#gerry leonard

[burlveneer-music]

Suzanne Vega - Rats (Official Music Video) - definitely a stylistic surprise

I wrote “Rats” with my long-time guitarist and musical director, Gerry Leonard, who did the music and production. The video was directed by acclaimed animator and filmmaker Martha Colburn. On tour now! Tickets available at suzannevega.com/tour More tour dates coming soon!

[mychameleondays]

David Bowie: Reality

Music On Vinyl/ISO/Columbia MOVLP875, 2014

Album originally released: September 2003

[petnews2day]

Cat Power, Glen Hansard & more covered Sinéad O'Connor & Shane MacGowan at rehearsal for Carnegie Hall benefit (pics, video)

New Post has been published on https://petn.ws/706fy

Cat Power, Glen Hansard & more covered Sinéad O'Connor & Shane MacGowan at rehearsal for Carnegie Hall benefit (pics, video)

A star-studded benefit show honoring the late Sinéad O’Connor and Shane MacGowan happens at Carnegie Hall tonight (3/20), and ahead of that, many of the participating artists played a rehearsal show at City Winery on Tuesday (3/19). The loose, casual rehearsal was led by Tony Shanahan (who played in the house band), and included Billy […]

See full article at https://petn.ws/706fy #CatsNews #AmyCervini, #AndyBurton, #BillyBragg, #Bvhome, #CatPower, #CraigFinn, #Cu00E1ItOu2019Riordan, #DavidGray, #EugeneHutz, #GerryLeonard, #GlenHansard, #ImeldaMay, #JohnDarneille, #JohnReynolds, #JoshRitter, #JoyAskew, #JuliaCumming, #KatEdmonson, #LarryCampbell, #LisaHannigan, #ReistanceRevivalChorus, #ShaneMacGowan, #SineadOconnor, #TonyShanahan, #YuvalLyons

[mitjalovse]

The veteran musicians' latest works tend to find them trying to converse with the modern scenes. A great question here would be – should they try to? Check Bowie who was never a big seller, yet I'm sure his influence dwarfed some who had larger numbers. However, he also kept being savvy in his choices with The Next Day showing that. Set aside the music there – the follow-up was much better, I agree – and think of the way he played with our expectations on his comeback. While the surface was familiar – some tunes belong on a Reality bonus disc –, the lyrics moved to the Walker mode of darkness. However, he didn't go fully there, because The Next Day had to serve as an invitation for us to join him again. Yes, he played us again as he always did.

[positive-total-drama-takez]

first/second boots you will always be famous to me

.

[videomessiah]

Superstar Special #16 (Metal Maniacs) - Y&T: Open Fire

[dawn657]

Top 20 Tdi Characters + The Spinoff RR

20: Leonard

19: Tammy

18/17: The Tennis Rivals

16: Blanieley Aka Mildred

15: Sugar

14: Amy

13: Eva

12: Bowie

11/10: Sadie And Katie

9: Cameron

8: Owen

7: Nichelle

6: Samey

Now For The Top 5 Guys

5: Justin

4: Heather

3🥉: Ezekiel

2🥈: Priya

1🥇: Dawn!!

[blankisunderrated]

the ridonculous race characters are underrated (except for owen and noah)

[loverboyromanroy]

"take this longing" from new skin for the old ceremony by leonard cohen is such a devastating romangerri song.... "oh take this longing from my tongue, whatever useless things these hands have done" "your body like a searchlight my poverty revealed, i would like to try your charity until you cry, 'now you must try my greed.'" "hungry as an archway through which the troops have passed, i stand in ruins behind you" "so let me judge your love affair in this very room where I have sentenced mine to death."

this is the second time someone has brought this song as an r/g song into my inbox and it is just as devastating the second time around

[phillipcole]

Post-AGT Appearance 1267: Campaign Commercial WNRI 1380 am September 29

Demon Dress would have been fourth, then fifth the last 2 weekends, rising to $180 million at the end of last weekend. Man of my Dreams would have inched up to 6 last weekend. Few people would have noticed that after September 15 we would be keeping the profits from the sales of Canadian Wildfires with the exception of designated related products. Last week the song would have reached its peak position on the pop chart at 70. It would be slowly rising on the country chart also.

My efforts on behalf of the Libertarian Party and otherwise trying to talk sense into the minds of American voters would have changed the winners in many races for the House of Representatives, plus primary elections. However in Rhode Island district one David Cicilline would have continued to be reelected, including last November. He would have resigned as he did to become the president of the Rhode Island Foundation. So there would be a special election for that seat with the same nominees: Democrat Gabe Amo and Republican Gerry Leonard, Jr. However there would also be a Libertarian candidate on the ballot and I would have completed a campaign commercial on his behalf. It would start to air on Rhode Island radio stations today, starting with WNRI in Woonsocket right about now.

(The instrumental version of America the Beautiful plays in the background.)

PBC: Fellow Americans, this is Phil Cole, former resident of Rhode Island district one. You might know me from films, songs or comedy skits, but now I want you to know me as a patriotic American who wants the best for America and my former home district one, Rhode Island. There's a special election coming. The Democrats were highly divided but chose a Biden crony Gabe Amo. The Republicans chose a former marine named Gerry Leonard. You know all he wants to do is build the military at the expense of social services. You know the other guy wants to raise taxes to cripple American business and make us all dependent on the superstate. I want to tell you there is a third candidate in this race. His name is ______ __________. He represents the Libertarian Party. We have a simple platform that has never changed. Keep the government off our backs and their hands out of our pockets. Keep America safe but don't meddle in foreign wars. So you can send a strong message to Washington or elect a person of no consequence. Vote ______ __________ this year.

______ __________: I'm ______ __________ and I endorse this message.

[pepbuttz]

EDIT: All characters have been claimed!! Thank you everyone! If any spots open up, I will post an update to my feed!

It's pride month, and you're invited to the biggest sleepover at Camp Wawankwa! Welcome to the 4th annual Total Drama Pride Month Collab! Read the photos for all the information you need, and see below which characters are still up for grabs!

As always, if you're new here, welcome! I host this collab as a way to celebrate something that has been prominent in the Total Drama fanbase for many years. Choose a character to draw donning pride gear of the sexuality and/or identity that you associate them with, and I'll edit them in front of Wawanakwa's cabins alongside MK and Julia!

↓ ↓ ↓ ↓ ↓

SORTED BY CAST + ALPHABETICAL:

Hosts, etc. (FULL)

•Blaineley: ❌

•Chef: ❌

•Chris: ❌

•Don: ❌

•Josh: ❌

•Mr. Coconut: ❌

TDI 2023 (FULL)

•Axel: ❌

•Bowie: ❌

•Caleb: ❌

•Chase: ❌

•Damien: ❌

•Emma: ❌

•Julia: ❌

•Millie: ❌

•MK: ❌

•Nichelle: ❌

•Priya: ❌

•Raj: ❌

•Ripper: ❌

•Scary Girl: ❌

•Wayne: ❌

•Zee: ❌

TDI/TDWT (FULL)

•Alejandro: ❌

•Beth: ❌

•Bridgette: ❌

•Cody: ❌

•Courtney: ❌

•DJ: ❌

•Duncan: ❌

•Eva: ❌

•Ezekiel: ❌

•Geoff: ❌

•Gwen: ❌

•Harold: ❌

•Heather: ❌

•Izzy: ❌

•Justin: ❌

•Katie: ❌

•Leshawna: ❌

•Lindsay: ❌

•Noah: ❌

•Owen: ❌

•Sadie: ❌

•Sierra: ❌

•Trent: ❌

•Tyler: ❌

TDROTI (FULL)

•Anne Maria: ❌

•B: ❌

•Brick: ❌

•Cameron: ❌

•Dakota/(zoid): ❌

•Dawn: ❌

•Jo: ❌

•Lightning: ❌

•Mike: ❌

•Chester: ❌

•Mal: ❌

•Manitoba: ❌

•Svetlana: ❌

•Vito: ❌

•Sam: ❌

•Scott: ❌

•Staci: ❌

•Zoey: ❌

TDPI (FULL)

•Amy: ❌

•Beardo: ❌

•Dave: ❌

•Ella: ❌

•Jasmine: ❌

•Leonard: ❌

•Max: ❌

•Rodney: ❌

•Sammy: ❌

•Scarlett: ❌

•Shawn: ❌

•Sky: ❌

•Sugar: ❌

•Topher: ❌

TD:RR (FULL)

•Brody: ❌

•Carrie: ❌

•Chet: ❌

•Crimson: ❌

•Devin: ❌

•Dwayne: ❌

•Ellody: ❌

•Emma: ❌

•Ennui: ❌

•Gerry: ❌

•Jacques: ❌

•Jay: ❌

•Jen: ❌

•Josee: ❌

•Junior: ❌

•Kelly: ❌

•Kitty: ❌

•Laurie: ❌

•Lorenzo: ❌

•MacArthur: ❌

•Mary: ❌

•Mickey: ❌

•Miles: ❌

•Pete: ❌

•Rock: ❌

•Ryan: ❌

•Sanders: ❌

•Spud: ❌

•Stephanie: ❌

•Taylor: ❌

•Tammy: ❌

•Tom: ❌

[mostlysignssomeportents]

An excerpt from The Bezzle

I'm on tour with my new novel The Bezzle! Catch me next in SALT LAKE CITY (Feb 21, Weller Book Works) and SAN DIEGO (Feb 22, Mysterious Galaxy). After that, it's LA, Seattle, Portland, Phoenix and more!

Today, I'm bringing you part one of an excerpt from Chapter 14 of The Bezzle, my next novel, which drops on Feb 20. It's an ice-cold revenge technothriller starring Martin Hench, a two-fisted forensic accountant specialized in high-tech fraud:

https://us.macmillan.com/books/9781250865878/thebezzle

Hench is the Zelig of high-tech fraud, a character who's spent 40 years in Silicon Valley unwinding every tortured scheme hatched by tech-bros who view the spreadsheet as a teleporter that whisks other peoples' money into their own bank-accounts. This setup is allowing me to write a whole string of these books, each of which unwinds a different scam from tech's past, present and future, starting with last year's Red Team Blues (now in paperback!), a novel that whose high-intensity thriller plotline is also a masterclass in why cryptocurrency is a scam:

https://us.macmillan.com/books/9781250865854/redteamblues

Turning financial scams into entertainment is important work. Finance's most devastating defense is the Shield Of Boringness (h/t Dana Clare) – tactically deployed complexity designed to induce the state that finance bros call "MEGO" ("my eyes glaze over"). By combining jargon and obfuscation, the most monstrous criminals of our age have been able to repeatedly bring our civilization to the brink of collapse (remember 2008?) and then spin their way out of it.

Turning these schemes into entertainment is hard, necessary work, because it incinerates the respectable suit and tie and leaves the naked dishonesty of the finance sector on display for all to see. In The Big Short, they recruited Margot Robbie to explain synthetic CDOs from a bubble-bath. And John Oliver does this every week on Last Week Tonight, coming up with endlessly imaginative stunts and gags to flense the bullshit, laying the scam economy open to the bone.

This was my inspiration for the Hench novels (I've written and sold three of these, of which The Bezzle is number two; I've got at least two more planned). Could I use the same narrative tactics I used to explain mass surveillance, cryptography and infosec in the Little Brother books to turn scams into entertainment, and entertainment into the necessary, informed outrage that might precipitate change?

The main storyline in The Bezzle concerns one of the most gruesome scams in today's America: prison-tech, which sees America's vast army of prisoners being stripped of letters, calls, in-person visits, parcels, libraries and continuing ed in favor of cheap tablets that bilk prisoners and their families of eye-watering sums for every click they make:

https://pluralistic.net/2024/02/14/minnesota-nice/#shitty-technology-adoption-curve

But each Hench novel has a variety of side-quests that work to expose different kinds of financial chicanery. The Bezzle also contains explainers on the workings of MLMs/Ponzis (and how Gerry Ford and Betsy DeVos's father-in-law legalized one of the most destructive forces in America) and the way that oligarchs, foreign and domestic, use Real Estate Investment Trusts to hide their money and destroy our cities.

And there's a subplot about music-royalty theft, a form of pernicious wage theft that is present up and down the music industry supply-chain. This is a subject that came up a lot when Rebecca Giblin and I were researching and writing Chokepoint Capitalism, our 2022 book about creative labor markets:

https://chokepointcapitalism.com/

Two of the standout cases from that research formed the nucleus of the subplot in The Bezzle, the case of Leonard Cohen's batshit manager who stole millions from him and then went to prison for stalking him, leaving him virtually penniless and forced to keep touring to keep himself fed:

https://www.theguardian.com/music/2012/apr/19/leonard-cohen-former-manager-jailed

The other was George Clinton, whose manager forged his signature on a royalty assignment, then used the stolen money to defend himself against Clinton's attempts to wrestle his rights back and even to sue Clinton for defamation for writing about the caper in his memoir:

https://www.musicconnection.com/the-legal-beat-george-clinton-wins-defamation-case/

That's the tale that this excerpt – which I'll be serializing in six parts over the coming week – tells, in fictionalized form. It's not Margot Robbie in a bubble-bath, it's not a John Oliver monologue, but I think it's pretty goddamned good.

I'm leaving for a long, multi-city, multi-country, multi-continent tour with The Bezzle next Wednesday, starting with an event at Weller Bookworks in Salt Lake City on the 21st:

https://www.wellerbookworks.com/event/store-cory-doctorow-feb-21-630-pm

I'll in be in San Diego on the 22nd at Mysterious Galaxy:

https://www.mystgalaxy.com/22224Doctorow

And then it's on to LA (with Adam Conover), Seattle (with Neal Stephenson), Portland, Phoenix and beyond:

https://pluralistic.net/2024/02/16/narrative-capitalism/#bezzle-tour

I hope you'll come out for the tour (and bring your friends)!

Between 1972 and 1978, Steve Soul (a.k.a. Stefon Magner) had a string of sixteen Billboard Hot 100 singles, one of which cracked the Top 10 and won him an appearance on Soul Train. He is largely forgotten today, except by hip-­hop producers who prize his tracks as a source of deep, funky grooves. They sampled the hell out of him, not least because his rights were controlled by Inglewood Jams, a clearinghouse for obscure funk tracks that charged less than half of what the Big Three labels extracted for each sample license.

Even at that lower rate, those license payments would have set Stefon up for a comfortable retirement, especially when added to his Social Security and the disability check from Dodgers Stadium, where he cleaned floors for more than a decade before he fell down a beer-­slicked bleacher and cracked two of his lumbar discs. But Stefon didn’t get a dime. His former manager, Chuy Flores, forged his signature on a copyright assignment in 1976. Stefon didn’t discover this fact until 1979, because Chuy kept cutting him royalty checks, even as Stefon’s band broke up and those royalties trickled off. In Stefon’s telling, the band broke up because the rest of the act—­especially the three-­piece rhythm section of two percussionists and a beautiful bass player with a natural afro and a wild, infectious hip-­wiggle while she played—­were too coked up to make it to rehearsal, making their performances into shambling wreckages and their studio sessions into vicious bickerfests. To hear the band tell of it, Stefon had bad LSD (“Lead Singer Disease”) and decided he didn’t need the rest of them. One thing they all agreed on: there was no way Stefon would have signed over the band’s earnings to Chuy, who was little more than a glorified bookkeeper, with Stefon hustling all their bookings and even ordering taxis to his bandmates’ houses to make sure they showed up at the studio or the club on time. Stefon remembered October of ’79 well. He’d been waiting with dread for the envelope from Chuy. The previous royalty check, in July, had been under $250. The previous quarter’s had been over $1,000. This quarter’s might have zero. Stefon needed the money. His 1972 Ford Galaxie needed a new transmission. He couldn’t keep driving it in first.

The envelope arrived late, the day before Halloween, and for a brief moment, Stefon was overcome by an incredible, unbelieving elation: Chuy’s laboriously typewritten royalty statement ended with the miraculous figure of $7,421.16. Seven thousand dollars! It was more than two years’ royalties, all in one go! He could fix the Galaxie’s transmission and get the ragtop patched, and still have money left over for his back rent, his bar tab, his child support, and a fine steak dinner, and even then, he’d end the month with money in his savings account.

But there was no check in the envelope. Stefon shook the envelope, carefully unfolded the royalty statement to ensure that there was no check stapled to its back, went downstairs to the apartment building lobby and rechecked his mailbox.

Finally, he called Chuy.

“Chuy, man, you forgot to put a check in the envelope.”

“I didn’t forget, Steve. Read the paperwork again. You gotta send me a check.”

“What the fuck? That’s not funny, Chuy.”

“I ain’t joking, Steve. I been advancing you royalties for more than three years, but you haven’t earned nothing new since then—­no new recordings. I can’t afford to carry you no more.”

“Say what?”

Chuy explained it to him like he was a toddler. “Remember when you signed over your royalties to me in ’76? Every dime I’ve sent you since then was an advance on your future recordings, only you haven’t had none of those, so I’m cutting you off and calling in your note. I’m sorry, Steve, but I ain’t a charity. You don’t work, you don’t earn. This is America, brother. No free lunches.”

“After I did what in ’76?”

“Steve, in 1976 you signed over all your royalties to me. We agreed, man! I can’t believe you don’t remember this! You came over to my spot and I told you how it was and you said you needed money to cover the extra horns for the studio session on Fight Fire with Water. I told you I’d cover them and you’d sign over all your royalties to me.”

Stefon was briefly speechless. Chuy had paid the sidemen on that session, but that was because Chuy owed him a thousand bucks for a string of private parties they’d played for some of Chuy’s cronies. Chuy had been stiffing him for months and Stefon had agreed to swap the session fees for the horn players in exchange for wiping out the debt, which had been getting in the way of their professional relationship.

“Chuy, you know it didn’t happen that way. What the fuck are you talking about?”

“I’m talking about when you signed over all your royalties to me. And you know what? I don’t like your tone. I’ve carried your ass for years now, sent you all that money out of my own pocket, and now you gotta pay up. My generosity’s run out. When you gonna send me a check?”

Of course, it was a gambit. It put Stefon on tilt, got him to say a lot of ill-­advised things over the phone, which Chuy secretly recorded. It also prompted Stefon to take a swing at Chuy, which Chuy dived on, shamming that he’d had a soft-­tissue injury in his neck, bringing suit for damages and pressing an aggravated-­assault charge.

He dropped all that once Stefon agreed not to keep on with any claims about the forged signature; Stefon went on to become a good husband, a good father, and a hard worker. And if cleaning floors at Dodgers Stadium wasn’t what he’d dreamed of when he was headlining on Soul Train, at least he never missed a game, and his boy came most weekends and watched with him. Stefon’s supervisor didn’t care.

But the stolen royalties ate at him, especially when he started hearing his licks every time he turned on the radio. His voice, even. Chuy Flores had a fully paid-­off three-­bedroom in Eagle Rock and two cars and two ex-­wives and three kids he was paying child support on, and Stefon sometimes drove past Chuy Flores’s house to look at his fancy palm trees all wrapped up in strings of Christmas lights and think about who paid for them.

ETA: Here's part two!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/02/17/the-steve-soul-caper/#lead-singer-disease

[mychameleondays]

David Bowie: The Next Day

incl. CD

ISO Records/Columbia/Sony 88765461861

Released: March 29, 2013

[battyaboutbooksreviews]

🌈 Queer Books Out December 2023 🌈

🌈 Good afternoon, my bookish bats! Struggling to keep up with all the amazing queer books coming out this month? Here are a FEW of the stunning, diverse queer books you can add to your TBR before the year is over. Remember to #readqueerallyear! Happy reading!

❤️ Caught in a Bad Fauxmance by Elle Gonzalez Rose 🧡 Heartstopper #5 by Alice Oseman 💛 This Cursed Light by Emily Thiede 💚 All The Hidden Paths by Foz Meadows 💙 Vampires of Eden: Book One by Karla Nikole 💜 Not My Type by Joe Satoria ❤️ Storm in Her Heart by KC Luck 🧡 Eternal Embrace by Luna Lawson 💛 A River of Golden Bones by A.K. Mulford 💙 Tomb of Heart and Shadow by Cara N. Delaney 💜 Through the Embers Volume 2 by Adriana Sargent 🌈 Lucero by Maya Motayne

❤️ The Poison Paradox by Hadley Field & Felix Green 🧡 Second Chances in New Port Stephen: A Novel by TJ Alexander 💛 Matrimonial Merriment by Nicky James 💚 Under the Christmas Tree by Jacqueline Ramsden 💙 Every Beat of Her Heart by KC Richardson 💜 The Memories of Marlie Rose by Morgan Lee Miller ❤️ Playing with Matches by Georgia Beers 🧡 Always Only You by Chloe Liese 💛 Fire in the Sky by Radclyffe and Julie Cannon 💙 Nuclear Sunrise by Jo Carthage 💜 The Naked Dancer by Emme C. Taylor 🌈 Resurrections by Ada Hoffmann

❤️ Destiny’s Women by Morgan Elliott 🧡 Framed by Kate Merrill 💛 The Spoil of Beasts by Gregory Ashe 💚 Catered All the Way by Annabeth Albert 💙 A Cynic’s Christmas Conundrum by L.M. Bennett 💜 Yours for the Taking by Gabrielle Korn ❤️ One Swipe Away by Nicole Higginbotham-Hogue 🧡 The Gentlemen’s Club by A.V. Shener 💛 A Death at the Dionysus Club by Melissa Scott and Amy Griswold 💙 Secrets of the Soul by Holly Oliver 💜 Like They Do in the Movies by Nan Campbell 🌈 Limelight by Gun Brooke

❤️ Heart First by S.B. Barnes 🧡 Grave Consequences by Sandra Barret 💛 Haunted by Myth by Barbara Ann Wright 💚 Invisible by Anna Larner 💙 The Murders at Sugar Mill Farm by Ronica Black 💜 Coasting and Crashing by Ana Hartnett ❤️ Fairest by K.S. Trenten 🧡 A City of Abundant Opportunity by Howard Leonard 💛 The Dark Side of MIdnight by Erin Wade 💙 Mending Bones by Merlina Garance 💜 Transform by Connal Braginsky & Sean Ian O’Meidhir 🌈 The Apple Diary by Gerri Hill

❤️ TruLove by Nicole Pyland 🧡 Structural Support by Sloan Spencer 💛 Whiskey War by Stacy Lynn Miller 💚 Overkill by Lou Wilham 💙 Heart of Outcasts by Nicole Silver 💜 In the Shadow of Victory by J. E. Leak ❤️ Just Like Her by Fiona Zedde 🧡 Gingerbread: Claus For Christmas by Miski Harris 💛 Lies are Forever by C. Jean Downer 💙 The Boys in the Club by M.T. Pope 💜 Lasting Light (Metal & Magic) by Michelle Frost 🌈 Tell No Tales by Edie Montreux

❤️ Radio Silence by Alice Oseman 🧡 Even Though We're Adults Vol. 7 by Takako Shimura 💛 The Accidental Bite by Michelle St. Wolf 💚 Mated to the Demons by Taylor Schafer 💙 Someday Away by Sara Elisabeth 💜 Gatherdawn Luminia Duet Volume 1 by Lee Colgin ❤️ Curse of Dawn by Richard Amos 🧡 Healing the Twin by Nora Phoenix 💛 Ride Me by KD Ellis 💙 How to Bang a Vampire by Joe Satoria 💜 Cthulhu for Christmas by Meghan Maslow 🌈 Prestige by Toni Reeb

❤️ Don't Look Down by Jessica Ann 🧡 Winter and the Wolves by Chris Storm and Kinkaid Knight 💛 Hat Trick by Ajay Daniel 💚 Starborn Husbands: Return to the Pleiades by S. Legend 💙 Dead Serious Case #4 Professor Prometheus Plume by Vawn Cassidy 💜 Practice for Toby by Amy Bellows ❤️ The Siren's Song by Crista Crown 🧡 Hers to Hunt K.J. Devoir

[mitjalovse]

We must stress some musicians follow their unintentionally perfect finales later on. For instance, Bowie's Reality might be an example of such a finish asc we know he returned. Moreover, Reality might be in the top tier of his albums, yet nothing on the record screams the end. Sure, there are some hints on him dealing with his advanced age, but the entire LP seems like a breezier affair than the predecessor. However, him taking a long time to get to The Next Day caused many to see the disc as his finale and I have to admit we could've been pleased with the way Bowie finished his career despite Reality not being beholden to such a task. Of course, I still ask myself – how much did the final two discs lower the rank of Reality on the list of Bowie's platters?

[codywiththeladies]

Assigned animals for my au. TDI I realized I had a majority already and I came up with the ROFI cast like a few days ago? From RR, I only had Dwayne and Junior figured out but the rest I figured out today. Also no reboot characters bc I haven’t even watched it yet

TDI:

Owen: bear

Justin: white tiger

Cody: red squirrel

Courtney: Birman cat

Gwen: hyena

DJ: goat

Lindsay: spotted deer

Tyler: beagle dog

Izzy: poodle

Noah: spaniel dog

Trent: groundhog (9 letters)

Harold: caribou deer

Beth: beaver

Heather: Dobermann

Leshawna: panther

Ezekiel: raccoon

Duncan: wolverine

Sadie: hedgehog

Katie: porcupine

Geoff: golden retriever dog

Bridgette: otter

Eva: Siamese cat

TDWT:

Alejandro: lion

Sierra: maned wolf

TDROTI:

Mike: monkey

Scott: roof rat

Dakota: horse - alicorn

Cameron: holland lop bunny

Dawn: Florida white rabbit

Lightning: carpathian shepherd

Zoey: red panda

Staci: pig

Anne Maria: lemur

B: seal

Sam: sheepdog

Brick: ferret

Jo: wolf

TDPI:

Max: chinchilla

Amy: opossum

Sammy: opossum

Leonard: raven

Sky: snowy owl

Topher: servai cat

Scarlette: red fox

Shawn: singapura cat

Sugar: pony

Beardo: american black bear

Ella: flamingo

Dave: dachshund

Jasmine: emu

TDRR:

Junior: roborovski dwarf hamster

Dwayne: Meerkat

Kitty: burmese cat

Emma: burmese cat

Josee: lynx

Jacques: arctic fox

Ellody: barred owl

Mary: grey parrot

Tom: llama

Jen: hare

Lorenzo: capybara

Chet: mink

Rock: badger

Spud: skunk

Laurie: camel

Miles: donkey

Kelly: caracal

Taylor: bobcat

Devin: border collie

Carrie: silver fox

Stephanie: jackal

Ryan: bull

Brody: sea lion

Jay: armadillo

Mickey: armadillo

Ennui: coyote

Crimson: wolf

Pete: gopher

Gerry: mongoose

Tammy: lamb

MacArthur: German shepherd

Sanders: Labrador retriever