#Distance Targeting

[taptofan]

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[primal-con]

Wanted to draw robots again so I’m going back to my roots

[gophergal]

I don't know if you are still doing the ms paint doodle requests but if you do can I ask for SpeedingBullet/SniperScout red and blue? I am a SUCKER for star-crossed lovers

[send a request, get a shitty ms paint doodle]

[lynne-monstr]

(x)

[puppppppppy]

oooh wait so the plot hole of “why doesnt a spirit medium just channel the victims spirit” is literally bc the DL-6 spirit channeling cant be repeated huh

[heyclickadee]

Besides anything else, I actually refuse to believe we’re fully done with the TBB characters until we see Wrecker grinning like a cartoon cereal mascot again.

[mamawasatesttube]

we need simon, lori, and sajan back. kon & his smallville crew are representation for gay teenagers in small towns who go hang out together at walmart because what else is there to do in your small town. we need them back

[cryptdfish]

“white mourning.”

[prettyboykatsuki-moved]

do any of you study at the barnes and noble cafes they have

[sexhaver]

a really funny and consistent strat i discovered for Yassified Radahn's second phase is that, if you stack the max holy resist and poise possible with your armor and talismans, you can open phase 2 by casting Lord's Divine Fortifcation, using Endure to tank the orbital Jesus laser, and then do basically whatever you want to him as he slowly descends from T-posing five feet in the air. the obvious answer is charged R2s but i had the most success with giving him PTSD war flashbacks by casting Scarlet Aeonia under him. also if you're using Mimic Tear in this fight put at least 1 Hefty Rot Pot in your hotbar, the tear can use it an infinite amount of times and the Hefty pot not only procs in a single throw the first time but also inflicts the heavy version of rot normally reserved for spells

[gummi-ships]

Kingdom Hearts Dream Drop Distance Link Attack - Lucky Dice

[flythesail]

I do love rereading my own writing though like, wow the author put everything I want in this

[nyan-bynary]

Do you ever think about how serious young satoru looks and acts and talks and how even in his teenage years he holds himself like how he thinks an adult would, and then you see him as an adult being silly and filling every awkward silence with his voice and sprawling in exaggerated ways and you realize, this isn't what he's like normally,,, he does it so the kids don't feel like they have to act all serious and grown up, so they can have at least some of their childhood in comfort, so they can feel safe being themselves around him even if it means them calling him an idiot sometimes, he ALLOWS himself to be perceived like that for their sake

[nnn-lll-nnn]

// TUNING...

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[great-master-airplane]

Do you not like skk at all anymore?

It's... complicated. My entire feelings on bsd as a whole are at an all time low, but frustration with skk as a ship was the primary reason I started falling out of the series. It's exhausting to see people only care about these characters from a shipping perspective, to the point where they're insulting other characters or rejoicing when bad things happen to them because they're no longer in the way of the ship. Skk fans being mean about Sigma started my distaste, and them being mean about Kunikida finished it. I have trouble even writing the ship now, and I rarely interact with things about it.

I don't know if this is a permanent thing or if I'll come back eventually, but as of right now... not a fan anymore.

[flow2024]

if i really wanted to i could contrast the old guard 2020 and diabolik 2021 as comic book adaptations and the different ways they approach both adapting their source material i.e. diabolik as an adaptation is both paying homage to its source material constantly and regularly reminding you that it is a comic book adaptation whereas the old guard is more trying to make a regular action movie based on a comic book, drawing occasional visual parallels that won't be recognisable unless the viewer is familiar with the source material. both are also adapting the story in some way for film, but diabolik stays much more strictly to the book it's adapting while the old guard makes a lot of changes (afaik there's almost nothing from the comics verbatim) but keeps the core of the story and essential scenes in. something interesting there about diabolik reminding us of the series' origin as comics probably due to a) its long-running history and b) cultural icon status (source: me and my powerpoint) vs the old guard falling into what i might call the current style of comic book adaptation where the focus is on appealing to a wide audience, comics fans or not, to the point where you might not even know it's based on a comic outside of marketing. but also essentially i think a comic book adaptation should match the tone of its original, which they both do: the old guard is a darker, more serious, more "adult" comic, and so it follows that the adaptation largely follows that tone (save for one or two parts that to me feel very recognisably comic book style), whereas diabolik is, albeit technically also for adults, a different genre / tone. and then there's something else to be said there in the evolution of comics considered adult, e.g. diabolik considered adult in the context of its first publishing because it contained crime and killing but generally becoming considered one of the more tame examples of the subgenre it spawned, vs the old guard being adult in terms of current standards via depicting sex / nudity / swearing / violence far beyond the scope of diabolik, which is pretty much unchanged. anyway these two things are not really connected beyond "both being comic book movie adaptations released in the 2020s featuring notable italian luca marinelli in a somewhat major role as a character who says vaguely ominous things and largely emotes through microexpressions" but it's fun to think about sometimes