#Beginning to collect

[wisdomlaneantiques]

What happened in the year 1932?

Whenever I look on the internet or a reference book that I have to look for information on an item that I am about to sell, I will run across really interesting tidbits about what happened during a certain year. It could be the debut of a product, something that aired on the radio or television or even something that was captivating and held everyone’s interest for a portion of that particular…

[kennico]

may I have this dance?

[noxturnals-void]

Slashers with an s/o that has scars

Characters include:

Jason Voorhees, Thomas Hewitt, Bo Sinclair, Vincent Sinclair, Lester Sinclair, Michael Myers, Jesse Cromeans, Asa Emory

———————————————————————————

Tw: scars, mentions of abuse, mentions of self-harm, toxic relationships, mentions of death/murder, characters being their questionable selves

(The scars are a mix of self-harm and abuse)

This is just a big mix of comfort imagines.

Feel free to add your own thoughts/ideas.

———————————————————————————

Jason Voorhees:

He’s confused when he first sees the marks on your arms and legs. Were you in an accident of some kind? You’d never mentioned anything of the sort before.

He won’t bring it up until he sees more across your shoulders and back.

It takes a long, very awkward conversation on your part to explain when he expresses worry toward the marks on your body.

He understands what abuse is, but mainly in the form of bullying. Having to explain abuse at the hands of people you trusted was much different in his mind.

He’s absolutely heartbroken. How could anyone have hurt you like this?

He will bury the anger he has toward the people who hurt you, very gently pulling you into a hug and squeezing you to his chest.

That’s all in the past now. He’s here. He would never, ever let anything like that happen to you again.

Thomas Hewitt:

Oh, he knows.

He could tell the moment he laid eyes on you that you were just like him. Hiding your arms away and recoiling from anyone who got too close.

He tries not to make a big deal of it. They look old, so he won’t mention it.

That is, until he catches you changing one day. He sees the collection of deep marks across your back. He’s not stupid, he knows you didn’t do those yourself.

This time, he does bring it up. He’s not judgemental. He understands, probably better than anyone in his family.

When you feel comfortable, you share what happened to you.

He doesn’t push for details. He has enough imagination and his own experiences to supplement any information you decide to give.

He just pats you on the head, grunting low. His way of telling you it’s okay. You’re safe from those people.

You’re part of his family now, after all. He will protect you.

Bo Sinclair:

It doesn’t take long for him to notice.

Unlike him, you don’t hide your scars very well.

Maybe it’s because you don’t mind that he sees. Perhaps it’s because you sometimes forget they are part of you. He doesn’t know.

He asks about the scars the next time you two are alone. It catches you so far off guard you freeze.

You explain, trying not to go into too much detail. Someone you trusted hurt you in an unrepairable way. That was something he could understand.

He gets upset on your behalf, something in your story triggering a part of him he thought he’d buried deep down enough not to deal with anymore.

He doesn’t get sappy about his own scars, but he’ll show them to you in an effort to sympathize.

You’re not alone in your feelings. He reassures you that everything will be alright and that it wasn’t your fault. He’ll watch out for you now.

Vincent Sinclair:

He first saw the scars when you posed for him for a quick sketch.

He was tactful, pointing out the marks in a subtle way. When you don’t quite understand what he’s getting at (thinking you might be posing wrong or something), he walks over and uses his wax-coated hands to investigate your skin.

Was it some type of accident? Had someone done this to you? His blood boiled at even the thought of someone hurting you. 

When you opened up about the backstory to your scars, he withheld his emotions from your eyes. He was angry, of course. He wanted to hurt the people who had hurt you.

He holds you in his lap as he continues with his sketch. He doesn’t truly need you to pose for him. Your shape is already burned into the depths of his memory.

He gently massages his hand over the scars on your arms and legs while his other hand sketches.

It’s the closest he can get to telling you how perfect you are. You’re his muse. His heart.

He will never let you feel unprotected. He’ll keep you safe.

Lester Sinclair:

Poor guy is so awkward about bringing it up.

He noticed the marks littering your body some time ago but never dared to ask.

He was already pretty sure of the answer, but he preferred to hear your side of the story before making any assumptions.

Your story breaks his heart little by little. He cries for you, grieved you had gone through what you had.

He holds you, telling you you’re perfect and didn’t deserve what had happened to you. He’s so sorry you went through it.

He’ll whisper affirmations to you for as long as you let him. He is here for you now. You are not alone anymore. It is all in the past.

He’s got you, and he’s never gonna let you go.

Michael Myers:

He likely won’t point them out.

He knows, of course. You’ve changed clothes in front of him on more than one occasion.

Sometimes, if he’s got the mask off, you might catch him staring. Otherwise, you can feel his eyes trace the pattern of marks over your body.

When you talk about it, he listens. He might not sympathize or react emotionally like others do to your story, but he does listen. He does care.

No one but him is allowed to hurt you. The rage of someone else laying their hands on you has him itching for his knife.

Someone you trusted hurt you? What’s their name?You mention a location they frequented in the past. Got it.

He’ll hunt them down within the week.

You won’t question the blood on him when he comes home late a few days later.

He holds you close that night, not allowing you to move from his side until dawn.

You’ll understand his unusually clingy behavior when you hear about a recent murder on the news.

You’re his. They can’t hurt you anymore.

Jesse Cromeans:

He sees the marks across your arms one evening.

His phone drones a partially insensitive joke about the scars, but he sees the way you react to them being mentioned and leaves it be.

He doesn’t talk about them again until you’re ready.

He has a big ego on him, but that doesn’t mean he will force it out of you.

When you do tell him what happened to you, he’s furious. Someone hurt his favorite little piggy?

He’s going to hunt them down. Spann is already in the process of finding their address.

They won’t get a video, though. This isn’t a film; this is revenge.

When everything is said and done, he’s going on a shopping spree. A big bouquet of your favorite flowers, all your favorite treats, and your favorite series/movie in the disc player ready for a long night in.

You’re blissfully unaware of what has happened to cause this treatment, and he will keep it that way.

From then on, he reminds you that your scars do not change how he feels about you. You’re perfect. He made sure they won’t ever harm you again.

Asa Emory:

He’s scarily observant. It didn’t take him long at all to find out.

He asks directly, lacking a certain amount of tact someone else might deploy for this kind of conversation. He’s not one for beating around the bush verbally.

He’s surprisingly understanding when you tell him about your past abuse. He experienced similar things in his youth. He won’t share, of course.

He doesn’t use your scars against you like he would if it were something else deeply personal.

Usually, he’d discover a pressure point such as this and use it to manipulate you subtly. This is not a pressure point he will use often, if at all.

You’re his now. You belong to him in every sense of the word. Whatever scars you gain now will be from him and only him, and only when they’re done intentionally.

You’re his favorite pet in the collection. The marks across your body don’t detract from your value in his eyes.

He will create masterful works of art out of your past, enmeshing it with your future with him.

[literalite]

what do i do if forever isn't true?

the collective — a sim story set in the 80's based on the lore and townies of moonwood mill — coming soon

[ca-d]

Harmony Grove // Salem, MA 🖤

[kacievvbbbb]

You do get the sense that the fallout of Roger's death and the Roger pirates disbanding not so much traumatized Buggy and Shanks indifferent ways but instead generated such drastically different reactions to the trauma.

While the trauma of everything seemed to push Shanks into the future, always constantly waiting for something, putting plans on hold and then later in place, for this great moment, this great coming that he sees on the Horizon. For Buggy it rooted him firmly in the past keeping him trapped in this grief masquerading as anger.

While Roger's death forced Shanks to grow up fast, it kind of arrested Buggy's development keeping him stuck in those same feelings, rooted int that same place.

You get the sense that Buggy's whole east blue schtick is just one long overdue rebellious phase one big fuck you to Roger and his ideals. He's rebelling against Roger's principles. One of their rules was don't steal from innocent people and Buggy was keeping a whole town in poverty. If Roger and Luffy's pirating styles are diametrically opposed to someone like Blackbeard, who might be the most literal pirate in the entire series, then buggy is the parody of that Blackbeard piratism. He is playing up cruelty, being the most piratey pirate possible, hell he's literally a clown on a stage. It's all a show! It's his own special way of trying to "get back at Roger" of trying to discard everything Roger taught him for this overacted, over exaggerated clownish cruelty. Mentally he never left that execution square. He is still 15, alone and scared.

Hell he literally never left either, while I'm pretty sure Shanks' booked it out of the east blue as fast as he could, Buggy never lef, might have never left, if not for Luffy. It's part of why Luffy bothers him so much, he's just like Roger everything that Buggy is trying hard to forget and here comes this kid, whose never even met the Captain but is wearing his hat, shoving it right back in his face.

It makes sense that he never leaves the east blue till Luffy literally forces him out of it (fucking with Luffy gets him captured and imprisoned) and it makes sense that it's Luffy that literally breaks him out of prison, literally sets him free, and on the path to greatness that maybe he was always meant to achieve (even if he trips his way into it). This boy that is tragically so much like his old captain but so beautifully unabashedly himself, is what Buggy needs to start letting go off the past, to start trying to move forward.

Maybe that's why Buggy, at what could arguably be described as his lowest moment, gets the strength to free himself from his own self imprisonment, realizing that even back then he was locking himself away and pinning his own dreams on Shanks. And, maybe for the first time ever, Buggy really own his dream. He declares to his tormentors and his crew and the entire world that; actually He wants to find the one piece, him, as captain of his own crew, this crew, not just a part of someone else's. That's his dream and he's willing to turn the world upside down to do it.

[what-is-going-on-inside-my-head]

Sometimes you may notice that Zoro's earrings look different. Cause they are different.

Each member of the Straw Hats buys earrings for Zoro, two pairs actually, because you can't buy just three of the same earrings (unless you're Nami). That's why everyone from the crew has an earring from Zoro's collection. They just keep the extra one for themselves.

And no one tells Zoro who brought the new gift. They just leave it in the crow's nest while he sleeps somewhere else or is too busy to catch them.

Fun fact, the Straw hats have a game, where you win if Zoro put on earrings which match with yours.

Fun fact No2, Sanji wins more often then others.

[fumifooms]

Firefly Wedding is so…

It’s so

It’s them. It’s "It’s just a firefly, they’re meant to die soon. Why should I care about the sick, or the poor?"

It’s "I was purposely trying to scare you and push you away to see how far you were willing to go with your act, how desperate you were to play with my feelings as if I was a fool, but it didn’t work."

It’s "I know you’re just using me but now I care. Please keep using me. I need you to need me."

It’s choosing to give her her freedom anyways. Because your love is no longer all about you, no longer selfish. Because this love isn’t just a shallow balm to soothe your complexes anymore.

It’s being betrayed, finally facing the lies and no longer pretending you both don’t know that this is a farce, but desperately wanting to keep it going anyways. It’s "I should hate you now. Why don’t I? Hey, tell me we’ll go through with the plan, tell me you’ll marry me after all. Otherwise, why am I still here? Why don’t I want to leave? You act like you don’t need me but I still need you."

Like that’s so revolutionary for a yandere story. The self-delusion is strong, denial that things have changed despite it being impossible to truly believe, BUT HE STAYS. It’s no longer selfish 😭😭

"I don’t care about you anymore, I won’t help you. Get yourself killed for all I care." <- Jumps to her rescue 3 milliseconds later when she almost falls down a ladder/roof. It happens twice. The ‘lying and trying to emotionally distance yourself from something to protect yourself and not get hurt’ defense mechanism is blatant and it’s failing really bad.

It’s "My sense of duty and goals to have accomplished something useful in my short life are making me do this, but I do want you to stay with me." The yandere stuff here gets turned on its head because what he says is empty where it matters and meaningful where it matters. It’s knowing that if Satoko asks him not to kill anyone he won’t, but knowing that he won’t give up on her no matter what, even if she’s unattainable, even if she’s sickly, even if she pushes him away like just before. It’s so thinly veiled for "I’m determined to see my goal through, but that’s not what I want. If you just so happen to take me away and I don’t try to run away hard enough then we can elope and be free. I want to have an excuse to leave with you. Please give up on marrying me. Please don’t. I want that, but I can’t."

It’s "If I didn’t burn brightly in my short firefly life, then what was the point?"

Except that burning brightly doesn’t have to mean making big achievements, or being useful to your family.

It can be living happily, living for the ones you love, fighting for them. It can be worth to risk it for things that actually matter to you.

It’s giving your heart to someone, figuratively and literally. To lend it to them even if it might get used or battered, for as long as it beats to use your body to protect them, even if you have to sacrifice yourself. A love that burns bright into a bonfire before they both turn to ashes. Unwise but wholehearted.

It’s despite even that, needing grandiose gestures to be able to trust that this is real. It’s needing external cues that prove it to feel safe in their love existing, other people to confirm that he’s not crazy, that this is happening and this is how they both feel. Their love has been fake, both being a warped love and being a lie, only being out of necessity or because the other was the only one willing to offer it to them, offering comfort, safety, support and care. And showing that they care is the most loving of all. It’s despite everything falling back into old habits that "Oh if she was miserably worried for me then that means she’s not indifferent to me! That’s good!" And then once again being taken aback by her, by her earnestness and by her will. Because oh, no, this goes deeper than that. She cares. It’s love.

It’s opening your heart up to love, and both being punished and rewarded for it.

But most of all it’s

And it being the most loving thing he’d ever heard

Firefly Wedding is so…

And yet it’s also

The complicated and hurtful nature of love and the joy and light it brings are two sides of the same coin, because that’s what inevitably happens when you care about something. But caring about a firefly isn’t a waste even however short lived it is, or how hard the loss will inevitably hit you. Isn’t their light just such a wonder to witness?

[kmesons]

it's fun to think that when ziggs says, "well I certainly don't love killing," during hatchet town in the npmd proshot, they're talking about the nighthawks. not because perky's buds exists in this timeline, but because for some reason unbeknownst to them, in every timeline, they are mysteriously tormented by nighthawks.

[odo-apologist]

Thinking about Out of Time, specifically the ending, which, in my opinion, is one of the best Rimmer scenes of the franchise. It's one of those moments- like his sacrifice for Nirvannah in Holoship or his insistence that Lister burn his soldiers in Marooned as a gesture of friendship- that hint at the potential that he has, deep down, of being noble, heroic, kind. What's particularly interesting about this scene, though, is that up to this point, Rimmer has often been shown as having a fascination with power, with militarism and fascist aesthetics. This is among his worst, most dangerous traits. You see the extreme outcome of it in Meltdown, what I think is Rimmer at his most abhorrent; he is the cause of the death of an entire group of people all because he wanted to live out his power fantasy of being a strategic military general, watching the battle at a distance like he describes in Marooned. Of course, as others have pointed out in their own posts, Rimmer's desire for/adoration of power likely comes more from his desire to be loved and prove he's deserving of love, but its consequences can be horrific. In Out of Time, when he encounters a version of himself that is an *actual* fascist sympathizer/apologist, he is disgusted. He is the one who wants to fight and who says, "Better dead than smeg." Whereas his future self says he would rather die than live like rats as the present crew do, our Rimmer would rather die fighting than live a life of ease and comfort while rubbing shoulders with bloodthirsty, power-crazed dictators.

And I think it's really interesting that the episode before this one is Rimmerworld. The aspect I often think about (that I wouldn't be surprised a lot of other fans also often think about) is Rimmer's 550+ years of imprisonment. It's such a disturbing concept, being kept in solitude for that inconceivably long, that its apparent dismissive treatment as a joke and lack of any real impact on Rimmer haunts me a little bit and I'm glad there are a few fics out there that explore the aftermath more thoroughly. But before he ends up in that situation, he 1. Abandons the others- the seemingly only people who have ever come close to caring about him- to die, leaving them to flee in an escape pod, and 2. Creates a civilization of clones of himself that he clearly bases off of the Roman Empire (a notable inspiration for many fascists). The first is significant because it shows the contrast between his cowardice in that situation and his lack of it in Out of Time. But the second point here, about the creation of his civilization, may show why that contrast happens between episodes, the reason for it. The civilization of Rimmerworld, based on an obsession with power, inspired by what we can assume is Rimmer's own idealized view of the Romans and empire in general, is the same that causes his centuries of suffering. So the next episode, when he sees another version of himself willing to get along with the kind of people like those who imprisoned him (who, albeit, were also versions of him)...I don't know, maybe the events of Rimmerworld did have some notable effect on him after all, at least for a while; maybe that's why he was so sure in his decision that the crew fight even though he knows they'll die trying.

Or maybe I'm just being ridiculous and overthinking things

[wisdomlaneantiques]

Glassware terms for the beginning collector

When you dive into the world of collecting, you will quickly find that there are a TON of terms that you will hear.  There could be anything from a service set to cheese dishes. Here are some of the terms that you will run across when it comes to tableware: Breakfast set—this set features both a sugar bowl and a creamer that match. Frog—this is an element that has multiple holes in it that…

[miremouse]

Scans of the graphics on the activity sheet from the graphic novel Barnes & Noble event - 1/2

[noxturnals-void]

Gifs I think represent slashers

✨Holding hands edition✨

Characters include:

Jason Voorhees, Thomas Hewitt, Michael Myers, Sinclair Brothers (separately), Brahms Heelshire, Jesse Cromeans, Asa Emory

————————————————————

Jason Voorhees:

Thomas Hewitt aka Leatherface:

Michael Myers:

Bo Sinclair:

Vincent Sinclair:

Lester Sinclair:

Brahms Heelshire aka The Boy:

Jesse Cromeans aka Chromeskull:

Asa Emory aka The Collector:

[kiitoskiitos]

Thunderous.

[gumdefense]

Ah the logic explanation. Truly one of the mechanic tutorials of all time

[ID: Screenshot of the dialogue history. It says:

Gumshoe: Logic…?

Edgeworth: By finding the connection between two pieces of information…

Edgeworth: …and connecting them, new information is born.

Edgeworth: That is the end result of using Logic.

Gumshoe: So how do you use it?

End ID]

[asteralley]

both of them saying the worst things to say to each other on their first meeting kills me