#David Edward Byrd

[vintagepromotions]

Poster for 'The Survival of St. Joan', a medieval rock opera by American rock band, Smoke Rise, from an original concept and libretto by playwright and screenwriter James Lineberger (1971). Artwork by David Edward Byrd.

[idrinkyouryouthquake]

Celebrating the artists who illustrate great album art

David Edward Byrd who designed countless iconic posters and very few album covers, perhaps most notably Lou Reed's Sally Can't Dance!

[tomoleary]

David Edward Byrd - Original vintage poster for the Stephen Sondheim musical, Follies (1970)

Source

[transistoradio]

Four posters with art by David Edward Byrd (b. 1941).

[albumcoverhalloffame]

Album Cover Hall of Fame News Update and Link Summary for November, 2023

Here's the summary of everything I could find in the world about album cover art and the people that make it and promote it. Enjoy and please share with friends and family.

Posted sometime November 1, 2023 by Mike Goldstein, AlbumCoverHallofFame.com Hello to all – this month’s summary will be a brief one as I was out on a road trip most of the month and, therefore, have not been able to devote a lot of time to the gathering and sharing of album art/artist-related information. With that said, while I was gone, the work done by these talented individuals continued…

[meikyuunolovers]

I fell into the The Pretty Things rabbit hole. I wonder which album of theirs I should listen to.

I'm also falling into the The Byrds rabbit hole as well.

[mandowifey]

Character Masterlist.

Note: This list will be updated regularly when I get a new blorbo.

● ● ●

Ethan Hawke:

James Sandin (The Purge)

Russel Millings (Adopt a Highway)

Arthur Harrow (Moon Knight)

Edward Dalton (Daybreakers)

Ellison Oswalt (Sinister)

Albert Shaw/The Grabber (The Black Phone)

Ray Harris (Raymond and Ray)

Ernst Toller (First Reformed)

Lars Nystrom (Stockholm)

● ● ●

The Boys Universe:

Homelander

William/Billy Butcher

Ben/Soldier Boy

● ● ●

Stephen Lang:

Norman Nordstrom/Blindman (Don't Breathe)

Commander Nathaniel Taylor (Tera Nova)

Colonel Miles Quaritch- Human & Na'vi (Avatar)

John Korver (Gridlocked)

● ● ●

Hamish Linklater:

Father Paul Hill/John Pruitt (Midnight Mass)

John Tyler (Tell Me Your Secrets)

● ● ●

Oscar Isaac:

Santiago "Pope" Garcia (Triple Frontier)

Marc/Steven/Jake (Moon Knight)

Kane Double (Annihilation 2018)

● ● ●

Pedro Pascal:

Din Djarin/Mando (The Mandalorian)

Joel Miller (The Last of Us)

Frankie 'Catfish' Morales (Triple Frontier)

Deiter Bravo (The Bubble)

Javi G (Unbearable Weight of Massive Talent)

Max Phillips (Blood Sucking Bastards)

Maxwell Lord (Wonder Woman 88)

● ● ●

John Krasinski:

Lee Abbott (A Quiet Place)

● ● ●

Patrick Wilson:

Ed Warren (The Conjuring)

Orm Marius (Aquaman)

Josh Lambert (Insidious)

Daniel Dreiberg/Nite Owl (Watchmen)

● ● ●

Jensen Ackles:

Tom Hanniger (My Bloody Valentine)

Soldier Boy (The Boys)

● ● ●

Tony Dalton:

Lalo Salamanca (Better Call Saul)

Jack Duquesne (Hawkeye)

● ● ●

Michael Fassbender:

Erik Lehnsherr (X-Men)

David / Walter (Alien Covenant/Prometheus)

● ● ●

Karl Urban:

Commander Vaako (Riddick)

Billy Butcher (The Boys)

● ● ●

Jon Bernthal:

Frank Castle (The Punisher)

Shane Walsh (The Walking Dead)

● ● ●

Jason Bateman:

Marty Byrd (Ozark)

Michael Bluth (Arrested Development)

● ● ●

Patrick Fabian

Howard Hamlin (Better Call Saul)

Cotton Marcus (The Last Exorcism)

● ● ●

Spider-Verse

Peter B Parker

Miguel O'Hara

Venom

● ● ●

Jake Gyllenhaal

Detective Loki (Prisoners)

Quentin Beck/Mysterio (Spiderman: FFH)

Danny Sharp (Ambulance)

● ● ●

Overwatch

Cassidy

Soldier 76/Jack

Reaper/Gabriel

Hanzo Shimada

Genji Shimada

● ● ●

Critical Role (S1)

Grog

Vax

● ● ●

Baldur's Gate 3

Astarion

Enver Gortash

Gale Dekarios

Halsin

Zevlor

Cazador Szarr

● ● ●

Other Chars (Unsorted)

Negan Smith (Walking Dead)

Rick Grimes (Walking Dead)

Daryl Dixon (Walking Dead)

Jamie Lannister (Game of Thrones)

Captain Rex (Star Wars)

Boba Fett (Star Wars)

Kylo Ren (Star Wars)

Saul Goodman/Jimmy McGill (BCS/BB)

Barry Berkman (Barry HBO)

James "Logan" Howlett (Wolverine, Xmen)

Wade Wilson (Deadpool)

[ulkaralakbarova]

Stillman, a heartbroken physics student, builds a time machine when his girlfriend breaks up with him. Going back in time, he attempts to save their relationship by fixing every mistake he made—while dragging his best friend along in the process. Credits: TheMovieDb. Film Cast: Stillman: Asa Butterfield Debbie: Sophie Turner Evan: Skyler Gisondo Ryan: Will Peltz Blue Ribbons: Aubrey Reynolds Carly: Jillian Joy Andy: Joseph Park Kyle: Caden J. Gregoire Sophia: Mary Elizabeth Boylan Professor: Joey Miyashima Film Crew: Writer: Andrew Bowler Executive Producer: Ruoming Liao Producer: Raymond Mansfield Executive Producer: Sean McKittrick Key Makeup Artist: Greg T. Moon Associate Producer: Ryan Cassells Executive Producer: Edward H. Hamm Jr. Casting: Jeff Johnson Production Design: Tom Lisowski Editor: Keith Brachmann Executive Producer: Rob Lieber Executive Producer: Shaun Redick Costume Design: Jacqueline Newell Hairstylist: Bobbi Murphy Executive Producer: Gigi Causey Executive Producer: Justin Bursch Producer: Matthew Rhodes Executive Producer: Jonathan Gray Special Effects Technician: Blaine Decker Executive Producer: Qianshan Liao Original Music Composer: Andrew Lockington Key Hair Stylist: Lora Laing Casting: Mary Vernieu Casting: Michelle Wade Byrd Director of Photography: Luke Geissbuhler Supervising Sound Editor: Trevor Gates Sound Re-Recording Mixer: Jason Dotts Sound Designer: David Esparza Sound Re-Recording Mixer: Jonathan Wales Stunt Coordinator: Eliza Coleman Set Decoration: Brian Lives Movie Reviews:

[sondheims-hat]

David Edward Byrd, Follies, 1971

[hiwasseeriver]

some actual cleveland TN artistic excellence courtesy of David Edward Byrd. never knew about this guy probably because he is also gay

[pygartheangel]

[tomoleary]

David Edward Byrd - New York Art Deco Exposition poster (1975)

Source

[books0977]

Woodstock Music & Art Fair (1969). David Edward Byrd (American, born 1941). Poster.

This seldom seen design is the original poster for the Woodstock festival that would go on to become a cultural phenomenon. When the venue was changed from the town of Wallkill to Max Yasgur’s private farm at the last minute, a new poster had to be commissioned to redirect attendees. Unfortunately, Byrd had just left for a month-long trip to a remote town in the Caribbean and was unreachable by phone, which left this design to wallow in obscurity despite its far greater artistic merits.

[laetro]

David Edward Byrd: Inspiring “Wowie-Zowie” for Over 50 Years

With a career that spans over half a decade during the art, music and technological revolution, David Edward Byrd has developed iconic posters and illustrations associated with the best of the rock and theatre era.

David has been creating posters since his days at The Fillmore East in NYC where he created the famed 1968 Jimi Hendrix poster now in the collection of MOMA, NYC. As well, he created the poster for The Rolling Stones 1969 Tour, TOMMY by The Who, The Grateful Dead, & the legendary 1969 Woodstock Poster. He quickly moved on to Broadway, where he created images for Follies, Godspell, Jesus Christ Superstar, Hot L Baltimore, The Magic Show, & Little Shop of Horrors amongst many others. He was Sr. Illustrator at Warner Bros. Consumer Products for 12 years where he worked on everything from Bugs Bunny to Harry Potter. He has had Retrospective Shows in Los Angeles, New York & Seattle. He now lives in the Silver Lake area of Los Angeles with his husband of 39 years, Jolino Beserra, a renowned Mosaic Artist.

ORDER A CUSTOM ILLUSTRATION

Q. Any reason why you chose to illustrate for 60s rock bands in particular?

David Edward Byrd: I was the poster artist for the Fillmore East in NYC from its opening on 8 March 1968 to 27 June 1971 when it closed for good. At this same time, I was also creating posters for the Broadway Theatre (“Follies”, “Godspell”, etc.). As Rock Posters have a much higher profile than Theatre Cards, I chose that area to illustrate. Also, Theatre is about THIS play right NOW, while 60s Rock is about 60s Rock in general.

Q. What kind of changes do you see when you compare the posters that were created in the 60s to the ones that are created today?

David: The rock poster artist EMEK is a great example of the younger generation’s expertise in the art form (see “Coachella”). Whereas, David Singer is an example of the “Old Garde” moving on to create new imagery (see “Moon Alice”). I still create more East Coast imagery, I think . . .

Q. One of your Hendrix posters is ranked among Billboard’s Top 10 Rock Posters of all time. What was your thought process/ inspiration while you created the poster?

David: Before coming to Manhattan in 1967 I had worked as a freelance Architectural Draughtsman, so I was familiar with the tools of that trade, and thus I decided to apply this craft to the 1968 Jimi Hendrix Experience poster. I created Jimi’s & his band-mates hair using a hexagonal grid with small circles on the grid representing cosmogenic pixels that one might perceive after ingesting certain popular chemicals of the time (see “Acid”). Each small circle was drafted with a drop-bow compass on the center point of the hexagonal grid.

A laborious process, but worth the time . . .

Q. The poster you created for the Woodstock Festival was rejected because it was too risque in 1969. Do you think it would have received a different response if it was designed today?

David: Absolutely — an entire sexual revolution has occurred over the last 50+ years. Ironically, the nude female in the center of the poster was copied from the 1847 painting “La Source” by Jean Dominique Ingres, which seemed a perfect symbol for a poster representing “An Aquarian Exposition” (the “Water Bearer”). But the Wallkill City Council thought otherwise (exposed breasts & pudenda a no-no). I had a similar experience with the NY Times treatment of my “Tommy at the Metropolitan Opera” full-page ad in the Sunday Times, which featured a nude Tommy rising into Pinball Heaven — the Times editor chose to paint a crude Black Marker Jockstrap over his very modest genitalia, alas.

Q. What would you describe interacting with so many rock artists like? Any favorites whose company you enjoyed?

David: Manhattan & San Francisco are light-years apart both culturally & artistically. The West Coast artists created Psychedelia and Neo-Nouveau and are due to the many encomiums they have received for this. David Singer and I were friends and we traded posters. David created the most Fillmore West posters (60 total) of any artist on the planet. For me, his posters are the Apex of the West Coast work. Victor Moscoso influenced my design sense with his vibrant close-value posters (see “Sopwith Camel”) and continues to do so today.

Q. Can you describe your experience at Warner Bros. How were those 12 years different from working elsewhere?

In 1991, I took the position of Senior Illustrator at Warner Bros. Creative Services, which I held till 2002 • Besides creating illustrations, backgrounds and style guides for all the Looney Tunes & Hannah-Barbera characters, I got to create commemorative plates for The Franklin Mint, souvenir posters for the Batman series of films, style guides for feature films such as Space Jam, The Wizard of Oz, and television shows such as Friends, The Cartoon Network and Scooby-Doo • My department was responsible for the Bugs Bunny Postage Stamp, the first cartoon character on a U.S. Postage Stamp • I created special signed pieces for The WB Studio Stores Galleries based on The Masterpiece Series style guide art that I painted in 1999 • I also did a great deal of work on the style guides for two of the Harry Potter films: Harry Potter & The Chamber of Secrets and Harry Potter & the Prisoner of Azkaban.

One rarely sees the Graphic Collections of major museums on display, so being part of a museum collection as a poster artist does not put one on the creative map, so to speak. But it is a nice thing to tell one’s sweetheart.

Q. Your work is displayed in 23 museums at the moment, including the Louvre in Paris. Do you find it a rare accomplishment considering you are an illustrator and not a painter?

As I have often said if I had remained a painter I probably would not be in any Museum at all. But this is not for me to know. One rarely sees the Graphic Collections of major museums on display, so being part of a museum collection as a poster artist does not put one on the creative map, so to speak. But it is a nice thing to tell one’s sweetheart . . .

Q. From Fillmore East to Broadway to Warner Bros, how has your style evolved over the years?

My art-chops improved immensely in the last 20 years. I hope it is somewhat evident. My work was hit-or-miss in the beginning but things have gotten better of late.

Q. Can you name some of your favourite posters which you have worked on?

“FOLLIES” 1971

“HENDRIX EXPERIENCE” FE 1968

“BOWIE” Carnegie HALL 1972

“QUEEN” 1st Tour 1974

“PRINCE” DNA 2013

“TOM PETTY” 1980

“NY DECO EXPO” 1974

LED ZEPPELIN FE 1969

Q. What is your process like when coming up with an illustration or a poster?

1.) Collect Reference & inspiration in Folder. 2.) Create rough pencils for scanning. 3.) Collect possible Fonts. 4.) Build rough designs on Mac 5.) Choose 1 main color and build up from that 6.) Proof printing

Q. What software do you use to create your illustrations?

ADOBE SUITE (PhShop; Illustrator; InDesign) + Typestyler

Q. Lastly, what do you always aim to achieve through your illustrations?

Eye-Fun • Immediacy • Gotcha • Who-Is-This-Guy? • Wowie-Zowie