#Cecil Taylor Unit

[jazzdailyblog]

"Nefertiti, the Beautiful One Has Come": Cecil Taylor's Avant-Garde Odyssey

Introduction: In avant-garde jazz, certain albums emerge as sacred artifacts, encapsulating the spirit of experimentation and the unbridled creativity of their creators. One such monumental work is “Nefertiti, the Beautiful One Has Come,” a live album by the Cecil Taylor Unit recorded at Café Montmartre in Copenhagen, Denmark, on November 23, 1962. Lasting almost two hours, this recording is not…

[eraseer]

[oblivionrecords]

Best albums of 2022!

The closest thing jazz has to a “bible” is Chicago’s Downbeat, which is the first publication to honor the Oblivion Records release of the Cecil Taylor Unit’s The Complete, Legendary, Live Return Concert at The Town Hall NYC, November 4, 1973 as one of their best “historical” albums of 2022.

But, that’s not all!

So far, All About Jazz, The Quietus, JazzTimes, The Francis Davis Jazz Poll and Glide Magazine have all added their end of year accolades too!

[radiophd]

cecil taylor unit -- copenhagen [live, 1969]

[jdsoundbite]

Top 40 Over 40.34: Cecil Taylor Live in Berlin 1988

There are many impressive creative accomplishments in this series on artists making first rate albums over 40. But no one will ever match what Cecil Taylor did in 1988: put out 11 incredible albums in one year. Now granted, they are all live sets from one festival recorded in Berlin with a collection of leading European improvisers- but still. I bought three of these albums in 1994 or 1995 used…

[dustedmagazine]

Cecil Taylor Unit — Live at Fat Tuesdays, February 9, 1980 (First Visit Archive)

Over the weekend of Feb. 8-9th, 1980, the Cecil Taylor Unit rolled into Fat Tuesday’s, a jazz club at 190 Third Avenue in Manhattan. Four sets were recorded over the weekend by Swiss producer Werner X. Uehlinger, probably some four hours of music. The next year, one of these sets was released by Uehlinger’s label HatHut. And now, over 40 years later, another set has been released as Live At Fat Tuesdays, February 9, 1980, the first record on Uehlinger’s new label First Visit Archive.

This release consists of one long, untitled composition by Cecil Taylor, split arbitrarily into three tracks, and is a little over an hour of intense music: at turns it threatens to boil over, could seem at home on a classical record, or has the shouts and claps of a revival meeting. It’s not the most accessible of Taylor’s records, but then his most interesting ones never are.

The set opens with Taylor on piano, gently exploring while the percussion duo of Sunny Murray and Jerome Cooper provide a sparse backing. Soon, alto saxophonist Jimmy Lyons enters and he and Taylor go back and forth for a bit. As Taylor’s playing grows faster and more percussive, Lyons starts working on variations of the same phrase, adding little flourishes here and there. As the pace continues to build, Taylor’s energy rises and about four minutes in, he launches into his first solo of the set. You can hear him exploring ideas, sometimes going back to a passage or two between bursts. This isn’t just free jazz, but something with a larger structure in mind. Taylor’s piano occasionally bursts into fragments of sound, his energetic playing seeming to swirl around the other players and pushing him to the forefront. After a little bit, violinist Ramsey Ameen enters, sounding like he just walked in off an Albert Ayler record, his tone thin and shrill. He adds a nice dissonant streak to Taylor’s music, a counter to the pumping, rhythmic piano.

Not far into the second part, Taylor changes tack: his playing slows down and settles into a slow, almost classical style. He’s not exactly playing it straight — there’s little signature flourishes between phrases here—  but he’s almost showing that he can play like Keith Jarrett if he wanted to. As his playing once again picks up and grows fragmented, Lyons reenters and trades licks. Together they build a flurry of notes, the rhythm section trailing just behind.

Later in the evening, another wrinkle emerges: someone starts to vocalize overtop of the music, almost speaking in tongues, as opposed to the poetry Taylor sometimes mixed into his music. As the tempo slows down, there’s layers of voices and hand claps and percussion, taking the music into another dimension. And as the set winds down, the voices grow stronger and more rapid, little bursts that almost mimic Taylor and Lyons playing. And finally, Taylor slows things down almost all the way, closing an intense hour of music with some slow, melodic playing.

Throughout Live at Fat Tuedsays Taylor’s playing isn’t just a mere accompaniment to his band. He never just guides things along with a well-placed chord here or there. His forceful, driving playing could be a band all in itself and acts almost like a bed for the rest of the musicians to work on top of. He occasionally guides them with a burst of playing or pushes someone forward with a low rumble from his left hand. But one could strip away everything else to just focus on him and they’d still have an engaging record.

With so many moving parts here, like the interplay between Taylor and the string section of Ameen and Alan Silva (bass, cello), or the way Lyons seems to effortlessly glide between Taylor’s flurry of notes, it can be easy to get overwhelmed on first listen. Thankfully, one can go back and relisten: an ability the audience this night at Fat Tuesday’s wasn’t able to have.

To think that this short-lived lineup was able to play with this kind of telekinesis and energy on any of these nights is almost breathtaking and makes one wish the two unreleased sets were also available to listen to. But until then, this is an essential and exciting addition to Taylor’s discography.

Roz Milner

[onetwofeb]

Cecil Taylor Unit - 1980-12-20, Blues Alley, Washington, DC

photos by breton9jazz on instagram

[slackville-records]

"Steve Lacy (July 23, 1934 – June 4, 2004) was the first, after Sydney Bechet, to devote himself solely to the soprano saxophone. Through its flexibility, richness of tone and swing, he gave the instrument a new lease of life and inspired John Coltrane to start playing it.

Steven Norman Lackritz was born in 1934 in New York. As a teenager, he photographed musicians to sell their portraits at concerts. It was on this occasion that he met the man who introduced him to jazz: musician and conductor Cecil Scott.

In the early 1950s, he became a professional musician, playing clarinet and saxophone in clubs, while studying at the Schilliger House of Music in Boston and then at the Manhattan School of Music. His meeting with pianist Cecil Taylor in 1953 truly launched his career. Taylor introduced him to the music of Thelonious Monk, who would be his main source of inspiration and whom he would play throughout his life.

He quickly specialized in the soprano saxophone and became its major figure. While he is Cecil Taylor's main partner, he also plays with Roswell Bud, Gil Evans, and Thelonious Monk, his mentor.

In the 1960s, after having participated in the rise of free jazz with Ornette Coleman, he moved to Europe and became one of its main representatives. A musician considered as a soloist, he plays and records a lot in solo (his own compositions and those of Monk), but also in duo or with his band.

Steve Lacy died in 2004 in Boston. He had returned to the United States three years earlier to teach at the New England Conservatory. A leading figure in free jazz and soprano saxophone, he was a source of inspiration for many saxophonists, including John Coltrane. He played for a long time on a Mark VI before opting for Series III."

Source: Henri Selmer - Paris, photo by Christian Rose

[onryou-onryou]

Cecil Taylor Unit - Copenhagen 1969

[freetheshit-outofyou]

USS Albacore (SS-218), a 311-foot, Gato-class submarine lost 7 November 1944 of the coast of Hokkaido Japan, she was presumed lost on 21 December 1944 and struck from the Naval Vessel Register on 30 March 1945, found 16 February 2023.

The USS Albacore earned 9 battle stars, received 4 Presidential Unit Citations and was responsible for sinking at least 10 ships.

Below is a listing of the ships compliment, their names are written in memorial at the National Memorial Cemetary of the Pacific in Honolulu, Hawaii:

IN THESE GARDENS ARE RECORDED

THE NAMES OF AMERICANS

WHO GAVE THEIR LIVES

IN THE SERVICE OF THEIR COUNTRY

AND WHOSE EARTHLY RESTING PLACE

IS KNOWN ONLY TO GOD

Walter Henry Barber, Jr., Kenneth Ripley Baumer, Henry Forbes Bigelow, Jr., Edward Brown Blackmon, William Walter Bower, Allan Rose Brannam, Herbert Hodge Burch, Nicholas John Cado, John Joseph Carano, Charles Lee Carpenter, James Louis Carpenter, Pasquale Charles Carracino, Stanley Chapman, Douglas Childress, Jr., Frederick Herbert Childs, Jr., Perry Aubrey Collom, Audrey Cecil Crayton, Eugene Cugnin, John Wilber Culbertson, Philip Hugh Davis, Ray Ellis Davis, Fred Wallace Day, Julius Delfonso, James Leroy DeWitt, James Thomas Dunlap, Carl Hillis Eskew, John Francis Fortier, Jr., Gordon Harvey Fullilove, Jr., John Wilfred Gant, John Paul Gennett, William Henry Gibson, John Frederick Gilkeson, Charles Chester Hall, James Kenneth Harrell, Robert Daniel Hill, Allen Don Hudgins, Donald Patrick Hughes, Eugene Edsel Hutchinson, Burton Paul Johnson, Sheridan Patrick Jones, George Kaplafka, Nelson Kelley, Jr., Morris Keith Kincaid, Victor Edward Kinon, Joseph Mike Krizanek, Arthur Star Kruger,Walter Emery Lang, Jr., Jack Allen Little, Kenneth Walter Manful, Patrick Kennyless McKenna, Willie Alexander McNeill, Joseph Norfleet Mercer, Leonard David Moss, Richard Joseph Naudack, Encarnacion Nevarez, Joseph Hayes Northam, Frank Robert Nystrom, Robert James O'Brien, Elmer Harold Peterson, Charles Francis Pieringer, Jr., James Teel Porter, Jerrold Winfred Reed, Jr., Francis Albert Riley, Hugh Raynor Rimmer, A. B. Roberts, James Ernest Rowe, Philip Shoenthal, George Maurice Sisk, Joe Lewis Spratt, Harold William St. Clair, Arthur Lemmie Stanton, Robert Joseph Starace, John Henry Stephenson, Maurice Crooks Strattan, Earl Richard Tanner, William George Tesser, Paul Raymond Tomich, Charles Edward Traynor, Theodore Taylor Walker, Elmer Weisenfluh, James Donald Welch, Richard Albert West, Wesley Joseph Willans, Leslie Allan Wilmott, David Robert Wood

[papermoonloveslucy]

MOVIES on TV!

Part 2 ~ The Movies of “The Lucy Show”

Lucille Ball was a famous film star who became one of the biggest TV stars of the 1950s. She continued her trailblazing TV career in the 1960s with “The Lucy Show” where her character, Lucy Carmichael, was a huge film fan. 

~FACTUAL FILMS~ 

“Lucy Goes To a Hollywood Premiere” (1965) 

Lucy is movie mad!  When her plans to go to a Hollywood premiere with Mary Jane fall through, she disguises herself as one of the theatre’s ushers to work the red carpet and get autographs from the celebrities.

Lucy’s movie poster collection includes: Radio City Revels (1938), which was filmed at RKO, the studio that became Desilu; The Overland Express (1938); and Suspicion (1941), another RKO picture.  

Kirk Douglas is introduced as “The star of two great films: ‘The Heroes of Telemark’ and 'Cast a Giant Shadow.'” The Heroes of Telemark was released in the UK in November 1965, but would not premiere in the US for a month after this episode first aired. One month later (March 30, 1966), Cast a Giant Shadow premiered.

Memorabilia crazy Lucy says she bought a pink chiffon nightgown from Lillian Goodman’s Goodies for $75 that was worn by Doris Day in Pillow Talk (1959).  Mr. Mooney says he wouldn’t buy a second hand nightie if it had been worn by Jack Lemmon in Some Like It Hot (1959).

“No More Double Dates” (1963) 

Lucy and Harry (Dick Martin) and Viv and Eddie (Don Briggs) can’t agree on where to dine or what movie to see. They decide to pick out of a hat. 

Searching for possible movies to see, Eddie prefers Ben-Hur (1959) at the Ritz over Two for the Seesaw (1962), because you get more actors for your money. Ben-Hur famously had a cast of 30,000. The movie was also mentioned in “Lucy’s Sister Pays a Visit” (1962). Ralph Hart (Viv’s son Sherman) was an extra in Two for the Seesaw. Although the play lived up its title with a cast of two, the film was fleshed out with many more characters. 

Viv wants to see What Ever Happened to Baby Jane (1962), but Lucy thinks it will be too scary. The film starred Bette Davis and Joan Crawford, who will make a guest appearance on “The Lucy Show” in season 6. Lucy says she wants to see “the Cary Grant picture at the Danfield Theatre.”  She is probably referring to That Touch of Mink (1962). Herschel Graham, an extra in this episode, is also an extra in the film. Lucy notes that movie tickets are $1.50. 

CLEOPATRA ~ “Lucy Plays Cleopatra” (1963)

At the Danfield Community Theatre, Lucy lands the plum role of Cleopatra. 

Lucy says she should get the part because she saw the film twelve times. Sarcastically, Viv says “She means the one with Theda Bera.” Lucy is referring to the 20th Century Fox's 1963 extravaganza Cleopatra starring Elizabeth Taylor and Richard Burton as Mark Antony. Viv is referring to Cleopatra, a 1917 silent film. All known prints of this film were destroyed in a Fox Studios Fire in 1937. The writers might have also referenced Cecil B. DeMille's 1934 film Cleopatra starring Claudette Colbert.  

GASLIGHT - “Lucy Gets Mooney Fired” (1967)

Lucy and Mary Jane watch Gaslight  (1944) on TV. Lucy sums up the plot for Mary Jane: “Charles Boyer tries to convince Ingrid Bergman that she is seeing things that aren’t there.” This inspires Lucy to try to make Mr. Cheever think that he is going crazy, much like the plot of the film. The movie was based on Patrick Hamilton’s 1938 play Gas Light (known in the United States as Angel Street). It inspired a 1940 British film before the 1944 Hollywood version.

WINGS ~ “Lucy and Carol Burnett: Part 2″ 

Lucy and Carol get their wings as flight attendants and perform a graduation revue about the history of aviation with the stars of the 1927 silent motion picture Wings, Buddy Rodgers and Richard Arlen. The film was the first to win an Academy Award for Best Picture in 1929. 

In Part 1, the in-flight movie unravels, causing Carol and Lucy to do live entertainment in the aisle. 

LAWRENCE OF ARABIA ~ “Lucy the Disc Jockey” (1965)

Listening to the hourglass (egg timer) to win a radio contest, a sleepy Viv makes a joke about hearing Lawrence of Arabia calling for help. Lawrence of Arabia is a 1962 epic historical film based on the life of  T.E. Lawrence and taking place mostly in the desert. It won seven Oscars including Best Picture. The film was also mentioned in “Lucy the Stunt Man” (1965). 

GONE WITH THE WIND ~ “Lucy and Robert Goulet” (1967)

When Mr. Mooney helps Chuck Willis (Robert Goulet) get on a horse for his photo, he comments that there probably was not this much trouble making Gone with the Wind. Lucille Ball was considered for the lead role in the 1939 epic, which went to Vivian Leigh (right) instead.  

DANGER IN PARIS ~ “Lucy Dates Dean Martin” (1966)

Lucy admires (and later wears) a red beaded jacket she recognizes as one worn by Audrey Hepburn in Paramount’s 1937 film Danger in Paris (aka Cafe Colette aka K-33). She says it was sent over by Paramount. In reality, Danger in Paris did not star Hepburn and was not released by Paramount. This is likely something Lucille Ball wanted to wear so a story was made up for it.

MILDRED PIERCE ~ “Lucy and the Lost Star” (1968)

Viv calls Joan Mildred Pierce. This was the name of the title character of the 1945 film that won Crawford her only acting Oscar.

GOLDFINGER ~ “Lucy and the Starmaker” (1967)

When Mr. Mooney threatens to send Lucy to Fort Knox to be made into gold bars, Lucy says to Tommy (Frankie Avalon): “Who does he think he is? Goldfinger?” Goldfinger was a James Bond film released in the US in early 1965. 

In “Lucy and the Undercover Agent” (1965) Lucy, Rosie (Ann Sothern), and Mr. Mooney have just seen a James Bond film. Although the title is never mentioned, Goldfinger was released in the USA in January 1965. A few weeks after this episode aired, Thunderball premiered.

~FILM INSPIRATION~

MY FAIR LADY ~ “My Fair Lucy” (1965) 

LUCY: “Rosie, I have a plan. Did you see ‘My Fair Lady’?” ROSIE: “Yes.” LUCY: “Now listen…” [fade to commercial]

The episode is inspired by My Fair Lady, a 1956 stage musical by Alan J. Lerner and Frederick Loewe that was turned into a major motion picture in 1964. To con a rich couple into funding their charm school, Rosie claims that under her tutelage, she can transform an uncouth, slovenly woman into a refined lady at an elegant soiree. Lucy’s cleaning lady character is named Liza Lumpwhomper. Eliza Doolittle is the name of Audrey Hepburn’s character in My Fair Lady.  

The film starred Audrey Hepburn and Rex Harrison, recreating the role he played on stage. The film won eight Oscars and was phenomenally successful at the box office. It premiered in New York City on October 21, 1964, five weeks before this episode was filmed. In the feature film, a couple of familiar faces from Lucy sitcoms appear: Walter Bacon, George Holmes, Barbara Morrison, Jerry Rush, Bert Stevens, Ben Wrigley, and Lucille Ball’s good friend, Barbara Pepper. Although set in England, the film was shot exclusively in Hollywood.

In 1965′s “Lucy Saves Milton Berle”, Lucy Carmichael disguises herself as a poor flower seller, bearing more than a passing resemblance to Eliza Doolittle from My Fair Lady. 

IT HAPPENED ONE NIGHT ~ “Lucy the Camp Cook” (1965)

After Mr. Mooney runs out of gas (because the last filling station didn’t give trading stamps), Lucy and Viv try hitchhiking. Viv says “Let’s give it that old Claudette Colbert try.”  Viv is referring to a scene from the 1934 film It Happened One Night in which Colbert ‘schools’ Clark Gable in how to get a driver to stop by hiking up her skirt above the knee. 

THE KID ~ “Lucy Meets Mickey Rooney” (1966)

In Mickey Rooney’s theatre school recital Lucy plays Charlie Chaplin and Rooney is the Kid. The sketch is inspired by The Kid (1927) a silent classic starring Chaplin and Jackie Coogan. Praising Mickey Rooney, Lucy tells him “Those father and son talks with Judge Hardy helped a lot.” Lucy is referring to Rooney's portrayal of Andy Hardy in 16 films between 1937 and 1958.

FOLLOW THE FLEET / ROBERTA ~ “Lucy and George Burns” (1966) 

Lucy says that Ginger Rogers is her very favorite star. She describes a film she saw on “The Late Late Show” in which Fred Astaire and Ginger Rogers fell in love despite her accidentally kicking him from the chorus line. Lucy is probably describing Follow the Fleet (1936) or Roberta (1935) in which Lucille Ball had supporting roles. Both films were made by RKO, which became Desilu Studios.

~FICTIONAL FILMS~

“Lucy Goes to a Hollywood Premiere” (1965)

Dimitri Orloff (Sid Gould) is the composer of “I Left My Kidney with Dr. Sidney,” the theme song from the film Doctors and Nurses A-Go-Go.

Mimi Van Tysen (Beverly Powers) and Coconuts (George Barrows) are stars of the Love in the Jungle.

“Lucy and the Monsters” (1966)

Lucy tells Viv that Jerry and Sherman are at the State Theater to see the double-feature The Surfing Werewolf and The Eggplant That Ate Philadelphia, both made-up horror films. Their worries about the effect of the horror films on their boys leads them to have a shared horror film dream. 

“Lucy Meets the Berles” (1967)

To earn extra money Lucy takes a job working as a secretary for Milton Berle. When Lucy hears overhears him rehearsing a love scene with Ruta Lee, she jumps to the conclusion that he is being unfaithful to his wife.  The film they are rehearsing is titled The Friendly Skies, although the script he holds is titled The Friendly Sky. 

“Lucy and the French Movie Star” (1967) 

Lucy says she saw Jacques DuPre (Jacques Bergerac) in the film Kisses at Dawn where he did his own stunts playing a lion tamer. He even goes so far as to demonstrate, using an office chair and a whip (Lucy's raincoat belt) with Lucy acting as the lion. When Mr. Mooney bursts in and sees the reenactment, he jumps to the conclusion that Lucy is attacking DuPre, instead of the other way around!  

“Lucy the Stunt Man” (1965) / “The Return of Iron Man” (1965) / “Lucy and Bob Crane” (1966)

In all three episodes, Lucy makes extra money appearing in films as gruff stunt man Iron Man Carmichael. The title of the films go unmentioned, but in Iron Man’s first outing he is in a barroom brawl in a Western. In his return he is shot out of a canon in a Pirate movie. And when she meets Bob Crane she parachutes in during a World War One epic resembling “Hogan’s Heroes”, Crane’s hit series filmed at Desilu Studios. 

~FILM HOMAGE~

DANCE, GIRL, DANCE ~ “Lucy the Gun Moll” (1966)

In an “Untouchables” parody, Federal Agent Briggs (Robert Stack) is in the dressing room of Rusty (Lucille Ball). Behind Stack is a photo of Lucy singing “Jitterbug Bite” in the 1940 film Dance, Girl, Dance. Ball met Desi Arnaz while filming this movie. It was filmed at RKO, the studio that became Desilu, producer of “The Untouchables”. 

[buttererer]

Cecil Taylor Unit - Copenhagen (1969)

Cecil Taylor - piano

Jimmy Lyons - alto saxophone

Sam Rivers - tenor saxophone, flute

Andrew Cyrille - drums

[oblivionrecords]

Side hustle?

I’m assuming that not many visitors to Oblivion Records read LinkedIn, the social network for business. But, that’s where I posted this piece about my side hustle away from my cartoon company, the revival of Oblivion Records with the digital drop of the Cecil Taylor Unit’s The Complete, Legendary, Live Return Concert 1973.

[rabbittstewcomics]

Episode 370

Comic Reviews:

DC

Batman: One Bad Day – Two Face by Mariko Tamaki, Javier Fernandez, Jordie Bellaire

Harley Quinn 30th Anniversary Special 1 by Paul Dini, Jimmy Palmiotti, Rob Williams, Sam Humphries, Cecil Castellucci, Mindy Lee, Rafael Scavone, Stephanie Phillips, Kami Garcia, Terry Dodson, Stjepan Sejic, Amanda Conner, Riley Rossmo, Guillem March, Rafael Albuquerque, Mico Suayan, Chad Hardin, Jason Badower, Rachel Dodson, Dan Hipp, Erica Henderson, John Timms, Marcelo Maiolo, Ivan Plascencia, Annette Kwok, Alex Sinclair, Tomeu Morey, Amy Mebberson

Titans United: Bloodpact 1 by Cavan Scott, Lucas Meyer, Tony Avina

Marvel

Edge of Spider-Verse 4 by Dan Slott, Tee Franklin, David Hein, Jordan Blum, Ty Templeton, Jethro Morales, Luciano Vecchio, Michael Shelfer, Chris Sotomayor, Brian Reber, Rico Renzi, Dono Sanchez Almara

X-Terminators 1 by Leah Williams, Carlos Gomez, Bryan Valenza

It’s Jeff by Kelly Thompson, GuriHiru

Image

Creepshow 1 by Chris Burnham, Adriano Lucas, Paul Dini, Stephen Langford, John McCrea, Mike Spicer

Vanish 1 by Donny Cates, Ryan Stegman, JP Mayer, Sonia Oback

Boom

Stuff of Nightmares 1 by R.L. Stine, A.L. Kaplan, Roman Titov

IDW

Crashing 1 by Matthew Klein, Morgan Beem, Triona Farrell

Archie

Chilling Adventures Presents Weirder Mysteries 1 by Frank Tieri, Joanne Starer, Ron Robbins, Juan Bobillo, Ryan Jampole, Federico Sabbatini

Oni

Action Journalism 1 by Eric Skillman, Miklos Felvideki, Mariane Gusmao

Valiant

Bloodshot Unleashed 1 by Deniz Camp, Jon Davis-Hunt

OGN

Mayor Good Boy Goes Hollywood by Dave Sheidt, Miranda Harmon

Order of the Night Jay: The Forest Beckons by Jonathan Schnapp

Ray’s OGN Corner: Anne of West Philly by Ivy Noelle Weir

Additional Reviews: Clerks III, Howard the Duck by Chip Z, Andor 1-3, Umbrella Academy s3, She-Hulk ep6

News: Dark Horse leaves Diamond, Rogues Gallery headed to TV, Tini Howard and Sweeney Boo taking over Harley Quinn, James Earl Jones retires from playing Vader, WB Discovery madness, Wayne Family Adventures s2 release date, next Snyder book (Book of Evil, with Jock), live action Avatar casting, Giant Days Kickstarter (and Glenn’s questionable buying choices), Grendel adaptation canceled, Deadpool 3, Blade loses director

Trailers: Midnight Club, Hellraiser, Strange World, Knock at the Cabin, Enola Holmes, Inside Man, Devil’s Hour, Last of Us

Radiant Black 18 by Kyle Higgins, Laurence Holmes, Stefano Simeone

Usagi Yojimbo 31 by Stan Sakai

Wynd: The Throne in the Sky 2 by James Tynion IV, Michael Dialynas

Flash 786 by Jeremy Adams, Amancay Nahuelpan, Pete Pantazis, Jeromy Cox

Nightwing 96 by Tom Taylor, Bruno Redondo, Caio Filipe, Adriano Lucas

Ice Cream Man 32 by W. Maxwell Prince, Martin Morazzo

Lonesome Hunters 4 by Tyler Crook

Batman: The Knight 9 by Chip Zdarsky, Carmine Di Giandomenico, Ivan Plascencia

Public Domain 4 by Chip Zdarsky, 

Strange 6 by Jed MacKay, Lee Garbett, Javier Tartaglia

Check out this episode!

[polyrhythmicbw]

Cecil Taylor Unit - Berlin 1969

同じ人がアップしていた、1969年ベルリンでのセシル・テイラー・ユニットのライブ。これも貴重。カメラのスイッチングに凝りすぎて「ちょっと落ち着け」と言いたい部分もあるけどｗ

[emilytakesphoto]

🎧👍