#C.C.S.

[istherewifiinhell]

The good wifi wants me dead slumming it on the slower connection. CANT HAVE SHIT.

[i-dropped-my-cake]

Rewatching Code Gayass RN and the effort they put into making the student council in R1 into Lelouch's harem is insane. Not that there's much effort, it's just insane effort. Y'all think one half-hearted kiss to Karen will fix that Lelouch has been looking *like that* at Suzaku for the majority of the last episode?

It gets slightly better in R2, Shirley and Lelouch have bf/gf dynamic and chemi- oh never mind. Kallen just has confusion feelings for a guy she trauma bonded with in combat. C.C., even after the movies, has accomplice energy. Suzaku is the only one who's on a somewhat equal footing with Lelouch. They understand each other even when they hate each other's guts. A dynamic that gets even better with the events of Akito. Lelouch remembering all the fucked up shit Suzaku did? Suzaku knowing that Lelouch can be worse than Zero? Delicious.

suzalulu is the perfect example of that one tumblr post about how authors write canon/implied straight ships in anime to be so basic while those same authors write the two male best friends to be so gay and queer coded.

suzaku and lelouch say there's nothing we can't do together and they're so right. they make such a good team. lelouch also relies on suzaku a lot when he needs help and is even willing to beg for his help, which is something he never does with the girls who are canonically/implied to be his love interest(s) (cc, kallen, shirley, etc). there's also the way lelouch acted when he found out the lancelot pilot is suzaku...he was so horrified and shocked since that made them enemies yet lelouch always protected suzaku regardless. hell, lelouch even used his geass on suzaku to make him live. let's not forget about how hurt lelouch was when suzaku betrayed him and turned him in to charles...then how hurt he was at kururugi shrine when lelouch thought suzaku betrayed him a second time. there's also the way suzaku almost immediately knew sayoko wasn't actually lelouch thanks to their gay little signal. oh and let's not forget about lelouch's gay ass death.

you can't tell me lelouch and suzaku aren't gay. like...the evidence is RIGHT THERE.

[koushirouizumi]

{D I G I M O N} 02 - @.M.V x "Kocchi wo Muite" {"Look This Way"} M U S I C (C) C.L.A.M.P / K O D A N S H A (Originally from: C a r d c a p t o r S a k u r a) + DAIHIKA

Summary:

"Although you show C O U R A G E, YOU'VE{?} got it B A C K W A R D S A {m a i d e n}'s H E A R T is {f r a g i l e} and T R Y I N G..."

D i g i m o n 02 (C) T O E I @.M.V. by Me No $$$ is being made off this Fan-work

Notes: -This part took about 45 min already. - Aiming for an 08-02 finish, but let's see what happens...!! - This @.M.V. is overall a Stand-alone work. (It is not directly involved with my other work); However, it can be considered a work For the storyline that's a precursor to Repeat-verse, which came before that story was conceived!) Therefore, it can be watched as a Stand-alone! - I reused a part of an older edit for the Tri P.V.; (for timing placements) it had an old subtitle on, but I'll remove that for the finished version! However, the work is overall/near-wholly 02-focused (so far)!

{I have not yet re-written the DaiHika storyline involved with the past fic-verse of mine; So please take this work as a sort of preview to it!}

(Further lyric{s} under 'read more'!)

"Turn this way, don't look anywhere else, darling It'd be bad if you weren't completely by MY side... Although you show courage, you've got it backwards A maiden's heart is fragile and trying---"

If we get separated by any distance I'll come after you

(J.P.N): Kocchi wo muite yo So mi shinaide Daarin Chanto watashi no soba ni inakucha dame da yo Tsuyogari datte uragaeshi Otome-gokoro kyun to setsunai...

Donna ni tookute hanarete 'te mo  Oikakete 'ku wa---

NOTE: The speaker may be speaking as if theyre NOT BEING CONSISTENT with their {FEELINGs}.

(Please acknowledge Rules BEFORE INTERACTING) {Failure to regard Rules WILL RESULT IN A BLOCK}

[ind1go-artw0rkz]

BIRTHDAY!!1!1!1!

Today is officially C.C.S birthday!!! WOWOWOOWOWOW!!1!1 :3

Give him gifts or else 😈

[smthfunnyhappenedonthewaytor3]

Suzaku: [finding a wooden carving of C.C.’s head] AH!!! Lelouch: Relax, it’s just C.C. [there’s two carvings] Lelouch: Ew! Two C.C.s. That IS upsetting…

[ant1quar1an]

Dustverse is still cool. And I love LOVE LOVE LOVE! THE C.C.s! They look so cool!!! I really want more of the stories with them. Also. I'm gonna join in smooching Cross lol.

THANK YOU!! :D

Super glad you like 'em- they are just silly goofy big ol' creatures. I am planning on expanding on the fic I'm writing for them in a bit- after I finish chapter 2 of Dustverse

[bastardlybonkers]

theory time

vanessa isnt supposed to be the movies elizabeth, shes supposed to be the movies michael afton, and the golden freddy child spirit is a combination of the vengeful spirit and the crying child and is her little brother. like it actually makes so much sense for vanessa to be michael, shes the oldest afton, lives and bears witness to her fathers crimes, defects after helping him and 'dies but doesnt really die' for it. and the golden freddy spirit- this could be a bit of a stretch, but first like. why is he so much angrier than the others? why does he look like he knows william and wants him to suffer as he closes the door? william reaches out to him and he leaves him to die. also, this ones definitely a stretch, but when mike is asking abby about the drawing of garrett, the conversation goes like this:

'how did you know about this? did a boy with blond hair tell you?'

he couldve easily just said boy in a brown shirt, which is more identifiable, but instead he went with the blond. maybe we were supposed to notice this connection in appearance between the spirit and vanessa, blond with similar eye colors, and its a little clue as to their shared parentage.

now in speculation, i wonder if vanessa was also somehow responsible for his death like michael was with the crying childs. with that little animation at the beginning you wouldnt think so, but im not sure that animation is supposed to be canon, as it would imply all the kids were kidnapped in one day and they were all together. so that mightve just been for the intro. if vanessa was responsible for c.c.s death, or at least helped william with it in some way, maybe thats part of how he was able to manipulate her into helping him and keeping quiet for so long, blaming her for murdering her little brother and saying that hell turn her in or kill her too for it.

idk does any of this sound plausible or am i going insane i feel like its plausible but i also feel like its all a reach

[dollya-robinprotector]

What is your favorite Clamp work that you go back to either watch or read?

For comfort: Angelic Layer, Chobits, and C.C.S manga original part. \

I don't like Akiho and the Clear Card arc in general. Something about all the new characters of that arc just doesn't sit right with me so I quit after 5 chapters even though I love seeing Syaoran and Sakura being all lovely dovey

For a better understanding: Tsubasa Reservoir Chronicle and XXXHolic. I still don't have time though

Really want to but don't have time to read even once yet: Wish, Kobato, Clover

[ampd]

[1972.02.25] Nick Drake - Pink Moon

Vinyl, Island - ILPS-9184

Cover by Michael Trevithick; Photography by Keith Morris; Typography by C.C.S. Associates.

[enthralledreader]

Daughter of Ash and Myth by C.C.S. Jones - A Review

[ccs-mechanism-kabeerdave]

C.C.S mechanism

We are emitting on an average of 36 billion tons of CO2 per day in the atmosphere. Sooner or later, if we don’t reduce the amount of CO2 emissions, The earth will become inhabitable. To prevent this, we can introduce a variety of mechanisms to treat flue gas and remove CO2 entirely out of it. For this, I have designed a module designed to fit onto the chimneys and smokestacks which can treat flue gas and remove 95 percent of the CO2 from the exhaust, thereby reducing emissions. Earnings can also be made by selling the captured CO2 to different oil extracting corporations. The C.C.S mechanism is based on the liquid Ammonia solution and Advanced heat recovery systems. This mechanism will recover the heat from flue gas and utilize the heat in regenerational heating needs. This will help us to prevent and reduce global warming, combat climate change.

Help me accomplish this mission and prevent dehabitational conditions on earth by funding me. Thank you for reading. Bye!

[julio-viernes]

Me da rrrabia cuando las cosas se ponen de esta manera, no doy a basto. Herbie Flowers RIP, formidable bajista de Blue Mink, C.C.S., T. Rex, Sky... el hombre de las cuatro cuerdas en "Space Oddity" de David Bowie, "Transformer" de Lou Reed, álbumes de Elton John, Bryan Ferry, Paul McCartney, Cat Stevens, Nirvana (UK), Harry Nilsson, Melanie, Chris Spedding, Roger Daltrey, Ringo & George, Roger Daltrey, "La Guerra de los Mundos" de Jeff Wayne, y un larguísimo etcétera... Miren aquí si se atreven.

Subo la que es su interpretación de bajo más recordada, aislada. Las líneas gemelas que tocó para "Walk On the Wild Side", Lou Reed 1972. Flowers grabó una línea al contrabajo tocando las notas más graves, y la dobló en agudos en un bajo eléctrico sin trastes. Y una de mis favoritas personales, "Celebrate Summer", ultimo single de T. Rex, año 1977. Me sigue encantando ese toque "neo Cochran" a sólo a una semana de que se cumplan 47 años de la muerte de Marc Bolan, que falleció en un accidente de tráfico, just like Eddie, cosas de la puñetera vida.

[90363462]

Korner had a major impact on rock and roll through his pioneering spirit, innovative approach to blending musical styles, and unwavering commitment to fostering talent.

Alexis Andrew Nicholas Koerner(19 April 1928 – 1 January 1984), known professionally as Alexis Korner, was a British blues musician and radio broadcaster, who has sometimes been referred to as "a founding father of British blues". A major influence on the sound of the British music scene in the 1960s, he was instrumental in the formation of several notable British bands including The Rolling Stones and Free.

Alexis Korner was a pioneering musician in the world of British blues, R&B, and rock and roll. His multicultural upbringing laid the foundation for his eclectic musical taste and his profound understanding of various genres and styles. Born in Paris in 1928, he moved to London as a teenager where he first listened to Jimmy Yancey’s “Slow and Easy Blues,” a song that had an immediate and powerful emotional impact on him, resulting in his desire to devote his total self to music. In 1947, he began broadcasting on the British Forces Network from Hamburg where he listened to artists like Lead Belly and purchased his first guitar, and upon his return to London he became an active performer.

In the early 1950s, Korner joined several skiffle groups, performing a mixture of folk songs and new material along with musicians like Cyril Davies and Lonnie Donnegan. In the mid 1950s, he was at the forefront of the British blues scene, introducing audiences to the raw, emotive power of American blues. Korner and Davies formed Blues Incorporated and started a residency at both the Ealing Club and the Marquee Club. These shows became the place to be, with Korner helping to shape the sound of the burgeoning British rock scene and serving as a mentor and guide to future rock legends including Mick Jagger, Charlie Watts, Ginger Baker, and Jack Bruce. As Keith Richards said, “Without Alexis Korner there would have been no Rolling Stones.” The 1962 Blues Incorporated album, R&B from the Marquee, is considered one of the first British blues recordings, establishing the genre’s presence in the UK, and learning Korner the moniker, “the founding father of British blues.”

Korner was also a prolific recording artist, releasing a series of influential solo albums and recording with several bands including C.C.S. and Rocket 88. As a passionate advocate for racial equality, he used his platform to promote racial integration. Although he may not have achieved the commercial success of his protégés, he had a major impact on rock & roll through his pioneering spirit, innovative approach to blending musical styles, and unwavering commitment to fostering talent. Alexis Korner was the rare combination of a musician, a critic, a broadcaster, a promoter, and a musical mentor.

Selected Discography

Ken Colyer’s Skiffle Group, “The Midnight Special,” “Casey Jones,” Back to the Delta (1954)

• Alexis Korner’s Blues Incorporated, R&B From the Marquee (1962)

• Alexis Korner’s Blues Incorporated, Red Hot from Alex (1964)

• Alexis Korner’s Blues Incorporated, “Long Black Train,” Sky High(1965)

• C.C.S., “Boom Boom,” “Whole Lotta Love,” C.C.S. (1970)

• C.C.S., “Brother,” C.C.S. 2(1972)

• Alexis Korner & Peter Thorup with Snape, Accidentally Born in New Orleans(1972)

• Rocket 88, Rocket 88 (1981)

Favorite song?

[koushirouizumi]

{How 'new' can a 'new page' be} (A.K.A I Want a 20k R.Bs Badge @ This Site) {Also people should really use my tags}

[ind1go-artw0rkz]

C.C.s reaction to…THOSE fans.

C.C.- “……*inaudible screaming and crying*”

[kelemengabi]

Spiral / Helix C.C.S.