#Chitralekha

[mishasingh321]

How Ishika Taneja is Empowering Women Through Sanatan Dharma

Ishika Taneja is a name that resonates with empowerment, strength, and spirituality, particularly when it comes to the teachings of Sanatan Dharma. In an era where gender equality and women's empowerment are central to societal progress, Ishika Taneja has emerged as a beacon of inspiration for countless women, encouraging them to embrace their true selves, reclaim their power, and reconnect with the roots of ancient wisdom. In this article, we will explore how Ishika Taneja is making a profound impact on women's empowerment through her teachings and advocacy of Sanatan Dharma.

Who is Ishika Taneja?

Ishika Taneja is a renowned actress, spiritual leader, and advocate of Sanatan Dharma. Best known for her roles in various movies, Ishika has steadily built a reputation for being more than just a talented actress. She is also a strong voice in the movement for women's empowerment and has made it her mission to inspire women to rise above societal challenges and embrace the values and teachings of Sanatan Dharma.

Her deep interest in spirituality, self-awareness, and the ancient practices of Sanatan Dharma have led her to integrate these principles into her life and work. This has helped her gain a dedicated following, particularly among women who are looking for a holistic approach to personal growth and empowerment.

Ishika Taneja's Early Life and Career

Ishika Taneja’s journey to becoming an influential figure in the realm of women’s empowerment began early in life. Born with a passion for the arts and spirituality, she made her debut in the entertainment industry through her notable performances in movies. Her charisma and strong screen presence quickly captured the attention of the audience, and her acting career began to soar.

However, despite her success in the film industry, Ishika found herself increasingly drawn to the spiritual teachings of Sanatan Dharma. She began to delve deeper into the philosophy, rituals, and practices of this ancient system of thought. As a result, her spiritual path and acting career have gone hand in hand, with each enriching the other.

Ishika Taneja's Focus on Sanatan Dharma

Sanatan Dharma, often referred to as Hinduism, is one of the oldest spiritual and philosophical systems in the world. It emphasizes the importance of righteousness, moral duty (dharma), and the pursuit of truth. For Ishika Taneja, these teachings have been instrumental in shaping her worldview and approach to life.

Through her advocacy of Sanatan Dharma, she has helped women reconnect with their roots, rediscover their inner strength, and find purpose in their lives. Sanatan Dharma offers timeless wisdom on values such as respect for oneself and others, the importance of knowledge, and the empowerment that comes from embracing one's true nature. Ishika’s work promotes these principles in ways that resonate with women who feel disconnected from their spiritual and cultural heritage.

Empowering Women Through Spirituality

One of the primary ways in which Ishika Taneja empowers women is by encouraging them to embrace the spiritual teachings of Sanatan Dharma. By doing so, women can find inner peace, develop mental clarity, and gain the strength to face life’s challenges.

Through her platforms, Ishika shares stories of great women from Hindu mythology and history, such as Draupadi, Sita, and other powerful female figures. These stories highlight the strength, resilience, and determination of women, reminding them that they have always been central to the spiritual and cultural fabric of society.

In addition, Ishika emphasizes the importance of self-care and self-awareness, encouraging women to dedicate time for self-reflection and meditation. This practice not only helps them stay grounded but also builds the resilience needed to overcome personal and societal hurdles.

Ishika Taneja's Role as a Mentor and Teacher

Beyond her role as an actress, Ishika Taneja is also a spiritual guide and mentor. Her role as a teacher involves leading workshops, retreats, and talks on the teachings of Sanatan Dharma and how they relate to modern-day challenges, especially for women.

Through these events, she has created a supportive community where women can share their experiences, learn from one another, and grow spiritually. Ishika’s teachings center on the idea that each woman has the power within her to create change, both in her life and in the world around her. This approach not only encourages individual growth but also fosters a sense of solidarity and unity among women.

Ishika Taneja's Contribution to Women's Empowerment in the Entertainment Industry

In addition to her work in the realm of spirituality, Ishika Taneja’s presence in the entertainment industry has also been a source of empowerment for women. As an actress, she has taken on roles that challenge societal norms and promote women’s rights and equality. By portraying strong and independent female characters, Ishika has broken away from the traditional portrayal of women in cinema, offering a fresh perspective that inspires both women and men.

Her influence extends beyond the screen, as she actively uses her platform to speak out on issues related to women's rights, gender equality, and the importance of nurturing one’s spiritual and emotional well-being. Ishika believes that the entertainment industry can be a powerful tool for social change, and she is committed to using her voice to make a difference.

Ishika Taneja’s Advocacy for Women’s Rights

Ishika is not only focused on empowering women spiritually but also advocates for their rights in the broader social context. Whether it is through discussions on gender equality, access to education, or equal opportunities in the workforce, Ishika is a passionate advocate for women’s rights. She uses her influence to raise awareness about pressing issues such as domestic violence, women’s health, and the importance of mental well-being.

Through her advocacy and platform, Ishika encourages women to take control of their lives, stand up for their rights, and create a world where they are free to pursue their dreams without limitations.

Ishika Taneja’s Personal Life: Husband and Family

While much of Ishika’s public persona revolves around her career and spiritual work, her personal life is equally significant in shaping her values and approach to empowerment. Ishika Taneja’s husband has been an important support system in her journey, offering love, encouragement, and stability. Together, they have built a strong family foundation that promotes mutual respect, understanding, and growth.

Her relationship with her husband reflects the principles of partnership, equality, and shared responsibility. In a world where traditional gender roles are constantly evolving, Ishika’s partnership offers a modern and balanced example of mutual respect and love.

Ishika Taneja: A Beacon of Hope for Future Generations

In conclusion, Ishika Taneja’s work in promoting Sanatan Dharma and advocating for women's empowerment serves as a powerful example of how spirituality, personal growth, and social change can go hand in hand. Whether it’s through her career as an actress, her role as a mentor, or her activism for women's rights, Ishika continues to inspire women across the globe to embrace their strength, pursue their dreams, and live in alignment with the values of Sanatan Dharma.

Her journey is a testament to the transformative power of spirituality and the impact it can have on women’s empowerment. As Ishika continues to grow in both her spiritual and professional pursuits, her influence will undoubtedly inspire many more women to reclaim their power and thrive.

[nishaarora3497]

True beauty lies not in appearances, but in empowering others and walking the path of dharma." — Sadhvi Ishika Taneja

[bhaktibharat]

देवी चित्रलेखा जन्मदिवस - Devi Chitralekha Birthday @Chitralekhaji

कथा वाचक एवं आध्यात्मिक वक्ता भक्तमाल देवी चित्रलेखा जी के जन्मदिन की हार्दिक शुभकामनाएँ ! 👇

📲 https://www.bhaktibharat.com/bhakt/devi-chitralekha

For Quick Access Download Bhakti Bharat APP:

📥 https://play.google.com/store/apps/details?id=com.bhakti.bharat.app

[vishnumaheshsharma]

पुस्तक समीक्षा: विरोधाभास और द्वैतता के‌‌ साथ न्याय करते‌ हैं भगवती चरण वर्मा के‌ 'चित्रलेखा' के‌ पात्र‌ व‌ कथानक

भगवती चरण वर्मा जी जब हमें चित्रलेखा से मिलाते हैं तो‌ हमें बताते हैं कि‌ कभी उसमें वैधव्य का संयम था जो कृष्णादित्य के‌‌ रुप से डगमगाया। कृष्णादित्य नाम के विरोधाभास को और प्रखर रुप से उद्भासित करते हुए वर्मा जी रेखांकित करते हैं कि कृष्णादित्य, क्षत्रिय और शूद्र की वर्णसंकर संतान थी। कृष्णादित्य चित्रलेखा के जीवन में आया और चला गया किंतु उसका जन्मजात विरोधाभास चित्रलेखा के जीवन‌का सत्य बन…

[hotvintagepoll]

Propaganda

Margaret Lindsay (Frisco Kid, The House of the Seven Gables, Scarlet Street)—she was born in Dubuque, Iowa, then moved to England to make her stage debut. She framed herself as a British actress and moved back to America to try Hollywood, then starred with James Cagney in a bunch of movies. She was in the Ellery Queen movie series and The House of the Seven Gables. She never married (I suspect lesbian stuff) but lived with her sisters. She dated Cesar Romero and Liberace (I told you. Lesbian stuff.) Please include the pic of her in the tie [included above]

Mehtab (Chitralekha)—Mehtab was a popular Muslim actress who did a ton of Hindi movies. She came into prominence through the movie Chitralekha (1941) with a famous bathing scene in it. I couldn't find the clip itself but here's some discussion of the movie [video below the cut].

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut]

Margaret Lindsay:

Mehtab:

[saanjhghafa]

I’ve begun listening to Amarendra Prabhu, Indresh Updhyay, Chitralekha ji, Jaya Kishori ji narrating Shrimad Bhagvatam after a long time. Life’s good again.

Radhe Radhe 🦚💛

[nidhikaundal09]

ब्रह्मा और विष्णु की लड़ाई के बीच सदाशिव काल का आना | Shiv Mahapuran Katha Live Today 2024 | Satsang Ep. 2662Many spiritual leaders like Aniruddhacharya Ji Maharaj, Dhirendra Krishna Shastri (बागेश्वर धाम सरकार), Jaya Kishori, Chitralekha, Pradeep Mishra, Shri Devkinandan Thakur Ji, Morari Bapu, Neem Karoli Baba, Sadhguru, Ramdev, Swami Ramanandacharya, Soami Bagh Agra, Sri Sri Ravi Shankar, Ram Rahim (Dera Sacha Sauda), and Asaram Bapu are misleading people in the name of satsang. They keep you focused on external rituals and appearances, taking you away from the true path of devotion. The real satsang, where you can find the genuine path to salvation, is only given by Sant Rampal Ji Maharaj. Only he provides the true spiritual knowledge that leads to ultimate liberation.श्री शिव महापुराण और भगवत गीता के अंशों में छिपा हुआ है एक गहरा रहस्य—काल रूप ब्रह्म। जानिए कैसे ब्रह्मा, विष्णु, और शिव की भूमिका इस महाभारत में तय की गई और कैसे कबीर साहब ने असली भक्ति का मार्ग दिखाया। क्या हमारे शास्त्र��ं में लिखे भगवान ही असली हैं या यह काल का भ्रम है? इस वीडियो में जानें वेदों और पुराणों की अद्भुत और छिपी हुई सच्चाईयों को, जो आपके विचारों को बदल सकती

[ccandd96]

This brand-new book is the perfect thing to pick up to cap off summer! Scars Publications just released the Down in the Dirt‘s May-August 2024 issue collection book “A Library of Collaboration”! This 422-page volume is a great way to stock up on issues if you didn’t buy all of the issues making this a GREAT deal! A listing of all the contributors and titles is available at Scars online, and authors are also listed in the description now online through Amazon throughout the U.S. and Canada. They can also be ordered in the U.K., all of Europe, and even Japan and Australia!

https://www.amazon.com/dp/B0DBDBH1HK

https://scars.tv/2024May-August-issue-collection-book/A_Library_of_Collaboration.htm

The contributors to this book (of writing and art) include A.R. Williams, Alan Ford, Alexandra Dark, Angela Carrozza, Anthony Thomas Voglino, April Fikstad, April Goodwin, Bill Tope, Binod Dawadi, Brenda Mox, Brian Beatty, Brian Connelly, Cailey Tin, Cameron D. Alexander, Camille Akers, Chitralekha Hore, Christopher Strople, Ciara M. Blecka, Clarence Allan Ebert, Clive Aaron Gill, Corey Smith, Corey Villas, Daniel de Culla, David J Tate, David Sapp, David Sowards, Debra Wilson Frank, Devin Sparkman, Dick Yaeger, Donald Reed Greenwood, Dorthy LaVern McCarthy, Doug Hawley, Douglas Young, Dr. Adyasha Acharya, Drew Marshall, DS Maolalai, Duane Anderson, Edward Michael O’Durr Supranowicz, Eleanor Leonne Bennett, Elena Botts, Eric Brown, Erik Priedkalns, George Beckerman, Gil Hoy, Greg Beckman, Hannah Ferris, Hasan Chaudhry, Helen Bird, Holly Day, Isabel G. de Diego, J. Ray Paradiso, Jackie Bayless, Jake C. Elliott, James Bates, James Nelli, Janet Kuypers, Jerry Guarino, Joan Mach, John F. McMullen, John Farquhar Young, John Grey, John Riebow, John Zedolik, Joy Myers, June Wolfman, Justine Fleming, Kassan Jahmal Kassim, Katarina Pavicic-Ivelja, Ken Weiss, Kris Green, Kyle Hemmings, Kyle Trenka, L. Sydney Abel, Latoya Kidd, Laura Bota, Lee Hammerschmidt, Madelyne Timmons, Mark Pearce, Mark Wolters, Marvin Reif, Matthew McAyeal, Megan Mealor, Michael Gigandet, Mike Rader, Mykyta Ryzhykh, Norm Hudson, Oleksandr Gorpynich, Olivia G. Benson, Olivier Schopfer, Paul Stansbury, R.T. Castleberry, Raha.M, ReLand, Richard K. Williams, Ronald Hernandez, Roseann Bauer, Rowan Tate, Roy N. Mason, Rykard Plaque, Salvatore Folisi, Sandip Saha, Sarah Das Gupta, Scott Taylor, Sean Meggeson, Shawn McMichael, Shontay Luna, Simon Kaeppeli, Steevie Karnes, Sterling Warner, Steven Grogan, Susie Gharib, Terry Sanville, Tom Ball, Toney Dimos, Tony Covatta, Vern Fein, and Westley Heine.

https://www.facebook.com/janetkuypers/posts/pfbid02X79WiLxMhVQRAjyUJdASt2iJ2LHeLrvTuYK2i1RmvSVzDMBcK7cPwCQbxzY67dkwl

[thereader-radhika]

Waiting

Posting a few more chapters from my Nandini fanfic before I start the Ravidasan fic

Nandini shivered in the damp penetrating chilliness of the early morning. Let Appa and amma sleep for some more time. She worried if Vaigai will swallow this little grove when the rains increase. Thirumalai annan spending more time at home was the only consolation. Occasionally, he would secretly give her the news of Aditha Karikalan. The young prince is a famed general now. He had driven Rashtrakutas out of Thirumunaippadi. Some say that he has conquered Thondaimandalam too. Nandini felt so proud. Her Adithan!

Will he return to the Chola country soon? "No", Annan said. "Rashtakuta kingdom touches the banks of Ganga. Conquering one or two regions isn't enough. They'd just take it back. He has to move further into the North and consolidate his gains". When did annan become such an expert on politics and geography? Maybe it comes naturally to those who travel far and wide.

For a long time, she expected Karikalar to come in search of her and take her back. "He isn't coming", everyone insisted and she argued fiercely.

He loves her.

He can't and won't forget her.

He just needs some time.

Sembiyan Madevi planned their exile close to a war so that he can't search for her immediately.

It is only a matter of time.

When she saw birds around the temple and pond, she wished she could send messages to him with them. Didn't an annam take Damayanti's message to Nalan? This annam is trapped in an island. Who will take my message to my beloved? She wished she had a friend like Chitralekha. But she is no princess like Usha or Sita.

Didn't he quote Kalidasan's Meghasandesham and tease her that she had become a virahini after they were seperated for a mere two weeks? It's been months now! Komagane! I don't even know if I am alive now, I am only breathing. Sometimes she would stand in the sun, relishing the rays. Unfortunately, other women didn't see it as Aditha bhagawan showering blessings on everyone. They chastised Nandini for destroying her beauty by exposing herself to the harsh rays of sun. Are girls of marriageable age supposed to behave like this?

Maybe this rain is his message, sent to her through clouds. In her childhood, hadn't she prayed to paliyan tholudai pappanaban to shower his blessings as rain? He is busy showering arrows on his foes and sent rain to cool her burning heart. When it was spring, she imagined that he sent his panchabanam by filling their island with flowers.

•-------------• Two years later

Foolishness of teenage, indeed! Nandini smiled. How could she even think that crown prince Aditha Karikalan's whole world revolves around one emotion called love? To think that she raised hell in Pazhayarai when a girl talked fondly about him! Her man even conquered Kanchi and raised Tiger standard everywhere he went.

She remembered their last conversation. He was worried about them disowning him for loving her and crowning someone else in his place. It would have been a disaster if something like that happened! Now none can replace the heroic prince who captured the lost territories from Rashtakutas. Her eyes welled up.

One day, her Karikalar will ascend the throne and wear the crown of Imayam Venra Karikala Cholan. Maybe he too will conquer Himalayas. Another woman will sit with him on the throne. Maybe it will be that girl who stole her lotus flowers. What was her name?

He promised her that he belongs to her. Human beings don't have the right or power to make vows. That happens only in stories and puranas.

•-------------•

Older people say that homes go asleep when the daughters are married off. She realised that it is true since the marriage of akka. Their house is no longer filled with the chatter of two girls and their mother scolding them playfully.

Akka married an orphan priest from across the bank of Vaigai, an acquaintance of their Periyappa. All those men with big families were more interested in poking nose into Nandini's life. But this guy seemed decent. Also the burden of lying and maintaining those lies to other families was cumbersome. They didn't hide anything from athimber. Not only that he didn't mind, he sympathised with Nandini's heartbreak. She really missed akka and Nila.

Nila.

Nandini smiled. She is her everything. When Akka got pregnant, she was the one who celebrated the most. Though Amma asked her not to tell anyone before three months, she made payasam and distributed it to all kids in the neighbourhood. Akka even refused to stay at their home during pregnancy and childbirth because she didn't want to stay away from athimber. Poor athimber catered to her every demand and cared for her like another little child. How sweet!

At least akka is happy. Baby Nila is the cutest, most adorable, most beautiful baby in the whole universe. Whenever Nandini visited her, she would cry till Nandini holds her and kisses her tiny pink feet. But akka rarely bought Nila to their home. She was scared of travelling in a boat with the infant. Not every child can be a Ponniyin Selvan. But sometimes the river dried up and people could walk to the other side comfortably.

Nandini never stayed overnight in akka's home because she didn't want gossipmongers to wag their tongues about an unmarried girl living with her brother-in-law. They already got enough material to dissect when some men who were considered for Thiruveni expressed interest in Nandini. On one day, they will enquire about Nandini's marriage and on the other day, they will thank Perumal for sending an educated girl like Nandini to their remote village. Don't these people have anything else to do!

Imayam Venra Karikala Cholan - Karikala Cholan who won the Himalayas. Mythical ancestor of Cholas. Famed for conquering kingdoms in the north and planting the Tiger Flag on Himalayas.

Annam (swan), Nala, Damayanti - Nalan was the King of Nishada and Damayanti was the princess of Vidarbha. Damayanti, already infactuated with Nala, falls in love with him when a swan sent by him exalts his qualities to her.

Usha(the daughter of Banasura) sees Anirudha(grandson) of Krishna in a dream and falls in love with him. Her friend Chitralekha draws the portraits of various young princes so that they could identify Usha's lover. Chitralekha also shrinks Anirudha to the size of a doll and smuggles him into Usha's chamber.

Komagan - Prince

Aditha bhagawan - Sun god

Paliyan tholudai pappanaban - Lord Vishnu with strong and beautiful shoulders

Pancha banam - 5 floral arrows of Kamadeva, namely, white lotus, ashoka, mango, jasmine and blue lilly.

Athimber - Elder sister's husband To read the complete fic - Wattpad

[heaven-is-in-your-arms-series]

Unarut

Thai Lakhon Nai Dance-Drama

Lakhon Nai was originally only performed in royal courts and exclusively by women performers.

Where Khon, the masked Dance-Drama, depicted tales solely from the Ramakien (a Thai version of the Indian epic, The Ramayana.)

Lakhon Nai had four epics in its repertoire:

The Ramakien (whose influence can not be overstated enough.)

Inao (which I've already talked about at length)

Dalang (an alternative version of Inao)

Unarut (tales of the Indian God Krishna's nephew)

The Thai Dance-Drama deals with the romance between Unarut and Osha or Aniruddha and Usha, as they are known in the Indian myth.

Unarut is usually shown wearing a yellow costume.

It's frustratingly hard to find much information in English about this drama but the Indian myth goes like this:

Usha, daughter of King Banasura, dreamt one night of a beautiful man. She was instantly smitten and they made love in her dream.

Heartsick when she woke, she told her friend Chitralekha all about it. She wanted to find this man but she didn't know his name.

Chitralekha (who is the best kind of friend to have,) was a talented artist and she drew pictures based on Usha's descriptions until she created one that was an exact match for Usha's dream.

Not only that, but her friend recognised the man as Krishna's grandson and used her yogic powers to transport him, bed and all(!) to Usha's room.

Thankfully, for them, Aniruddha woke up surprised but receptive to the attentions of a beautiful princess and Usha kept him hidden in her room for longer than you would think a princess would be able to manage.

But eventually, Banasura would grow suspicious, (probably because his daughter never left her bedroom anymore,) and he discovered them and imprisoned Aniruddha.

But Aniruddha had an army looking for him and it all culminates in a huge war, where Shiva appears to protect Banasura and Krishna turns up to fight against him.

Eventually, it is Krishna who needs to be appeased, with Shiva begging for him to be calm. (did anyone else see that coming because I did not!)

Banasura is duly humbled (but gets to keep his life,) and Aniruddha and Usha reunite and promptly marry.

[danzer91]

Krishna sudhama devi chitralekha ji ki katha❤️❤️#hindu #hinduism #hindug...

[moochilatv]

Zeek presents: Jeeya Mora

Sound really cool music for travellers

Born and raised in the bustling city of Mumbai, Zeek’s sound reflects the heartbeat of a metropolis where tradition and modernity coexist in an electrifying harmony. Growing up in a city known for its rich musical heritage and relentless energy, he found early inspiration in everything from the melodic depth of classical folk to the raw beats of electronic music that pulse through Mumbai's night scene. Zeek’s journey from Mumbai’s streets to the world stage has been one of constant evolution. Influenced by the sights and sounds of his hometown, he brings a fresh, global twist to Pop, RnB, and Melodic Deep Tech.

View this post on Instagram

A post shared by Zaiyd Patni (@zeeksound)

Each track he creates is a blend of urban grit and ethereal beauty, designed to transport listeners to an emotional peak, whether they’re in a crowded club or listening solo. Now collaborating with artists across the globe, Zeek’s music celebrates a diversity of voices and experiences. His debut single, Jeeya Mora, featuring India’s rising classical folk sensation Chitralekha Sen, captures this fusion perfectly—taking listeners on a journey that feels intimate yet expansive, nostalgic yet futuristic. With an unmistakable sound that connects cultures and ignites dance floors, Zeek is on a mission to redefine electronic music by infusing it with a sense of place, heart, and story that’s distinctly his own.

Listen Jeeya Mora in Spotify:

[mewaruniversity]

🌟 6-Day Sattriya Dance Workshop 🌟

The vibrant Sattriya Dance Workshop, organized by Satriya Kendra, Guwahati in collaboration with Mewar University, Rajasthan, commenced on 20th November 2024 and will continue until 26th November 2024. This workshop is a tribute to the rich cultural heritage of Sattriya dance, one of the classical dance forms of India, originating from Assam.

✨ Expert Faculty & Leadership:

Narendra Barua ji Ankumoni Kapil Krishna Moni Bayan Under the guidance of: Dr. Chitralekha Singh, Director General of Art, Culture, and Museums Kunjalata Mishra, Head of the Dance Department 🌺 Inauguration Ceremony Highlights: Distinguished guests:

Honourable Vice Chancellor Dr. Alok Kumar Mishra Registrar Dr. Pradeep Dey Mr. H. Widhani, O.S.D. Dr. Sonia Singla ji, Dean, Department of Humanities Their heartfelt support underlines the importance of preserving and promoting this ancient art form, ensuring its legacy continues to inspire generations.

📅 Mark your calendars for this celebration of tradition, rhythm, and culture!

#SattriyaDance #ClassicalDance #CulturalHeritage #MewarUniversity #AssamCulture #IndianClassicalDance #DanceWorkshop #ArtAndCulture #TraditionInMotion #MewarUniversity #SatriyaKendra #TopUniversityInRajasthan

[bollywoodirect]

Tribute to #Roshan, one of the greatest music composers in the history of Hindi cinema, on his 57th death anniversary. Roshanlal Nagrath (14 July 1917 – 16 November 1967), better known simply as Roshan, was a celebrated Hindi film music composer. He was the father of actor and director Rakesh Roshan and music director Rajesh Roshan, as well as the paternal grandfather of Hrithik Roshan. In 1948, Roshan moved to Mumbai to pursue a career as a Hindi film music director. Initially, he worked as an assistant to Khawaja Khurshid Anwar for the film Singaar. After facing significant struggles, he finally received his break when Kidar Sharma gave him the opportunity to compose music for Neki Aur Badi (1949). While the film did not achieve success, Roshan established himself on the Hindi film music scene with the release of Baawre Nain in 1950. During the early 1950s, Roshan worked with legendary singers like Mohammed Rafi, Mukesh, and Talat Mahmood. Films such as Malhar, Shisham, and Anhonee featured his compositions, showcasing his talent. One of his iconic creations from this time was Aeeri Main To Prem Diwani Mera Dard Na Jaane Koi, sung by Lata Mangeshkar in the film Naubahaar. Although he was not consistently commercially successful, Roshan’s work was widely respected. He played a pivotal role in introducing lyricists Indeewar and Anand Bakshi to the industry. Both would later rise to prominence as sought-after songwriters in Mumbai. Anand Bakshi’s first break came in 1956 with Bhala Aadmi, although it was Nissar Bazmi who gave him the opportunity. Roshan later collaborated with Bakshi on CID Girl (1959) and delivered a significant success with Devar (1966). The 1960s marked the golden era of Roshan’s career, where his unique ability to blend folk music with Hindustani classical influences became his trademark. His compositions during this time included memorable songs from films such as Barsaat Ki Raat (Na To Caravan Ki Talaash Hai and Zindagi Bhar Nahi Bhoolegi Woh Barsaat Ki Raat), Aarti (Ab Kya Misaal Doon and Kabhi To Milegi), Taj Mahal (Jo Vaada Kiya Woh Nibhana Padega, Pao Chhoon Lene Do, and Jurm-e-Ulfat Pe), Dil Hi To Hai (Nigahen Milane Ko Jee Chahta Hai and Laga Chunari Mein Daag), Chitralekha (Sansaar Se Bhaage Phirte Ho and Man Re Tu Kaahe), and Anokhi Raat (Oh Re Taal Mile and Khushi Khushi Kar Do Vida). His work in the film Mamta (1966) with lyricist Majrooh Sultanpuri resulted in timeless melodies like Rehte The Kabhi Jinke Dil Mein, Rahen Na Rahen Hum, and the duet Chuppa Lo Yun Dil Mein Pyar Mera with Hemant Kumar. The film Devar also featured iconic songs such as Aaya Hai Mujhe Phir Yaad Woh Zalim, Baharon Ne Mera Chaman Loot Kar, and Duniya Mein Aisa Kahan Sab Ka Naseeb Hai. Roshan’s unique contribution to Hindi cinema was his mastery of the qawwali, which was evident in creations like Nigahen Milane Ko Jee Chahta Hai and Na Khanjar Uthega, Na Talwar Tumse. His ability to craft soulful and memorable music, blending genres with finesse, cemented his legacy as one of the most gifted composers in the history of Indian cinema.

[rahulblogger123456]

YRC KIIT Volunteers Arrange ‘Mega Clothes Distribution’ Drive’

To cultivate habits rooted in empathy and generosity, YRC KIIT volunteers  arranged a Mega clothes distribution drive at Mundai Sahi Basti, Bhubaneswar embodying the spirit of compassion on 27th October 2024. Nearly 50  volunteers with counsellors Dr. Chitralekha Jena and Dr. Junali Jasmine Jena participated in the drive.

Over 100 people along with small children from the area were provided clothes. Sweets and candles were also given to all the people to savour the festive season. The joy on their faces illuminated the true essence of giving.

YRC KIIT counsellors Dr. Chitralekha Jena and Dr. Junali Jasmine Jena participated in this drive with compassion.The YRC KIIT volunteers have thanked Founder Dr. Achyuta Samanta for inspiring and guiding them to look around and find ways to extend their hands and hearts to those in need.

[pooma-today]

The National UN Volunteers-India

Hindi Day celebration

Hindi Diwas Celebration at Shristi English Medium School, Anand

Hindi Diwas was celebrated in our School on 14th September 2024 with a lot of Activities.

The day marks the adoption of Hindi as the official language of India in 1949. The celebration aimed to promote the language and to foster love and respect for Hindi as our National language amongst all.

The event began with the lighting of the lamp by the President Madam Ms Madhumita Jana, Trustee Dr. Atanu Jana Sir ,Principal Mr. Sanjay Mistry Sir and our entire Hindi faculty members.

Two of the students from grade 8 Priyanshu Vadhiya and Dipika Bhambhoo spoke about the significance of the Hindi language and its contribution to Indian culture, emphasizing the importance of Hindi as a unifying language for the nation.

Our students from grades 1, 2, and 3 sang a Hindi Poem "Hindi Hamari Shaan," adding the vibes to the atmosphere of today's celebration.

Some of the students from grade 6 portrayed the nine Navarasa that adds beauty to our poetries . The Navarasas are fundamental to human emotions and can connect with any language, making them a universal bridge in communication

The students were made aware of the Hindi language that is widely used as a means of communication across many states, especially in the northern, central, and some western regions of our country.These regions are called the "Hindi heartland" due to the strong presence of Hindi in their daily communication, education, administration, and culture.

The open quiz held for all the students tested the knowledge of students in Hindi literature, which was a fun filled activity that helped students to connect with the language.

The event concluded with closing remarks by President Madam to encourage students to continue preserving and promoting Hindi. She also thanked all the participants and our Hindi faculty members Ms Sunita Rao, Mr Selvin Vaghela, Ms Shilpa Soni, Ms Shweta Macwan and Ms Chitralekha Mukherjee for their enthusiasm in making the event a success.

The activities not only instilled pride for the Hindi language among students but also highlighted the importance of cultural preservation of language.