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#indian mythology
cryptrave · 2 months
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I was thinking abt fairy brides & swan brides and obviously I had to grab pre-op kabru by his neck and draw this
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fanfictionroxs · 7 months
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Bigots think denying trans people the right to be in sports is a groundbreaking new idea.
Meanwhile 5000 years ago, the peeps in Mahabharat be like: SHIKHANDI CANT PLAY WITH US BECAUSE HE IS ACTUALLY A GIRL AND GIRLS DONT GO TO WAR WAAAHHHHH!
And then Shikhandi killed his enemy with the help of literal GOD and became a hero because the real villains all along were transphobia and misogyny.
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Anyway, this was the best snapshot I could get with the dim, red lighting but to help with your imagination:
Imagine a woman with her pitch-black hair let loose and wild. Her eyes are red and burning. There is a vermillion bindi on her forehead. She is wearing a garland of red hibiscus flowers. Her mouth is crimson with the fresh blood she drank from a sinner. She has had her revenge but it is not complete. There are more sinners to destroy and consume.
If she reminds you of Maa Kali, Slayer of Raktabija, who defeated the asura by drinking every last drop of his blood, then you would not be far off the mark.
Anyway, all this is to say is that Tooth Pari on Netflix is really good!
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thebeautifulbook · 11 months
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Myths and Legend series. (Gresham. 1912-1924)
EGYPTIAN MYTH AND LEGEND by Donald A. Mackenzie
TEUTONIC MYTH AND LEGEND by Donald A. Mackenzie
CELTIC MYTH AND LEGEND: POETRY & ROMANCE by Charles Squire
INDIAN MYTH AND LEGEND by Donald A. Mackenzie
CLASSIC MYTH AND LEGEND by A.R. Hope Moncrieff
ROMANCE AND LEGEND OF CHIVALRY by A.R. Hope Moncrief
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allmythologies · 6 months
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day 24 of horror mythology: nale ba
the myth goes that a witch roams the streets at night and knocks on doors. the witch speaks in the voices of your kin to trick you into opening the door. if you open the door, you will die. to protect themselves, residents write "naale baa" outside their doors and on their walls. "naale baa" means "come tomorrow".
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cyberparadis · 11 months
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begottaum · 3 months
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janaknandini-singh999 · 7 months
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OH MY FRIEND GANESHA! TU REHNA SAATH HAMESHAAA
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khushireadsandrambles · 8 months
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Krishna
These lines written by Manu Vaishali (a Poetess) are so POWERFUL!
"Sadhikaar prem se likhegi patra Rukmini to jaanti hai rukmini ki Krishna swayam aayege.
Aayege jo Krishna Saath Parth ke to Parth ko hai gyaat ki sath Krishna ke ve yuddh jeet jaayege.
Jayenge yadi Krishna krodh me bhari sabha se to sabha ko hai pata ki ab Dev kya bachayege,
Bachayenge! Ye jaanti hai Draupadi pukaarti hai ki koi aaye ya na aaye, parantu Krishna aayenge..!"
(translation: If Rukmini writes letter with pure Love and Authority (Saadhikar), she knows that Krishna himself will come.
Parth knows that if Krishna will come with Krishna they WILL win the whole War.
When Krishna walks out of the Sabha (Court) in anger, even the Courtiers know that Gods won't be able to Save them.
They will, knows Draupadi, and this calls him again and again knowing that even if none comes to her aide, Krishna will.)
Damn, Manu Vaishali is my FAV ✨
Tagging only few because I am not familiar with KrishnaBLR @harinishivaa @chaanv @ramayantika @mainsamayhoon @hinsaa-paramo-dharma @chemicalmindedlotus @thegleamingmoon @vibishalakshman @thereader-radhika @willkatfanfromasia @deadloverscity
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krishakamal · 9 months
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𝐊𝐫𝐢𝐬𝐡𝐦𝐢𝐧𝐢 𝐈𝐧𝐜𝐨𝐫𝐫𝐞𝐜𝐭 𝐐𝐮𝐨𝐭𝐞𝐬 // 2
KRISHNA : I'm gonna ask you a question.
RUKMINI : Okay.
KRISHNA : Don't freak out.
RUKMINI : Fine.
KRISHNA : Do you like me?
RUKMINI : ..........What do you mean do I like you?
KRISHNA : Like...... Do you have a crush on me?
RUKMINI : .........
RUKMINI : Madhav, we've been married for like 5 years now—
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
Saw this post and it reminded me of them 🤭
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vintagegeekculture · 2 years
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American Indian Legend about the creation of Devil's Tower, Wyoming (also known as the Close Encounters rock).
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evolvingmonkey · 5 months
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Shikhandi: The Gender-Defying Hero of the Mahabharata
Hindu philosophy holds a simple yet profound belief: within each person resides an everlasting atman (spirit or soul) that exists independently from the physical body, surpassing characteristics such as race, gender, and sexual orientation. Stemming from a common divine origin, every atman forms a spiritual kinship, deserving of love, reverence, and fair treatment.
In the epic Mahabharata, there is a captivating tale that revolves around Bhishma's commitment to celibacy, which leads to a grand swayamvara (a ceremony or event where a bride chooses her husband from a gathering of suitors). This ceremony is where Amba, Ambika, and Ambalika are given the opportunity to choose their life partners. However, Bhishma's interference in Amba's love life sets off a series of events that ultimately culminate in her tragic destiny.
Amba's heartbreak is twofold - first, her intended husband Shalva rejects her, and then Bhishma, bound by his vow of celibacy, refuses to marry her. This leaves Amba in a state of despair, fueling her desire for revenge against Bhishma. Determined to seek justice, she pleads to the mighty god Shiva for assistance in her quest to end Bhishma's life. Miraculously, Shiva grants her wish, but tragically, Amba chooses to take her own life to expedite her ultimate goal.
There are various versions of the next part of the tale. According to certain narratives, Amba is born as the daughter of King Drupada. Upon learning from Shiva that she will eventually undergo a transformation into a man, Drupada names her Shikhandi and raises her as a boy. In this particular version, a formidable entity residing in the forest indeed bestows upon her the transformation into a man. However, in alternative accounts, Shikhandi is born as a male but develops a trans-identity due to Shiva granting them the ability to recollect their previous life.
As the Mahabharata unfolds, Shikhandi emerges as a formidable warrior who defies societal expectations of gender. Their participation in the battle of Kurukshetra serves as a powerful symbol of authenticity, challenging the conventional gender roles imposed on individuals. Shikhandi's strength goes beyond mere physical abilities; it stands as a testament to the immense power that comes from embracing one's true identity.
Shikhandi's character is truly captivating because of their personal quest for self-discovery. They challenge societal expectations of gender and proudly embrace a non-binary identity. This exploration of identity is a key theme, showcasing the intricate and ever-changing nature of being human.
As we come to the end of our journey through Shikhandi's story in the Mahabharata, we honor a figure whose legacy surpasses time, defies conventions, and forever marks the intricate fabric of mythology. Shikhandi, the ageless fighter, still instills bravery and self-exploration in the souls of those who come across their legend.
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tkwmatsu · 6 months
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Personal work of Bhima and the golden lotus. He's best known as the fierce warrior in Mahabharata, but I like him for being such a sweetheart for his Beloved.
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enigma-the-mysterious · 11 months
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She is everything. He is just Ken
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inc0rrectmyths · 1 year
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Had a funny thought.
The Big4, Brahma, Vishnu, Shiva and Indra once decided to have a rIcH fAm vIbEs party with their wives. So 8 ppl in total. And then Parvati is late. So everyone questions Shiva why his wife is late and just then she barges into the room with.... Durga, Kali, Tara, Matangi, Chhinamasta, Bhairavi, Bagalamukhi, Katyayani, Kushmanda, Shailaputri and 60 other avatars of hers and is just like hi :) I brought the girlies along :)
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allmythologies · 6 months
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day 23 of horror mythology: nishi dak
nishis are spirits of  people who have not had a respectful or a complete release or pind-daan at the time of transition from earth to the astral planes. at first, the soul which could not get release from earthly bonds, haunts the family as a pret and when they still don't do anything, it turns into a nishi, and one by one, lures all the family members to their death. it calls out to its victim at night in the voice of a person known to the person, appears as a form which the person can’t fully see because it is always in the distance, or appears in the form of the known person whose voice it has used, and keeps beckoning the intended victim to follow it. it walks very fast and at a distance ahead of the victim and usually leads the way to a deserted area where it reveals its true form to the helpless victim, and then almost invariably kills the victim. the killing takes place through different means.
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