#Can you guess what goes where

[disorganizedkitten]

🍦

The ice cream has no logical connection I just desperately want soft serve and the only places in town are stupid expensive; ANYWAY

Yeah so casual n chill reminder (see, plea for attention) that the ask box is open and always has been;

Things to ask about if you're new here, confused, or 2anna use this as an ask meme;

Hyacinth Au 🌸

Scooby Doo 🐶

Jackie Chan Adventures 💚

Regulus Black ✨

My feelings about the al ghul children 🗡️

The inherent parallelism between any given set of My Potter Twins 👬

Cats 😺

Extreme opinions on betas 📝

The Obscurial Au ⚫

The Aphid au 🪲

The Necromancer Au 💀

Carrying Capacity Au 🪄

The Coldest Girl In Coldtown 🦇

Sneak peaks into the Famed Slideshow 🤐

Anerythristic au

The Paris Au

Adopting the local vigilante

[rapidhighway]

not a fan of dadow but shit man it does kinda make sense sometimes idk

[corfisers]

i really need to finish this one day

[sammygender]

YALL ARE NOT SERIOUS PEOPLE no way i’m looking at the tumblr tag for spn 7x03 aka the sam centric flashback episode dealing with his childhood trauma and how he feels like he’s a freak and everyone is just posting about DEAN. dean and his stupid fucking pie. dean winchester used to be my guy! genuinely! s2-3 i truly thought i was a deangirl! But you people (plus this show atp lmfao) are making me hate him😭

[anghraine]

I’ve been thinking about the development of Elizabeth’s feelings for Darcy in P&P, and one of the things I find really intriguing is how incredibly careful Austen is in her handling of their physical attraction to each other.

A lot of takes on Darcy’s initial attraction to Elizabeth focus entirely on the physical element, but Austen’s description of it folds together his attraction to her intelligence, her expression, her body, and the “easy playfulness” of her manner. Of these, the earliest mentioned is his realization that her face is “rendered uncommonly intelligent by the beautiful expression of her dark eyes” and her eyes are the physical feature that he seems to dwell on the most.

At any rate, Darcy’s attraction to Elizabeth is established early on (Ch 6) and continues as a thread from that point on. And—I mean, even in 1813, it’s one thing to show a man in his twenties being attracted to the pretty heroine. Austen is a lot cagier about Elizabeth’s feelings.

The narrative is structured so that we know Darcy is physically attractive from his entrance in Ch 3, when the narrator refers to “his fine, tall person, handsome features, noble mien” along with his wealth. But we’re not in Elizabeth’s head at that point, and iirc, she isn’t shown as saying or thinking anything about his physical attractiveness until she blushingly agrees that he is very handsome forty chapters later.

Even there, Austen leaves the dialogue to stand on its own and tells us nothing of what Elizabeth actually feels about it. The conversation moves to Darcy’s personal virtues, which reveal the critical fact that Darcy is consistently kind and good-natured in the domestic sphere. So Elizabeth’s concession that Darcy is physically attractive is narratively linked to the suggestion that he would make a safe husband, emotionally speaking (although her concession comes first, which may be significant).

Between the initial, omniscient narrator-type description of him and Elizabeth agreeing in Ch 43, we do get references to his looks a few times, but during the period of Elizabeth’s dislike, it’s always either through implication or through someone around Elizabeth rather than Elizabeth herself. So Bingley, for instance, jokes about how Darcy is so much taller than he is, but the narrator only remarks on Elizabeth’s assumption that Darcy is offended by this.

We know that Elizabeth looks for a resemblance to Darcy when she first sees Lady Catherine, and finds it, but this isn’t explicitly linked to her conclusion that Lady Catherine might have been handsome in her youth.

Then there’s the introduction of Colonel Fitzwilliam, when he arrives with Darcy, as “about thirty, not handsome, but in person and address most truly the gentleman.” Obviously the contrast is with Darcy, who is handsome but has less gentlemanly manners, but this isn’t explicitly spelled out. Austen simply says that Darcy “looked just as he had been used to look in Hertfordshire” and moves to the manner of his compliments to Charlotte.

We do get an explicit contrast later, when Darcy, Georgiana, and Bingley come to Lambton (so, after the critical revelations):

Miss Darcy was tall, and on a larger scale than Elizabeth; and, though little more than sixteen, her figure was formed, and her appearance womanly and graceful. She was less handsome than her brother; but there was sense and good humour in her face

Austen breezes past this to Georgiana’s manners and Bingley’s arrival. There are a couple of discussions of Darcy’s appearance earlier at Pemberley, but entirely held between Mr and Mrs Gardiner, who admire his figure while Elizabeth is consumed by embarrassment. She mentions that it was obvious that he had only just arrived via horse or carriage, but not how she knows this or what she feels about it beyond repeatedly blushing.

Then they meet again, he interacts with the Gardiners for awhile, and Elizabeth and the Gardiners leave. The Gardiners discuss the encounter including Darcy’s appearance, and Mrs Gardiner—who at this point, still thinks Darcy has mistreated Wickham—first concludes that Wickham is handsomer, then immediately re-considers and decides that Darcy has perfect features, but not Wickham’s angelic countenance. She (Mrs Gardiner) goes on, “He[Darcy] has not an ill-natured look. On the contrary, there is something pleasing about his mouth when he speaks.”

Elizabeth does not opine on Darcy’s mouth, lol, and instead defends Darcy’s moral character as far as his financial dealings with Wickham are concerned. We don’t hear much more of it apart from that, and in general, we see Elizabeth’s reactions to Darcy more than we hear about them:

Their eyes instantly met, and the cheeks of both were overspread with the deepest blush.

She blushed again and again over the perverseness of the meeting.

The colour which had been driven from her face, returned for half a minute with an additional glow, and a smile of delight added lustre to her eyes, as she thought for that space of time that his affection and wishes must still be unshaken.

Darcy had walked away to another part of the room. She followed him with her eyes, envied everyone to whom he spoke, had scarcely patience enough to help anybody to coffee; and then was enraged against herself for being so silly!

The colour now rushed into Elizabeth’s cheeks in the instantaneous conviction of its being a letter from the nephew, instead of the aunt

She had only to say in reply, that they had wandered about, till she was beyond her own knowledge. She coloured as she spoke

I do not personally think there can be much reasonable doubt about whether Elizabeth is attracted to Darcy during this phase of the book. But the narrative does dance around it enough (for understandable 1813 reasons, I suspect, given that Elizabeth either dislikes or hates Darcy for a significant portion of the book) that it’s not at all clear when she begins to finds him attractive, especially given that she does not actually see him between receiving the letter and acknowledging his attractiveness at Pemberley. So I think there are multiple valid interpretations or headcanons one could come up with for that.

[sskk-manifesto]

Atsushi's back in the game!!! ۶( ˆ o ˆ )

[crossdressingdeath]

I really hope that TSatS features Nico and Will having so many issues around being complicit in Octavian's death, and Nico in addition having so many issues around killing Bryce. On Octavian's end these are children complicit in a gruesome death; necessary or no, that sort of thing's going to stick with them! Especially since as far as we see they never tell anyone about it (Nico might have told Dionysus during their therapy sessions, but as far as I can remember that's not confirmed), which means the only people they can discuss the whole thing with is each other. ...Or I guess Michael Kahale—assuming he's still alive post-ToA, since that's not actually confirmed—but I feel like the understanding between him and them is probably that they Do Not Acknowledge It, assuming they ever see each other at all. Anyway. I'm sure being able to share the weight of what they were part of between the two of them would help, but... well, sharing the burden of being a teenager traumatized by your part in a brutal death with another teenager traumatized by their part in said brutal death is only going to do so much. And I feel like more specifically the fact that Will is a healer would make the whole situation so much worse for him; knowingly standing by and letting someone die knowing he could easily save them would be hard for any hero, but for someone who's dedicated to healing people? Yeesh.

And of course on top of that... Bryce's death is a really cool and dramatic scene that goes way harder than I'd expect a children's book to go, but it's also absolutely horrific. Partially because Nico turns him into a ghost with zero sign of hesitation and that is so much, but I feel like for Nico partially because he doesn't remember it. Like, the fact that he has no memory of killing Bryce gets glossed over in BoO, but he turned a guy into a ghost with no hesitation or mercy and he doesn't remember. He was really angry at Bryce for threatening Reyna, and the next thing he knew the guy was dead (and he'd been knocked out for three days). He has no idea how he did it or even what he was thinking at the time! He was either out of control of his own actions or he wanted to kill Bryce, and he has no way of finding out which. That would be a terrifying thought: either he's a willing murderer (while him killing Bryce was to save Reyna and Hedge and I fully agree with it, it was absolutely murder in a way Octavian's death isn't, Bryce was completely powerless and begging for mercy by the end there) or his powers can hijack his body and push him into doing things that he would never do of his own free will, and he'll probably never know which. Which does beg the question of if anything could set him off like that again, which I feel like is something that would weigh on Nico. I'd love to see him admit that he's actually really scared that something will push him over the edge again and either he'll lose control of his powers and kill someone else or (possibly worse) discover that he was in control when he killed Bryce and did it because he wanted to. Now, I don't think Nico could turn someone into a ghost just like that, my theory is that it was only possible in Bryce's case because Bryce was threatening someone he loved using a closely held secret (which Nico understandably took rather personally) and, more importantly, he was halfway faded out of the living world already; I doubt he could've done it if he hadn't been mostly full of darkness already or if he hadn't been overwhelmed with protective fury at the threat to his dear friend. But whether or not Nico knows that is unclear; I can see him being terrified at the very thought that it's possible that he could snap and kill someone again.

Basically given how TSatS seems like it's going to be largely about All The Trauma, it would feel like a huge failure on Rick's part to not go into how being responsible for Octavian's death absolutely would've fucked Will and Nico up, and also how directly killing Bryce absolutely would've fucked Nico up. If I'm remembering right, setting aside Luke's death—Percy and Annabeth supplied the weapon he stabbed himself with, but I wouldn't call them complicit in it the way Will, Nico and Michael are complicit in Octavian's death since it was entirely Luke's decision in the end—Will and Nico (and Michael Kahale but he's not important currently assuming he's even still alive) are the only protagonists knowingly and willingly complicit in another demigod's death, and Nico is the only protagonist to actively kill another demigod! I can accept them not talking about it in ToA, since "Hey, we're super fucked up from the deaths we caused/played a part in and we don't know what to do about that because we're kind of sort of murderers before the age of eighteen and that's really not the sort of thing you just tell people" isn't something to drop on Will's suddenly-sixteen-and-mortal godly father without warning during a serious crisis situation and I can't see anyone they might have told about it off-page spilling the beans without permission either and when it happened Apollo was already in deep shit and so probably not paying a lot of attention to what his kid was doing, so our POV character wouldn't know about it and wouldn't find out (I know he's aware that Octavian's dead, but unless I'm forgetting something—which is. entirely possible, I should reread ToA—he doesn't know the part Will and Nico played in it). But if it doesn't come up at all in the book told entirely from their perspectives, I'm... honestly gonna be pretty pissed!

[batcavescolony]

What do they do with memorials in comic universes? I've seen so many statues made after a hero has died to memorialize them but what do you do with them when they come back? It's not really needed anymore, they're alive, and when they inevitably die again do they make a new memorial or repurpose the old one?

[moeblob]

Flit (ginger) finds an injured, stray cat and is like "aw poor little guy... let's see if my sister can help you" and so he takes the injured black cat to Fleet. Who is then "I have no idea how to heal a cat" and turns him into a human, heals him, and is ready to turn him back into a cat but then he's just "WAIT IF IM HUMAN I CAN HELP YOU! LEMME BE A HUMAN! I WANNA HELP YOU!" and Fleet looks to Flit who shrugs since it's hard being the only assistance to his sister. So he proceeds to name the guy Eureka and now Eureka refers to Flit as "master" and Fleet as "mistress".

And obsessively tries to help them. But he also talks a lot at times and Fleet gets frustrated and turns him back into a cat as punishment and he sulks off to cuddle next to Flit... who is unfortunately much more patient than Fleet so he's now just stuck with this cat-guy-hybrid obsessed with him. And he doesn't regret /helping/ the cat but .... Eureka is really clingy. So he's just resigned to having either a black cat in his lap or a man looming over him asking "whatcha doing, Master?" at all times.

[opens-up-4-nobody]

...

[psqqa]

if they wanted me to edit these research guides in a timely manner they should have written them better

[lab-gr0wn-lambs]

To be honest the dialogue in twd is absolute ass sometimes but the actors deliver their lines with so much conviction that it kinda slips by. You yell that convoluted sentence with your whole cunt, girl.

[wild-at-mind]

I feel like tags like these were inevitable on the post about people traumatising themselves for the greater good or w/e... There is SO much emphasis on posting on tumblr and other social media being so important and so useful and we must never stop. But I would like to counterargue with the idea that posting on social media (especially tumblr) constantly does very little/nothing. If that was true then the point here becomes meaningless.

[quietwingsinthesky]

i do think a lot about the master & the doctor both deliberately seeking out other regenerations of each other than whoever they’re mostly interacting with. especially when they just want a chat, a moment’s truce, something that could be called comfort if they dared to put it into words. easier to do those things when, well, they’re still enemies, but the hurts are farther apart in time. ‘i’m your future, you’re my past, we’re both still hurting each other where we come from, but that’s a different me and a different you, and tonight, can’t we just play a game or share a bed for old time’s sake?’ you know?

[skrunksthatwunk]

went back to the sketchbooks around when i was going through yyh for the first time in 2019 and found a pile of near-yearly sticky note updates about my relationship with the series next to my first yyh doodles, a page full of kuwabaras. thought it'd be fun to share

+ more thoughts and old yyh art below

(it's crazy i didn't find any kurama-centric pages for months bc i think he's the one i doodled in the margins of class notes and stuff the most. his hair's pwetty and he gives me the least trouble outta any of the main 4)

something i noticed while skimming the two sketchbooks i took these from was how mean i was to myself at the time about my art. i guess it hit me more because i don't really spend hours going through my old sketchbooks over and over to track my progress and growth like i used to quite often. i guess it was only a little after when my self esteem was lowest (8th grade, tale as old as time), but... idk. i knew back then that i'd grown a lot in the few years since i started drawing more seriously (that's why i looked through my art so much), but like... i guess that never translated into being nice to myself about it. i ended up going back through about ten more sketchbooks to find more yyh art, and in the coming years i'm glad to say that negativity in the margins went away. hell yeah

but even so, my love for yyh was a constant and effusive thing, as it is now. it's probably the oldest of my current media interests. i watched myself get into rgg and develop my ocs and watched others fade in and out, watched my style loop back on itself and go all over the place, passed by pages of writing about crushes and album releases and gender discoveries and my grandparents dying, all surrounded by little drawings of the characters i love. including kuwabara in a maid dress right next to my dead grandma grief rambling that one time (no i'm not kidding. my grandma died in like late 2020 and the page where i poured my heart out after finding out she was gone just trying to process everything had one with catboy maid dress kuwabara directly opposite it, who i'd drawn like the evening before she died in her sleep. he killed my grandma from like 100 miles away he was that powerful. that wasn't even the last time i drew him like that and i don't even care about catboys or maid dresses much. i think it was just a bigger meme and he was the guy i most associated with cats. i put that man in a situation and he fucking got her because the book couldn't contain him. some victor frankenstein shit. anyway)

i took about 150 pictures, most with multiple sketches. i decided not to add any more though bc 1) i posted some of them on old accounts but i don't remember which ones, and tbh i value my anonymity a little too much 2) All Of The Pictures Turned Out Bad in ways i don't feel like getting into but just trust me it's like 6 layers of fucked up illegible image bullshit 3) i found it hard to narrow it down to things i felt were indicative of the development or interesting or anything like that. idk. i figured it was an interesting exercise for me and it probably wouldn't really mean anything to anyone else. and that's ok :) it was nice anyway. i mostly mention it to be like Oh My God i've drawn these guys a lot and i STILL don't know what i'm doing... :| it's fun

however i did transcribe the notes i left:

7/9/19: yo it's been less than a week & i'm on ep. 80 wtf i love this show

8/14/20: 1/2way thru my 3rd watch (first dub, first [with older sibling]) & honestly still love it & kuwabara being the first one i drew makes me happy

7/28/21: i'm watching it w/ [younger sibling] now! 4th(ish) watch, 2nd time through the dub, which is so much better than the sub really elevates the text. we're at the semifinals of the DT, which means this is technically my 5th time through yyh up until that point but eh semantics anyway i still love & obsess over yyh! <3

1/14/24 (present day): hey, i'm rewatching yyh for the.. idk 5th or 6th time. still love it & never stopped. now i'm writing fic & drawing & posting about it. i have friends i talk to about it. [both siblings] have seen it. so much has changed, and so little, but it made me sad seeing how much i insulted my own art. i love you 2019 me. god knows you needed it

[+ this drawing]:

anyway. forever fornever. if you even care