Bebo Baldan & David Torn - Desire
Music
Artist
Bebo Baldan
David Torn
Composer
R. Baldan
Credit
Bebo Baldan - Rhythms, bass guitar, synth
David Torn - Guitars, loops
Stephen James - violin, sarod
Gábor Juhász - classic guitar
Szabolcs Szöke - gadulka
Paolo Zanella - guitars
David Boato - trumpet
Marco Castelli - sax
Verdica - vox
Momy - vox
Released
1985
Streaming
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David Bowie: Reality
Music On Vinyl/ISO/Columbia MOVLP875, 2014
Album originally released: September 2003
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We must stress some musicians follow their unintentionally perfect finales later on. For instance, Bowie's Reality might be an example of such a finish asc we know he returned. Moreover, Reality might be in the top tier of his albums, yet nothing on the record screams the end. Sure, there are some hints on him dealing with his advanced age, but the entire LP seems like a breezier affair than the predecessor. However, him taking a long time to get to The Next Day caused many to see the disc as his finale and I have to admit we could've been pleased with the way Bowie finished his career despite Reality not being beholden to such a task. Of course, I still ask myself – how much did the final two discs lower the rank of Reality on the list of Bowie's platters?
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I haven't seen any MLP Doctor AU designs past Capaldi's era and I really think that's such a shame! So here's my take on the 13th, 14th and 15th Doctor :o]
Once again love to ramble about certain design choices!
Since the 13th Doctor wears ear jewellery depicting a golden and silver hand holding each other, I thought it'd be fun to change that into 2 horseshoes instead! I also gave a heavier focus on the more subtle rainbow on her coat because I feel it'd be more fitting for a MLP AU and something that could make the design a bit more balanced. I'd also tried to make her blue at first, but felt yellow actually felt more like the 13th somehow.
I decided to give 14 his iconic Doctor Whooves design, with the only difference being messier hair and some rough facial hair. I was definitely looking at it more with a nostalgia factor, which ultimately fits perfectly with what the 60th anniversary specials ended up being!
15 was a toughie, I'm not going to lie. A thing about MLP AUs I tend to dislike, is when an artist gives them the same colour as their skin. It tends to look silly with white characters, but I've noticed it's seen (at least USED to be) as less silly when it's with darker skinned characters. So with that in mind I wanted to make 15 the general colour he's themed to have in promotional material (orange and blue) and make it darker! ... but dark orange IS brown. So after some tinkering I decided to base his colour on the more earthy red Ncuti wears in this image.
I also decided to tone his hair blue instead of going with black to really hammer in that orange/blue theme 15 has!
Thank you for reading this far! I'm really passionate about this sorta stuff so it really means a lot :oD
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So, while listening to music from my Liked Videos playlist, I found this.
I must say, this is one of the most emotional things I've listening to, and I don't even know why. I've never played Resident Evil 4, Monster Hunter or Devil May Cry, so I don't have that pretext. Something about it just makes me feel so sad, but also inspired at the same time? It makes me feel this way in a manner that little other pieces are able to.
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Nicolas Roeg directing David Bowie and Rip Torn in THE MAN WHO FELL TO EARTH (1976)
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The Man Who Fell to Earth (1976) - Japanese chirashi
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Some albums that get released after a very long time surprise us thanks to their contexts. For instance, The Next Day by David Bowie was a huge shock, since many assumed he retired. Still, we must admit the LP could be braver, though one needs to understand Bowie merely wished to see back then – this is my personal theory –, if he still commands our attention. Thus, the disc finds him doing his greatest hits in the version of a platter of an original material, which seemed like an appropriate thing to do for someone of his stature. For instance, the tune on the link reminds us of his previous tributes to Scott Walker, yet this one seemed different thanks to him pointing there towards his final destination in the form of a disc.
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