#Common Rotation

[welcometohighwater]

this song has everything: direct and saucy conversation with god. the phrase “if you show me yours, i’ll show you mine.” the genuine faith of the sinner. gossamer-thin allusions to jerking off. ultimatums. banjo.

top song of all time. half of the person i am is of this song. someday when i have money and guts i’m getting “lord, you’re supposed to be oh-so close to me” tattooed across one wrist and “lord, how much can you stand?” across the other

[flickering-nightfall]

Playing with some ideas mostly regarding gender/reproduction in RW, and slugcat colonies.

Full transcript under the cut!

Creatures in Rain World are typically simultaneous hermaphrodites but require partners to reproduce, with either individual capable of being a genetic donor or carrier. Alongside what we are familiar with, this has lead to interesting reproductive strategies such as rotating donor/carrier roles, or dual/simultaneous genetic swaps.

Rotating donor/carrier roles - A K-selection reproductive strategy. One partner carries the first child, the other partner carries the next child, and so forth. Allows each partner to recover from the demands of childbearing.

Rain Deer aren't quite monogamous, but they tend to choose the same breeding partner whenever mating season rolls around. They serve as a donor one season, then bear and raise a child the next. Calves are raised away from the rain and worm grass, in places that have less food but more safety. Calf wool is softer, not yet gunked up by the dirty rainfall. Their legs are sturdier as children, allowing them to run for cover while the parent wards off threats.

Dual/simultaneous genetic swap - An r-selection reproductive strategy. Parents fulfill the donor and carrier role for each other. The more children you make, the more likely some are to survive!

Multiple batflies lay thousands of eggs in a single "blue fruit." Several eggs congeal and become nutrient paste for the surviving eggs (and for hungry slugcats). Like some plant seeds, batfly eggs that are consumed before pupating can survive passing through the digestive system. Ew.

Ancients also fell under this umbrella. Their genders (and the genders of iterators by extension, who have no sex anyways) could have been determined by a variety of other factors, such as societal role, donor/carrier preference, or simply different categorizations of personal expression.

It's difficult to say how well their common pronouns would translate to ours, but it seems they can translate to an extent, given what Moon and Pebbles use canonically.

Slugcats, like real slugs, can have children with a partner or self-fertilize. Unlike real slugs, they are often known to adopt.

In the case of self-fertilization: children who are born from one parent may display a large amount of genetic diversity despite the circumstances. Maybe slugcats have some sort of... genetic reservoir independent of their own genetic code?

Slugcats live 20-30 years on average... if they manage to reach adulthood. Their mortality rate is sadly rather high, especially in pups. If they were to develop as a civilization, it's likely their lifespan would increase dramatically.

Slugcats in a colony are more likely to have more children, and to successfully rear those children to adulthood, than those who wander alone or in small groups. The safety and stability of a colony cannot be understated.

Colonies either have a set, cycling migration path, or wander continuously. Survivor and Monk's tree home was a nesting site that their colony frequents about once a year. So it's likely that they'll see their family again!

...also, the strength of large colonies are why scavengers are likely to become the dominant species. In the time of Saint's era, continuous migration has become more of a risk, and it has become more difficult to support large populations. Slugcat populations have shrunk back to the more forgiving equatorial zones.

Saint's tongue is pretty unusual and probably unique to them, or to a small population that they hail from. Fur (of varying thickness) is much more common.

Meanwhile, scavengers are bulkier and covered in thicker insulating fur. They:

have seemingly massive populations

have a burgeoning society (the existence of merchants, tolls, bartering, elites and leaders)

are adept at communicating (non-verbally)

manipulate their environment

can build structures (scavenger-made structures were a scrapped idea from Saint's campaign)

can create complex weapons and tools

may have agriculture behind the scenes (unsure if scout parties prioritize exploration or hunting)

I would wager on scavengers developing more quickly than slugcats, but it would be nice if there was a future where both could co-exist.

[nettlesketches]

*wipes the dust off of this AU* soooo… I should probably continue this AU before it becomes even less canonically plausible by the day 🫡

His Pokémon are trying their best, but��� the unfamiliar surroundings are just as perturbing to them as they are to Emmet.

[so-very-small]

“why do you like giants so much?” bc people who could kill me are hot. next question

[null-entity]

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[pad-wubbo]

CC-BY-SA 4.0

[saintbleeding]

thinkin about that quote that's like "for you, that was the most important day of your life, [but] for me, it was tuesday" and jonah magnus and "the Chosen One is simply that – someone I chose. It’s not in your blood, or your soul, or your destiny. It’s just in your own, rotten luck"

[sunjestic]

I have been listening to “Baby Mine” on loop for 6 hours

[gophergal]

jumping on the trend. I have never felt so mainstream in my picks

[yepmadness]

Yeah so. I gave into the urges. I’ve never felt the need to write fanfic. Ever. But here I am I guess.

I wrote this at midnight soooo, who knows how this is. Just wanted to write John thoughts because he’s my guy—so have this short little piece that I hope other people can enjoy too :)

Fic under the cut: 1.8k words.

The memory of Arthur’s silence will remain more prettifying than his agony, but that doesn’t mean that his pain … his terror as the light and awareness left his eyes—their eyes—is what John was hoping to hear.

He doesn’t know what he was hoping for. Relief? A gasping thank you? Pride in saving him? Would it be foolish to wish that the talisman fixed everything? That he would just be okay? Perhaps it is. He thinks it is. He was never going to have that. It would be unreasonable to think he would get any of that, but any joy of him living, of John fixing this, was ripped away when Arthur opened his mouth. All John wanted was a sound. A single noise, a response, any response to prove the talisman worked. He got that. He should be happy that he got that.

But he isn’t.

And Arthur is silent again.

And the world is dark—but not as dark as it could be.

John does not know what to consider if Arthur didn’t end up in the dark world … when he died. That place was the last thing he wanted for Arthur, and yet, it was always treated as a last resort. Of a sort. Between them, spoken only aloud by Arthur, so long ago now. A place they would end up together in—if they failed. It was not a future he ever wanted, but it was a possibility, even if it was one he despised the thought of. But now he knows that if Arthur dies he does not follow, instead he is left here to deal with the repercussions. To play the marker for lifeless remains, having to have witnessed, and experienced death without a choice. What if there is no place meant for them? Past all of this. He can’t exactly bury Arthur himself, if it came to it, he wouldn’t let him stay dead after all. Graves are a place of permanency, one they do not deserve, because they can be forgotten. Especially here. But John would never forget. He would never abandon him like that.

He would find a way, like today. They are stuck in this together. They both have to make their own path through this, together.

Except his body is no longer a weighted grave for them both, a tomb he would never dare leave, it is breathing. Arthur is alive—and so they are both alive, whatever that may entail. He is tentatively okay. Arthur, is okay. As okay as he can be, as they both can be. What matters is that he is alive—what matters now is keeping him alive.

John has almost lost Arthur more than once, twice, more than three times, and he wasn’t always there to fix it but he has tried to be. He often was. Every moment where Arthur falls, where he becomes immobile and lost to John, he feels himself succumb to a fragility accustomed to human bodies. Accustom to loss and fear. It’s horribly quiet without him. Even so, he saves him, he saves them both—because Arthur trusts him, and he trusts Arthur. He loves Arthur, and he is going to tell him that. He has to tell him that. Even if they both know it, to an extent. This can’t happen again without John making sure he knows it.

But this is never going to happen again.

Because Arthur died this time, and he almost lost everything. John felt the cold stone visage that he left in his absence. There was nothing here without Arthur, more so than just the lack of connection to their body, but the emptiness was staggering. He was alone. Completely and wholly alone in a space meant for two.

He hadn't felt terror like that since Arthur slit his throat before the King—but this was worse. They’ve grown … so much—and John wasn’t there to see the aftermath of his actions back then. This, he was aware of, in every aching moment of uncertainty. This could have been prevented, couldn’t it? They didn't need to go after the talisman, but they did, and John didn’t see her—not until it was too late. It was his words that made her kill him—an appeal made to the wrong person. Arthur wouldn’t have died if made the right decisions. But he always seems to make the wrong ones, no matter how hard he tries, that he and Arthur have in common.

But Arthur is alive again, so why does it still feel like he is grieving?

Arthur wouldn’t have gotten hurt, wouldn’t have died, if John wasn’t here. But John wouldn’t be here, who he is now, without Arthur. Perhaps that would be more demoralizing if Arthur hasn’t so vehemently stated that he doesn’t want to be rid of John, that they are in this together, until they both get what they want … no matter what that may be. Perhaps that is just happiness, in the end, no matter what it looks like. From one harrowing experience to the next, until they may finally rest. Arthur wants him here, in spite of all the pain it causes, and will continue to cause. Because Arthur is his friend, and more than that, but he is his friend.

Arthur might even be … pleased with his actions. That he has found himself, both with him, and all that he has learned for himself. That he knows who he is, in truth, after everything.

Even if he knows who he is now, who he wants to be, who he will always be—he knows he will want Arthur there too. Arthur who has been there for all his mistakes, his achievements, their joy and sorrow. Arthur deserved to be here for this too, but he wasn’t, and maybe that was the push he needed. He used to defend so much of himself to Arthur, expectation after expectation, misstep after misstep. But Arthur also gave him hope, the sanctity of trust, showed him love and sacrifice, and remained alongside him even when that trust was broken. Even if some mistakes can’t be forgiven … They let them rest. Arthur lets it rest, so they can move on, so they can grow.

Is it so wrong to become … whole without him there to witness it? Or is that how it was always meant to be. To be entirely his own, must he first be alone?

He hopes not, it is a terribly bleak thought, besides it can’t be. Not in every single world, even if Kayne said he … doesn’t change much. There must be some place where there is more joy to be held in his ownership of self. A better circumstance that does not lace his pride in one of their darkest moments. In his choosing of hope. In his choosing of Arthur. One that doesn’t extend off of a devastating fear, off of death. He doesn’t know if he would wish to change this, he would have—if Arthur was truly gone—but he isn’t, so he will just have to see how this plays out.

He is going to share everything he said—everything he did, with Arthur. Because he deserves to be a part of it. Because they do this, all of this, together. Because he wouldn’t be here without him. Because together they are whole of two, just like he said, just like he will say.

It’s not as if he will ever fit into the messy expectations of what it means to be human, per say, but he doesn’t need to. All he needs is to perceive himself as what he wants to be—and Arthur’s perception helps to, even if he doesn’t always meet that. Humanity will be whatever he wants it to be. However he defines it to be. A neutral point, in it all. For he is not a piece to be slotted away, but a piece to be shelved along the masses, every individual part given a space of its own, and it is a space he deserves. A space he had long since earned.

A space they both deserve, to play their own key.

Because Arthur is alive—and so is he, in every sense of the word.

He’d panicked, when Arthur lost consciousness again, for a second he thought he had lost him once more. John had been so ready to reach for the talisman for a second time—for he wasn’t going to allow Arthur to leave, not yet, not ever. But he was breathing, albeit raggedly, but he was. John was going to keep his promises, he had to. He was going to take care of this, of him, and they were both going to be okay. Just like the times before this, and everytime that may come after, because Arthur isn’t going to die.

They’re going to get their happy ending, despite what she said, one where Arthur does not end up as a corpse.

An ending where they both know want they want, what they deserve, who they are.

Moving Arthur to the witch’s bed was difficult, to say the least, without exasperating the wound and the subpar stitching ... even if it has improved. John won’t allow it to get any worse—and Yorrick keeps telling him it’s survivable, or that he is more likely to survive anyway. Even so, John periodically checks to make sure Arthur is still breathing, that his heart is still beating.

Arthur is alive. He will stay alive.

He should stop worrying, Yorrick keeps spouting that he is arguably fine. He should stop.

But the reality is that he can’t, and he doubts will for a long while to come.

He is intimately aware of every minuscule movement Arthur makes, of every second of awareness he gains, and he coaxes him back to the present through all of it. A melody of promises, of reaffirming how he feels, telling Arthur everything over and over and over. It doesn’t matter if he is aware of what he says, if he hears him at all, John will repeat his words for as long as they are needed.

John never lets him arrive to the dread of waking up alone, speaking as soon as he stirs and recognition strike, each and every time. They are never going to be alone again, severed or separated, and John tells him that. Because they are whole together.

And eventually, when Arthur finds his speech, a gentle—hoarse voice long since worn by constant yelling born from the suffering of the waking. He repeats back everything John has been telling him through the suffering of uncertainty, of recovery and knowing and fear.

Arthur moves, ever so slightly, before John can protest—and he brushes his hand, John’s hand. It is a little thing, but it is such a stark constant to the stillness he had before. After the pain of it all, this is a relief, a reprieve. Arthur is alive and John can tell he’s weakly smiling, even if that is not something he can see, when he speaks up for the first time in hours.

John isn’t surprised by what he hears, he already knew, after all. They’ve both said it before. But John it is nice to hear regardless, because together, they are whole. A comfort to both him and Arthur both. He does not want to live, to experience life as it was shown to him, without him. He wouldn’t have gotten here without him. Together they are whole. Both their own wills, colliding, and depending on each other. Made by each other.

Arthur is alive.

Arthur is alive and he breaks the one sided silence by saying, “I love you too.”

Perhaps that, for now, is enough.

[anistarrose]

drawing characters with the combined "sunset" aroace flag is always a vital public service, and more people should do it, not less. it's a good flag! but, just as an observation... I feel like at some point, "aroace headcanon enthusiast culture" shifted away from drawing aroace characters with the separate asexual and aromantic flags, and towards drawing them the combined aroace flag, almost exclusively.

I think about this because some aroaces, including myself, identify either identify with the sunset aroace flag less than the individual flags, or don't identify with the combined flag at all, because we see our asexuality and aromanticism as either mostly or entirely separate. and that separation is actually reflected in a lot of my aroace headcanons! some of the aroace headcanons I think and post about the most are about characters being disconnected with both sex and romance, but in incredibly divergent ways! or they're about characters prioritizing one over the other in their self-identification, and in their personal meaning-making! to me, it is both projection and good fuel for character study!

and in fact, separate or combined aroace identity are both super nuanced, and worthwhile to explore! but when we treat one as the default, I feel like we gloss over the nuances of both. and let me be clear: no one has to write an essay about the nuances of a character's aroace identification and experiences in order to draw them with any combination of flags. it can truly just be vibes. you can even just like the colors! but I feel like some people might not know that the sunset aroace flag is just one option — and again, I think this does a disservice to both separate flag users and combined flag users who like to see their experiences reflected in fanworks. there's so many beautiful ways to be aroace! and also... honestly... sometimes I have aroace headcanons for goths and/or mad scientists. sometimes I just like the purple and green colors.

[g0nta-g0kuhara]

Daydreaming about making a v3 video essay

[null-entity]

Take my hand... BYOH (Bring Your Own Horse).

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Video/Camera Work: Me

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[saltycharacters]

Klavier Gavin owning a ball python named Spätzle he adopted after an animal themed photoshoot for a magazine send tweet

[katyspersonal]

How I get new mutuals in most of the cases:

(Also story of my friendship with @fantomette22 )

[zombieslab]

wheress that thing with like characters that inspired your oc does anyone know what i mean. bc lstrn!juniper zombieslab is like some unholy amalgamation of s4 spoke + michael from the good place + charles eyler + sam reich + the winged lion drom dunmeshi + the general concept of the listeners from watcher lore. quirked up white boy: immortal being edition