Jenůfa (Berlin, 2021): Reactions, Part II
✨emotional damage emotional damage✨ @beckmessering
this music is SO foreboding. once again: janacek you GENIUS
(mostly) same furniture, new place
something something the theatre of life something something
what the fuck do you think
✨emotional manipulation emotional manipulation✨
awwwwwwwwwwwwwww
conductor (simon rattle) is wringing some MAGIC from this
this is a PSA to not drug people
careful…
on second thought you are not the title character of a verdi opera, so you shouldn’t need to worry about poisoned water i guess
you can READ the conflict on her face *chef’s kiss*
deadbeat dad alert
self-flagellation
her FACIAL EXPRESSIONS
oh look deadbeat dad actually showed up
seriously she is slaying
“i mean i can pay child support but i am NOT gonna have anyone know that’s my kid”
…given that the kid looks exactly like you and is named števa, i feel like people will figure that one out
she may be short but she is DOMINATING the scene
YOU SHOULD BE ASHAMED OF YOURSELF
uh, RUDE
STOP THREATENING TO HIT WOMEN WHAT IS WRONG WITH YOU
fuuuuuuuuuuuuuuck yoooooooooooooou
uh oh
“well, guess you’re here and guess you’ll do”
“she WHAT NOW??????????? with WHOM????????”
you little BITCH
WELL THAT’S A LIE
“oops now i have to figure out how to make sure no one will discover that lie”
ONE OF THE GREATEST FUCKING SOPRANO SCENES IN THE HISTORY OF OPERA LADS
seriously i will never be over these opening tremolos in my life
*dramatic cut over to baby and crib*
DON’T EVEN FUCKING THINK ABOUT IT
orchestra RAMPING up the intensity in the BEST way
religious guilt time!
and now Exceptionally Dubious Religious Justification time!
um…that’s not gonna work like you think it will…
she is giving it her ALL and it is MARVELOUS
NO NO NO NO NO NO NOOOOOOOOOOOOOOOOOOOOOOOOO
DRAMATIC CHORD AND WRENCHING VIOLIN SOLO
you missed her by like TEN SECONDS
uh, i’ve got some bad news about where she is…
aggggggggggggh she deserves SO MUCH BETTER
so gorg
UH OH
THE WAY SHE BLAMES IT ALL ON HERSELF (and števa) OH NO OH HONEY
it hurts how accurate that is
i legit had to go back and watch this little snippet like five times because of the way she just SCREAMS this line *agony*
also: ice
these moments of total commitment, where even the singers’ heavy breathing in the silence hits like a ton of bricks…these are the moments i LIVE for
this is BEAUTIFUL
THE RED STRING FROM THE BABY CLOTHES *cries*
SHE’S PRAYING FOR HER BABY TO BE PROTECTED AND HER BABY JUST GOT MURDERED I CANNOT
well that’s one way to have frozen hands
“WHY IS MY BABY NOT ON THE OTHER END OF THE STRING”
NO
NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
the way she just lets the string drop to the floor… *sobs*
also: GOD TIER music right here
she’s trying to look on the bright side of a situation that has NO bright side at ALL, just to not fall into despair…
she just sounds totally emotionally drained in the best way possible
ma’am you are not in a good emotional state to handle pointy objects
agggggggggggggggggggh
LACA THIS IS NOT THE FUCKING TIME
she’s just totally broken 😭😭😭
also: camilla nylund here is killing it
SHE’S DESTROYING THE PLANT THAT WAS THE SYMBOL OF HER HOPES AND DREAMS
“hey uh i tried to put it back together”
“I DID NOT FUCKING ASK LACA”
someone is (understandably) not doing well
it may be heavy-handed but by golly it works
GOD FUCKING TIER TAKE ON ONE OF THE SINGLE GREATEST ACTS OF OPERA EVER WRITTEN
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Götterdämmerung Opernhaus Zürich (Noseda, Homoki) first impressions
for context I stumbled into the same event's Rheingold and Walküre during their back halves and either Mezzo TV skipped Siegfried or I missed it during the weeks I was out, shame
the Norns looked very Targaryen coded for me and this is a narrative with a Targaryen analogue aka Siegfried who to me is like Taylor Swift and Daenerys Targaryen at the same time. I will elaborate later
it's one thing to put on a horse helmet and gallop around and it's another thing to do that and then realise that you forgot your weapon. my ADHD ass felt that
Hagen is a walking gothic spire with that fucking bass to match and he can pin me to the wall with his spear any day
the color coding between the Gibichungs and the lead couple is sending me. Gutrune rocks that shade of red like a diva
Waltraute's eyes scare me more than her account of what happened after Brünnhilde was banished
it pierces me (pun intended) to see Wotan catatonic ngl, not just a how the mighty have fallen trope but it's also that he's got no voice in this finale (congrats Tomasz you can rest now) which scares me because this is a daddy whose issues fucked him so bad that his daughters feel like walking on eggshells waiting for him to speak
the funny thing about giving Gunther a lob while both his sister and Siegfried have one is that Klaus Florian Vogt could just put on the ginger wig and it would still work; instead we have of course the Tarnhelm as a hood (ok this is nice) and then Daniel Schmutzhard coming in with a blank face like an egg ghost from the Korean exorcist drama Sell Your Haunted House possessed the man
why is Hagen surrounded by John Wick variants. why is everyone in black. Wave-Götterdämmerung-Treffen? Goth-erdämmerung? goddamn. I want to join
I am also just enamored in the most childish way whenever somebody wears a robe and it swishes when they move; Hagen and Brünnhilde and Gutrune you all have me in a chokehold
Gunther should have married Siegfried
it gets even more ridiculous because Walküre specifically dealt with twincest and now we have a pair of siblings who consciously don't want to do that and still get their asses bitten because they chose an inbred with a violently protective gf
if I were to explain this opera to people who don't know shit it's “how to exploit the bro code when the inbred boyfriend you godmothered against your daddy's wife's wishes cheats on you with a couple that specifically isn't interested in incest”
maybe Siegfried wouldn't have been too faithful either if he didn't drink that love potion; it stretches the story but it adds intrigue and a bit of realism because honestly, men, but still, runtime, and also, men
Gutrune acting like a coquette for over half the number she spends alone with Siegfried and then shagging him at the end is very fan fiction paced
Camilla Nylund, I love you
the reason I said Siegfried is like Taylor Swift is that both of them are likable especially when you're a white supremacist
Hagen and Brünnhilde make an interesting parallel because both of them have beef with their dads and that beef is just left to rot with only Alberich still alive at the end
the tree trunk has a face on one of its sides, I wonder if it's intentional
camera focus on KFV's hand as he lies lifeless at the bed kinda lost its power when later Siegfried is shown to reanimate again to give the ring to Brünnhilde (her death being shown as him taking her and the horse helmet by the hand to exit stage left is quite cute though)
as with Rheingold the look of the Rhine girls just being in pajamas sharing a bed while the rotating set is almost entirely white registers to me like either The Matrix or an asylum — though because Homoki made the concept really sparse it does let the viewer fill in those blanks in their head
lol @ Hagen's defenestration. lol
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Ture Rangström
Den Utvalda (selected songs) 1. Festlig förberedelse (Festive preparation) 2. Den qudomlige hjälparen (The divine helper) 3. De fem sinnenas sömn (The sleep of the five senses) 4. Om offergåfvor (The offerings) 5. Spegelsång (Mirror song) 6. Roddarsång (Rudder song) 7. Fråga och svar (Question and answer) 8. Vilddjursjakten (Hunting for wild game) 9. Soluppgång (Sunrise)
Camilla Nylund, soprano Münchener Rundfunkorchester Ulf Schirmer
Painting: Jan Willem Bultje “Bij Kundalila”
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