen them or met him, but Duke still fell for his act.

Which is why I think Will also has entanglement as his ability: to hide the original, so no one notices the differences and compares the two. The ribbons are flaying off his body, but they are loosely hung and can used as extra appendages in the field to grab people.

[nail-art-no-jutsu]

🎶🌹 Rojuro 'Rose' Otoribashi headcanons 🌹🎶

Soundtrack: Alexis Ffrench - A Time of Wonder

Y'all I'm back on the bleachwagon and I can't stop thinking about this man, I especially love to imagine how he got to where he is, and finally I'm putting all my ideas in one place. So without further ado:

I don't think he grew up in Soul Society, but I definitely think he died at the worst possible time, when he was young and life was good and easy, and he had time to indulge in his hobbies, music in particular

like Toshiro, Rose heard the calling of Kinshara before he knew what it was, he just thought it was just something that happens to artists after they die

but unlike Toshiro, I imagine Rose told everyone, cause he just talks a lot in general lmao, and someone or other must have told him that what he's describing is called a zanpakuto

otherwise he wouldn't have gone and become a Shinigami at all

he was only interested in the training he needed in order to understand this creative force inside of him that he absolutely must express outwardly, and no instrument seems to be good enough

... except for a sword ...

he absolutely hated the Academy though, not enough room for creative freedom, too much structure, no composing daydreaming in class allowed, not to mention how he always got the best ideas for songs he wanted to write while he was in the middle of a training session

the only good thing about the Academy was meeting many of the people he would call friends for way over a hundred years

Rose didn't acquire shikai or even bankai in order to advance in his career or to become more powerful, he did so because it would have been impossible not to

Kinshara is very insistent and when it has something to show him, he has no choice, not that he doesn't absolutely love the experience, it's so magnificent that it moves him to tears of joy, it's ecstatic, it's sensory heaven

Rose: look at this thing I just learned to do, isn't this wonderful? Any of his friends: my dude, that's called a shikai, go apply for the position of Lieutenant. right now!!!!

he goes through a phase where he's uncomfortable with the fact that Kinshara doesn't just entertain, it kills

he'd be a lover not a fighter if it wasn't for how much farther he got artistically after learning to use his love for music for fighting

he overcomes this dilemma by telling himself that it's fine actually because he's one of the good guys, and promising that he'll only blur the line between creation and destruction against opponents who really deserve it

how do you identify that? he'll cross that bridge when he gets to it. don't worry about it

Rose didn't have a good time as a Lieutentant, again, too much structure, but he actually did apply for the position of Captain himself, at least that way he'd get to make the rules and he could take breaks whenever he wanted and procrastinate with his paperwork until he found the perfect background music for it and so on

this did not work out that great, because he had a very hard time working with Iba's mother as his Lieutenant, she had no patience for *gestures towards all of this*, and I also suspect she might have been resentful that someone so carefree ended up as her superior

and to fast forward just for a bit, Izuru is not like that at all, and it's one of the first things that Rose appreciates about him, Izuru does respect structure, but he's not above doing the work in all kinds of unusual ways as long as it gets done

a thing that Rose shares with Shinji is that he's always been interested in what's going on in the world of the living, especially when it comes to music, and then he branched out to literature, philosophy, pop culture, and other things that are referenced in lyrics, that's how he learns about things, even if after that he starts enjoying them for their own sake

I can see them both taking trips to music stores or to concerts on Earth, separately or together, especially when they were supposed to be doing something else

Rose just really needs a lot of enrichment in his enclosure or else he absolutely will wilt and perish, most gracefully, of course~

he is in fact not a snob when it comes to music, he knows the lyrics to songs you'd least expect, and he can appreciate the artistic value of artists or genres that he doesn't really listen to

you wanna rickroll him? nice try, he loves that song

and yeah, this is getting so long someone pls take my keyboard away from me

just kidding, this is way too much fun 💖

[bonefall]

I just wanna say that I LOVE all the detail you’re giving side/background characters. My favorite part of wc is getting to read about generations passing by, watching the young scrappy main character turn into the next main character’s funny grandparent or something. Canon is really bad about acknowledging this but god, you’ve done such a good job with BB. Reading about Jaypaw and Owlpaw’s rivalry knowing the life Owlpaw is going to go on to live in the background later is so cool. Imagine an alternate universe where BB was the real warrior cats and 14 year old you reads a scene where some background character is casually mentioned and realizing it’s that guy Jaypaw beat the shit out of. Shit like that doesn’t happen in canon, they would forget who Owlpaw is and he would never do anything else in his life.

The one thing that WC has over any other xenofiction brand, and most other book series period, is the fact that you are able to watch several GENERATIONS of characters pass by in basically in real-time. So it's a shame that they kinda neglect it in the main series!

I LOVE when WC does do neat things with its cast, like how Harepaw gets trounced by Brambleclaw in Po3 and becomes Leader later. Or how Firestar's recurring background buddy, Onewhisker, became a major character in TNP and beyond. It's honestly a major reason I still follow the books, and why I've never found something that quite scratches the itch like WC does.

Unfortunately, it's ridiculously rare outside of WindClan LMAO. Owlpaw DID get forgotten. He was one of Jaypaw's bullies in his canon training, but then the writers lost track of his age and made him an apprentice on a patrol Tigerheart was giving a lesson to in a field guide; problem is, Tigerheart is younger than him!

Which is not too big a deal, dgmw, but my point is that they forgot. ShadowClan in particular is really lacking in-canon, especially considering they're the neighbor of ProtagonistClan. Ivytail and Owlclaw were part of the Po3 apprentice generation and should have been at least a little relevant going foward, y'know?

I desperately crave the Clans feeling like communities. With petty drama, watching characters gain skill and shuffle around the ranks, every family struggling with how they define their legacy under the emblem of the Clan, that sort of stuff. So that's how I approach it.

[mmelolabelle]

I cannot believe people were so pissy about Assad’s casting as Armand, look at him —

The man looks like every homo-repressed renaissance painter’s wet dream - like 10/10 would paint him as Jesus or several angels into as many frescoes as possible.

[crimeronan]

people being like "hunter needs structure and stability" respectfully hunter DOES need stability - in that he needs an environment where he's no longer afraid of the people around him & is confident that he'll always have a safe place to stay n safe people to call - but the kid absolutely DOES NOT need structure. if anything hunter needs LESS structure. this is mister "teens are probably into the same things as me, like authority and rules" please be nice to him.

my absolute favorite hunter darius dynamic is one with like, hunter asking to stay out late on a school night or whatever bc luz has some cool-as-shit event happening in the human world that he wants to attend & darius is just like "you can do whatever you want forever" & hunter's like "aren't you...??? going to....??? give me a curfew????"

darius: why would you need a curfew?

hunter: because i-! what if i'm TIRED before SCHOOL

darius: then you can skip a day.

hunter: [HORRIFIED GASP]

darius: kid. look. you already extensively weighed the risks and benefits of going to this thing on a school night. right?

hunter: ......i did make three charts.

darius: and you determined that the benefits outweigh the risks. with your three charts

hunter: .....yes

darius: ok.

hunter:

darius: so.

hunter:

darius: in conclusion. you can do whatever you want forever.

[unordinary-diary]

Blyke and John: Parallel Characters

I’ve written multiple entries about this,

[x] [x] [x]

But I’m back to make a comprehensive analysis about the glaring similarities between these two. I’ll try not to repeat myself here.

‼️SPOILER WARNING for the whole series‼️ but this mostly focuses on the story before John’s suspension.

Firstly, this scene:

ch. 121

This conversation takes place near the beginning of the Joker arc. It’s after John targets Zeke, after he targets Juni, and the day before he goes after Seraphina’s kidnappers. The timing is important.

“If someone hit your best friend, would you let it slide?”

That question is supposed to remind us what John does to people who hurt Seraphina: hunting them down and sending them to the hospital. Blyke shooting a destructive beam really close to John was an example of a trait they share: they both blow up violently when people mistreat their friends.

John’s downward spiral carries strong themes of hypocrisy. He’s angry at the world, he’s angry at himself, and as a coping mechanism, he chooses to believe that everyone else is as bad as he is. That means that most of the traits he hates others for are the same things he hates about himself. In this scene, Blyke is unintentionally calling out this hypocrisy: “What I did is no different from what you do”.

But Blyke’s just trying to connect with John here, he has no idea what John’s been doing. And John, of course, doesn’t give a shit about what Blyke has to say. This line was here for the audience to notice.

They’re both so similar, but their similarity immediately causes tension between them because, well, John was on the wrong end of Blyke’s protectiveness.

I really love the way this was written— there are so many flashbacks to this scene, but they remember it differently. John remembers the part that hurt him— he’d describe it as “the time that jackass shot a beam at me”. Blyke remembers the part that hurt him, or rather, hurt Remi: “the time that jackass hit Remi for no reason”.

Blyke and John are both hotheaded characters with strong ideals. They’re similar enough that Seraphina points it out:

(ch. 80)

As Blyke grows as a character, he becomes more like John: sticking up for low tiers and speaking out against the injustice in the world. But while Blyke is doing that more, John is going in the opposite direction, until they are fully opposed to each other.

Speaking of Blyke’s character arc, it took me a few rereads to actually understand what part of him changed. His kindness, selflessness, bravery— all of those things were there from the start. Blyke’s character arc was about becoming more aware of his surroundings, and how his carelessness can harm others. Blyke was never malicious, but after X-Rei and integrating more with the school, he becomes aware of people suffering around him and how he unintentionally contributes to it. He becomes less reckless, privy to the flaws in the system he grew up not questioning, and uses his power more responsibly. He even comes up with a more controlled way to wield his ability. The part of Blyke that changes is his maturity.

Part of John’s character arc is also about being careful. It’s not as close of a parallel as other things are, but one of the things that John works on during his redemption arc is holding back. Both of them learn self-control throughout the series, and for John, that means acting early before his emotions spiral out of hand.

Adding onto my first point about the two of them wanting to protect their friends— the fact that they can’t do that makes them both angry and desperate. For most of the story, the “block” that prevents John from protecting Seraphina is in his head. It’s his own trauma that holds him back. The block that prevents Blyke from protecting his friends is, guess what? Also John’s trauma! Parallels abound.

Another thing I noticed in Episode 80 is this:

Notice that when Seraphina says “I’d take that over strength any day,” John is looking at the camera. He’s avoiding Sera’s gaze. Seraphina is saying she prefers honesty over strength. John is very strong, and very dishonest, but Seraphina thinks the opposite because John is so dishonest. John appears to be reflecting on this disconnect.

In relation to this analysis, Seraphina is actually pointing out a major difference between Blyke and John. Beyond that, she’s praising Blyke’s traits, (less strong but very open) above John’s traits, (strong as fuck but a liar with his pants on fire). Furthermore, John really cares what Seraphina thinks of him. Knowing that she would think less of him is the main reason why he spent so much time and effort preventing her from catching his lies.

This leads into my main point here: Blyke is the “goody-two-shoes” version of John. Or, more accurately, the person that John wants to be. Blyke has a clean track record and doesn’t really get into trouble. He is respected and left alone by the school without being hated and feared, he de-escalates conflicts without taking things too far, he doesn’t lose control, he’s someone Seraphina thinks highly of, hell, even his grades are better! Blyke represents everything that John wants to be, and the person that he could have been if he’d gone down a different path.

But, crucially, John is also what Blyke wants to be. Well, not wholly, but his ability? His strength? It’s one of the things John hates about himself, but Blyke wants that strength so desperately that he risks his life for it over and over again.

They’re both desperate to be like each other, even when they hate each other the most. Neither of them have any idea how alike they already are.

I don’t know what Season 3 holds in store for us, but I do hope that John realizes that Blyke embodies who he wants to be, because mutual jealousy would be a very interesting dynamic to explore in my opinion. I also hope that it ends up being something they can bond over, by helping each other accomplish their personal goals. (Blyke being another helper in John’s character arc, and John helping Blyke train.)

A side note: John beat up Blyke four separate times. That’s more than any other character, which is interesting because John’s main rival is supposed to be Arlo. For reference, John has beaten Arlo twice, three times if you count the time when Seraphina intervened, and he only beat him unconscious once. But John beat Blyke to the point of passing out all four times, the worst of which being a shot clean through his chest. (shoulder? Unclear. S1 finale).

It’s odd, isn’t it? Out of everyone, Blyke is the one who John physically hurt the most. John’s only grudge against him is an old memory from episode 33, of an event that didn’t actually harm him. John’s grudge against Arlo is much more serious and again— that’s his main rival. So why is it that he’s so much more violent towards Blyke?

The problem here is that I’ve been thinking about these fights as “John picking on Blyke”. And that’s… kind of true? But while Blyke didn’t start any of these fights, they were all consensual in a way. He didn’t seek to fight John, nor was he ever happy about fighting John, but he was always a willing participant.

(138, 153, 206, & 211)

In three out of these four fights, John didn’t even expect to be fighting Blyke going into it. This is significant because while Arlo is John’s main rival, John absolutely fills that role for Blyke. Blyke’s own agency is what leads to most of these events. The reason, narratively speaking, why they fight so much is not for John’s character, but for Blyke.

For John, his reason for fighting Blyke so much is not narrative but moreso symbolic. John is angry at everyone and everything, but ultimately the person he hates the most is himself. It’s only fitting that the character most like him would bear the brunt of his wrath.

As John is having his positive character arc (suspension and post-suspension), he is becoming more like Blyke, and the two of them reach a point where they’re even more similar than they were at the start of the series.

In the Rowden amusement park, John does start to realize how similar they are:

(249)

Additionally, I want to draw your attention to the parallels between this scene:

Blyke and John’s argument in chapter 249

(which the image limit won’t let me add, scroll until you see red hair.)

And this scene:

Argument in ch. 121 (it’s at the beginning)

Two sides of the same coin.

Furthermore, in the S2 finale, Blyke is shown being taken to Keon. There is an implication that by Season 3, Blyke and John will share Keon-related trauma as well. Despite my pessimistic predictions, I do hope that this is a similarity that can bring them together rather than tear them apart.

[bittersweetresilience]

it feels cosmically unfair that i think about writing all the time want to write all the time and sit down to write all the time and i come up with two sentences at best. there should be some reward system i think

[wellijustfinnihedoneofthebooks]

Everyday i wake up and think abouthow sad i am that lestat the musical is objectively a horrible musical because i really do think interview with the vampire would probably make the best musical ever

[natjennie]

OKAY why do yall have to have the worst nastiest most rotted bad faith interpretations of things ever the episode was incredible what the fuck is wrong with you

[tr4sh-u]

I'm currently crying my ass off over Copa América rn, but have some sketches trying to figure out the designs for Golden, Spring, Lily and Abby.

This is a heavy wip so just ignore ig

[coyotecreek]

Pile of stripey guys.

[skeletonmancer]

i gotta stop complaining because i don't want to be overly judgy but i feel like my standards for fic have gotten so high 😭 like whyyy is your dialogue out of touch with the characters whyyy does your writing go from long and complex to stilted and casual whyyyy are you not using apostrophes aughhhhhhh

[ben-wisehart]

I just don't get the argument that banning AI-generated works from ao3 would be pointless because people will continue to post AI works but stop labelling them as such, so they'll be harder to avoid. You can say that about literally any crime. There are always going to be people who ignore the rules, but that doesn't mean the rules should not exist.

Right now, AI-generated works are a novelty. People are posting them openly because it seems like fun. The posters of these fics (I will not call them authors) aren't trying to cheat anyone, they just find the concept neat and want to share them with others, but they're not actually trying to receive praise for something they didn't do.

The people who are trying to pass AI-generated works off as genuine fanworks are already doing so. If 50% of AI works currently on the archive are marked as such, and 50% are not, then banning AI works would result in the openly-AI works being removed. Of those, perhaps half of the people posting them would be so determined to do so anyway that they'll lie and repost them less-conspicuously—but that's still 25% fewer AI works on the archive. (and frankly I think this is being very generous about the number of genuine grifters)

Placeholder "fic to be written" works, "help me find this fic" works, and other works that treat the archive like a social media site are already against the terms of service. These can and do get reported and taken down. If you're a regular user of the archive you'll know that works like this still get posted on a pretty regular basis, but the fact that they're generally known to be against the TOS means there is a precedent to stop them becoming more commonplace.

AI-generated works are not fanworks. They simply aren't. They have no place taking up server space and pushing genuine creators further down in the search results, making it just a little bit harder for authors starting out to get noticed. They don't belong there any more than advertisements for discord servers or future fics.

The only other concern I've seen expressed is that genuine inexperienced authors might get mistaken for AI-posters and reported. Personally, I think it's still pretty easy to tell the difference between the structurally perfect but utterly soulless prose of AI and the error-ridden works of inexperienced human authors, but assuming that changes...it's already basically impossible to get fics taken down that don't openly admit to breaking the rules. These reports are assessed by real people and the Archive's policy is maximum inclusiveness when there is any doubt whatsoever.

If all a ban on AI-works does is remove the hundreds of fics that are currently open about being AI-generated, that is already enough for it to be a good thing, even if it does lead to a few more being posted in secret

[loverboydotcom]

not about poetry but i don't trust people who go online spewing vague declarations of "in order to write you need to understand Form And Structure!!!!" because there's prose fuckheads who do the same thing where they just vaguely say you need to understand Structure before you write a novel, but by structure they usually just mean the three act structure and the hero's journey and they've never studied or considered how structure can function beyond that, especially in non-western/non-english writing theories. the minute someone is like ohhhh but the Structure.....in a vague manner like that i'm like okay so you don't actually know structure because if you had deeply studied structure in writing theory as you claim to have done, you would know how complex and fluid and varied and malleable it is and it's not just one thing you Learn How To Do like putting a table together. and it's not something you will one day know perfectly because you will, ideally, encounter new ideas to structure a story as you expand your reading and your own writing. anyway i'm done for now i'm logging off to read more filthy animals by brandon taylor, potluck was such a good short story collection opener. i'm excited to see how he links these stories into a structured collection. i'm excited to read family meal by bryan washington when i'm done because he did a lot of fun things with really short + really long chapters in memorial and i learnt a lot about structure and pacing from there.

[gaytranszoro]

sorry okay im rewatching whole cake w a friend and got obsessed with the vinsmokes this time around okay. sorry. however i am a liker of themes and motifs and doomed characters. sorrey.